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Showing posts sorted by relevance for query andrew scott. Sort by date Show all posts

Wednesday 22 July 2020

Andrew Scott to appear in new play streamed live from the Old Vic


Andrew Scott will star in a new play streamed live from an empty Old Vic auditorium, for five performances in July and August.

Entitled Three Kings, the scratch performance of Stephen Breresford's piece is directed by Matthew Warchus. The play follows Patrick, a man who reflects on the role of his father in shaping his life following eight years of absence.

Warchus said: "I am hugely grateful to Stephen for writing this play specially for the Old Vic: In Camera series and to Andrew for agreeing to perform it. Their generous support of the Old Vic at this critical time and their spirit of adventure in joining us in this crucial fundraising experiment is enormously appreciated."

Tickets to watch the stream will cost between £10 and £40, with dates from 29 July to 1 August.

Following the performance on 1 August, the venue will stream a conversation between Scott and Dermot O'Leary. General booking opens 22 July.

photo credit: Michael Buckner/SHOWTIME
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Wednesday 10 August 2022

Callum Scott Howells and Madeline Brewer Announced to Join Cabaret From 3 October 2022


The producers of the multi award-winning, critically acclaimed production of CABARET at the KIT KAT CLUB in London’s West End are thrilled to announce that BAFTA Award nominee Callum Scott Howells will play ‘The Emcee’ and Emmy Award nominee Madeline Brewer will play ‘Sally Bowles’ from 3 October 2022 until28 January 2023. kitkat.club

 

Callum Scott Howells said today “I can't wait to work with the incredible team and company, and follow on from two actors who I hugely respect and admire. I feel very lucky and excited to be taking on such an iconic role within this widely celebrated and unique production. It's going to be a ride.”

 

Madeline Brewer said today “Rebecca’s vision is the most magical and emotional and exciting Cabaret I’ve ever seen. It’s a Sally and a Kit Kat Club so thrillingly fun and humbly prescient. I’m beyond honored to be invited to the party.”

 

Callum Scott Howells is best known for playing Colin in Russell T Davies’ hit Channel 4 drama It’s a Sin. For his performance as Colin, Callum won the BAFTA Cymru Award for Leading Actor and the Royal Television Society Award for Best Male Actor. For the same role, he was twice nominated at the 2022 BAFTA Television Awards; for Best Supporting Actor and Virgin Media’s Must See Moment. Later this year, he will be seen in the Netflix film The Beautiful Game opposite Bill Nighy. Callum’s theatre credits include She Loves Me at the Menier Chocolate Factory and Matthew Bourne’s production of Lord of the Flies.

 

Madeline Brewer has starred as Janine Lindo in all four seasons of Hulu’s hit drama The Handmaid’s Tale, for which she was nominated for the Emmy Award for Best Supporting Actress in a Drama Series. She will star in the fifth season of the show, due to premiere this September. Madeline began her career portraying Tricia Miller in the Netflix series Orange is the New Black. Her film credits include Hustlers alongside Jennifer Lopez and Cam for Netflix. Madeline’s other credits include Netflix/Channel 4’s Black Mirror and Apple TV’s Shining Girls. 

 

At certain performances, the role of Sally Bowles will be played by Emily Benjamin.

 

As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened last year. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.

 

Also joining the cast on 3 October 2022 will be Sid Sagar as ‘Cliff Bradshaw’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. Vivien Parry and Richard Katz continue to play ‘Fraulein Schneider’ and ‘Herr Schultz’ respectively.

 

The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.

 

The Prologue Company currently includes Rachel Benson, Laura Braid, Asmara Cammock, Julian Capolei, Celine Fortenbacher, Reuben Greeph, Samantha Ho, Andrew Linnie, Carys McQueen, Kate Robson-Stuart and Sally Swanson. 

 

This unique production of CABARET opened in December last year to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April this year, the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history, as well as three prestigious Critics Circle Awards.

 

In a time when the world is changing forever, there is one place where everyone can be free… Welcome to the Kit Kat Club, home to an intimate and electrifying new production of CABARET. This is Berlin. Relax. Loosen up. Be yourself. 


Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time CABARET features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

CABARET is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision by Jennifer Whyte and musical direction by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.

 

CABARET at the KIT KAT CLUB is produced by Ambassador Theatre Group Productions and Underbelly.

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Saturday 30 December 2017

Olivia's Top 10 Shows of 2017



This year I saw 105 shows so picking my top 10 was pretty tricky! I know everyone does these posts but it's always interesting to see what peaked everyones interests so without further ado, here are the shows I loved in 2017. Grab a mince pie and settle in!


PS. They're in reverse order as always to bring that extra bit of drama!


10. Yank | Charing Cross Theatre

I saw the West End premiere of this show and completely fell in love. The storyline was gripping, the acting was outstanding and it was a highlight of my summer. Scott Hunter was a particular stand out and I can't wait to see what 2018 brings for him.




9. Follies | National Theatre

This was one of my most anticipated shows of the year and it certainly wasn't a let down. The glorious staging was spectacular and I adored hearing Sondheim's music live as well as seeing queen Imelda Staunton on stage again.



8. Mack and Mabel (LMTO) | Hackney Empire

This was such a surprising show for me. Of course I expected good things from the LMTO but I was so blown away by every performance in Mack and Mabel. Natasha J Barnes singing 'Time Heals Everything' was definitely my stand out vocal moment of the year.




7. Funny Girl | New Victoria Theatre


Natasha also gave an amazing performance as Fanny Brice in the UK Tour of Funny Girl. To date this is the best touring production I have ever seen!


6. Hamlet | Alemida Theatre

Andrew Scott was just spectacular. That's all.



5. Fiddler on the Roof | Chichester Festival Theatre

I must admit, I don't travel outside of London for theatre very often but I am so glad I made the trip to Chichester to see this production which completely blew me away. This show needs a West End transfer and I'm praying its life isn't over.



4. Angels in the America | National Theatre

How could I not mention this?! A marathon show but packed with drama, talent and grit at every moment. Truly a theatrical masterpiece- Broadway get ready!



3. Lady Day at Emerson's Bar and Grill | National Theatre

Audra is just a queen. I was mesmerised by every single moment of this show. I first saw it on press night and then went back with my parents, both times were breathtaking and it was such an honour to see a Broadway superstar on stage.



2. Romantics Anonymous | Sam Wanamaker Playhouse

My lovely friend Hayley took me to see this for my birthday and for some reason I never got round to reviewing it (hopefully I'll do it soon!) But it was honestly just brilliant. Both literally and metaphorically sweet it was the perfect way to spend an afternoon. If you want a heartwarming tale, this is the one for you!



1. Hamilton | Victoria Palace Theatre

I know this is the most typical answer and so not a surprise but Hamilton just blew me away. I still can't believe that it exceeded my expectations and if you can get a ticket, you HAVE to see it!!


I also want to give a special mention to  a couple of other outstanding shows which I mentioned in last years wrap up: Rent and Dreamgirls, both of which amazed me again this year! I have a couple of concert shout outs too- Rachel Tucker, Kristin Chenoweth and Lea Michele. I saw Rachel perform 5 times and was completely astounded by her voice and stage presence every time. Kristin had me bawling from start to finish. Her concert was definitely the most memorable I've ever been too. Finally, Lea was a bucket list concert for me and I'm so honoured to have seen (and met) her this year!

 So there we have my top shows of 2017! I can't wait to see what 2018 brings- let me know what your top shows of the year were.

Au revoir 2017! Stay Stagey, 2018!

Top 10 by editor, Olivia Mitchell
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Monday 6 March 2017

Hamlet, Almeida Theatre | Review


Hamlet
Almeida Theatre
Reviewed on Saturday 4th March 2017 by Olivia Mitchell
★★★★★

Shamefully, most of my Shakespeare knowledge has come from school English lessons so I'm not the most educated on the Bard but I jumped at the chance to see this highly anticipated production of the great tragedy Hamlet. At almost four hours long you might think you'll lag towards the end but this production is so well done that you'll be gripped and wide awake throughout!

Andrew Scott of Sherlock fame takes on the mammoth feat of playing the iconic, Hamlet. You  need skill, stamina and sincerity to carry this very long play and Scott has all of these in spades. He holds the play up and commands every moment, showing a thousand different emotions and really taking the audience on a crazy, dramatic journey. Each word he speaks is filled with emotion. From quiet whispered moments to loud shouts and screams, he manages to involve the audience and create a real sense of intimacy. His performance is absolutely outstanding.

Peter Wight is brilliant as Polonius; nosy and sneaky but still likeable. Jessica Brown-Findlay as Ophelia transforms from joyful innocence to grief-stricken craziness wonderfully and gives a truly moving performance in her final scenes. Juliet Stevenson's Queen and relationship with Angus Wright's Claudius are very convincing and just shocking enough. They work very well together, showing a lot of character development throughout and using the text in new and exciting ways.

Hildegard Bechtler's set is simple but crazily effective. It seems to become more opaque as the play moves on, with the clever use of curtains and screens becoming ingrained in and crucial to the performance throughout. Along with Tom Gibbons' sparse and overwhelming score a sense of drama and being trapped/followed is ever present.

Robert Icke has created a truly brilliant production. From explosive moments to moments of silence, the audience are kept gripped and the four hours goes by in a tick. The performance is humorous and shocking at the same time whilst embodying the eerie intensity that Shakespeare is so well known for. Every crevice of the play has been fully thought through and the character work from rehearsals is clear in every moment on stage.

This is an impeccable production from a stupendously talented and well rounded cast. The show has been brought into the modern world perfectly and effectively. There's light and shade, humour and sadness, love and hate and so much more. Truly brilliant!

Hamlet runs at the Almeida Theatre until April 15th. The production is currently sold out but it's well worth queuing for a return ticket!


Photo by: Manuel Harlan
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Friday 21 July 2017

In Conversation With... Tyrone Huntley | Jesus Christ Superstar | Interview


Tyrone Huntley has the voice of an angel and supreme acting skills. He's just finished starring as CC in Dreamgirls and is currently in rehearsals to reprise the role of Judas in Jesus Christ Superstar at the Regent's Park Open Air theatre later this summer. He's already a star but he deserves even more praise for his outstanding performances and I can't wait to see what more he does!


For anyone that doesn’t know, can you explain a little about your career and highlights so far?

I graduated from Mountview in 2011 and got my first job in the U.K. Tour of Sister Act. My West End debut came straight after that in The Book of Mormon and since then I've been fortunate enough to work on other incredible shows including the Original London Casts of Memphis and Dreamgirls.


I read that you studied law and completed a degree in it whilst you were starring in The Book of Mormon and Memphis, how was it juggling the two?

It was difficult and extremely time consuming but ever so rewarding. I learned a lot and when I graduated I felt such a sense of pride and achievement. 


Do you have any other hidden passions that you’d like to pursue?

I'd love to learn to play the piano proficiently and I really want to learn a language but a real aspiration of mine is to hone my writing skills. I write songs but I'm in awe of playwrights and novelists and those who have the imagination to create entire worlds out of nothing.


You’ve just finished playing CC in the epic, Dreamgirls. Is CC anything like you?

CC has some really enviable qualities that don't sit naturally with me. Where CC is optimistic and positive thinking, I generally think the worst and I'm not surprised when things don't necessarily go my way!! That said, I like to think I can relate to his ambitiousness, his caring nature and desire to make people happy.


Have you had any funny onstage or offstage mishaps whilst you’ve been in the show? Or any other shows?

I did Porgy and Bess at Regent's Park Open Air Theatre a couple of years ago which meant, like Jesus Christ Superstar, we were obviously performing outside. In the show I had a little featured singing bit - my big moment. One evening I was just about to sing my part but as I breathed in I inhaled a massive fly so instead of singing my one little solo song, I had a beautifully underscored coughing fit! 


It’s so exciting that you’ll be returning to play Judas again at the open air theatre. What are the hardest and most exciting parts about playing the iconic role?

I'm very excited. It's a great role in a great show and I get to perform at Regent's Park again! The music is amazing and I'm looking forward to sinking my teeth back into it. That said, it's very challenging vocally which means, more than usual, I have to look after myself and make sure I stay as fit and healthy as possible which means my already limited social life will have to take even more of a back seat!!


Besides yourself, who else would you like to see tackle the character of Judas?

I'd love to see my old mate Matt Cardle do it, he'd be perfect. Or thinking outside of the box maybe Eva Noblezada... she'd sound amazing. 


What’s the last thing you do before you step out on stage?
I have to go through all of my lines for the next scene. I trust my short term memory way more than my long term memory and it puts me at ease just to check the lines are still there! 

Tyrone and the cast of Jesus Christ Superstar
You have a five minute break in rehearsals, what are you doing?
Eating. 


 Is there a musical or play you’ve seen recently that you loved? 
I saw Hamlet at the Harold Pinter a few weeks ago with Andrew Scott and Juliet Stevenson. I was completely blown away by everything about the production! 

What’s a fun fact that people might not know about you?
It's certainly not very fun but it's extremely important to me. I HATE coriander. It's poison!


What’s your best piece of advice for an aspiring performer?

Hard work doesn't always pay off but if you put in the work, no one can ever take that away from you and you can always rest in the knowledge that you did everything you could. Be open - every experience, whether negative or positive, is an opportunity to learn.



A huge thank you to Tyrone for taking the time to do this interview. Make sure you book to see Jesus Christ Superstar at the Regent's Park Open Air Theatre this summer.

Keep up with Tyrone via his twitter

 Interview by Olivia Mitchell, Editor
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Friday 6 April 2018

Teddy, The Vaults | Review


Teddy 
The Vaults 
Reviewed on Thursday 5th April 2018 by Olivia Mitchell 
★★★★

Personally, I think The Vaults is one of the most brilliant venues in London. Not only because it's home to some wonderful shows but because it is so versatile. Every time I've visited the mystical underground theatre, I've been overwhelmed by how different it looks. Set designer Max Dorey has done an outstanding job of transforming the space for Teddy into a cool, rustic, junkyard with so much to look at. From a (creepy) doll in the corner, to a car bumper, to a giant T, every detail has been meticulously picked out and the small space feels vast but homely at the same time.

Now onto the show. Teddy tells the story of two young teens, Josie and Teddy who are out for a good night in London town. It's a story about the birth of new music and the rebellious youths of 1956. Featuring a live onstage band 'Johnny Valentine and the Broken Hearts', this show is fresh, exciting and energetic.

The ridiculously talented duo Molly Chesworth (Josie) and George Parker (Teddy) take on this unique script with such ease and grace that it seems they were born to play the roles. The story is written using rhyme as well as normal speech which makes it jumpy but lyrical at the same time. Both actors speak the poetic text so naturally that you forget it's not a 'normal' way of speaking. Adding to this, they also take on the roles of all the other characters. Twisting and contorting their bodies and voices to become the other people they are very effective. 


The story line is pretty simple and I must admit that I did find the first half dragged somewhat but the second act has a Bonnie and Clyde feel and there are unexpected twists and turns. If I were to change something, I would cut some of the earlier dialogue and make the show 90 or so minutes straight thought. I think this would keep the pace going and not allow time for our minds to wander.

Tom Jackson Greaves' and Eleanor Rhode's choreography is perfectly fitting with the show and had me out of breath just watching! The movements work very well in the small space and manage to convey the excitement of the era of change in terms of clothes, music and everything else.

The onstage band are wonderful. Made up of Freya Parks, Dylan Wood, Andrew Gallo and Harrison White, they provide a soundtrack of original music (by Dougal Irvine) which has us tapping our feet and feeling truly immersed in the era. The post-show gig is an innovative and joyous way to end your night- I'd definitely pay to see Johnny Valentine and the Broken Hearts on a sold out arena tour!

Teddy is an innovative show which uses everything it has to it's advantage whilst showcasing fantastic musicians, incredible actors and an exciting story. Like nothing else I've recently seen, Teddy is the refreshing show you need to get a ticket for. Get "ready Teddy to go" along to The Vaults and don't miss this show!

Teddy runs at The Vaults until June 3rd 2018

photo credit: Scott Rylander
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Wednesday 15 September 2021

Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour



Aria Entertainment and Music & Lyrics are delighted to announce that Joanne Clifton will play the role of Morticia Addams in the UK and Ireland tour of THE ADDAMS FAMILY, A Musical Comedy. The tour will open at Theatre Royal, Nottingham on 5 November 2021.

 

Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.

 

Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba. 

 

Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia.  Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.  All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.

 

THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.

 

THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.

 

For further information, please visit www.theaddamsfamily.co.uk

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Wednesday 8 May 2019

Amour, Charing Cross Theatre | Review


Amour
Charing Cross Theatre
Reviewed on Tuesday 7th May 2019 by Olivia Mitchell 
★★★

Adapted by Jeremy Sams from Didier van Cauwelaert's original French libretto which was based on Le Passe-muraille (The Man Who Walked Through Walls), Amour is a fantasy musical set in 1950's post war Paris. It tells the story of shy civil servant Dusoleil who works tirelessly whilst pining for a beautiful woman who lives near him. The woman, Isabelle, is unhappily married and treated like property by her husband, the local prosecutor. 

One night, Dusoleil discovers he has the power to walk through walls. This special power allows him to secretly stand up to those who have wronged him, and to act as the French Robin Hood, stealing from the rich and giving to the poor. He becomes know as the mysterious Passepartout who captures the attention of the city and of Isabelle...

This is a sweet and bittersweet story which is delicately handled by Director Hannah Chissick. The concept of Amour is intriguing and mystical, and the style of the music is chocolate box sweet, but unfortunately the plot itself does little to keep the audience enthralled. 


It's a slow build show, meaning that nothing really happens for the majority of the first act. The scene is set and the Parisian characters are introduced in a flurry of bikes and motion. The music by Michel Legrand invokes all things Paris and is performed very well by the tight knit ensemble but as a whole the show feels oddly paced and somewhat un-cohesive.

Individually the aspects are great. Rob Halliday's atmospheric lighting is divinely whimsical and warm with a hint of magic mixed in; Matt Cole's choreography is sharp and sweetly emotive and Adrian Gee's sets and costumes do transport us to 50's Paris. Mention must also go to the band, led by Jordan Li-Smith who play fantastically and Andrew Johnson who mixes the sound perfectly so each line can be heard even when various counterpoints are happening.

The cast are a superb ensemble. Gary Tushaw leads as Dusoleil, giving a vocally strong and charming performance. Anna O'Byrne is beautiful and vocally divine as Isabelle, although the character herself is a little flat. Alasdair Harvey is suitably threatening as the prosecutor and Elissa Churchill gives a wonderfully strong, stand out performance. Claire Machin brings humour and energy and Keith Ramsay is the embodiment of Parisian charm as he floats around the stage providing delightful vocal tidbits. Alistair So and (at this performance) Jack Reitman contribute well individually and to the full ensemble.


This is a well performed, well staged and well lit production but it doesn't make sparks fly. Amour is a refreshingly light production that has enough musical treats to entertain and has been well handled by the entire creative team, but overall is falls flat. 

photo credit: Scott Rylander
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