Showing posts sorted by date for query Chichester Festival Theatre. Sort by relevance Show all posts
Showing posts sorted by date for query Chichester Festival Theatre. Sort by relevance Show all posts
Friday 5 November 2021
Full Cast Announced for Love Story in Concert
Michael Matus (The Phantom of the Opera, La Cage Aux Folles) will replace Peter Polycarpou as Phil
Cavilleri, who has had to withdraw due to scheduling conflicts.
Simon Green (Titanic, Mrs Henderson Presents, Priscilla Queen of the Desert) will play Oliver Barrett IV.
Completing the cast is Jenna Boyd (Come from Away) as the Doctor.
The Ensemble features Simbi Akande
(The Prince of Egypt), Jordan Cunningham (Priscilla Queen of the Desert), Alison Driver (What’s New
Pussycat?), Charlie-Jade Jones (West Side Story), Maximillian Murphy (Parade), and Nikhil Singh Rai (Les
Miserables, Mountview).
Love Story celebrates the 10th Anniversary of Love Story’s premiere at Chichester Festival Theatre and
subsequent transfer to the West End’s Duchess Theatre.
Based on the 1970 New York Times #1 bestselling novel by Erich Segal - which was adapted into one of the
highest grossing films of all time - Love Story follows Oliver Barrett IV, a Harvard jock, and Jenny Cavilleri, a
gifted musician studying at Radcliffe.
Love Story was Olivier-nominated for Best Musical, Best Actor in a Musical (Xavier) and Best Actress in a
Musical (Williams). Since its West End run in 2010, the show has been performed in the USA, Russia, The
Netherlands, Belgium, Brazil, South Korea, Italy, Germany and Bolton Octagon Theatre.
Friday 27 April 2018
In Conversation With... Lizzie Winkler | Quiz | Interview
Quiz is one of the hottest plays on in the West End right now. Transferred from Chichester Festival Theatre, it is an immersive experience which examines the conviction of 'the coughing Major', Charles Ingram, following his appearance on Who Wants to be a Milionaire? Lizzie Winkler plays a variety of roles in the show and sat down to talk about that experience as well as who'd she's share a million pounds with...
Hi! You've had a varied career so far. What have some of your highlights been?
This!
Can you tell me a little about Quiz and your role in it?
I play the most characters, ranging from real people Claudia Rosencrantz (Head of light entertainment for ITV), Ruth Settle (Head of Marketing for the show) Alyn Morris (cough doctor) to characters whose names I've been allowed to make up, police officer (PC Jill Salmon) attractive assistants (Denise Body and Kirsty Sparkle) Pregnant Juror (Alison De Winter) Court Stenographer (Linda Bland) I really enjoy creating characters' back stories and histories even if they don't have lines.
What do you think people will be saying as they leave the theatre after experiencing Quiz?
"What did you vote?". "Do you think they are innocent?" and hopefully "that was amazing "
Can you sum up the play in five words?
Entertaining, interactive, thought-provoking, political, human.
What has your favourite immersive/interactive theatrical experience been?
All the Punchdrunk shows.
If you won Who Wants to Be a Millionaire? who would you share your money with?
Whoever asked the nicest.
If you had a magic wand, which show would you do next?
I write television comedy, with Emma Jerrold I would get one of our shows commissioned and be in it.
Finally, what's your number one piece of advice for aspiring performers?
Be yourself and work hard!
Thank you so much Lizzie for taking the time to do this interview. Quiz runs at the Noel Coward Theatre until 16th June.
Interview by Editor, Olivia Mitchell
Thursday 12 April 2018
Quiz, Noel Coward Theatre | Review
Quiz
Noel Coward Theatre
Reviewed on Wednesday 11th April 2018 by Shaun Dicks
★★★★
‘In a world that is so confusing, I like to know there is a right and a wrong.’
Blurring the lines, nothing is ever black and white anymore, it is forever a shade of grey; Quiz is a show that reflects that sentiment fully. We are at the Noel Coward theatre, a venue steeped in prestige and history. It plays host to many an iconic show. Quiz, being a transfer from the Chichester Festival Theatre, comes from a long line of excellent shows and is penned by a writer (James Graham) who is on a streak of West End transfers. This show has all the initial components to be a great show, and I believe, it lives up to all its potential.
This show is all about an infamous scandal of the early noughties, cheating to win a million pounds on ‘Who Wants to be a Millionaire?’. In this retelling of infamous events, we follow multiple narratives, all following the people involved in this scandal, all leading to the main narrative, the courtroom, where the suspects are put to trial, we as an audience act as their jury. The show is of two halves, the first act is the prosecution, which is well presented by Paul Bazley (Nicholas Hilliard QC), with the second act being the defence, well presented by Sarah Woodward (Sonia Woodley QC).
The show is presented in a slick, poignant, and often humorous manner. The humour is a particular highlight, with the inclusion of a hilarious warm up act (Kier Charles) who created a community in the audience, and the use of spoofs throughout, there is a light-hearted element to this dark complex narrative. My highlight for this show was Kier Charles as Chris Tarrant, his mannerisms and facial expressions were absolute perfection, Charles must have studied Tarrant for a long time because it was absolutely on point. Charles is a comedic genius.
Despite its humorous side, this show is very psychoanalytical, it plays with your thought process through the ideas of circumstantial evidence, distorted evidence and fake news. It creates a grey area on what is True and what is False, and therefore creates a social relevance and poignancy, as well as an empathy for the accused. This show is a slow build drama, but that is how the tension is kept high.
Quiz as a show is brilliant, it lives up to it's potential and delivers a great night of entertainment, with a few messages placed throughout. It makes you laugh, it makes you think and it makes you question. That is what all shows should aim for. I highly recommend this show, phone a friend and watch it together.
Quiz runs at the Noel Coward Theatre until 16th June
Saturday 30 December 2017
Olivia's Top 10 Shows of 2017
This year I saw 105 shows so picking my top 10 was pretty tricky! I know everyone does these posts but it's always interesting to see what peaked everyones interests so without further ado, here are the shows I loved in 2017. Grab a mince pie and settle in!
PS. They're in reverse order as always to bring that extra bit of drama!
10. Yank | Charing Cross Theatre
I saw the West End premiere of this show and completely fell in love. The storyline was gripping, the acting was outstanding and it was a highlight of my summer. Scott Hunter was a particular stand out and I can't wait to see what 2018 brings for him.
9. Follies | National Theatre
This was one of my most anticipated shows of the year and it certainly wasn't a let down. The glorious staging was spectacular and I adored hearing Sondheim's music live as well as seeing queen Imelda Staunton on stage again.
8. Mack and Mabel (LMTO) | Hackney Empire
This was such a surprising show for me. Of course I expected good things from the LMTO but I was so blown away by every performance in Mack and Mabel. Natasha J Barnes singing 'Time Heals Everything' was definitely my stand out vocal moment of the year.
7. Funny Girl | New Victoria Theatre
Natasha also gave an amazing performance as Fanny Brice in the UK Tour of Funny Girl. To date this is the best touring production I have ever seen!
6. Hamlet | Alemida Theatre
Andrew Scott was just spectacular. That's all.
5. Fiddler on the Roof | Chichester Festival Theatre
I must admit, I don't travel outside of London for theatre very often but I am so glad I made the trip to Chichester to see this production which completely blew me away. This show needs a West End transfer and I'm praying its life isn't over.
4. Angels in the America | National Theatre
How could I not mention this?! A marathon show but packed with drama, talent and grit at every moment. Truly a theatrical masterpiece- Broadway get ready!
3. Lady Day at Emerson's Bar and Grill | National Theatre
Audra is just a queen. I was mesmerised by every single moment of this show. I first saw it on press night and then went back with my parents, both times were breathtaking and it was such an honour to see a Broadway superstar on stage.
2. Romantics Anonymous | Sam Wanamaker Playhouse
My lovely friend Hayley took me to see this for my birthday and for some reason I never got round to reviewing it (hopefully I'll do it soon!) But it was honestly just brilliant. Both literally and metaphorically sweet it was the perfect way to spend an afternoon. If you want a heartwarming tale, this is the one for you!
1. Hamilton | Victoria Palace Theatre
I know this is the most typical answer and so not a surprise but Hamilton just blew me away. I still can't believe that it exceeded my expectations and if you can get a ticket, you HAVE to see it!!
I also want to give a special mention to a couple of other outstanding shows which I mentioned in last years wrap up: Rent and Dreamgirls, both of which amazed me again this year! I have a couple of concert shout outs too- Rachel Tucker, Kristin Chenoweth and Lea Michele. I saw Rachel perform 5 times and was completely astounded by her voice and stage presence every time. Kristin had me bawling from start to finish. Her concert was definitely the most memorable I've ever been too. Finally, Lea was a bucket list concert for me and I'm so honoured to have seen (and met) her this year!
So there we have my top shows of 2017! I can't wait to see what 2018 brings- let me know what your top shows of the year were.
So there we have my top shows of 2017! I can't wait to see what 2018 brings- let me know what your top shows of the year were.
Sunday 24 September 2017
Mack and Mabel (LMTO), Hackney Empire | Review
Hackney Empire
Reviewed on Saturday September 23rd 2017 by Olivia Mitchell
★★★★★
The London Musical Theatre Orchestra (LMTO) have done it again. Another fantastic celebration of a beautiful score performed by a beautiful orchestra and a beautiful cast. It was just a whole lot of beautiful, okay! This time we were treated to the delights of Jerry Herman’s, Mack and Mabel which chronicles the story a young deli girl who miraculously ends up a film actress and falls in love and into a tumultuous relationship with her director, Mack Sennett who is so obsessed with making his next picture that he doesn't see what's right in front of him.
Opening the concert, Freddie Tapner (founder of the LMTO) explained that the music was going to speak for itself and he was so right. Having seen the show previously at the Chichester Festival Theatre I thought I knew what I was in for but seeing it so stripped back, I developed a new love and appreciation for Jerry Herman's stunning virtuosic moments and really realised what a stunning piece of work this is.
I was lucky enough to be part of an LMTO sing-through and completely fell in love with the way Freddie conducts; making the players and singers feel comfortable whilst giving tonnes and tonnes of energy. His love of music and conducting is evident and, from watching the orchestra play with beaming smiles, obviously infectious. It was truly joyous to see so much excitement from the orchestra as they played, especially in the epic Hit 'Em On The Head instrumental break which is a maelstrom of astonishing musical moments. With no action on stage it's clear just how wonderful the music is as you could picture each movement the keystone cops would have been making without having to see a thing. With many shows cutting back on orchestra size and some even having recorded music, it's an absolute joy to be able to relish in the decadence of hearing a full orchestra in all their glory.
Tiffany Graves was fabulous as Lottie Ames with her beautiful and powerful voice ringing out wonderfully and her facial expressions cracking the audience up! Her tap number in act 2 was certainly a stand out moment. I fell in love with Liam Tamne's voice every time he had a solo moment; so clear and lovely- I just wish we'd heard more! Will Arundell and Matt Harvey were great as the businessmen Kessel and Baumann, suitably dorky and humourous, especially in Hit 'Em On The Head, as was Jack Edwards as Fatty Arbuckle.
Taking the titular roles of Mack and Mabel we had David Bedella and Natasha J Barnes who both pulled them off expertly. David played the regretful, extravagant Mack with sincerity and full of glorious vocal moments, especially during the finale, I Promise You A Happy Ending. However, it was Natasha who completely stole the show with her utterly magnificent masterclass performance as the excitable, loved-up, Mabel who falls into darkness. Her rendition of Time Heals Everything physically gave me heart palpitations. Natasha took the ending up the octave which completely took my breath away and gained an instant mid-show standing ovation from the entire audience. It was a truly magnificent moment of musical theatre that I won't be forgetting soon. There aren't even words to describe how spectacular Natasha is; she's truly a gift from the musical theatre gods!
The LMTO chorus and dancers just like everything else, were fantastic. The hundreds of girls moment was a spectacle choreographed by Anthony Whiteman and the cherry on top of an exceptional production. I honestly can't fault anything.
Overall this was just an impeccable night of musical theatre and despite only being a concert performance, was one of the best shows I've seen in a while. The LMTO are going from strength to strength and I can't wait to see everything they tackle in the future. This performance of Mack and Mabel was a truly glorious presentation of a spectacular score with a completely and utterly faultless cast and orchestra. Sensational.
Wednesday 16 August 2017
In Conversation With... Emma Kingston | Fiddler on the Roof | Interview
In my opinion, Emma Kingston has one of the absolute best voices on the West End. I've been fortunate enough to see her in a number of shows and concerts, including Les Miserables, In The Heights and most recently, the stunning Fiddler on the Roof at the Chichester Festival theatre. Emma was kind enough to sit down and discuss Fiddler, After Anatevka, her hidden passion and more...
Have you always aspired to be a performer or did you have a different dream when you were younger?
I've always wanted to be a performer. I used to sing Les Mis and Anything Goes with my dad all the time.
Have you got any hidden passions you’d like to pursue?
I love Psychology! As an actor I love getting inside a characters brain. I studied Psychology at A Level and I would love to further my understanding of why people are the way they are. Furthering my study's would interest me as well as it being useful as an actor.
What drew you to the role of Hodel in Fiddler on the Roof- are the two of you alike in any ways?
I'm jewish, so growing up Fiddler was always being quoted around the house. I used to watch the film with my grandma. Also, ‘Far from the Home I Love’ was the first song I ever sang in a singing lesson when I was 11.
How is this production bringing something new to the well-loved musical?
We are so lucky that our production in Chichester has amazing new orchestrations by David White and new choreography by Alistair David, bringing a fresh take on the brilliant musical.
 |
| Sam MacKay (Usnavi) and Emma Kingston (Vanessa) in In The Heights |
Do you feel any extra responsibility or pressure playing one of the few explicitly Jewish female characters in musical theatre?
I feel a responsibility to show the traditions in a way that people of other cultures can relate to. I want to show people that Judaism is a way of life as well as a religion. The community aspect for me is so important.
What’s your research process like for each role you take on, has After Anatevka helped add a new dimension to your portrayal?
For Fiddler I dived into researching about Russia pre 1905 and Russian attitudes towards jewish people. Also looking at Jewish culture in shetles in Russia. My paternal grandparents were children of immigrants from Lithuania and Oddessa, so I had lots of family history to draw on.
After Anatevka I am enjoying so much, especially now I understand so much more about Hodel. I’m loving reading her journey after she leaves home, and how Alexandra has filled in the parts of Fiddler that we don't see in the musical.
If you’d written After Anatevka would you have given Hodel the same after story?
Alexandra's story has portrayed so many aspects of Hodel's life during the Fiddler story and after that I thought about a lot. Especially the way she highlights her relationship with her sisters and Perchik. As I'm reading, I feel that the story all completely slots into place and I can't imagine her next journey any other way.
Tradition is obviously the central theme in Fiddler. Do you have any family traditions?
My family traditions are the Fiddler traditions! Every Friday night my family and I get together for a shabbat meal. We celebrate Jewish festivals like Rosh Hashana (Jewish New Year) and Yom Kippur (The Day of Atonement), Passover and many others.
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| Emma Kingston (Hodel), Simbi Akande (Tzeitel) , Rose Shalloo (Chava) in Fiddler on the Roof |
How do you keep your voice healthy? Do you have any vocal rituals?
Drink endless amounts of water and concentrate on centring your breathing.
If you had a magic wand, which show would you do next?
After Fiddler, I'm playing Eva Peron in the Hal Prince production of Evita, international tour and I can't wait! My mum is Argentine, so it's a huge bucket list role, much like Hodel in Fiddler is!
Whats a fun fact people might not know about you?
One of my first words was Archemeaies (the owl from sword in the stone) my parents were so proud haha!
What’s your best piece of advice for an aspiring performer?
Don't compare your journey to anybody else's. Be original. I read a quote by Steve Martin "Be so good they can't ignore you”, to me that means work as hard as you can on being the best you can be.
Thank you so much Emma for taking the time for this interview. Fiddler on the Roof runs until September 2nd.
Read my review of After Anatevka here and keep an eye out for an interview with Alexandra Silber and a giveaway!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Wednesday 2 August 2017
Fiddler on the Roof, Chichester Festival Theatre | Review
Fiddler on the Roof
Chichester Festival Theatre
Reviewed on Tuesday August 1st 2017 by Olivia Mitchell
★★★★★
It's not often that I venture out of London for theatre but when I do it's usually to Chichester and so far I've never been disappointed with a production. Of the various shows I've seen there, Fiddler on the Roof is by far the best and I am completely in awe of its brilliance. If I Were A Rich Man, I would fund this productions transfer to the West End right this minute, but as I'm not I will have to settle with the fact that the show, directed by Daniel Evans is absolutely fantastic so is more than likely to make the move without me... I'll just have to wait a little while.
Set in rural Tsarist Russia in 1905 when the first hints of revolution are revealing themselves, we follow Tevye who is trying to preserve tradition in the face of a changing world by marrying off his daughters. They, however, want to marry not for money but for love. In a time when Russia's Jews are facing incredible hardships where tradition is one of the few things keeping them together, Tevye has to decide whether his daughters' happiness is more important than his adored traditions.
Omid Djalili was born to play the poor dairyman, Tevye. His masterful comedic timing is pure excellence but he also manages to capture his internal torment and external hardships perfectly. Djalili is able to involve the audience with every thought that goes through his head and makes sure that every side of the Festival Theatre gets to feel and see the emotion. Tracy-Ann Oberman is great as his wife, Golde, with her caustic personality the ideal contrast to the bright, humorous Tevye.
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| Emma Kingston (Hodel) and Louis Maskell (Perchik) |
The rest of the family are equally strong with the daughters each having clear personalities and being performed to the fullest. Simbi Akande as Tzeitel is sweet but strong, begging her father to allow her to marry the impoverished tailor, Motel (Jos Slovic). The pair work wonderfully together. Emma Kingston shows off her stunning voice as Hodel who falls in love with the forward thinking, Perchik played by Louis Maskell who has an equally beautiful voice which soared over every note perfectly in 'Now I Have Everything'. Particularly touching with the two was during the first Sabbath dinner when they kept subtly making eye contact with one another and we could see the first inklings of their romance. Rose Shalloo as Chava and Luke Fetherston as Fyedka have fantastic chemistry, showing their struggles with honesty and strength.
Lez Brotherston's design is bare and simplistic as it should be but transitions and evolves wonderfully to create the various settings and is able to establish feelings of both warmth and stark cold at various times. Alistair David's choreography is spectacular, lively and powerful. It unapologetically shows off Jewish tradition and does so in a extremely striking way; popping and dazzling from start to end.
The entire cast are incredibly strong and this is as much an ensemble piece as it is a lead-led piece. Each moment when the cast come together- either in choreography or in close a cappella harmony- is magical.
I'm truly wowed by this production. My only little niggle is the accents at times, with some attempting and falling somewhat short but this is my only fault in an overall impeccable production. May it transfer and run for a very long time!
Fiddler on the Roof runs at the Chichester Festival Theatre until September 2nd 2017
photo credit: Johan Persson
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