Showing posts sorted by relevance for query Alex Young. Sort by date Show all posts
Showing posts sorted by relevance for query Alex Young. Sort by date Show all posts
Wednesday 26 September 2018
Once on This Island, Circle in the Square | Review
Once on This Island
Circle In The Square
Reviewed on Tuesday 18th September 2018 by Olivia Mitchell
★★★★
Once on this Island is basically the show version a huge hug; filled with a heartwarming story, spectacular talent and amazing use of theatrical devices it's a truly brilliant piece of theatre.
The Circle in the Square theatre provides the perfect, semi-immersive space for this show which follows the story of Ti Moune, a young peasant girl, who with the help of the Gods, sets on a journey to unite with the boy who has captured her heart. The story itself is pretty random and far-fetched: Ti Moune falls head over heels with this boy she has only glimpsed at for a second (very Little Mermaid-esque) and decides she must dedicate herself to saving him. However, the way the story is told is truly beautiful.
Michael Arden has directed a feast for the eyes which is magical, moving and heartfelt in equal measure. The simplicity of the show is what makes it so special. The use of debris and fragments of clothes/products immerses us in the world and transports us subtly to a place ravaged by a natural disaster which has to piece itself together the best it can. Clint Ramos has done an outstanding job of bringing pieces together without making anything look tacky of lacklustre.
With musical gems such as Mama Will Provide, Waiting For Life and Why We Tell The Story, it's no surprise that this show is a hit. The Caribbean-infused musical theatre songs are catchy and supremely well performed. Despite premiering in 1990, the entire production feels fresh and enticing and is undeniably a show to be loved by any audience members.
The cast perform Ahrens and Flaherty's music with life and joy, Alex Newell's Mama Will Provide is a sure stand out, whilst Tamyra Gray brings an Angels in America vibe to the death God, Papa Ge who flicks around the stage with a menacing presence, especially in Forever Yours. Other stand outs include Quentin Earl Darrington who's booming voice fills the intimate space, Kenita R. Miller who draws the eye from the moment the audience enters the theatre and Isaac Powell who is vocally strong as Ti Moune's love interest, Daniel.
Whilst this is truly an ensemble piece, with the cast filling the space with sounds and movements whilst every 'solo' piece takes place, the heart is definitely Hailey Kilgore as the young Ti-Moune. Her voice and performance is compelling and heart-wrenching whilst remaining vulnerable and full hearted. There's no doubt that Hailey will be a staple on Broadway stages from years to come as she performs free from constraint and provides one of the most moving and nuanced performances I have ever witnessed.
Michael Arden has directed a feast for the eyes which is magical, moving and heartfelt in equal measure. The simplicity of the show is what makes it so special. The use of debris and fragments of clothes/products immerses us in the world and transports us subtly to a place ravaged by a natural disaster which has to piece itself together the best it can. Clint Ramos has done an outstanding job of bringing pieces together without making anything look tacky of lacklustre.
With musical gems such as Mama Will Provide, Waiting For Life and Why We Tell The Story, it's no surprise that this show is a hit. The Caribbean-infused musical theatre songs are catchy and supremely well performed. Despite premiering in 1990, the entire production feels fresh and enticing and is undeniably a show to be loved by any audience members.
The cast perform Ahrens and Flaherty's music with life and joy, Alex Newell's Mama Will Provide is a sure stand out, whilst Tamyra Gray brings an Angels in America vibe to the death God, Papa Ge who flicks around the stage with a menacing presence, especially in Forever Yours. Other stand outs include Quentin Earl Darrington who's booming voice fills the intimate space, Kenita R. Miller who draws the eye from the moment the audience enters the theatre and Isaac Powell who is vocally strong as Ti Moune's love interest, Daniel.
Whilst this is truly an ensemble piece, with the cast filling the space with sounds and movements whilst every 'solo' piece takes place, the heart is definitely Hailey Kilgore as the young Ti-Moune. Her voice and performance is compelling and heart-wrenching whilst remaining vulnerable and full hearted. There's no doubt that Hailey will be a staple on Broadway stages from years to come as she performs free from constraint and provides one of the most moving and nuanced performances I have ever witnessed.
photo credit: Joan Marcus
Friday 8 September 2017
Zigger Zagger, Wilton's Music Hall | Review
Zigger Zagger
Wilton's Music Hall
Reviewed on Thursday 7th September 2017 by Alex Saddiqi
★★★★
I personally was unfamiliar of the work of Peter Terson prior to my viewing of the National Youth Theatre production of Zigger Zagger, so I was watching this performance with no context and knowledge prior. I only knew the subject of what the performance was based around.
Zigger Zagger tells the story of Harry Hilton played by Josh Barrow, an avid fan of his local football team, torn between the life of sex, drink and violence which football hooliganism offers and the prospect of a stable future. It's one of the first stories to capture the culture of football hooliganism and was the National Youth Theatre's first ever new writing commission.
Watching the entire performance, I was blown away by the ensemble moments that were dotted throughout. I felt as though they were very well presented and the vocals of the entire cast resonated throughout the whole venue and created beautiful sounds. Also, the vibe of the 70s/80s setting around the piece was very well presented; from the Jackie magazine to the music that was played, even down to the choreography. While we are on the subject of music I have to highlight the outstanding work of the musicians who played live during the piece. They both worked very well together to create some lovely sounds that really benefitted many of the scenes.
There are a huge array of characters that show very interesting development as the story progresses and the actors who portray them do a brilliant job. There are some rich and beautiful character relationships with one another that are very strong and I found great pleasure in watching how the story unfolded. There was so much talent and professionalism during this show, especially from some of the younger performers.
Watching the entire performance, I was blown away by the ensemble moments that were dotted throughout. I felt as though they were very well presented and the vocals of the entire cast resonated throughout the whole venue and created beautiful sounds. Also, the vibe of the 70s/80s setting around the piece was very well presented; from the Jackie magazine to the music that was played, even down to the choreography. While we are on the subject of music I have to highlight the outstanding work of the musicians who played live during the piece. They both worked very well together to create some lovely sounds that really benefitted many of the scenes.
There are a huge array of characters that show very interesting development as the story progresses and the actors who portray them do a brilliant job. There are some rich and beautiful character relationships with one another that are very strong and I found great pleasure in watching how the story unfolded. There was so much talent and professionalism during this show, especially from some of the younger performers.
They all seemed in the moment and seemed to be really indulging in the world that was built around them of this 70s/80s football hooligan setting. There are visuals inside the piece that are very interesting and turn the set from one space to another.
At some points there were parts of the show where you could see actors crossing in the back of a scene or shadows cast by cast members which distracted from some points on the centre stage, but such a minor “inconvenience” does not distract from the hard work and power that each cast member has put into this show. If I were to put the piece in a rating out of five stars I would give it a four out of five and I would recommend this show to others especially young people who might find passion in the arts and theatre as a whole.
Wednesday 1 May 2019
Madagascar the Musical (UK Tour), New Theatre Oxford | Review
Madagascar the Musical
New Theatre Oxford
Reviewed on Tuesday 30th April 2019 by Emma Gradwell
★★★★
Spotlights spiral around the auditorium, a crate flies open and a monkey threatens to throw
poop at us if we use our mobile phones – the tone is immediately set for Madagascar the
Musical.
Set designer, Tom Rogers does a magnificent job. The stage is surrounded by packing crates
that may contain some surprises, and moving pieces that instantly transform the set into a
zoo, Grand Central Station and the jungles of Madagascar. The human ‘animals’ are visually
engaging, with clever costumes from Robert Alsopp that help to give them an uncanny
resemblance to their animated counterparts.
Matt Terry is a nimble and energetic Alex the lion, who along with Antoine Murray Straughan as Marty the zebra, relentlessly bound about the stage with fun-filled
choreography provided by Fabian Aloise. Terry’s vocals are great and he is engaging and
likeable. Timmika Ramsay shines as the sassy Hippo, Gloria and her vocals stand out among
the leads.
Jo Parsons shuffles onto the stage after the interval as the ridiculous King Julien, a lemur
with a crazy, indeterminate accent. This is when the production really comes alive. Aside
from the leads, all of the creatures are represented by puppets and are voiced by a talented
team. The penguins waddle out and are hilarious and endearing. Led by Shane McDaid as
Skipper they deliver some cherished lines from the film: “Smile and wave boys, smile and
wave”. The team switch seamlessly between characters, their voices providing much visual
joy to the proceedings. Jessica Niles as Mort the tiny lemur is unbearably cute.
While the musical numbers are not going to set the world alight, Madagascar the Musical
makes up for it with charm and spectacle. There is enough to entertain the adults (rectal
thermometers and a couple of drug-fuelled dream sequences), but it remains at heart a
children’s show. It’s a ninety minute escape from technology and provides the innocence
needed for an uncomplicated and fun evening. The faces of the young audience as they
flossed and sang along with King Julien were an absolute joy, and that surely has to be a job
well done.
Madagascar runs at the New Theatre Oxford until May 4th before continuing its tour
photo credit: Scott Rylander
Wednesday 15 September 2021
Joanne Clifton to play Morticia in The Addams Family UK & Ireland Tour
Joanne will be joining the previously announced, Cameron Blakely (Gomez Addams), Scott Paige (Uncle Fester), Kingsley Morton (Wednesday Addams), Grant McIntyre (Pugsley Addams), Valda Aviks (Grandma), Sean Kingsley (Mal Beineke), Kara Lane (Alice Beineke), Ahmed Hamad (Lucas Beineke), Dickon Gough and Ryan Bennett (sharing the role of Lurch), Abigail Brodie, Sophie Hutchinson, Matthew Ives and Sean Lopeman. Also new to the cast and joining the ensemble is Castell Parker. Further casting to be announced.
Joanne Clifton has starred as Janet in the UK tour of The Rocky Horror Show, Alex Owens in the UK tour of Flashdance, and Dale Tremont in Top Hat, where she received her second Offie nomination. Her first was for her acting debut as the Streetwalker in Irving Berlin’s Face the Music. Joanne is perhaps best known for her time on BBC’s Strictly Come Dancing. After winning the World Professional Showdance Championship and the European Professional Ballroom Championship, she joined the show as a professional dancer. During her time on the show, she performed in the Strictly Come Dancing Live Tour, was an expert presenter on the programme’s backstage show, It Takes Two, won the Christmas Special with McFly’s Harry Judd, and went on to win the glitterball trophy as the 2016 champion with her partner Ore Oduba.
Wednesday Addams, the ultimate princess of darkness, has grown up and has a shocking secret that only Gomez knows; she’s fallen in love with a sweet, smart young man from a respectable family! Now, Gomez Addams must do something he’s never done before — keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents. All the usual clan are present - Uncle Fester, Lurch, Pugsley et al.
THE ADDAMS FAMILY, A Musical Comedy, will be directed by Matthew White, with choreography by Alistair David, production design by Diego Pitarch, orchestrations by Richard Beadle, lighting design by Ben Cracknell, sound design by Richard Brooker and casting by Jane Deitch. Book is by Marshall Brickman and Rick Elice, and music and lyrics by Andrew Lippa, based on the characters created by Charles Addams.
THE ADDAMS FAMILY 2021 UK Tour is produced by Katy Lipson for Aria Entertainment and Music & Lyrics Limited, and is presented through special arrangement with Theatrical Rights Worldwide.
For further information, please visit www.theaddamsfamily.co.uk
Monday 23 May 2022
Over 2000 Attend Mamma Mia! Open Auditions
With queues circling the Aldwych, over 2,000 young persons attended today’s open auditions for the global smash hit musical Mamma Mia! at London’s Novello Theatre. Video here.
Mamma Mia! recently celebrated its 23rd birthday in London and extended its booking period to Saturday 4 March 2023.
The London cast currently stars Mazz Murray as Donna, Josie Benson as Tanya, Gemma Goggin as Rosie, Richard Trinder as Sam, Neil Moors as Harry, Stephen Beckett as Bill, Emma Mullen as Sophie, Jack Danson as Sky, Tegan Bannister as Ali, Sophie Matthew as Lisa, Michael Nelson as Eddie and Alexandros Beshonges as Pepper, with Natalie Langston playing the role of Donna at certain performances.
Also in the cast are Natasha Agnew, Chloe Ames, Gemma Atkins, Chloe-Jo Byrnes, Nicole Carlisle, Angus Good, Natalie Jayne Hall, Lauren Hampton, James Humpleman, Morgan Jackson, Frankie Jones, Grace Moorhouse, Jodie Nolan, Dan O’Brien, George Olney, Michael Storrs, Kyle Turner, Michael Tyler, Simon Willmont and Alex Woodward.
Since premiering in London in 1999, the irresistible feelgood musical has captured the hearts of millions around the globe. The sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces, has now been seen live on stage by 65 million people across the world and turned into two record-breaking movies – MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again.
Mamma Mia! recently celebrated its 23rd birthday in London and extended its booking period to Saturday 4 March 2023.
The London cast currently stars Mazz Murray as Donna, Josie Benson as Tanya, Gemma Goggin as Rosie, Richard Trinder as Sam, Neil Moors as Harry, Stephen Beckett as Bill, Emma Mullen as Sophie, Jack Danson as Sky, Tegan Bannister as Ali, Sophie Matthew as Lisa, Michael Nelson as Eddie and Alexandros Beshonges as Pepper, with Natalie Langston playing the role of Donna at certain performances.
Also in the cast are Natasha Agnew, Chloe Ames, Gemma Atkins, Chloe-Jo Byrnes, Nicole Carlisle, Angus Good, Natalie Jayne Hall, Lauren Hampton, James Humpleman, Morgan Jackson, Frankie Jones, Grace Moorhouse, Jodie Nolan, Dan O’Brien, George Olney, Michael Storrs, Kyle Turner, Michael Tyler, Simon Willmont and Alex Woodward.
Since premiering in London in 1999, the irresistible feelgood musical has captured the hearts of millions around the globe. The sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces, has now been seen live on stage by 65 million people across the world and turned into two record-breaking movies – MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again.
To date, Mamma Mia! has been seen in 50 productions in 16 different languages grossing more than $4 billion at the box office. In 2011, it became the first Western musical ever to be staged in Mandarin in the People’s Republic of China.
Mamma Mia! originally opened in London at the Prince Edward Theatre on 6 April 1999, before transferring to the Prince of Wales Theatre in 2004, and then to the Novello Theatre in 2012. The London production of Mamma Mia! has been seen by over 10 million people, played over 9,000 performances and has broken box office records in all three of its London homes.
Produced by Judy Craymer, Mamma Mia! The Movie became the highest grossing live action musical film of all time upon its release in 2008. A second film, MAMMA MIA! HERE WE GO AGAIN, opened in July 2018 and is the most successful live musical movie sequel of all time.
With music & lyrics by Benny Andersson & Björn Ulvaeus, Mamma Mia! is written by Catherine Johnson, directed by Phyllida Lloyd and choreographed by Anthony Van Laast. The production is designed by Mark Thompson, with lighting design by Howard Harrison, sound design by Andrew Bruce & Bobby Aitken, and musical supervision, additional material & arrangements by Martin Koch.
Mamma Mia! is produced by Judy Craymer, Richard East & Björn Ulvaeus for Littlestar in association with Universal.
Tuesday 31 January 2023
Full cast announced for Winnie The Pooh The Musical
 |
The UK and Ireland premiere will begin performances at London’s Riverside Studios (Hammersmith) from 17 March, with an official opening on 26 March. The show will then tour the UK and Ireland until September 2023. Tickets for Riverside Studios and the UK & Ireland Tour are now on sale.
Sharing the role of Winnie the Pooh in London will be the previously announced Jake Bazel (who originated the role in New York) and Benjamin Durham (Young Frankenstein). Benjamin will play the title role on tour. The much-loved characters of Eeyore, Piglet, Rabbit, Owl, Kanga and Roo will be brought to life by an ensemble of performers, including Laura Bacon (Britain’s Got Talent, Star Wars), Harry Boyd (The Play That Goes Wrong, Buddy: The Buddy Holly Story), Alex Cardall (Evita, The Osmonds: A New Musical), Chloe Gentles (Mamma Mia!, Beautiful: The Carole King Musical), Lottie Grogan (Smurfs Save Spring: The Musical, The Lips for Puppets with Guys) and Robbie Noonan (Avenue Q UK Tour, Jack and the Beanstalk).
Deep in the Hundred Acre Wood, a new adventure is about to happen. A.A. Milne’s beloved characters, Winnie the Pooh, Christopher Robin and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit and Owl (and Tigger too!), will all arrive on stage in a beautifully-crafted musical stage adaptation.
In a new story from the Hundred Acre Wood, this fresh stage adaptation is told with impressive life-size puppetry, exciting new stories and featuring characters that have played iconic roles in the lives of children for generations. Accompanying the modern narrative is an original score by Nate Edmondson, featuring some of the Grammy award-winning songs written by the Sherman Brothers for the original animated features, including Winnie the Pooh, The Blustery Day, The Wonderful Thing About Tiggers and Whoop-De-Dooper Bounce, plus A.A. Milne’s The More It Snows (featuring music by Carly Simon) and Sing Ho in a new arrangement.
Winnie the Pooh: The New Musical Adaptation is developed and presented by renowned family entertainment creator Jonathan Rockefeller (whose spectacular puppetry is omnipresent in the acclaimed productions of The Very Hungry Caterpillar Show, Paddington Gets in a Jam and Sesame Street the Musical).
Inspired by the beloved books by A. A. Milne and the classic Disney featurettes, the production was welcomed in New York in 2021, where it broke theatre box office records for the largest advance, with rave reviews where it was called “Enchanting!” (Time Out); “Winnie the Pooh: The New Musical Stage Adaptation is magical, sweet as honey, and full of humor. It's a wholesome, delightful, enchanting piece of theatre,” (BroadwayWorld); “A perfect reintroduction to live theater. It’s a captivating adventure with spectacular puppetry,” (Mommy Poppins); “Charming and whimsical stage show that Pooh surpasses every expectation I had for it,” (The Laughing Place); “Winnie the Pooh is delightfully first-rate,” (Theatre Pizzazz); “Irresistible. ‘Winnie the Pooh’ is sweeter than honey,” (DC Metro Arts); “An hour of bountiful joy,” (New York Theatre Guide); “Mesmerizing and lifestyle puppets and original Sherman Brothers tunes, the beautiful new Winnie the Pooh musical is must-see,” (Theatrely); “The wonderful thing about musicals is that musicals are wonderful things. The New ‘Winnie the Pooh’ Musical Is Sweeter than Honey,” (Toy Insider).
Website: winniethepoohshow.co.uk
Facebook: @WinnieThePoohShowUK
Twitter: @WinnieShowUK
Instagram: @WinnieThePoohShowUK
Thursday 20 June 2019
The Light in the Piazza, Royal Festival Hall | Review
The Light in the Piazza
Royal Festival Hall, Southbank Centre
Reviewed on Wednesday 19th June 2019 by Olivia Mitchell
★★★★★
The Light in the Piazza is a contemporary musical which invokes all the feelings of the golden age and is a sumptuous treat for the eyes and ears. The marvellously swooping score by Adam Guettel whisks you away from the opening moment and enthrals you in the beauty and magic of this delicate Italian love story.
Margaret Johnson (Fleming) is a well to do Southern lady who brings her fragile daughter Clara (Cameron) to Florence for a holiday. When Clara falls for a young Italian, Fabrizio (Houchen), Margaret is understandably protective and sceptical. Other than that, very little happens book wise but thanks to the glorious performances and production values, this is a divine musical.
Margaret Johnson (Fleming) is a well to do Southern lady who brings her fragile daughter Clara (Cameron) to Florence for a holiday. When Clara falls for a young Italian, Fabrizio (Houchen), Margaret is understandably protective and sceptical. Other than that, very little happens book wise but thanks to the glorious performances and production values, this is a divine musical.
As Clara, Dove Cameron is a marvel. A perfect combination of charm, innocence, an unruly heart and a headstrong mind, she lights up the stage every second she's on it (which is most of the show). Equally, the more intensely dramatic moments of the musical are performed with a candor and aggression which strikes and moves the audience. Cameron is a true star with vocals to match her captivating performance.
Rob Houchen has a way of surprising audiences with each role he takes on. This time it's the Italian leading man, Fabrizio, who is swoon-worthy, humourous and charismatic. As always Rob's acting performance is strong, with the comedic moments especially landing well; but it's Houchen's vocal performance which solidifies him as the dream casting choice for this role. The swooping vocals seem to pour out of thin air as Rob captures every moment with ease and control. Alongside Cameron, the pair create a chemistry which fizzles around the Festival Hall and creates a fuzzy feeling from start to end.
Taking the role of the protective mother, Renée Fleming soars. Her deep operatic voice fills the festival hall but still manages to capture the intimate vulnerability she feels throughout. Mention must go to Mick Potter who has designed the sound of this show excellently. With the mix of operatic and musical theatre performers, there is always a risk of one overpowering the other, especially with opera performers usually being unmiced but this is not the case at all and the two styles meld and compliment each other fantastically.
Celinde Schoenmaker oozes sass as she struts across the stage in a smooth two piece and provides some of the musicals conflict during her marvellously performed The Joy You Feel. Liam Tamne is light relief as her husband Guiseppe Naccarelli. Alex Jennings also gives a memorably suave performance as patriarch Signor Naccarelli.
Brigette Reiffenstuel's 'frocks' are completely divine and indulgent, with floating fabrics and tailored Italian suits covering the stage. Backed by Robert Jones' simplistic but intuitive set, Dove Cameron seems almost doll like as she twirls around Italy in her magnificent pastel coloured clothing.
Sure, the story is lacking, but this is a show about love and you can't help but feel overcome by warmth as you watch it all play out. There are many a predictable moment, but thanks to Daniel Evans' direction, they're all carried out so well that they feel fresh and unexpected, regardless.
The Light in the Piazza runs at the Royal Festival Hall until 5th July 2019
photo credit: Tristram Kenton
The Light in the Piazza runs at the Royal Festival Hall until 5th July 2019
photo credit: Tristram Kenton
Tuesday 1 November 2022
The ENO presents the UK premiere & operatic adaptation of the festive favourite film, It’s a Wonderful Life
This November, opening the festive season at the London Coliseum, the English National Opera (ENO) presents the highly anticipated UK premiere of It’s a Wonderful Life. Composed by Jake Heggie in 2016 with the libretto by Gene Scheer, this is an operatic adaptation of the 1946 Frank Capra Christmas classic film, sung in English.
A blended tale of fantasy and drama loosely based on Charles Dickens’s A Christmas Carol, It’s a Wonderful Life tells the story of George Bailey, a humble man of humble origins in a humble small town. Having sacrificed many of his own dreams to help others around him, George is driven to breakdown, only to be shown by his guardian angel how his life enriches his community in ways he could never imagine.
It’s a Wonderful Life is a family friendly opera, perfect for first-time opera goers of all ages. It is an all-singing, all-dancing tale of hope and redemption sprinkled with a smattering of festive magic. Tickets start from £10 for everyone, under 21s can access free tickets to all performances, and under 35s can sign up for huge discounts.
Jake Heggie is an American composer influenced by multiple styles; he often infuses gospel, jazz, and pop elements into his work making his operas accessible to audiences while challenging their understanding of what a traditional opera can be. Heggie is known as one of modern operas most exciting contemporary composers, describing himself as primarily concerned with exploring character. With George Bailey at the centre of It’s a Wonderful Life, it’s clear to see why this nuanced story appealed to Heggie where the banker’s emotional turmoil is at the heart of the story and key to the music.
Jake Heggie says:
‘I am over the moon that the ENO has assembled such an extraordinary cast and creative team for this fabulous new production at the London Coliseum. When creating It’s a Wonderful Life, Gene Scheer and I wanted to give audiences a memorable holiday experience, packed with lyrical singing, big ensembles, and the powerful emotions that opera can explore like no other art form. This show brings people together - especially during this festive season - and London audiences of all ages are in for a magical, moving, and astonishing evening of music and dance.’
Directing and Choreographing It’s a Wonderful Life is Aletta Collins, making her ENO directorial debut. A former Associate Artist at the Royal Opera House, Collin’s has directed and choreographed for opera houses across the UK and internationally, as well as theatres in the West End and Off-West End. Collins recently choreographed the BAFTA Award-winning British coming-of-age drama film, Belfast (2021), written and directed by Kenneth Branagh.
Conducting the award-winning ENO Orchestra and making her ENO debut in the pit is regular collaborator Nicole Paiement. Paiement has gained an international reputation for conducting contemporary works. She has served as the Artistic Director of the BluePrint Project at the San Francisco Conservatory of Music where she has commissioned, premiered, and recorded works for many living American composers; and she is the founder and Artistic Director of San Francisco's Opera Parallèle where she has conducted many new productions.
‘Opera’s coolest soprano’ (The New York Times Magazine) and Australian-American actress Danielle de Niese makes her ENO operatic debut performing the role of Clara, George’s guardian angel. De Niese regularly appears on the world’s most prestigious opera and concert stages, and is a prolific recording artist and TV personality. She recently starred in the feature film of Poulenc’s one-women opera, La Voix Humaine, alongside Sir Antonio Pappano which premiered in Spring 2022 on BBC Two along with international cinematic release.
American tenor Frederick Ballentine will be making his role debut as George Bailey. He made his ENO debut as Sportin’ Life in Porgy and Bess and is returning to the ENO after performing as a soloist in the concert staging of Seven Last Words where he was ‘strong-voiced and ardent’ (Seen and Heard International), and performing the role of Nick in The Handmaid’s Tale during the 2021/22 Season. He will be making his second role debut this 2022/23 Season performing the role of Loge in Wagner’s The Rhinegold, for Richard Jones’ Ring Cycle.
British soprano Jennifer France returns to the ENO for her role debut as Mary Hatch Bailey. France made her ENO debut in Orphée during the 2019/20 Season. She recently performed as a soloist in concert for In This Brief Moment at Symphony Hall, Birmingham with the City of Birmingham Symphony Orchestra where she ‘stole the show’ with ‘her impeccable diction and laser precision’ (The Guardian). France has performed at many of the leading opera houses both in the UK and internationally, including Bayerische Staatsoper Munich, Aix-en-Provence Festival and the Royal Opera House.
American bass baritone Donovan Singletary will be performing the role of Harry Bailey. Singletary is a recent graduate of the Lindemann Young Artist Programme and he has been praised by Opera News for his ‘bright baritone’. He is returning to the ENO following performance singing Jake in the 2018 staging of Porgy and Bess. Joining him on stage is South African soprano Segomotso Shupinyaneng who is making her ENO debut performing the role of Harry’s wife, Helen Bailey.
Tenor Roland Samm, born in Trinidad and Tobago, is performing the role of Uncle Billy Bailey. Returning to the London Coliseum, he previously made his ENO debut in the 2018 production of Porgy and Bess in the role of Peter.
Bringing her ‘expressive’ and ‘sumptuous voice’ (The Guardian) to the role of Mother Bailey is British soprano Gweneth Ann Rand. Rand is currently an Associate Artist at Wigmore Hall and she was previously a Vilar Young Artist at the Royal Opera House. She is returning to the ENO following her performance as Serena in the ENO’s 2018 staging of Porgy and Bess, the title role in Aida, the Mother in Hansel & Gretel at Regent's Park Open Air Theatre, and the Hen/Innkeeper’s Wife in 2022 production of The Cunning Little Vixen.
Making his ENO debut is American baritone Michael Mayes as Mr Potter. Mayes made an explosive international debut singing the role of Joseph de Rocher in Heggie’s Dead Man Walking to international acclaim in 2018 for Teatro Real and at The Barbican in London. He has performed for many of the leading opera houses both in the UK and internationally, including Houston Grand Opera House, Staatsoper Stuttgart, Seattle Opera, and Boston Lyric Opera.
As the Angel Quartet, British soprano Keri Fuge, who is making her ENO debut, will be joined on stage by current ENO Harewood Artists; German mezzo-soprano Idunnu Münch, South African tenor Zwakele Tshabalala, and British bass-baritone Ossian Huskinson. British baritone and former ENO Harewood Artist Alex Otterburn will be returning to the London Coliseum in the role of Ernie. The stellar cast will be joined on stage by the ENO Chorus.
Giles Cadle is the Set Designer, Gabrielle Dalton is the Costume Designer, Andreas Fuchs is the Lighting Designer, and Nick Lidster is the Sound Designer.
It’s a Wonderful Life opens on Friday 25 November for 10 performances: Nov 25, 29, 30 and Dec 3, 7, 9 at 19.30. Nov 27 and Dec 3, 10 at 15.00.
A fully staged Relaxed Performance will be on Wednesday 7 December at 11.00.
British Sign Language performance: Wednesday 7 December, 19.30.
Wednesday 17 October 2018
Company, Gielgud Theatre | Review
Company
Gielgud Theatre
Reviewed on Tuesday 16th October 2018 by Olivia Mitchell
★★★★
Marriage is the order of the day with Marianne Elliot and Chris Harper's gender-switched version of Company. Bobbi (formerly Bobby) has reached aged 35 and is surrounded by an endless barrage of questions about why she's single and when she's gong to become 'whole' and partner up.
Bunny Christie's set design is artwork of its own in the way it reflects the isolation one can feel in life, especially when living in a city which can make you feel small. The set is make up of cool neon framed cubes which interconnect to make up the various parts of Bobbi's life. The set also works well as its own character to contrast Bobbi. The cold stage is perfectly balanced by Bobbi's vibrant red dress so she always stands out amongst the others.
The show avoids a formal linear structure and instead jumps from tableau to tableau, which are linked by a reoccurring surprise birthday party. The spitfire force that leads the show is Rosalie Craig who is humourous, enticing and charming in the lead role, Bobbi. On stage for pretty much the entire show, Rosalie performs with the stamina and vocal agility of a true star and will no doubt receive much acclaim for her portrayal.
Our leading lady's married friends are an amusing group who have been given a modern makeover and been switched up to be more fitting for a contemporary audience. As the loving but smothering Paul and neurotic Jamie, Alex Gaummond and Jonathan Bailey are outstanding. Bailey's performance of Not Getting Married is a stellar tutorial in how to perform a patter song and he's a complete revelation in the role. The scene is entirely heightened and wholly hilarious. As the couple who are always playing a game of push and pull Sarah and Harry, Mel Giedroyc and Gavin Spokes are witty and very well performed. Susan (Daisy Maywood) and Peter (Ashley Campbell) are questioning whether marriage was the right choice for them whilst Jenny (Jennifer Saayeng) and David (Richard Henders) are settling and changing to keep one another happy. Our final couple are Joanne and Larry who mirror Bobbi a huge amount. As Larry Ben Lewis is sweet and giving, whilst his partner Joanne, played by musical theatre veteran Patti LuPone warns Bobbi of the downfalls of falling into what society expects of you and how life can be empty if you simply become a wife and a lady who lunch. As expected, she is a scene stealer who brings earth shattering vocals.
Bobbi's three boyfriends are played uniquely and faultlessly to highlight some of Bobbi's issues and struggles, whilst bringing a realness to the show that is easily relatable. Matthew Seadon-Young plays Theo, who has a past with Bobbi but their snaps with each other quickly bring to light why they didn't work out. Richard Fleeshman plays the dim but kind flight attendant, Andy very well; and George Blagden is the most hisptery-hipster ever in his portrayal of PJ. All three men deliver some stellar vocals and well rounded characters despite not having a huge amount of solo stage time each. The moment they join forces in You Could Drive a Person Crazy, with sleek choreography and super sharp Barber Shop harmonies, is one of the stand out moments of the production.
Company is a show for a 2018 audience. Well directed with boat loads of humour and an equal amount of subtlety, its opens up the question of whether marriage is for everyone and prompts us to examine our own choices. Take yourself down to the Gielgud Theatre to see the musical which is sure to sweep the next Olivier Awards.
photo credit: Brinkhoff/Mögenburg
Thursday 2 February 2023
Full Tour Cast of Annie Revealed with Craig Revel Horwood, Paul O'Grady and Jodie Prenger and More
Michael Harrison and David Ian are delighted to announce full casting for the forthcoming UK and Ireland tour of their smash hit production of the musical ANNIE opening at Curve, Leicester on Saturday 25 February 2023. Joining the previously announced Craig Revel Horwood and Paul O’Grady, will be Scottish BAFTA winner Elaine C Smith and Jodie Prenger, all starring as ‘Miss Hannigan’ at various venues. Alongside them will be Alex Bourne as Oliver Warbucks, Paul French as Rooster, Amelia Adams as Grace Farrell, and Billie-Kay as Lily St. Regis. The title role of Annie is shared by Zoe Akinyosade, Harlie Barthram and Poppy Cunningham. They are joined by three teams of young performers who play the residents of Miss Hannigan’s orphanage.
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David Burrows, Sergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
Completing the cast will be Emily Barnett-Salter, Alistair Beattie, David Burrows, Sergi Ibanez, Rosalind James, Belle Kizzy Green, Ellie May-Wilson, Martin McCarthy, Phoebe Roberts, Lukin Simmonds, Matthew Sweet, Dawn Williams, and Tommy Wade-Smith.
*Full tour dates, including details of at which venues Craig Revel Horwood, Paul O’Grady, Elaine C Smith and Jodie Prenger star, are in the listings below. www.anniethemusicaltour.uk
Craig Revel Horwood is probably best known as a judge on all 20 series of BBC1’s Strictly Come Dancing. He returns to the part of Miss Hannigan having played the role to critical acclaim in this production in both the West End and on tour. His other West End Theatre credits include Munkustrap in Cats, Miss Saigon at the Theatre Royal, Drury Lane and Harry in Crazy for You at the Prince Edward Theatre. Craig directed and choreographed Strictly Ballroom the Musical which is currently touring the UK and Ireland, and the 2016/17 tour of Sister Act the Musical, as well as the Strictly Come Dancing Live tour. He also choreographed the film Paddington 2.
BAFTA Award winning television, radio and stage star Paul O’Grady returns to Annie having first played the role of Miss Hannigan at the Victoria Palace Theatre in 1998. His other theatre credits include playing the Child Catcher in Chitty Chitty Bang Bang at the London Palladium and many pantomimes including Cinderella and Goldilocks and the Three Bears at the London Palladium. On television he is best known as the host of ITV’s Paul O’Grady: For the Love of Dogs, Paul O’Grady’s Great British Escape, The Paul O’Grady Show, Channel 4’s Blind Date and BBC One’s Blankety Blank. He is also a highly celebrated writer, having written both autobiographical and fictional books and recently completed a 14 year run as a presenter on BBC Radio 2.
Elaine C Smith is perhaps best known for playing Mary Doll in the BBC comedy Rab C Nesbitt, as well as her role as Christine in the BBC sitcom Two Doors Down, for which she won a Scottish BAFTA for Best Actress in 2018. On stage she consistently headlines major pantomimes, having just finished her 13th year at Glasgow King’s Theatre. She played Cora in the original UK Tour and West End run of Calendar Girls as well as playing Susan Boyle in the UK tour of I Dreamed A Dream which she co-write with Alan McHugh.
Jodie Prenger recently joined ITV’s Coronation Street as Glenda Shuttleworth. Her West End credits include A Taste of Honey at the Trafalgar Studios. Oliver! at Theatre Royal Drury Lane, One Man Two Guvnors at Theatre Royal Haymarket and Spamalot at the Playhouse Theatre. On tour she has appeared in Abigail’s Party, Shirley Valentine, Annie, Fat Friends, Tell Me on A Sunday and Calamity Jane. On television she has appeared in the BBC’s Shakespeare & Hathaway, Years and Years, Casualty and Waterloo Road.
Alex Bourne returns to Annie as Oliver Warbucks, having played the role both in the West End, Toronto and the UK Tour. His other theatre credits include Edna Turnblad in the UK Tour of Hairspray, Sam Carmichael in the UK Tour of Mamma Mia!, Khashoggi in We Will Rock You at the Dominion Theatre, Billy Flynn in Chicago at the Adelphi Theatre and Lex Hogan in Eugenius! at The Other Palace. On film he can be seen in Sony Pictures’ Cinderella.
Paul French was most recently seen as TinMan/Hickory in The Wizard of Oz at Curve, Leicester. His other theatre credits include Kenickie in Grease at the Dominion Theatre and in the production’s UK Tour and Double J in Saturday Night Fever at the Peacock Theatre. On film he can be seen in Visualize Films’ Tomorrow Morning.
Amelia Adams has most recently been seen in the UK Tour of Friends! The Musical Parody. Her previous theatre credits include Lois Lane/Bianca in Kiss Me, Kate for Welsh National Opera, Mary Delgado in Jersey Boys at the Piccadilly Theatre and on tour, Martha Burelli in The Rat Pack at the Haymarket Theatre and on tour. She has also appeared in the UK Tour of Hairspray and Spamalot both in the West End and on tour.
Billie-Kay recently appeared as Angel in Anything Goes at the Barbican and its UK and Ireland tour. She has also appeared as Dale Tremont in Top Hat at The Mill at Sonning and in 42nd Street at Theatre Royal Drury Lane. On film she has appeared in Disney’s Dis-Enchanted and Beauty and the Beast, and Sony Pictures’ Cinderella.
Set in 1930s New York during The Great Depression, brave young Annie is forced to live a life of misery and torment at Miss Hannigan’s orphanage. Determined to find her real parents, her luck changes when she is chosen to spend Christmas at the residence of famous billionaire, Oliver Warbucks. Spiteful Miss Hannigan has other ideas and hatches a plan to spoil Annie’s search…
With its award-winning book and score, this stunning production includes the unforgettable songs ‘It’s the Hard Knock Life’, ‘Easy Street’, ‘I Don’t Need Anything But You’ and ‘Tomorrow’.
ANNIE has Music by Charles Strouse, Lyrics by Martin Charnin and a Book by Thomas Meehan. It is directed by Curve’s Artistic Director Nikolai Foster with set and costume design by Colin Richmond, choreography by Nick Winston, lighting by Ben Cracknell and sound design by Richard Brooker.
The producers of Annie cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
photo credit: Matt Crockett
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