Posts with the label west end
Showing posts with label west end. Show all posts
Showing posts with label west end. Show all posts
Thursday 6 July 2023
Initial Cast Announced for Elf the Musical at the Dominion Theatre this Winter
Celebrating its 20th anniversary since the original release of the motion picture featuring the talented Will Ferrell, the worldwide sensation and holiday classic, Elf, is set to grace London's Dominion Theatre once again. Following its overwhelming success last year, the smash-hit musical adaptation returns for a second consecutive year, delighting audiences from 15 November 2023 until 6 January 2024.
Returning to reprise their memorable roles are the talented Georgina Castle, known for her performances in Dirty Dancing and Mamma Mia, as Jovie, and Rebecca Lock, renowned for her roles in The Phantom of the Opera and Avenue Q, as Emily Hobbs. Nicholas Pound, recognised for his appearances in Cats and The Rocky Horror Show, brings Santa to life once again, while the multi-talented Kim Ismay, known for her roles in Wicked and Saturday Night Fever, takes on the character of Debs. Dermot Canavan, celebrated for his performances in Hairspray and Oklahoma!, embodies the Store Manager. Stay tuned for further casting announcements, including new actors who will portray the roles of Buddy and Walter Hobbs.
Based on the beloved 2003 New Line Cinema hit, Elf features a captivating book by Tony Award-winners Thomas Meehan (Annie, The Producers, Hairspray) and Bob Martin (The Drowsy Chaperone), accompanied by enchanting songs composed by Tony Award nominees Matthew Sklar and Chad Beguelin (The Wedding Singer).
This production will once again be brought to life under the expert direction of Philip Wm. McKinley, with choreography by Liam Steel. The original set and costume designs by Tim Goodchild, along with lighting design by Patrick Woodroffe, immersive sound by Gareth Owen, and video design by Ian William Galloway, will transport the audience into Buddy's world. The casting process will be overseen by Grindrod Burton Casting.
Elf tells the heartwarming and humorous tale of Buddy, a baby who accidentally finds himself in Santa's gift bag and is whisked away to the North Pole. Raised as an elf, Buddy remains unaware of his human origins, but his size and toy-making struggles eventually lead him to discover the truth—he's not an elf and will never truly fit in at the North Pole. With Santa's blessing, Buddy embarks on an extraordinary journey to New York, in search of his birth father, to uncover his true identity, and to remind the city of the genuine spirit of Christmas.
photo credit: Mark Senior
Thursday 22 June 2023
Groundhog Day at the Old Vic review: A Theatrical Gem That Transcends Time
the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
Groundhog Day
Old Vic
★★★★
Groundhog Day at the Old Vic Theatre is a delightful production that offers a hilarious and enchanting journey, filled with a talented ensemble, sleek quick changes and witty songs in the classic Tim Minchin style. This extraordinary production, breathes fresh life into the beloved story, delivering an experience that warms both the heart and the funny bone.
From the moment the curtains rise, we are transported to the enchanting world of Punxsutawney, Pennsylvania. The set design by Rob Howell, a skilful blend of simplicity and innovation, effortlessly captures the essence of small-town charm. Each scene change is flawlessly executed, seamlessly guiding the audience through the repetitive yet captivating cycle of Bill Murray's iconic character, Phil Connors, as he relives the same day over and over again.
The cast is a formidable force, with the incredibly talented Andy Karl at the helm, delivering a remarkable portrayal of Phil Connors. With impeccable comedic timing and a nuanced understanding of the character's emotional journey, Karl brings authenticity to every scene. His charisma and stage presence make it impossible to look away, keeping the audience fully engaged and invested in Phil's transformation, plus he delivers some killer vocals.
Alongside, each cast member delivers outstanding performances that enhance the overall narrative. From the endearing yet determined Rita, played by Tanisha Spring, to the versatile ensemble effortlessly transitioning between various characters, their energy and dedication create an immersive experience, making us feel like part of the Punxsutawney community. Amongst the solid cast, stand out's include Eve Norris who shines in her role as Nancy, bringing depth and charm to the stage and Billy Nevers who uses every solo line to his complete advantage to deliver some scene stealing moments.
The direction by Matthew Warchus, skilfully navigates the delicate balance between comedy and introspection. Demonstrating a deep understanding of the source material, whilst infusing it with fresh perspectives and surprising moments that keep the audience on the edge of their seats. Warchus expertly guides the pacing, ensuring that the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.
The musical numbers, composed by Tim Minchin, are a delightful addition to the production. The songs are catchy, with lyrics that cleverly reflect the themes of self-reflection and seizing the day. The choreography (Lizzi Gee), executed with precision and flair, adds an extra layer of excitement and dynamism to the overall performance.
Groundhog Day at the Old Vic is a testament to the transformative power of live theatre. It serves as a reminder of the beauty found in life's simplest moments and the significance of embracing change. This production effortlessly balances humour and heart, leaving the audience with a renewed sense of joy and hope.
If you're seeking a theatrical experience that transcends time and leaves you with a warm, fuzzy feeling, Groundhog Day is an absolute must-see. This exceptional production will undoubtedly captivate audiences of all ages, reminding us that every day is an opportunity for growth, love, and second chances.
Reviewed on Wednesday 21st June 2023
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Saturday 10 June 2023
We Will Rock You at the London Coliseum review: Still Has 'A Kind Of Magic'
We Will Rock You
London Coliseum
★★★
After a ten year absence from the West End, the ‘show must go on’ for We Will Rock You (WWRY) as it takes up its summer residency at the London Coliseum. Set on the iPlanet, a corporate cyberspace where live music is forbidden, this iconic musical follows a group of rebellious bohemians in their search to rediscover the legendary art of rock and roll.
Unfortunately, jukebox musicals have come a long way since WWRY last graced the West End. Unlike newer examples such as &Juliet which prioritise cohesive and earnest story-telling, Ben Elton’s book is inarguably weak. It’s tiring to watch several scenes cynically shoehorned in to allow for a fan-favourites to feature in the show. Musical numbers often feel bookended awkwardly between immature dialogue, rather than moving the narrative along through song. However, these criticisms have been levelled at the show since its first inception, so no surprises there!
This production is clunky and cringeworthy at times. Scenes at GlobalSoft, Gaga High and Gaga Mall are cheapened by dated, distracting graphics and garish costumes. While clearly a deliberate aesthetic, for a show set decades from now it presents a futuristic vision that is firmly rooted in past. Fortunately, the overall design improves greatly when we’re invited into the rebel stronghold at Heartbreak Hotel. The set, designed by Stufish Entertainment Architects, becomes warm and inviting, with miscellaneous scraps and festoon lights cluttering the stage.
If the world of GlobalSoft is silly and contrived, then sadly so is their leader. A WWRY veteran, Brenda Edwards is vocally strong but her Killer Queen is more pantomime villain than ruthless technocrat. Lee Mead is woefully underused. He brings gravitas to his role as sidekick Commander Khashoggi and his performance of the Seven Seas of Rye is a great fun to watch as he peacocks across the stage with an air of gleeful sadism.
The show finally finds its heart when we meet the Bohemians, the first act belonging entirely to Christine Allado as Meat and her spellbinding delivery of No One But You. She is joined by the brilliant Adrian Hansel as hopeful believer Brit, creating a truly dynamic duo.
Elena Skye shines as Scaramouche. She’s feisty and spunky, with cracking comic timing and stellar vocals. Ian McIntosh gives an outstanding performance as the unsuspecting messiah of rock Galileo. He is an absolute vocal powerhouse, having the audience eating out the palm of his hand on more than one occasion. Together their chemistry is palpable and their bickering rendition of Hammer To Fall is a real treat.
Special mention must go to Ben Elton as rebel leader Pop. A singer he is not but he remains a joy to watch as he lives his best life in a world of his own creation.
At risk of being a relic of jukebox musicals past, WWRY still holds up as a night of rousing entertainment and the payoff is immense when it finally reaches its electric and euphoric finale of Queen’s greatest hits. Overall, it’s safe to say it still has ‘a kind of magic’ that will bring audiences back time and time again.
Reviewed on Friday 9th June 2023 by Hope Priddle
photo credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Friday 9 June 2023
The Curious Case of Benjamin Button at the Southwark Playhouse review: A masterclass in storytelling
Southwark Playhouse
★★★★★
If you're wanting to see arguably the most mesmerising production in London right now, then look no further than The Curious Case of Benjamin Button the musical at Southwark Playhouse. From the stunning writing to the exceptional performances, this production is a moving celebration of life and the boundless capacity to find joy in unexpected places.
The writing (book and lyrics by Jethro Compton and music and lyrics by Darren Clark) is nothing short of extraordinary. It beautifully captures the essence of F. Scott Fitzgerald's timeless story, seamlessly translating it into a theatrical masterpiece which sweeps you up and takes your heart on an incredible journey. The script is both poignant and thought-provoking, delving deep into the profound themes of aging, love, and the significance of every moment we encounter. The fast paced lyrics are witty and woven together so well. The musical tenderly tugs at the heartstrings, leaving the audience reflecting on their own lives and the choices that shape our existence.
One cannot help but be enthralled by this show which really is the whole package. Every single moment feels well thought out and you can't help but notice how much care has gone into creating this show. A very strong aspect of this musical is the attention to the sound and lighting which accompanies the story. Zoe Spurr's lighting design has whimsical elements and the interplay between light and shadow creates a really magical visual tapestry, accentuating the emotional depth of the narrative. Each scene is carefully crafted to transport the audience through the passage of time, immersing us in the ever-changing world of Benjamin Button. Luke Swaffield's sound design further enhances the atmosphere, adding depth and texture to the production, as well as being perfectly balanced so that the music packs a punch and hits you in the gut but doesn't come across too loud or over the top.
Cast wise, The Curious Case of Benjamin Button features universally delightful performances. Each member delivers stellar vocals, acting and music (each person plays various instruments throughout), bringing the characters to life with authenticity and charisma. Their vocal prowess and impeccable timing are truly commendable, adding another layer of brilliance to an already captivating production. The chemistry among the cast members is palpable, creating an enchanting dynamic that draws the audience deeper into the story.
It's hard to mention specific people because the cast are a constellation of stars but mention must go to Jamie Parker who is astounding as Benjamin Button. His performance is incredibly layered and transformative. It really is a masterclass in how physicality and subtle changes can completely make a performance. As his love interest, Molly Osbourne is glorious and also shows excellent growth and character development. Across the board the vocals are divine so hopefully a cast recording is on the way!
This is a perfectly wrapped show that delivers on every base.
To sum it up, The Curious Case of Benjamin Button the musical at Southwark Playhouse is an absolute triumph. With its stunning writing, this production is a must-see for anyone who loves good storytelling. It's the sort of show you want to bottle up and bring out when you're feeling down. I wish I could see it again for the first time but I know that any subsequent visits will be just as endearing and wonderful. Don't miss your chance to embark on this enchanting journey of love, loss, and the beauty found in every moment of life.
Reviewed on Wednesday 7th June by Olivia Mitchell
photo credit: Juan Coolio
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday 7 June 2023
Frankie and Beausy at Crazy Coqs review: A Spectacular Musical Showcase
Frankie and Beausy
Crazy Coqs
★★★★
Last night the Crazy Coqs played home to Frankie and Beausy, a high-end, West End musical extravaganza that left me thoroughly impressed. The talented duo, comprised of the fantastic Frances Ruffelle and the dashing Norman Bowman, created and performed a show with some magical moments. Under the skilful direction of Paul Baker, they took us on a captivating journey that began 26 years ago on a train station platform in Scotland.
The stage came alive as Beausy donned a Scottish tartan kilt and sporran, while Frankie exuded charm in her tartan bodice and platform shoes. Their outfits added a touch of punkish cheeky glamour to the already punchy and fun atmosphere of the show. With musical arrangements by David Barber, they delivered a medley of musical favourites, seamlessly transitioning from Brigadoon to Broadway, and from the Highlands to Hollywood. Their harmonies were beautifully blended, and they even treated us to a stunning rendition of Luther Vandross's 'A House is Not a Home'.
The grand finale was nothing short of spectacular, as they belted out The Proclaimers' iconic hit, 'I'm Gonna Be (500) Miles'. The backing trio, led by the talented Ryan McKenzie, also had their moment to shine with individual solos that had the entire audience clapping, tapping, and singing along. It was an electrifying experience that left everyone on a high.
I must say, I was blown away by the quality of this cabaret show. It was a must-see performance that exceeded my expectations. If you're lucky enough to secure a ticket, don't miss out on this gem. Otherwise, mark your calendars for their upcoming shows at 54 Below in New York this November. Frankie and Beausy are a true musical powerhouses, and their concert will provide an absolute delight for any theatre enthusiast.
Reviewed on Tuesday 6th June by Justin Woodgate
photo credit: Debbi Clark
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 6 June 2023
Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Greatest Days (Tour)
New Victoria Theatre
★★★
The Official Take That Musical: Greatest Days (formerly The Band) written by Tim Firth with music by Take That, offers a heartwarming story that will resonate with those who have been part of a fandom and experienced the highs and lows of a friendship with so much history. The plot's utilisation of a double timeline is effective, and the show is likely a trip down memory lane for some but overall it falls short of delivering a fully impactful emotional punch.
Made up of Kalifa Burton, Jamie Corner, Archie Durrant, Regan Gascoigne and Alexanda O'Reilly, The Band's presence in the musical, acting as a Greek chorus supporting the girls, is a clever concept. They contribute to the story through well-placed songs, although there are instances where songs do feel a bit forced. While the band's performances are good, they don't exude world domination star quality, and although each band member has their shining second, they lack standout, memorable moments considering their significant role in the show.
Greatest Days has the potential to be a great show, but it falls slightly short of achieving that status. It taps into 90s nostalgia and Take That references, making it a must-see for fans of the era. However, the overall energy of the production could use a boost. The choreography by Aaron Renfree captures the boyband aesthetic and has its impressive moments, but there is a lack of precision and unity among the cast at times which leaves things feeling flat.
The lighting design by Rob Casey stands out as a strong element, effectively evoking the feeling of being at a concert. On the other hand, while Lucy Osborne's set design works well with the show and offers adequate levels for mirroring, it doesn't offer much to visually engage the audience beyond the surface.
The chemistry between the girls, both the younger (Emilie Cunliffee, Kitty Harris, Hannah Brown, Mari McGinlay and Mary Moore) and older versions (Kym Marsh, Rachel Marwood, Holly Ashton and Jamie-Rose Monk), is commendable. Their well-defined personalities contribute to the plot, creating a strong through line which has some heart-wrenching moments. However, there are some of jokes and lines which feel outdated and unnecessary, and detract from the overall experience.
Despite its flaws, Greatest Days manages to provide some humorous moments and an ending that will have you on your feet. It caters to its target audience who will undoubtedly appreciate the 90s nostalgia and Take That references. As a fun night out, it delivers an enjoyable experience, but it doesn't leave a lasting impression worthy of raving about.
Reviewed on Monday 5th June 2023
photo credit: Alastair Muir
{AD PR Invite- tickets gifted in exchange for honest review}
Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans
Tuesday 6 June 2023
Wednesday 31 May 2023
Unmissable Summer Theatre Ticket Sale From London Box Office | ad
*this post contains sponsored content*
As the days grow longer and the temperature rises, the vibrant spirit of summer fills the air. And what better way to embrace the season than by indulging in the magical world of theatre? London Box Office, the hub for all things stagey, and trusted ticket provider has announced an unmissable summer theatre ticket sale that will have you seeing your favourite shows for less. Whether you want to see something new or visit an old faithful, London Box Office's summer sale promises to get you there with the best prices.
The Summer Theatre Ticket Sale which runs from 29th May to 11th June brings you a host of incredible shows that promise to leave you spellbound. From iconic long-running musicals to critically acclaimed plays, they've curated a selection of the best performances the West End has to offer. Whether you're a fan of heartwarming stories, adrenaline-pumping dramas, or toe-tapping musical numbers, there's something for everyone.
London Box Office is committed to making theatre accessible to all, and their Summer Theatre Ticket Sale ensures that you can witness these world-class productions without breaking the bank. With exclusive discounts and tickets from £25, you can enjoy incredible savings. Don't miss out on this chance to experience the magic of the West End - book your tickets today and get ready for an unforgettable summer of entertainment!
To find out all the shows included in this stagey sale, click here
2:22 A Ghost Story at the Apollo Theatre review: A tremendously tense night out
2:22 A Ghost Story
Apollo Theatre
★★★★
2:22 A Ghost Story is quickly carving its name out in the UK theatre scene. Having played a number of runs at various West End theatres to much acclaim and with a touring version coming up, it's certainly a show which knows how to spook and entertain audiences.
Based on experiences had by the play's writer, Danny Robbins, this haunting production takes you on a thrilling journey into the supernatural, exploring themes of love, loss, and the unbreakable bonds that transcend time. The storyline is quite masterfully crafted, keeping you on the edge of your seat but equally including lots of humour which really works well and in fact makes the whole thing feel even more realistic. The pacing is solid, with suspense building at the right moments, and unexpected twists that keep you guessing. Sometimes the sound effects are a bit over obvious and aren't particularly scary but as a whole this is a really solid production.
Set at a dinner party, with minimal set or moving pieces, this really is a character driven piece and the cast do well at creating a truthful atmosphere that perfectly portrays a boozy evening. Sophia Bush's performance as Lauren is a really wonderful one; she is effortlessly sarky and charming and also has some tender moments that bring layers of complexity to the role. Ricky Champ plays her partner, Ben and is absolutely fantastic, his comedic timing is perfect and his intriguing character is so enjoyable to watch and try to work out. Taking on the role of Jenny, the tormented protagonist, Jamie Winstone brings depth and vulnerability and comes across quite genuinely terrified, with Clifford Samuel as her husband Sam the pair showcase an interesting dynamic which really takes you on a journey and shows you that families aren't always what they seem on the outside.
Whats great with this show is that it's more than a surface level thriller; it also comments on social and economic issues, as well as beliefs and science vs supernatural. There are times when the commentary comes across as a bit forced and out of left field but for the most part, topics are broached well and really elevate the production to be more socially nuanced and topical. The chemistry among the whole cast is palpable, adding an extra layer of realism to the relationships portrayed on stage.
Anna Fleischle's set design leaves space for lots of spooky moments but is also perfectly mundane and fitting for the setting of the show. The Apollo Theatre really looks like it's had an open plan kitchen dropped into it and the attention to detail really captures the essence of a family home. Combined with atmospheric lighting by Lucy Carter, the ghostly tale has a perfect backdrop.
If you're a fan of thought-provoking theatre 2:22 A Ghost Story is a definite must-see. From the superb performances to the captivating storyline, this play transports you to a realm where the lines between the living and the dead blur, and where love and loss intertwine in ways you never thought possible. Running for two hours which fly by, this is theatrical experience that will linger in your mind like a persistent ghost long after the final curtain falls.
Reviewed on Tuesday 30th May 2023
photo credit: Helen Murray
{AD PR Invite- tickets gifted in exchange for honest review}
Tuesday 9 May 2023
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Operation Mincemeat
Fortune Theatre
★★★★★
If you're looking for a unique and intriguing musical, then look no further than Operation Mincemeat in its West End transfer to the Fortune Theatre. This production tells the incredible true story of a WWII deception operation, that although morally grey, helped Britain win the war and it does so with style, charm and heart in spades.
The star of this exciting musical is undoubtedly the music which manages to be both catchy and poignant, with some of the wittiest lyrics in the West End right now. The book, music and lyrics are expertly constructed by SpitLip founders David Cumming, Natasha Hodgson, Zoë Roberts and Felix Hagan (four of whom also star) and the whole show is maelstrom of musical magic. You'll find yourself continually laughing out loud and then all of a sudden wiping tears from your eyes as this hug of a musical manages to wrap you around its theatrical finger.
Every performance from the talented cast -completed at this performance by Claire Marie Hall, Jak Malone and Geri Allen (in her cover debut)- is a standout one. The precision with which they perform is just astounding and thanks to the script, there's a perfect balance between humour, satire and drama.
Aesthetically, Operation Mincemeat is a sleek mission. Ben Stones' set and costumes are perfectly evocative of MI5 and wartime London, as well as having a healthy dose of camp dramatics. One scene in particular features costumes perfect for a bedazzled version of Sweeney Todd! Really clever direction by Robert Hastie and joyous choreography by Jenny Arnold both let the story and performances to soar and ideally balance the line between allowing the performances to be genuinely funny without being cringe inducing. Shoutout must also go to Publicity Designer Bob King Creative for the genius artwork which accompanies the show. Once you see it, you won't un-see it!
In summary, this show is the epitome of fun. Poking fun at everyone and everything it is a satirical, stupendous, stomper of a show that will have you entertained and inspired. The new must-see musical, it needs to be booked immediately!
{AD PR Invite- tickets gifted in exchange for honest review}
Operation Mincemeat at the Fortune Theatre a review: The must see musical of 2023
Tuesday 9 May 2023
Subscribe to:
Posts (Atom)
Welcome to the BLOG
Into The Spotlight
