Monday, 12 June 2017
La Strada, The Other Palace | Review
La Strada
The Other Palace
The Other Palace
Reviewed on Thursday June 1st 2017 by Olivia Mitchell
★★★★★
La Strada is definitely the musical which I have been most pleasantly surprised by so far this year. I am a fan of going into shows without looking them up first and I went into The Other Palace with no idea what to expect; thinking I was going to see a cabaret, vaudeville like circus show but that was absolutely not the case. Based on Federico Fellini's 1957 Oscar winning performance, La Strada tells the story of the young and naive Gelsomina who is sold by her mother to become the assistant to the touring gypsy, Zampanò: the "Strong Man". Her sister previously went to work for Zampanò and never returned so Gelsomina is struck with fear but fights and stays strong so she can send money back to her mother. This is ultimately the story of a young girl being taken advantage of purely because she doesn't know any better and because her circumstances don't allow her to escape.
The musicians play onstage in this piece and really bring it to life. A particular favourite moment was when everyone started clicking their fingers until the sound became overpowering and turned into raindrops. Each dramatic moment is heightened and an extremely visceral performance is created. This is helped along by Cameron Carver's brilliant movement which is extremely tight but looks natural and free. Flowing beautifully through moments and embodying each element that's being shown.
With credits including the National Theatre's Peter Pan, director Sally Cookson is know for her innovative, unique storytelling and has captured the themes and harshness of this story in a brilliantly imaginative way.
Finding herself trapped in Zampanò's world, wanting to escape but needing to make her mother proud we see the external and internal struggles of Gelsomina who is played so beautifully by Audrey Brisson. Capturing both her innocence and playfulness through the witty dialogue and wide-eyed movements, Gelsomina becomes a character the audience grow to love and become extremely attached to. This is a wonderful contrast to the cruel, harsh portrayal of Zampanò by Stuart Goodwin. Although we see moments of kindness, these are rare and it is the overall menacing anger which fills the stage whenever the strong man is around.
Part way through, they meet, Il Matto (The Fool) played by Bart Soroczynski who acts as a friend and guide for Gelsomina who heartbreakingly confides in him that there isn't any point her being alive because she is good for nothing. Il Matto brings light and warmth to the story, with a carefree attitude and light movement, he is played wonderfully by Soroczynski.
La Strada is a masterclass in storytelling and Cookson has created a faultless production which draws the audience in and takes them along the road which Gelsomina and Zampanò travel along. The piece is fresh and engaging and the constant movement makes it feel alive, it's truly compelling to watch and I would highly urge you to see it.
La Strada runs at The Other Palace until July 8th.
Wednesday, 7 June 2017
Rachel Tucker, Live at Zedel | Review
Rachel Tucker (concert)
Crazy Coqs, Zedel
Crazy Coqs, Zedel
Reviewed on Tuesday June 6th 2017 by Olivia Mitchell
★★★★★
Rachel Tucker is a superstar of the stage and is currently on a long awaited tour around the UK before heading to New York for a stint at the iconic, 54 Below. Now I knew Rachel's voice was good from the I'd Do Anything days, videos online and of course from seeing her in Wicked but I was completely blown away when I saw her solo performance last night. Rachel's voice is powerful, emotive, beautiful and her overall stage presence is that of a true star.
Rachel's set consisted of a number of upbeat songs to more balladic slow pieces with the flow from jubilation to tears completely smooth and seamless. The whole concert seemed so well put together and like a huge amount of thought had gone into each song and placement, it was really a night of everything. Opening the show with "Miss Otis Regrets", Rachel immediately created a bond with the audience and won over the room with her huge presence and personality.
Moving wonderfully into a rendition of "Candyman", Rachel kept the atmosphere bright and warm and set the stage for an evening of glorious entertainment. The segway into each song was done flawlessly, a sign of Rachel's stage training from a young age. The transition from "Waving Through a Window" (beautiful) to "Climbing Uphill" was particularly entertaining with Rachel reenacting a bad audition before giving a hilarious performance of the Jason Robert Brown classic.
As her special guest for the night, Rachel introduced Samantha Barks (who we all know I love) at the end of act one for a rendition of "Nowadays/All That Jazz" from Chicago. This was a particular treat for us Londoners who didn't get to see Samantha as Velma Kelly in Chicago at the Hollywood Bowl and it was a marvellous end to the first half.
The second half of the concert was just as seamless and brilliant as the first, with little anecdotes sprinkled throughout and an absolutely hilarious tribute to Tina Turner which Rachel explained was her unique selling point when she used to perform with her dad. Needless to say, the audience loved the ridiculously fantastic and energetic performance of "Proud Mary/River Deep Mountain High".
Samantha and Rachel joined forces again with a beautiful, heartfelt rendition of Wicked's "For Good" which was lovely to hear and joyous to see the two friends performing such a beautiful song in the intimate setting of the Crazy Coqs, Zedel.
Not only is Rachel's singing top notch, but her acting and interpretation of music is outstanding. Able to go from elation to heartbreaking sincerity in a matter of bars. Act two saw Rachel perform "The Man That Got Away" which was just phenomenal and left the audience in pin-drop silent awe. Rachel closed the show with "Goodbye Yellow Brick Road" and the Ed Sheeran favourite, "Castle on a Hill" which really summed up the evening and gave the audience the whole spectrum of emotions once again and gave Rachel her third and final standing ovation of the evening.
Rachel is just a sensational performer and last nights concert was completely faultless. I honestly couldn't have asked for anything more from Rachel or Samantha except for them to sing more and serenade me for the rest of my life! Rachel is truly remarkable, a joy to watch and a brilliant inspiration for anyone wanting to perform. If you get the chance to see Rachel in concert, or in any other show then 100000% take the opportunity as you do not want to miss the chance to be blessed be her performance of dreams and pipes from heaven!
Read my interview with Rachel here: https://goo.gl/FyfrTy
Sunday, 4 June 2017
In Conversation With... Rachel Tucker | UK Tour | Interview
Rachel Tucker is basically theatrical royalty, with a an impressive resume, an incredible voice and an extremely dedicated following. Currently touring the UK and about to start her second stint at the Zedel in London, Rachel was lovely enough to discuss what we can expect in her concerts, how she stays motivated, her dream role and much more...
What are some of your career highlights so far?
Wicked on Broadway, it was my absolute dream. The I'd Do Anything programme was a highlight, I loved it, it was great. Oh Wicked 10 is definitely the most recent highlight, it was amazing and a great night.
What keeps you motivated to keep working even when you're knocked down?
I guess the belief in myself, I know I can do it. I think people get confused with not getting the job, they think that it's a personal thing and 99% of the time it's not. It's just you're not right for them or at that particular time or moment for whatever their reasons are. But it's about remembering that it's not me, it's them. I mean not them, but their choice, not because I'm bad but because they don't want me.
Elphaba is obviously a very iconic role. How do you add your own spin on such well known songs and characters?
I try and approach it with a fresh look at it and as close to Rachel as I can because I think it's important to not copy and not be what everybody else thinks you should be and also because it's boring to do it the way someone else has done it when you're not being true to yourself. I'm a very honest person and I think it's very important to be honest with everything you think and how you approach the music and songs and interpret it as close to yourself as you possibly can.
You have a lot of repertoire, so what can people expect when they come and see you perform your solo concerts?
I like an eclectic collection of songs. I've grown up with old school musicals and entertainers and also love very current stuff like Ed Sheeran and I love standards, like some jazz standards. I also love modern musical theatre as well as the old stuff. So yeah, a real mixed bag. A real collection... and a few surprises thrown in for good measure!
If you could bring any guest star on stage with you, dead or alive, who would you pick?
Sammy Davis Jr, Bette Midler and Sting. Oh and probably Beyonce!
You've performed in a variety of venues both in shows and on tour. Do you prefer the bigger, elaborate ones or the smaller, more intimate ones?
They're all different, each of them brings a different thing. The intimate ones I think will be good to start out for me because they're more informal and I love that. You know, I'm not a formal girl, I love being casual and being able to see people and their reactions so that'll be nice. But I also love the big theatres where you have to look up to the balcony and get people joining in and singing along. So I like both.
You're taking this tour to Broadway with 54 Below, but would you ever consider touring it over there?
I think maybe in time, I mean it's taken ten years for me to be able to realistically tour the UK and these things I think take time so I think it'll be a little while longer before doing anything like that in America.
What's one talent you wish you could have?
I wish I could read music or play an instrument. Specifically the piano!
What are some funny moments you had either on stage or off stage?
Oh wow.... funny moments. I'm trying to think what ones I can tell you! At one point when I first did Wicked, I came back from holiday and I completely left out the whole bit of why Elphaba snatches the green bottle before 'Popular'. I literally couldn't remember a word of it and poor Gina Beck had to prompt me and say "was it because your mum was.....?" and she had to literally recite the whole paragraph and I just agreed with her. It was very scary!
Have you ever sneezed or got the hiccups in a performance?
Oh yeah completely. When I did The Wizard of Oz in Belfast, someone sneezed to me and I couldn't finish my lines cause I was laughing so hard. So absolutely, yes.
If you had a magic wand, which show would you do next?
Ohhh which show would I do next? I'd probably do a new show, a brand new show to originate and create a new role, yeah.
If you could go back to any era, when would you go to?
I think I'd go back to the 60s or actually probably the Hollywood MGM era like 20s or 30s
What is your go to karaoke song?
I recently went with my friend and I did 'Simply The Best' by Tina Turner!
What's the best piece of advice you've received or would like to give to someone hoping to get into the performing industry?
You've got to absolutely know your worth, know how good you are and be realistic with yourself and whether you can hack this industry. And think seriously if there's something else you could do then you probably should go and do it because you know, there was nothing else I could do and I think you've got to be very dedicated and very driven and passionate and care a lot about it. And have patience, it takes years and years to get anywhere. It doesn't just happen over night!
A huge thank you to Rachel for taking the time to talk to me. All of Rachel's shows at the Zedel are currently sold out but you may be lucky and get a return! All information about her upcoming dates can be seen here.
Interview by Olivia Mitchell, Editor
Friday, 2 June 2017
Our Ladies of Perpetual Succour, Duke of York's | Review
Our Ladies of Perpetual Succour
Duke of York's Theatre
Duke of York's Theatre
Reviewed on Wednesday May 31st 2017 by Olivia Mitchell
★★★★★
When I saw Our Ladies of Perpetual Succour last summer at the National Theatre I instantly adored it. I started praying for a transfer and telling anyone who would listen to go and see it. I gave it the number six place in my top shows of 2016, five stars in my original review and was overjoyed when it scooped up the Olivier Award for Best New Comedy. I'm pleased to say that I loved it just as much the second time in it's new West End home: The Duke of York's and will be raving to everyone again to snap up a ticket!
Our Ladies is exactly what the West End needs right now, it's a fresh, exciting, fun and unique theatrical experience for all ages (...well most ages!) The show manages to be angelic, vivacious, electric and foul-mouthed at the same time and more than anything is a celebration of females.
The six superstars of the show play every single character in the narrative, from their choir master, hilariously named Condom to a series of suspiciously shady middle-aged men. The girls are backed by an all female band who accompany the fantastic musical interludes. The girls are outgoing and dramatic but behind all of that have their own fears for their futures and impending adulthood.
The girls are absolutely wonderful, not only being hilarious in the comedic moments, but quiet and sentimental in more emotional scenes. They all have incredible voices too, moving seamlessly from Bartók to ELO with emotion, energy and poignancy. Isis Hainsworth is sincere in her portrayal of Orla who has just come back from a 'miracle' cancer recovery at Lourdes, Karen Fishwick is extremely versatile as Kay, switching from on the floor drunk to heartbreaking honesty perfectly. Caroline Deyga as Chell is hilarious and larger than life and Kirsty MacLaren as Manda is just lovely! For me, Frances Mayli McCann (Kylah) and Dawn Sievewright (Finnoula) are the standouts of the group, with absolutely stunning voices and completely faultless performances, but the entire cast are perfect and work together like real life school friends, creating an extremely realistic albeit extremely shocking portrayal of growing up.
Directed by Vicky Featherstone and at an hour and fourty five minutes, Our Ladies of Perpetual Succour provides a tight-knit, laugh out loud, heartfelt story of six girls making their way through life. The raw authenticity generates a warm and relatable vibe of no strings attached purity and fun. Our Ladies is an unmissable production which I highly recommend you go and see!
Our Ladies of Perpetual Succour runs at the Duke of York's until November 2nd 2017
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