Showing posts sorted by date for query new victoria theatre. Sort by relevance Show all posts
Showing posts sorted by date for query new victoria theatre. Sort by relevance Show all posts
Wednesday 7 December 2022
Cinderella (Panto), New Victoria Theatre | Review
Cinderella (Pantomime)
New Victoria Theatre
Reviewed on Tuesday 6th December 2022
★★★★
It's that time of year again (oh yes it is) where audiences flock to their local theatres to see the seasonal panto, and this year the New Victoria Theatre, Woking are providing the glitziest of night's out with their version of Cinderella.
Getting the show off to a magical start, is Jenny Gayner as the Fairy Godmother, flying out into the audience and getting the children (and let's be fair the adults too) on the edge of their seats, ready for a fantastically festive night out. From then it's full-on, non-stop action, audience participation and slapstick humour. A complete maelstrom of energy, you wonder how the cast can consistently do two shows a week until December 31st!
With panto veteran Kathryn Rooney at the helm as Director, this is a show which has something for everyone including some great comedic, as well as theatrical moments. The best comedy comes from Brian Conley as Buttons who completely knows how to work the crowd, with just the right amount of audience participation and a great number of references to his own work as well as to the local area. The wonderful step sisters Claudia (Neal Wright) and Tess (Ben Stock) not only have an astounding wardrobe of over the top, ridiculous gowns, but they also have great chemistry with one another and are thoroughly entertaining throughout their time on stage.
What works so well with this production is that it truly feels luxurious and there is a whole lot of spectacle sprinkled in with the silliness. Aesthetically, the costumes are glorious; an array of sparkle and massive head pieces that look really great. Sarah Vaughan goes to the ball in dazzling glitz and even the Prince (Samuel Wilson-Freeman) gets some cracking costumes.
Other "wow" moments also include the end of Act One snow (always a winner at Christmas) and the real life horses which are just adorable. Pyrotechnics and confetti also add to the drama and festivity of it all and the great vocals and choreography from the cast help make it more than just a laugh a minute, no substance show.
Of course, like with any Panto, there are aspects which might not hit personally for every audience member, but you can't deny that there's at least a moment for everyone and hearing the children of the audience in fits of laughter is enough to make you feel the festive spirit. Cinderella provides exactly what you'd expect with a Christmas pantomime and you can't really ask for much more!
Wednesday 23 November 2022
Girl From The North Country (UK Tour), New Victoria Theatre | Review
New Victoria Theatre
Reviewed on Tuesday 22nd November 2022 by Olivia Mitchell
★★★★
The UK theatre scene is no stranger to jukebox musicals, but Girl From The North Country which features Bob Dylan's backlog, is a completely different and outstanding take on the genre. Dylan's work is the definition of storytelling, with each song creating a mood and narrative to follow so it really lends itself well to being interspersed into a show.
Writer and Director Connor McPherson has taken the songs and set them in Minnesota (Bob Dylan's birthplace) against the backdrop of the depression; this leads to a dark show but it's surprisingly filled with a lot of light and humour and ultimately manages to be uplifting. McPherson's writing is truly wonderful, his rich, multi layered plot sweeps you up and takes you on a hugely moving but also intimate journey. Although at times things can be a little confusing you can't help but be drawn into the world of the characters and the story manages, much like life, to be both simplistic and chaotic at once.
The setting is an old boarding house run by Nick Laine, who is struggling to look after his wife Elizabeth who has dementia. Also struggling to make ends meet we see him try to stay afloat alongside the various others who come through his doors. Frances McNamee is breathtaking as Elizabeth, giving vocals that are so superbly soulful and smooth you're completely enamoured. Her performance is also amazingly witty and mischievous, often proving hilarious one liners and always keeping you on the edge of your seat; it's a real masterclass performance. Alongside her Colin Connor gives a really strong performance as the husband who is trying to hold everything together without falling apart himself.
Marianne (Justina Kehinde) was taken in by the Laines as a baby and now helps out in the guesthouse but is facing her own hardships as she is pregnant. Her father therefore is desperate to marry her off to alleviate some of the financial and social burden. Whilst his biological son (Gregor Milne) is an alcoholic wannabe writer who is completely stuck in a rut. It's really a portrait of a family who are struggling, which feels very relevant given the huge struggles today with the cost of living crisis and recession. Despite this, the musical (although its more a play with songs) isn't particularly maudlin, instead it's almost a celebration of resilience and relationships.
Without giving too much away, there are also a number of other romantic and friendship relationships showcased, all of which are well rounded and beautifully nuanced. One of which is that of Gene Laine and Katherine Draper (Eve Norris) which is a small part of the show but one of the standout moments with their performance of I Want You being a vocal delight.
As a whole the performances are incredibly strong. Justina Kehinde conveys Marianne's youth and vulnerability in a brilliantly natural way. Joshua C Jackson is mysterious and imposing but also tender as Joe Scott and Owen Lloyd is wonderful as bible seller Elias Burke. The ensemble performances make this show as moving as it is, with every song being performed in perfect conversation with the script. Like A Rolling Stone is a definite stand out, as are the moments of silence. The cast are so in sync that rests feel like a communal breath and it's magical to experience.
Girl From The North Country is raw and poetic show which quietly sneaks up on you and leaves you pondering the important things in life. It's intimate, energetic, entirely engaging and a really great theatrical experience.
Friday 11 November 2022
The Nutcracker, (Northern Ballet Tour) New Victoria Theatre | Review
The Nutcracker (UK Tour)
New Victoria Theatre
Reviewed on Thursday 10th November 2022 by Olivia Mitchell
★★★★
Returning to the New Victoria Theatre, Woking after its triumphant run in 2018, Northern Ballet's The Nutcracker is just as magical as ever and a must see this festive season. This enchantingly magical show is brought to life by a stunningly talented cast and completely embodies joy and magic.
David Nixon's choreography makes this a spectacle of a show that fits perfectly on a touring stage whilst still providing a wow factor. Whilst it's not quite as intricate or dark as other productions, it's a real sweet treat that's perfect for all ages and thanks to the talented dancers every step is performed to perfection.
Not a moment of Tchaikovsky's glorious score is wasted in this show, from the overture we are introduced to a number of characters who scurry around the front of the stage preparing the grand house for its Christmas party. Small details are a real feature of this production, especially during Act One when there are multiple engagements and mini plot lines going on between characters. This attention to detail makes it really engaging and makes the whole Christmas party feel incredibly realistic- there's even Grandpa (Wesley Branch) drunkenly falling over!
We're soon introduced to Clara who is played wonderfully by Rachael Gillespie, who's beaming smile and childlike wonder exude from the stage and make the audience share in her joy. As her Nutcracker Prince, Harris Beattie is dashing to watch and he sparkles on stage like the glitter he was created with. The duo's Pax de Deux against the snowy backdrop is truly magical.
It in Act Two when a lot of the real magic happens, with a number of absolutely breathtaking moments. Perhaps the most magical being the Sugar Plum Fairy (Saeka Shirai) solo and Pax de Deux with her Cavalier (Jonathan Hanks), both of which are completely mesmerising. Despite the stage being filled with opulent sets, the audience can't help but watch only the dancers, and Saeka's solo especially, is a true showcase of ballet at its finest.
As Drosselmeyer Gavin McCaig is mystical and a dream to watch as his magical, glittering cape flows around him. Bruno Serraclara is witty as the Mouse King and each and every soloist is wonderful.
Aside from the dancing, this is a visually and aurally pleasing show. The Northern Ballet Sinfonia do complete justice to the glorious music, and under the baton of Jonathan Lo they sound utterly virtuosic. Charles Cusick Smith's set alongside Mark Jonathan's lighting are a design match made in heaven; perfectly balancing magic and spectacle, whilst also allowing dance to be the star of the show.
The Northern Ballet's production of The Nutcracker is everything you could want in the lead up to Christmas. Enchantment paired with stellar dancing means you'll have a captivating time, whether you're an adult or child.
photo credit: Emma Kauldhar
Wednesday 2 November 2022
Jayme-Lee Zanoncelli on Taking Rock and Roll On Tour | Bat Out Of Hell | Interview
It’s wild, it’s fun, it has everything
Bat Out Of Hell is rocking its way across the UK with its larger than life production values and stellar cast. Swing and Assistant Dance Captain Jayme-Lee Zanoncelli tells us about her experience in the show and why you should take a trip to see it!
For anyone that hasn’t seen Bat Out of Hell, can you explain a little bit about the show?
I would describe Bat out of Hell as a gothic love story. Shown musically, by the intricate and theatrical song writing by Jim Steinman as well as visually on stage. It’s unapologetically “out there.” There’s nothing else like it.
What do you think makes the show appeal you both old and new fans of Jim Steinman/Meatloaf?
I think for the old fans, the show gives them a chance to reminisce and enjoy the music they love so much. Even for the newer fans, Jim & Meatloaf’s music is exciting and unique. The characters are vibrant, the set is epic of course, fire, lighting and explosions all add to the experience.
What’s your favourite song to sing and what’s your favourite song that you don’t sing?
So many to choose from! I love All Revved Up. It’s intense and fast paced; a great opening for this show. I think my favourite song in the show is What Part Of My Body Hurts The Most. It’s song-writing at its finest.
Is there a Meatloaf song that isn’t in the show, that you wish was?
Midnight At The Lost and Found! It’s a great song!
What’s your favourite tour memory so far? Are you keeping track of the places you visit in any way?
There have been so many great memories on this tour! Our Bat Halloween party was really cool! Everyone put so much effort in.
I have kept a log of the places we have travelled to over the last 14 months. Plymouth and Edinburgh have both been memorable places for me.
In one sentence, why should people come and see the show?
Everyone should see this show. It’s wild, it’s fun, it has everything; you will not leave bored that’s for sure!
Bat Out of Hell plays at the New Victoria Theatre until November 5th and then continues it's tour
Wednesday 26 October 2022
Five Reasons to see Bat Out of Hell on Tour
On its last tour stop with its current cast, Bat Out of Hell remains a fiery, energy-packed explosion of a show which is drawing audiences in and providing a rocking night out. For a full review of the touring production, click here, but for today I'm sharing with you my top five reasons to take a trip to see the show at its current venue, the New Victoria Theatre, Woking.
It's a Complete Escape From Reality: I don't think I've seen a show which is as larger than life as Bat Out of Hell. Not only is the story completely futuristic and flamboyant, but the staging, special effects and performances are like nothing else. From fire, to confetti this show has it all and is a spectacle to behold.
It Has Comedy in All the Right Places: The show is set in an apocalyptic world where groups of people are stuck at 18 years old so spend their days hiding out in an underground world and riding around on Harley Davidson's, so needless to say, you need to suspend your belief while watching. Thankfully, the show helps you do so by providing humour in moments which could be otherwise phoney. This is mostly done through the outstanding performances by Rob Fowler and Sharon Sexton as Falco and Sloane who continually poke fun at one another. Through a series of one-liners and silly interactions the humour runs throughout and also adds to their character depth. Plus their vocals are stellar.
There Are Backstories Woven In: A personal favourite aspect in a show is when there's a story beyond the main story. This is extremely prevalent in Bat and adds a whole level of interest that just expands each time you see the show. All of the ensemble not only have names, but have their own stories figured out. Depending on who you watch you can see romances blossom and fall apart, jokes carry on and so much more.
The Performances Take the Roof Off: A show like this couldn't be performed with lacklustre vocals, thankfully it's the complete opposite. The entire cast are face-meltingly good and are the definition of energy throughout. Written by the late Jim Steinman this show was always written to be performed as a jukebox musical so the songs just work in this setting when performed by such a unanimously strong cast.
It's Fun For All Ages: While it may not seem it on the tin, this really is a show which caters for everyone. Of course there are a few risqué moments which parents might not want their kids to see but overall it's just a whole lotta fun and they'd probably go over their heads anyway. For those who grew up with the music of Jim and Meatloaf, the show is a fantastic way to reminisce and hear the songs in a new light and for those new to it, it's a perfect introduction. The audiences are made up of a whole variety of people who are all brought together by this wacky and wonderful show.
After the deaths of both Jim Steinman and Meatloaf, the musical is even more poignant and provides even more of a reason for you to visit and share in the legacy of the musical icons. If the joyous audiences are anything to go by, you'll thoroughly enjoy this show!
Bat Out Of Hell runs at the New Victoria Theatre until 5th November
photo credit: Chris Davis
Wednesday 7 September 2022
The Cher Show (Tour), New Victoria Theatre | Review
The Cher Show (Tour)
New Victoria Theatre
Reviewed on Tuesday 7th September 2022
★★★
A world renowned singer, actress and age defying star, Cher has had a longtime career full of ups and downs, which have now been transformed into a glitz-filled stage show.
Turning back time from her Las Vegas residencies, The Cher Show begins in the 1950s with a young Cherilyn Sarkisian who's longing to be a star, and progresses through her various ventures, successes and failures up to the modern day. Taking on the role of the musical icon, are three superstars who share (cher) the role and show her at various stages of her life. Debbie Kurup plays the Star, Danielle Steers is Lady and Millie O'Connell is the youngest, Baby.
It's Cher's rich, contralto voice which makes her so recognisable and the three actresses do a great job of mirroring her style as well as her mannerisms and speaking voice. All are vocally excellent and give performances that the icon herself would be proud of.
Whilst the three Cher's represent different times in her life, they also interact throughout and almost act as a Greek chorus or moral compass for one another. This is one of the most effective parts of the musical as the trio interact so wonderfully and have some really witty moments. They also help to keep the plot moving and provide somewhat of a through line to the show.
Aside from this, the script and storyline are somewhat lacklustre. There's not a real cohesion to the story and while of course liberties can't be taken with a real life story, it does feel like there needs to be a theme which ties the show together, or at least more of a conclusion. Towards the end of the musical there is more mention of Cher as a Goddess Warrior but it kind of comes from nowhere. This as a recurring theme throughout could be more effective as a way to show that Cher was a strong business and career woman who got herself back up every time. Instead, the main points and moments are the relationships in Cher's life. That's not to say these aren't enjoyable to watch, and the whole cast do a great job of portraying them, but for Cher being such a powerful woman, there is a distinct lack of oomph and empowerment overall.
The show also has a few moments which fall flat, such as the tap scene where the dancers aren't actually tapping. For a show which packs in thirty of Cher's greatest hits, there also isn't a real crowd pleaser until the megamix at the end. The songs are effectively shoehorned in to tell the story but don't get a chance to shine in their own right as the musical classics that they are. Perhaps less would be more in terms of showcasing the real bops of the track list and leaving out some of the small interludes.
However, less is most definitely not more in the general visual spectacle of the show. Tom Rodgers' set is fairly simplistic but cleverly transforms and feels like a thousand sets in one. Gabriella Slade's costumes take inspiration from Bob Mackie's originals and bring superb glitz, glam and dazzle to proceedings, with the Cher's quite literally beaming sparkles around the auditorium. Ben Cracknell's lighting is a star in its own, completely fitting the vibe of the show and bringing energy and excitement throughout, even more so in the huge finale.
Whilst the tour of The Cher Show does have some faults, it's a treat to see such strong performances on stage and Cher's persona and discography speaks for itself. For glitz and glam you couldn't really ask for more and will Cher-ly have a great time soaking it all in.
photo credit: Pamela Raith
Wednesday 3 August 2022
Joseph and the Amazing Technicolor Dreamcoat (Tour), New Victoria Theatre | Review
Joseph and the Amazing Technicolor Dreamcoat
New Victoria Theatre
Reviewed on Wednesday 3rd August 2022 by Olivia Mitchell
★★★★★
Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat is a staple and rite of passage for many musical theatre fans so when a production is mounted there's always a ready and willing audience to view it. Thankfully for current audiences, the Palladium production which is touring the country is absolutely top notch and a dream night out.
Laurence Connor's version of Joseph is a reinvigorated, large scale, glitzy production that feels like it's been plucked straight from the West End and dropped into Woking. The excellent sets by Morgan Large look luxurious but there's also a lovely element of simplicity which is reminiscent of the hugely popular film version. The entire set design is sleek and perfectly embodies the joy and energy which this show provides.
If you're looking for a killer cast, you need to look no further than Joseph. Every single cast member fires on all cylinders and the power and joy which pours out from the stage is just a treat to experience. In the lead role Jac Yarrow is star quality embodied. His Close Every Door To Me is absolutely excellent and he brings a lovely cheeky quality which draws you to Joseph and makes you root for him even more.
Yarrow is joined by Linzi Hately who is wonderfully witty as The Narrator as well as Bobby Windebank who gives a brilliant portrayal of the Elvis-esque Pharaoh. Mention must also go to Matt Gibson as Rueben and Will Hawsworth as Simeon, both of whom are real standouts vocally in their solo moments. The child performers are a joy to watch as they take on various roles and exude happiness.
This is also a choreography heavy production which further elevates it. There are tap numbers alongside a string of high intensity ensemble moments. Joann M. Hunter has done an outstanding job of providing an array of styles and making every number engaging.
For a show which could easily become pantomimic, there is a real level of intensity which upgrades it and makes it a two hour treat that you'd have to be a scrooge not to enjoy. The outstanding band led by the joyous musical director John Rigby, alongside the super strong ensemble and superbly adapted show, mean and you can't help but leave the theatre smiling from ear to ear.
photo credit: Tritram Kenton
Tuesday 7 June 2022
Full Cast and Creative Team Announced for Billy Elliot the Musical
Curve has announced the cast and creative team for its upcoming Made at Curve production of Billy Elliot the Musical.
The first new UK production is directed by Nikolai Foster (A Chorus Line, Sunset Boulevard – At Home, West Side Story) and will run at the Leicester theatre for six weeks only from Thursday 7 July to Sunday 14 August. Press night will take place on Thursday 14 July.
The titular role of Billy Elliot, the miner’s son with a passion for ballet, will be performed by Leo Hollingsworth from Nottinghamshire, Alfie Napolitano from Northamptonshire, Samuel Newby from Hertfordshire and Jaden Shentall-Lee, whose family live in Leicestershire.
Billy’s dance teacher Mrs. Wilkinson will be played by West End and Broadway legend Sally Ann Triplett, whose iconic roles include Reno Sweeney in Anything Goes (National Theatre and Theatre Royal Drury Lane) and Young Phyllis in Follies (Shaftesbury Theatre), as well as Martha in the recent Made at Curve UK tour of White Christmas.
Michael, Billy’s best friend will be performed by Bobby Donald, Lucas Haywood, Ethan Shimwell and Leicester’s Prem Masani, who will make his stage debut in the production.
All hailing from the East Midlands, Pearl Ball, Caitlin Cole, Lola Johnstone and Ellie Copping – who returns to Curve’s stage having previously appeared as Susan Waverly in the 2018 Made at Curve production of White Christmas - will share the role of Debbie, Mrs. Wilkinson’s daughter.
Joe Caffrey, who previously performed in the West End production of Billy Elliot the Musical, will join the cast as Billy’s Dad Jackie, while Broadway and West End sensation Rachel Izen will play Billy’s Grandma Edna. Luke Baker (Everybody’s Talking About Jamie, the Made at Curve UK tour of Grease) will play Billy’s older brother Tony and Jessica Daley (recently seen in Made at Curve productions of White Christmas and The Music of Andrew Lloyd Webber) will play Billy’s Mum.
The adult company will be completed by Craig Armstrong as George, Minal Patel as Big Davey, Cameron Johnson as Mr. Braithwaite, Micky Cochrane as Scab, Robin Paley Yorke as Lesley, Christopher Wright as Mr. Wilkinson, Michael Lin as Pit Supervisor, Jonathan Dryden Taylor as Posh Dad, William Atkinson as Older Billy and ensemble, and Steph Asamoah, Tori McDougall, Anna Rossa and Louie Wood as members of the ensemble.
The young company of ballet dancers and boxers, most of which are Midlands-based or have local family connections, will feature Willow Adamson, Maddie Seren Ashley, Oliver Back, Aneeka Kaur Bains, Ella-Rose Blackburn Price, Harvey Clarridge, Lily Corkill, Miley Dalton, Matisse Didier, Isabelle Francis, Ethan Galeotti, Rahul Gandabhai, Isla Granville, Uzziah Gray, Orlaith Rae Hunt, Ava Rose Johnson, Ava Mia Komisarczuk, Kyrelle Lammy, Lienna-Jean Langdon, Tahlia Maddox, Lorcan Murphy, Nesisa Mhindu, Sophia Pirie, Hayden Polanco, Gopal Thacker and Mirabelle Varakantam.
The Made at Curve production of Billy Elliot the Musical will by choreographed by Lucy Hind, with Musical Supervisor and Musical Director George Dyer. The set will be designed by Michael Taylor with costumes designed by Edd Lindley. Also joining the creative team are Lighting Designer and Curve Associate Ben Cracknell, Sound Designer Adam Fisher, Props Supervisor Lizzie Frankl, RYTDS Resident Assistant Director Lilac Yosiphon, Birkbeck Trainee Director Thyrza Abrahams, Associate Choreographer James Berkery, Dialect Coach Elspeth Morrison, Fight Director Kev McCurdy and Head Chaperone Helen ‘H’ Mclaren-Frost.
Children’s casting is managed by Jo Hawes, with adult casting led by Curve Associate Kay Magson CDG.
Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:
“We are beyond excited to share our extraordinary cast for Lee Hall and Elton John’s astonishing musical Billy Elliot, ensuring this summer in Leicester is truly memorable.“Billy Elliot is a musical filled with incredible characters, epic ideas and at its heart, the story of a young boy who has the passion and courage to dance down a different path from the one prescribed for him. We are thrilled to be working with our four Billys - Alfie, Leo, Jaden and Sam - and the entire young company - all hugely talented, brimming with energy and representing the very best young talent in the UK today.“And leading the entire company, theatre legend Sally Ann Triplett takes on the role of the inspirational teacher we all need in our lives, Mrs. Wilkinson. Joining Sally, we are proud to welcome a first-class company to Curve, totally 55 performers! This is by far the most ambitious show we have staged at Curve and there is no better time to present this musical which recognises the value of culture in our society, the importance of expressing your truest self and gives a voice to the courageous working-class communities who are depicted in Lee Hall’s astonishing play. All beautifully framed by Elton John’s electrifying score.”
Based on Stephen Daldry’s BAFTA-winning 2000 film starring Jamie Bell and Julie Walters, Billy Elliot the Musical features music from Elton John and book and lyrics by Lee Hall. The musical first premiered at London’s Victoria Palace Theatre in 2005 and went on to win a host of international awards, including four Olivier Awards and ten Tony Awards.
Tickets for Billy Elliot the Musical at Curve be purchased on Curve’s website www.curveonline.co.uk, over the phone by calling 0116 242 3595 or in-person at Curve’s Box Office.
photo credit: Marc Brenner
Wednesday 25 May 2022
Line-Up for West End LIVE is Unveiled
A packed line-up of 34 hit West End shows has been unveiled so far ahead of this year’s West End LIVE, a free and unticketed celebration of London’s world-leading theatre scene which comes to Trafalgar Square on the weekend of 25 and 26 June. More acts are due to be announced in the next few weeks, as London gears up for the biggest ever West End LIVE.
Tens of thousands of theatre fans are expected to flock to the capital for this year’s musical theatre spectacular, enjoying free performances from dozens of top shows - from long-running favourites Hamilton, Les Misérables, Wicked, Six, The Book Of Mormon, Disney’s The Lion King and Matilda The Musical, to new shows making their West End LIVE debut, such as Moulin Rouge! The Musical, Legally Blonde, My Fair Lady, Disney’s Beauty And The Beast, Back To The Future - The Musical and Get Up Stand Up! The Bob Marley Musical.
This unique event, a joint production by Westminster City Council and the Society of London Theatre (SOLT), unites London’s theatre industry every year and brings people of all ages into central London to experience the best of the West End - from the city’s unparalleled culture scene to food, drink, fashion, nightlife, retail and more.
As excitement builds for West End LIVE, anyone visiting central London in the next couple of weeks - and who happens to look up - might catch one of a series of surprise, pop-up performances by West End shows on iconic London rooftops, an opportunity to get a feel for things to come from one of the world’s most spectacular outdoor theatre events. Details for these ‘Sing it from the Rooftops’ events will be teased before each appearance on the West End LIVE and Official London Theatre social channels, and anyone lucky enough to witness one will be in with a chance of winning a West End LIVE queue jump. The first pop-up performance will take place today (Wednesday 25 June) at 4pm, in Covent Garden’s famous piazza on the SUSHISAMBA balcony.
Sky VIP are welcomed back as sponsor for West End LIVE 2022, having also supported last year’s event. Once again, they will be offering their customers the chance to watch from the exclusive Sky VIP viewing area onsite, plus win some fabulous prizes.
They join returning partners The Northbank and Edwardian Hotels and sponsors Art of London, Capco Covent Garden, The Crown Estate, Derwent London, Great Western Railway, Heart of London Business Alliance, New West End Company, The Portman Estate, Regent Street & St James’s, Shaftesbury, Veolia, Victoria Business Improvement District, Victoria Westminster Business Improvement District and Whitehall Business Improvement District.
Eleanor Lloyd, President of SOLT, said:
‘London’s theatres are the envy of the world, and West End LIVE is a highlight of the theatrical calendar for so many - not just the countless fans who converge on Trafalgar Square to enjoy a wealth of incredible live entertainment, but also the hundreds of performers and crew involved in putting on what is always an unforgettable weekend. We are delighted to continue to work so closely with Westminster to deliver West End LIVE, and hugely grateful for the support of Sky, who have a long history as champions of theatre and the arts.’
Cllr Tim Roca, Deputy Leader at Westminster City Council, said:
‘West End LIVE is a much-loved annual event that brings together the musical theatre community in celebration of the world-class theatre we have right on our doorstep. One of the main aims the new administration has for the council is to make culture, arts and leisure accessible to everyone living in Westminster, not just the few. We want to encourage all residents, especially those in disadvantaged communities, to participate and join in cultural opportunities and big, fun events such as West End LIVE so we can bring all our communities in Westminster together.’
Joel Keoghan, Head of Brand Partnerships at Sky said:
Sky is delighted to be part of West End LIVE again. This annual celebration of London’s world class theatre is a fantastic event and a highlight in the arts calendar. It’s a great opportunity for us to host and thank our customers, getting them closer to the entertainment they love through Sky VIP.
Official London Theatre will be backstage throughout the West End LIVE weekend sharing exclusive behind-the-scenes content across our social channels.
West End LIVE remains free and unticketed as in previous years. The event will be BSL interpreted by Sue MacLaine, Marco Nardi and Caroline Richardson.
List of shows appearing at West End LIVE 2022
More shows and acts will be announced in the lead-up to the event
& Juliet
Back To The Future - The Musical
Disney's Beauty And The Beast
Bonnie And Clyde The Musical
The Book Of Mormon
Chess, Kinky Boots and Treason at Drury Lane
The Choir Of Man
Come From Away
Dear Evan Hansen
The Drifters Girl
Fantastically Great Women Who Changed The World The Musical
Disney's Frozen
Get Up Stand Up! The Bob Marley Musical
Grease The Musical
The Great Gatsby
Hamilton
Heathers The Musical
Jersey Boys
Legally Blonde The Musical
Disney's The Lion King
Magic Mike Live
Mamma Mia!
Mary Poppins
The RSC’s Matilda The Musical
Les Misérables
Moulin Rouge! The Musical
My Fair Lady
Only Fools And Horses The Musical
The Phantom Of The Opera
Pretty Woman: The Musical
Six
South Pacific
Tina - The Tina Turner Musical
Wicked
photo credit: Pamela Raith
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