Thursday, 9 September 2021

Waitress, New Wimbledon Theatre | Review


Waitress (UK Tour) 
New Wimbledon Theatre
Reviewed on Tuesday 7th September by Hope Priddle
★★★★

On the menu at Wimbledon Theatre this week, Waitress the Musical follows Jenna Hunterson (Lucie Jones), an aspiring baker who, with the support of her colleagues and dreamy gynecologist, imagines an escape from her provincial life and unhappy marriage. Based on the 2007 film by the late Adrienne Shelly, Waitress is a bittersweet story of friendship, love and finding yourself, with (nearly) all the ingredients for a tasty theatrical treat.

 

Music and lyrics by Sara Bareilles add flavour and spice to this quaint story; her playful, folk-pop score is full of frolicking motifs, followed by some gorgeous reflective numbers. They accompany a book by Jessie Nelson which is delightfully witty and whimsical throughout, but sometimes suffers from its more casual tone. 

 

We are introduced to a collective of characters who are wholly endearing yet undeniably flawed, and it is refreshing to spend time with such imperfect and compromised characters. However, their poor choices often lack consequence and the stakes never quite feel high enough. Likewise, the shows treatment of domestic violence is lacking. Her abusive marriage to tip-stealing husband Earl - played by Tamlyn Henderson, who nonetheless deftly balances the fine line between comedic stock villain and insidious manipulator - is explored in a just a few short scenes which are uncomfortably inserted into the narrative. Though pitched as a feminist drama, any moral message is half baked.

 

Jones steals our heart as weary waitress Jenna, giving a sensitive and nuanced performance which perfectly reflects the heartache, anguish and disappointment of our begrudgingly pregnant protagonist. Her buttery vocals are rich and controlled; her control and clarity unsurpassed. Jones’ soaring rendition of She Used To Be Mine across a silent auditorium scored a well-deserved mid-show ovation.

 

Jenna’s colleagues are equally well cast. Evelyn Hoskins is totally loveable as the adorably anxious Dawn, whose slow burning affection and excitement for new beau Ogie, brought to life with a welcome touch of innocence and youthfulness by George Crawford, is joyous to watch. Sandra Marvin similarly packs a punch as the feisty, lively yet loyal Becky. 

 

The duo provides comfort and advice to the expectant mother as she cautiously begins to imagine a new life for herself and her baby. Waitress offers such a lovely, intimate insight into female friendship, and it is in these quieter moments that the show really lands. As Dr Pomatter, Jenna’s forbidden love interest, Matt Willis proves himself to be a highly capable actor, capturing the character’s goofy and bumbling demeanour with ease. It is just a shame that his slightly nasally vocals are lost in his duets with Jones.

 

Lorin Latarro’s choreography is inspired, with instructive and empathetic gesturing by the ensemble used to cleverly mirror the movements of the lead characters. As Jenna goes into labour during Contraction Ballet, a female quartet pulsate and swell perfectly in time. The ensemble is so in sync throughout and are truly mesmerising to watch.

 

Latarro’s routines are complemented by tastefully restrained lighting design (Ken Billington) that features but a series of coloured spotlights. Likewise, both set (Scott Pask) and costume (Suttirat Anne Larlarb) are simplistic, if not a tad twee, but offer a sense of familiarity and warmth which gives the show heart. A final special mention must go to on-stage band that seamlessly integrate themselves into the diner landscape – you wonder if their music is meant to be diegetic given how often we see into Jenna’s mind as she creates her fantastical pies.  

 

Waitress isn’t perfect, but it most certainly serves the audience with a little slice of happiness pie. Surely they’ll be coming back for second helpings?


Photo credit: Johan Persson

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Sunday, 11 July 2021

Hamilton and Me, Giles Terera | Book Review


Hamilton and Me by Giles Terera
Published: 1st July 2021 by Nick Hern Book
★★★★

While working to bring the smash hit musical Hamilton to the West End stage, Giles Terera kept a journal which chronicled the journey and now provides a wonderfully moving insight into the process that so few get to be part of. However, instead of just being a diary which looks at the day to day process of putting on a show, this book is an honest and academic look at what it takes physically and mentally.

Throughout the rehearsal period, Terera takes a methodical approach to playing the role of Aaron Burr; he looks at what made Burr do the things he did, as well as comparing his own journey and life experiences to the character. It's quite amazing to see just how much mental work goes into making Burr as well-rounded as he comes across in the musical. 


What is also striking about this book is how humble Terera seems. The way he openly discusses his fears, weaknesses and struggles comes across very genuinely and as an outsider, it's particularly interesting to see how he overcomes his struggles and pushes through the intense process without breaking down. His rawness clearly comes across in his portrayal of Burr and it's no surprise that he received rave reviews and praise when the show opened in London.

Hamilton and Me: An Actor's Journal serves as a snapshot of time and masterfully takes readers on a journey they would rarely get to go on, of even really understand. Terera offers an exhilarating look at a musical stripped down to its simple roots and lets us be both in the room where it happens as well as watching the room be formed. This is a real treat of a book and a must-read for theatre lovers and aspiring performers.

Reviewed by Olivia Mitchell

{AD PR Product- book gifted in exchange for honest review}

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Friday, 2 July 2021

Wonderful Town, Opera Holland Park | Review


Wonderful Town
Opera Holland Park 
Reviewed on Thursday 1st July 2021 by Olivia Mitchell 
★★★★

As the world returns to a new normal, there aren't many better ways to spend a Thursday evening than enjoying a glorious musical in the beautiful setting of Opera Holland Park. Quick Fantastic have returned to the space to present Wonderful Town, the half-forgotten 30s  musical which brims with exhilarating jazz and witty comedy.

Under Alex Parker's musical direction, Bernstein's score soars around the auditorium and reminds us just how brilliant the older Broadway musicals can be. The comedy on stage is matched perfectly with the music and the whole affair feels as rich and jubilant as can be. The musical  diversity is also a treat to hearr, with an Irish jig, a beatnik scat and some moving ballads, there's really something for everyone.

The book by Jerome Chodorov and Joseph Fields is basically the story who two sisters from Ohio who arrive in the New York with dreams of taking the town by storm. The source material for the show was taken from autobiographical short stories by Ruth, the sister who longed for a writing career and chronicled her and her sisters' lives in The New Yorker. There are a number of little adventures the duo go on whilst finding their careers (and romances) which make for a highly entertaining and all round wholesome story.

Ruth is played with grit and wit by West End superstar, Louise Dearman, who seems almost made for the role of the sassy, vulnerable, bookish author. Of course Louise is vocally effortless and provides some real highlights, but she also shines in the humourous moments which help make the whole production feel so jubilant.



Balancing Dearman out is the equally brilliant Siubhan Harrison as Eileen, the sister who knows how to get what she wants but in the end is unwaveringly committed to her sister. The double act are a dream to watch and have the audience wrapped around their little fingers, especially during their smooth as butter rendition of Ohio.

The male love interests are performed by Ako Mitchell who is vocally divine and very authentic as magazine editor Bob; Roger Dipper who is utterly wonderful and so humourous as the bumbling Walgreens worker Frank Lippencott; and Alex Lodge who is suitably sleazy as newspaper hack Chick Clark.

Billy Nevers is the washed up football player The Wreck, and Emma Harrold is his secret fiancé, Helen. Both do a great job of padding out their characters as well as providing super strong vocals and some light-hearted comedic moments.

The rest of the cast made up of: Jade Albertsen, Robson Broad, Ashley Daniels, Tamsin Dowsett, Gregory Haney, Jas[er Kajd and Natasha Leaver are super sleek throughout whilst bringing the vibes of 30s New York to life. Carrie-Anne Ingrouille's choreography is superb and a joy to watch.

From a conga to an incarceration there's a lot to enjoy and laugh at, and the cast do an outstanding job of making a semi-staged production feel full. Overall it's a wonderful night at Wonderful Town.

Photos by Danny Kaan

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Friday, 11 June 2021

West End Musical Celebration, Palace Theatre | Review



West End Musical Celebration (Concert) 
Palace Theatre 
Reviewed on Thursday10th June 2021 by Olivia Mitchell 
★★★★★

As two pioneers in making theatre accessible, diverse and welcoming, Shanay Holmes and Chris Steward have continually pushed through all of the setbacks of the last year to provide high quality, delightful entertainment. Most recently through their West End Musical Drive In’s and now through their West End Debut which was a full, flamboyant and fabulous celebration of, and return to theatre.


As hostess with the mostess, Shanay took us through the night with grace and passion. Like all the performers, it was really evident just how much theatre and the theatrical community means to her and the love throughout the auditorium was frenetic.


Joining Shanay were some of the West End's best: Sophie Evans, Alice Fearn, Ben Forster, Rachel John, Trevor Dion Nicholas and Layton Williams. It's unfair to pick favourite moments when every performance was a complete treat and the song selection was outstanding. From Defying Gravity, to a bluesy version of Don't Rain on My Parade and a sweetly sentimental rendition of Somewhere Over the Rainbow there was something for absolutely everyone. If that wasn't enough, the pre-show/interval playlist was also a stagey delight. 


As well as this, the night featured a fantastic band, wonderful backing singers and excellently sleek dancers. Several standing ovations and plenty of chair dancing highlighted that the audience were completely on the performers side and were just as much a part of the show as those on stage, albeit with considerably vocal ability. Overall the whole evening felt like a high quality, well-oiled, musical theatre sensation.


Alongside the mile a minute song selection, the night also included the sparkling wardrobe of dreams. The sheer glitz, glam and spectacle of the whole night's proceedings felt so special to be a part of. 


The night closed with a series of high octane numbers, including Don't Stop Believing, How Will I Know and One Night Only, which had everyone on their feet and proved that we really can have a good time, even under covid restrictions. 


As the final chorus of The Greatest Showman’s From Now On rang out “and we will come back home”, I was reminded that the theatre really is home and if last night's concert is what it's like then never want to leave.



West End Musical Celebration runs at the Palace Theatre until Sunday 13th June 2021


Photos by Bonnie Britain

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Tuesday, 8 June 2021

Showstopper! The Improvised Musical, Garrick Theatre | Review



Showstopper! 
Garrick Theatre
Reviewed on Monday 7th June 2021 by Olivia Mitchell 
★★★★★

It's hard to say what you'll enjoy about Showstopper! The Improvised Musical, because as the name suggests, every show is different but what you can expect is to laugh like there's no tomorrow, see an array of outstanding performances, watch some truly wacky goings on and overall to have a really good time.

The basic structure is that the audience are invited to put in suggestions for settings, themes, musicals, styles and composers and then the Showstoppers team make these into a stagey spectacle like no other. Whilst this was previously done via the audience shouting from their seats, thanks to Rona, it now takes place via tweets or texts, which are then voted for via which one gets the loudest claps and feet stamps. 

Last night's suggestions included a Deep South setting, a school reunion and the winning choice: a dog show where the prize pup had been murdered. Limitless possibilities provided the most entertaining show, full of various twists and turns, a selection of plot points and a surprising amount of character development. No one was who they claimed to be and the ending really was a surprise. 

As the host with the most, Dylan Emery took control of the proceedings, often popping in with suggestions for character moments and musical styles (Hamilton and The Phantom of the Opera were two highlights) as well as adding some great guitar backing.

The entire cast: Pippa Evans, Adam Meggido, Justin Brett and Lucy Trodd gave performances that more than anything just had the audience in awe. It's quite amazing how they can be so stellar whilst improvising and working so tightly as a team. Craig Apps on percussion and Chris Ash on keys kept the music flowing as they seamless transitioned between styles and interacted brilliantly with the cast.

The comedic timing of the whole cast is second to none and it felt so wonderful to be at a theatre, genuinely laughing and having a good time after such a trying year. There's not much more to say than GET A TICKET. Showstopper! is a treat that will always be unexpected but outstanding.

Photo by Hugo Glendinning
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Thursday, 3 June 2021

Becoming Mila by Estelle Maskame Book Review


Becoming Mila by Estelle Maskame
Published: 3rd June 2021 by Ink Road
★★★★

Estelle Maskame is a writing fiend, having had her first book published at age seventeen, she has gone onto publish a further five books, all of which received critical acclaim and huge love and support from her fanbase. Becoming Mila is the latest offering and the first instalment in a new trilogy about a teenage girl who is sent back to her off the grid Tennessee place of birth, so she doesn't show her film star father up close to the premiere of his new movie.

This is a great coming of age story as well as a romance and like Estelle's other books, it reads incredibly well and has you hooked from the get go. Estelle is brilliant at getting the angst and tension of new relationships on the page and from the first encounter between love interests Blake and Mila, there is a frisson of energy that starts and never lets up. The romance itself is very cute and I love how developed the characters are not only as a pair, but individually too. A lot of layers are added even to the side characters and there's so much scope for the subsequent books in the series.

I did however, find a slight disconnect at times between the writing and the characters. Mila and Blake sometimes come across much more mature than sixteen year olds whilst, the writing feels aimed at younger teens. This had no negative impact on the story but I do think it would be really interesting and exciting to read a more grown up, New Adult style book from Estelle. I'm sure it's only a matter of time!

As lead characters, Blake and Mila are extremely likeable. Mila is multi-faceted and really sure of her own mind, she faces problems head on and it's really refreshing to see a couple who communicate so well. Blake is a semi-bad-boy who you can't help but fall for. A lover of country music, he's pretty swoon worthy from the moment he nicknames Mila. The friendships are also incredibly sweet (I have a suspicious things may be not quite as they seem as the series continues) with Savannah playing a big role. There are also some lovely familial aspects, especially between Mila, her aunt and her grandpa- very wholesome.

Becoming Mila is a treat of a book though and the carefree, contemporary vibes are perfect for a quick beach read. Sizzling levels of angst, musical interludes and a couple you really root for make it a surefire summer hit... just be ready to need the second book as soon as you finish.

{AD PR product- book gifted in exchange for honest review}
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