Posts with the label west end
Showing posts with label west end. Show all posts
Showing posts with label west end. Show all posts
Thursday, 22 May 2025
Review: Shucked at Regent’s Park Open Air Theatre- A Theatrical Kernel of Joy
Shucked
Regent's Park Open Air Theatre
There’s a whole lot to shuckin’ love about Shucked, now lighting up the stage at Regent’s Park Open Air Theatre. In a world that too often feels dark, this radiant, knee-slappin’, corn-fed musical comedy offers a buttery escape- warm, golden, and just the right amount of corny. Under the ever-imaginative direction of Jack O’Brien, this UK premiere pops with joy, brilliant choreography, and heartfelt hilarity that leaves you grinning from corn ear to corn ear.
Originally grown on Broadway, Shucked is a musical that never takes itself too seriously, and that’s its biggest strength. The show, with book by Tony winner Robert Horn and music and lyrics by the Grammy-winning country duo Brandy Clark and Shane McAnally, is a jubilant celebration of community, connection, and corn. Yes- corn. And trust us, you’ll never look at maize the same way again.
Choreograper Sarah O’Gleby, brings her trademark flair for physical comedy and visual storytelling. From toe-tapping hoedowns to sly little winks in the movement, his direction ensures the action never goes stale. Every beat feels fresh and full of flavour. The choreography is sharp and satirical, leaning into the show’s knowingly silly tone without letting it tip into parody. It’s a-maize-ing how balanced the humour is.
The open-air setting is the perfect patch for this rural romp. Regent’s Park Open Air Theatre has always been a magical venue, but here, with Japhy Weideman’s sunshine-drenched lighting design and Scott Pask’s witty, vibrant set, it becomes a heartland paradise. There’s real theatrical alchemy in watching a musical about growing things, bloom under actual summer skies.
The cast are ear-resistible. Sophie McShera leads with pluck and power as Maizy, delivering powerhouse vocals with a wink of mischief. Ben Joyce is gloriously goofy as Beau, while Monique Ashe-Palmer and Steven Webb- playing the narrators- steal scenes with quick-fire delivery and impeccable comic timing. Their banter snaps, crackles, and pops. Georgina Onuorah shines as Lulu, delivering a performance that’s as crisp and charismatic as fresh-popped corn- her powerhouse vocals and razor-sharp comic timing make her an undeniable stand-out amongst a stellar cast.
Musically, the score is an earworm-stuffed delight. The blend of bluegrass, country, and pop feels authentic and catchy, with standout numbers like 'Independently Owned' getting well-deserved rounds of applause. The band, brings an infectious energy to the whole affair.
What makes Shucked more than just a corny joke-fest is its kernel of sincerity. Amid the pun-filled gags and outrageous plot twists, there's a surprisingly poignant message about the power of community and listening- especially when the world feels like it’s cracking at the seams.
Yes, some of the jokes may make you groan before you giggle, and yes, the plot is bonkers. But that’s the whole point of it. This is a show that dares to be joyful- and in these sometimes difficult times, that’s something worth celebrating.
So grab your friends, head to Regent’s Park, and let Shucked butter you up. It might not change the world, but for a couple of hours, it sure makes it feel a whole lot brighter.
★★★★
Reviewed on 21st May 2025 by Olivia
Photo Credit: Pamela Raith
{AD PR Invite- tickets gifted in exchange for honest review}
Keywords: Shucked review, Regent’s Park Open Air Theatre, Drew McOnie choreography, London theatre 2025, Georgina Onuorah Shucked, feel-good musicals London, summer theatre London, West End musicals, drew mconie musical, comedy musical review UK.
Tuesday, 25 March 2025
Five Reasons Why Austenland is Going to Be Your New Favourite Musical
Austenland
Savoy Theatre
Last night, I had the absolute pleasure of attending the world premiere concert version of Austenland: The Musical- though calling it a 'concert' feels like a stretch. Directed fantastically by Jonathan O'Boyle this was an almost full-fledged, gloriously staged spectacle, complete with choreography, costumes, and a cast who threw themselves into the period-drama-meets-modern-romcom chaos with raucous enthusiasm. The result? An evening of sheer delight that left me grinning ear to ear.
So with that being said, here’s why Austenland is about to be your next musical obsession:
1. The Songs Are Instantly Addictive
From swooning ballads to toe-tapping ensemble numbers, Austenland delivers a diverse soundtrack that sticks with you long after the final bow. Thanks to the creative team- Jodi Picoult (co-librettist), Timothy Allen McDonald (co-librettist), Elyssa Samsel & Kate Anderson (song writers)- the score feels fresh, interesting and exciting. At times it's a little bit too try hard for me but whether it’s the Regency-style waltz that morphs into a pop anthem or Manly's hilariously over-the-top song dripping with melodrama, every number feels like a hit waiting to happen.
2. It’s Jane Austen… But Make It Hilarious
Austen adaptations often lean into the drama, but this musical leans hard into the comedy- and it absolutely works. The show revels in the absurdity of Austen-obsessed tourists attempting to live out their fantasy in a Regency holiday retreat, complete with exaggerated social etiquette, scandalous misunderstandings, and a delightful send-up of brooding leading men.
3. The Cast Brings the House Down
The performances were electric, blending impeccable comedic timing with genuine heart. Lucie Jones (who I would quite literally listen to if she sung the phonebook) as leading lady Jane delivered a pitch-perfect mix of modern cynicism and romantic longing, while the ‘perfect’ Mr. Darcy-esque love interest (Oli Higginson) was both swoon-worthy and delightfully self-aware. Laura Baldwin and Cassidy Janson were gloriously funny as Miss Heartwright and Aunt Carolyn/Wattlesbrook. As Elizabeth Charming Alex Young was an absolute scene-stealer, milking every single moment for maximum comedic effect. Not a second of stage time was wasted- she wrung every syllable of the script dry, crafting a performance that was equal parts razor-sharp and utterly ridiculous in the best way. As Manly, Idriss Kargbo also took every moment and ran with it in the best way, infusing every moment with energy and draaaaaama. The entire ensemble did a wonderful job, especially given the short rehearsal time and were truly impressive.
Of course, we don’t yet know who will be starring in future productions, but with this incredible cast laying the groundwork, Austenland is already shaping up to be a must-see hit.
4. A Feast for the Eyes
Even in this so-called ‘concert’ setting, the production values were on point. The period-inspired costumes added flair, while clever staging and super fun choreography (Joanna Godwin) gave the show a dynamic, refreshing feel. Mention must also go to the sound (Sound Quiet Time), which was the best I've heard in a concert version in a long time! If this was just a taster, I can’t wait to see what a full-scale production will look like.
5. It Balances Romance and Satire Perfectly
Austenland manages to poke fun at the tropes of romance novels while also delivering a genuinely satisfying love story. Just when you think it’s all ridiculous escapism, the show hits you with a moment of sincerity that reminds you why we all love a good Austen-inspired romance in the first place. Plus of course, all of us romance girlies get what we crave, a swoony story with a Hand Flex included.
Now, I won’t say Austenland is a flawless masterpiece just yet. The pacing needs a little fine-tuning, some songs need altering and a few jokes could land better with some tweaking. But with a few adjustments, this could very well be a 10/10 musical the next time we see it. And honestly? I can’t wait for that moment.
Article written by Olivia
Photo Credit:
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 6 December 2024
The West End’s Most Stylish Show? The Devil Wears Prada Musical Delivers Glamour and Heart
The Devil Wears Prada musical delivers a dazzling blend of nostalgia, fresh storytelling, and powerhouse performances- a night out that even Miranda Priestly might deem acceptable"
The Devil Wears Prada
Dominion Theatre
When adapting a cultural phenomenon like The Devil Wears Prada, the stakes are high. Fortunately, this musical adaptation succeeds in channeling the charm and sass of the beloved 2006 film while refreshing the story for modern audiences. With a talented creative team led by Elton John (music), Shaina Taub/Mark Sonnenblick (lyrics), and direction/choreography by Tony Award-winning Jerry Mitchell, the musical brings a vibrant mix of fashion, drama, and heartfelt character development to the stage.
One of the show's strengths lies in its balance of homage and reinvention. Fans of the movie will appreciate iconic nods like the cerulean sweater monologue and Andy’s stunning transformation, while new elements ensure the production feels fresh. For example, Andy's struggles with her weight are taken out, reflecting contemporary sensibilities. Similarly, the character of Nigel (played with warmth and depth by Matt Henry) has been given more of a backstory, highlighting his journey as a gay man and his profound love for fashion. These updates add layers of relatability and emotional resonance to the narrative.
Another welcome change is the improved portrayal of Andy’s boyfriend, Nate (played here by Rhys Whitfield). In the film, he’s often criticised for being unsupportive, but here he’s a far more sympathetic figure, expressing his emotions and making genuine efforts to support Andy as she navigates the high-stakes world of Runway magazine. These tweaks make the story feel less dated and more nuanced.
The cast is a powerhouse, led by Georgie Buckland, who shines as the ambitious and relatable Andy Sachs; her vocals are fantastic and she does a great job of showing Andy's journey and development throughout. As recently promoted assistant Emily, Amy Di Bartolomeo completely steals the show. Her razor-sharp wit and impeccable comedic timing make every scene she’s in a delight, and her big number is a standout moment that earns thunderous applause; her vocals are astounding and she truly shines in every single moment. Vanessa Williams as Miranda Priestly is commanding and effortlessly stylish, capturing the character’s icy exterior and surprising moments of vulnerability with finesse. Universally, the cast are really strong with a number of member multi-rolling to great effect.
Visually, the show is a feast for the eyes. The costumes-unsurprisingly-are spectacular, Gregg Barnes has done a stellar job of bringing high fashion to life on stage. The gala scene, paired with the title number 'The Devil Wears Prada', is a jaw-dropping spectacle where the wardrobe truly takes centre stage. The lighting design (Bruno Poet) is equally impressive, often framing characters as though they’re mannequins in a window display- a clever and effective visual motif that underscores the story’s themes of image and identity.
Elton John’s score is undeniably fun, packed with witty lyrics and catchy melodies. While it doesn’t push the boundaries of musical theatre, it fits the show perfectly, delivering the energy and humour fans expect. Numbers like 'How to Survive at Runway' and 'Miranda Girl' capture the glitzy yet cutthroat world of fashion, while more introspective songs give the characters room to breathe and connect with the audience.
This production knows its audience: die-hard fans of the film and lovers of fashion will relish every moment, but it also has the potential to win over theater newcomers. Its approachable storyline, dazzling production values, and killer performances make it an excellent introduction to musical theatre.
Ultimately, The Devil Wears Prada is not a groundbreaking work of art, but it doesn’t need to be. It’s a stylish, fun, and faithful adaptation that celebrates what we loved about the original while making smart updates for today. With its 2000s nostalgia, enviable wardrobe, and impactful performances, this is a show that delivers exactly what it promises: a fabulous night out.
Miranda Priestly may not gush, but this production earns a well-deserved four stars. That’s all.
★★★★
Reviewed on Sunday 1st December 2024 by Olivia
Photo Credit: Matt Crockett
{AD PR Invite- tickets gifted in exchange for honest review}
Friday, 29 November 2024
The Lightning Thief: The Percy Jackson Musical Review- A Vibrant Escape Packed with Heart and Humour
Like Camp Half-Blood itself, this show offers an unforgettable escape filled with friendship, unity, and a world where everyone can be a hero."
The Lightning Thief: The Percy Jackson Musical
The Other Palace
The Lightning Thief the Percy Jackson Musical based on Rick Riordan’s beloved novel of the same name, finds its perfect home on the intimate stage of The Other Palace. This fantastically staged production knows exactly what it’s aiming for: a heartfelt, high-energy story for fans of the books, young theatergoers, and anyone seeking an escapist evening of fun. It’s not a transformative piece of theatre but it never tries to be. Instead, it’s a faithful, joyfully chaotic adaptation that delivers a thoroughly entertaining experience.
The musical, with a book by Joe Tracz and music and lyrics by Rob Rokicki, condenses the sprawling first book of the Percy Jackson & the Olympians series into a fast-paced two-hour show. Percy Jackson, a seemingly average teenager, discovers he’s the demigod son of Poseidon. Alongside his best friend Grover and fellow camper Annabeth, he embarks on a quest to retrieve Zeus’s stolen lightning bolt, battling monsters and confronting his insecurities along the way. Themes of friendship, belonging, and overcoming personal challenges echo throughout, resonating especially with anyone navigating the struggles of growing up.
The standout performances begin with Max Harwood as Percy Jackson. Harwood, known for his starring role as Jamie New in the movie version of Everybody's Talking About Jamie and his recent role in Stranger Things once again demonstrates why he’s a star on the rise. I was lucky enough to see Max's debut as Melchior in Spring Awakening and I knew great things were on the horizon for him so it's so wonderful to see him leading this show with such brilliance. His strong, healthy vocals handle Rokicki’s rock-influenced score with confidence, while his physicality and emotional depth ground Percy’s journey in authenticity. Harwood’s Percy is funny, flawed, and fiercely relatable- a hero in trainers we can all root for. Watching him embody the sarcastic yet earnest demigod is an absolute treat, solidifying his status as one of the most exciting young performers on the stage today.
Mirroring Percy’s charm are Jessica Lee as Annabeth Chase and Scott Folan as Grover. Jessica brings a sharp wit and determined energy to Annabeth, perfectly capturing the daughter of Athena’s intellect and drive. Her duet with Harwood, 'My Grand Plan', is both heartfelt and empowering. Scott, meanwhile, is utterly delightful as Grover, mixing lovely comedic timing with moments of vulnerability that bring the satyr’s loyalty to life.
The ensemble shines, masterfully multi-rolling through a colourful array of characters, from meddling gods to fearsome monsters. Their quick changes and distinct characterisations are a testament to their talent and energy. Whether it’s a eye-dangling Fury or a groovy Poseidon, the ensemble brings Riordan’s mythological world vividly to life.
The creative team deserves immense credit for transforming the small stage of The Other Palace into a dynamic playground of gods and monsters. Charlie Morgan Jones’s vibrant lighting design and Duncan McLean’s imaginative projections work in tandem to expand the space, while clever touches- like bubbles to suggest underwater scenes- immerse the audience in Percy’s world.
The musical’s ability to nod to large-scale moments from the book (like the showdown with Ares) without overcomplicating them is a smart move by director Lizzi Gee. By focusing on character and humour rather than spectacle, the adaptation avoids the pitfalls of feeling overly ambitious.
Rob Rokicki’s score is an infectious blend of rock and pop that captures the angst and excitement of Percy’s story. Songs like 'Good Kid' and 'The Tree on the Hill' resonate emotionally, while the humorous numbers like 'D.O.A.' provide laugh-out-loud moments. That said, at times, the sound mix leaned too heavily on volume, making some lyrics difficult to catch- a minor issue in an otherwise great production.
The Lightning Thief thrives because it knows its audience. It’s not here to change the world- it’s here to celebrate it, offering fans of Riordan’s books and newcomers alike a chance to step into a world of camaraderie and mythological mischief. The Other Palace, with its cosy yet versatile stage, feels tailor-made for this production, inviting the audience into Camp Half-Blood’s warm embrace.
The musical excels at what it sets out to do: entertain, uplift, and provide a few hours of joyous escapism. With a faithful adaptation, a gifted cast led by the brilliant Max Harwood, and a visually inventive production, it’s a treat for fans and a celebration of the power of storytelling- a monster of a show! Like Percy’s time at Camp Half-Blood, it reminds us that even when life gets messy, friendship and unity can see us through.
★★★★
Reviewed on Thursday 28th November 2024 by Olivia
Photo Credit: Manuel Harlan
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 10 November 2024
THEATRE NEWS ROUNDUP 3rd November- 9th November 2024
Happy Sunday! Here's another week of arts news, including concert headliners, a Broadway transfer, contests and lots more. As always, you can find the full stories by clicking the headline...
Noah Kahan Headlines BST Hyde Park 2025 with Special Guest Gracie Abrams
The duo headline BST Hyde Park 2025 for an epic folk-pop experience on July 4th 2025.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Bradley Jaden’s ‘Recorded Live in London’ Album Set for Release
The album captures the magic of his June 2024 Cadogan Hall concert, featuring iconic musical theatre performances and star-studded duets.
Elektra, the electrifying West End revival of Sophokles’s timeless tragedy, directed by Tony-winning visionary Daniel Fish, features an all star cast.
The 2024 Best New Song Prize Concert will feature an incredible cast in a one-night showcase of emerging musical theatre talent at The Other Palace in London.
Experience the wit and charm of The Pirates of Penzance as the production returns to the ENO for a strictly limited season at the London Coliseum.
Experience the acclaimed adaptation of The Lonely Londoners at Kiln Theatre this January, where Selvon’s evocative story of the Windrush generation in 1950s London brings to life the challenges, dreams, and community spirit of Caribbean migrants
The ballet returns for its 30th anniversary tour, bringing an iconic revival to audiences across the UK and Ireland with 29 weeks of performances in 19 cities.
The smash-hit musical brings the glitz and glamour of the Roaring Twenties to London’s West End in spring 2024 at the historic London Coliseum.
Nominations are now open for the WhatsOnStage Awards, where theatre fans can vote for their favourite shows and performers, culminating in a live event at the London Palladium on February 9, 2025.
London’s new Capital Theatre will open in autumn 2025, at Westfield London, Shepherd’s Bush.
Boublil and Schönberg’s iconic musical is set for a fresh UK tour, opening October 2025 with a reimagined production led by Michael Harrison and Cameron Mackintosh.
Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure in London’s West End
Experience a holiday science adventure full of fun, facts, and festive cheer, live this December.
That's it for another week! Come back next Sunday for your weekly dose of theatrical stories and in the mean time we'll see you on socials. Stay stagey!
Saturday, 9 November 2024
Join Maddie Moate’s Very Curious Christmas: A Festive Science Adventure Live in London’s West End
Beloved children's presenter and science enthusiast Maddie Moate brings the holiday season to life with her brand-new stage show, Maddie Moate’s Very Curious Christmas, arriving at London’s Apollo Theatre from 6th December, 2024, to 4th January, 2025. This interactive, science-themed Christmas adventure is filled with festive fun, magic, and plenty of audience participation. Featuring Maddie’s signature blend of science and storytelling, the show dives into the wonders of winter, exploring where snow comes from, why Christmas crackers bang, and yes- why Brussels sprouts might make you fart!
This immersive holiday event introduces audiences to Santa’s bustling workshop, led by Maddie herself with a cast of quirky characters. Joining her on stage are West End newcomers Kira MacCarter as Tinker and Zain Abrahams as Goggles, bringing new talent to the magic of Christmas. CBeebies star Jennie Dale, known for her role as Captain Captain on Swashbuckle, will appear virtually as Mrs. Claus, adding a familiar face for young fans. Maddie shares her excitement about the production, saying:
I’m thrilled to combine my love for science with the magic of theatre. Maddie’s Very Curious Christmas isn’t just science experiments- it’s a heartwarming story with quirky characters, musical moments, and a touch of holiday magic!”
This latest production highlights Maddie’s journey from a BAFTA-winning presenter to a digital science sensation. Known for her curiosity-driven content on her YouTube channel (which was awarded Kidscreen’s Best Kids Channel in 2022), Maddie has shared her passion for science through multiple digital series and has produced and hosted live events across the UK, including The Wonder Games and a CBeebies adaptation of Twelfth Night at Shakespeare’s Globe. She has also been a staple of CBeebies’ Christmas Show since 2017 and appeared at the Royal Albert Hall for the CBeebies Prom in 2024.
In addition to her work on screen and stage, Maddie is a dedicated author, with her latest book, A Very Curious Christmas, now available in paperback. Her work continues to inspire a love for science and nature in children and families across the world, supported by her roles as a patron for the Youth STEM Awards and an ambassador for both The Wildlife Trust and Eureka: The National Children’s Museum.
Maddie Moate’s Very Curious Christmas promises to be a fun, educational, and memorable holiday experience for all ages. Tickets are on sale now, and families can expect a festive show that combines science with holiday spirit in the heart of London’s West End. Don't miss your chance to enjoy this unforgettable journey through the science and magic of Christmas!
Friday, 8 November 2024
Miss Saigon Returns to the Stage: A Legendary Musical Reborn in a New UK Tour
The powerful love story of Miss Saigon returns as Michael Harrison, in collaboration with Cameron Mackintosh, brings Boublil and Schönberg’s legendary musical back to the UK in a brand-new, contemporary touring production. Opening at Newcastle Theatre Royal on October 4, 2025, this reimagined Miss Saigon commemorates the 35th anniversary of its West End debut with fresh creative energy, captivating a new generation of audiences.
Following Newcastle, the production will tour to renowned venues including the Playhouse Theatre in Edinburgh, Palace Theatre in Manchester, The Alexandra in Birmingham, Grand Theatre in Leeds, and New Theatre in Oxford, running until early January 2026. Additional dates, full casting, and production team details are set to be announced soon, with priority booking available at miss-saigon.com.
In this epic musical set during the final days of the Vietnam War, 17-year-old Kim finds herself working in a bar run by a complex character known as The Engineer. There, she meets and falls in love with Chris, an American GI, but the fall of Saigon tears them apart. Unbeknownst to Chris, Kim bears his child and embarks on a powerful journey of survival, determined to reunite her family. Miss Saigon is filled with themes of love, resilience, and sacrifice, and features a score that has resonated with audiences worldwide.
Reflecting on this milestone, Cameron Mackintosh remarks:
Thirty-five years after Miss Saigon first opened to international success, I am delighted that this powerful, heart-wrenching love story has remained timeless around the world. This tale of two young people, an American soldier and a Vietnamese girl, who fall in love amid the devastation of war, has touched hearts and sparked connection worldwide.”
Inspired by a recent, critically acclaimed Sheffield Crucible production, this tour brings new life to the show’s intimate moments and grandeur alike, expanding to theatres beyond the reach of the original. Michael Harrison shares the excitement:
It is thrilling to be collaborating with Cameron on a brand-new production of Miss Saigon. Millions have been moved by its messages of family, love, and resilience, and now we have the opportunity to share it with audiences across the UK in a contemporary new form.”
Since its debut, Miss Saigon has won 75 major awards, including Olivier and Tony Awards, and has been performed in 378 cities, translated into 15 languages, and seen by over 38 million people globally. This extraordinary revival directed by Jean-Pierre van der Spuy promises to carry forward its legacy with modernised staging, fresh direction, and the enduring, iconic score by Claude-Michel Schönberg with lyrics by Richard Maltby Jr. and Alain Boublil.
As Miss Saigon prepares to soar once more, this tour promises audiences the chance to experience one of the world’s most acclaimed musicals in a whole new light, bringing the sweeping story of love and sacrifice to life for theatergoers across the UK.
Thursday, 7 November 2024
Capital Theatre to Open in London with 'Dirty Dancing - The Classic Story on Stage' as its Inaugural Show
A brand-new theatre venue, Capital Theatre, is set to open its doors in West London at Westfield London, Shepherd’s Bush, in autumn 2025. Co-founded by Karl Sydow and Adam Kenwright, this state-of-the-art venue will launch with the record-breaking production Dirty Dancing- The Classic Story on Stage, bringing all the heart, passion, and classic soundtrack of the beloved film back to the London stage. Tickets for this iconic show go on sale November 8th at dirtydancingonstage.co.uk, so book early to experience “the time of your life” in this premium, purpose-built theatre.
Set in a 35,000-square-foot space, the Capital Theatre boasts a 620-seat auditorium designed to deliver an immersive experience from every seat- no one will be more than nine rows from the stage. Sydow, who has produced Dirty Dancing since 2004, shares his excitement for this new venture:
We’ve always had a mission to bring more people to the theatre, and by opening the Capital Theatre at Westfield London, we are bringing a theatre to where the people are!”
With an inviting foyer café, an on-site box office, and convenient transport links- including four Underground stations and over 5,000 nearby parking spaces- Capital Theatre is designed to be a destination for theatre lovers across the UK.
Dirty Dancing- The Classic Story on Stage has captivated audiences worldwide with its unforgettable scenes, signature lift, and classic soundtrack of 35 hit songs, including 'Hungry Eyes', 'Hey Baby', 'Do You Love Me?', and, of course, '(I’ve Had) The Time of My Life'. The story transports audiences back to the summer of ’63 at Kellerman’s resort, where Baby meets the charismatic dance instructor Johnny Castle and is drawn into his world. With thrilling choreography and heartwarming moments, this production is a treat for fans of the iconic film and theatre lovers alike. The show’s dynamic cast and live band, consisting of over 40 performers, will bring this legendary story to life in a new, intimate way.
Adam Kenwright, the founder of Kindred Partners, highlights Capital Theatre’s potential to add a fresh energy to London’s entertainment scene
Capital Theatre is a thrilling, state-of-the-art addition to London’s thriving entertainment scene... We have created a uniquely tailored and designed new space with the experience of audiences at its heart.”
Opening with Dirty Dancing, Capital Theatre is set to become a must-visit venue for Londoners and tourists alike, offering an immersive and accessible way to experience theatre like never before.
Nominations Now Open for the 25th Annual WhatsOnStage Awards- Celebrating Theatre's Best as Voted by You!
WhatsOnStage has officially opened nominations for the 25th Annual WhatsOnStage Awards, the only major theatre awards determined entirely by theatregoers. Theatre fans across the UK can now nominate their favourite performers and shows, making their voices heard in this prestigious celebration of theatre. Nominations close at midday on 21st November, and a shortlist will be announced on 5th December 2024, with public voting on the shortlist opening the same day and closing 9th January 2025.
This year’s ceremony will culminate in a glamorous event at the London Palladium on 9th February, 2025, where the winners will be announced. The event will feature live performances by top stage talent, backed by a 24-piece orchestra, and promises to be an unforgettable night for theatre lovers. Tickets for the event are on sale now, giving fans a chance to witness this celebration of talent live.
WhatsOnStage’s Darius Thompson and Alex Wood shared their excitement about the upcoming awards, saying:
Let the campaigning begin! We're thrilled to give audiences the opportunity to celebrate their favourite shows and talents. This year, we're adapting the awards to better reflect our theatre community, including expanding the ‘Best Off-West End Production Award’ to the newly named ‘Best Studio Production Award,’ recognising smaller-scale, captivating productions in intimate spaces. We’re also excited to introduce a Wigs, Hair, and Make-Up category to spotlight the innovative work in this area of theatre.”
Among the categories open for nomination are Best Performer in a Play (sponsored by SINE Digital), Best Performer in a Musical (sponsored by Ticketmaster), and Best West End Show (sponsored by Dewynters). Additional new and updated categories this year allow audiences to honor creativity from a wider range of productions, from regional theatre to new musicals and plays. This year’s awards also include the recently added Best Studio Production Award to support smaller venues and the Wigs, Hair, and Make-Up category.
The technical categories- such as Costume Design, Lighting Design, and Video Design- will be judged by an independent panel of industry experts, with the public then voting on the shortlists. This brings the total award categories to 24, ensuring that every aspect of theatre, from performances to technical achievements, is recognised.
WhatsOnStage has extended special thanks to the sponsors for their support in making the 2025 awards possible, including SINE Digital, Ticketmaster, MTI, Concord, Disney’s Hercules, Dewynters, Travelzoo, and many others. Be sure to check the eligibility criteria before submitting nominations, and get ready to vote for your favourite stars and shows as the 25th Annual WhatsOnStage Awards celebrates a milestone year in the world of theatre!
The Curious Case of Benjamin Button at the Ambassadors Theatre: A Timeless Tale with Newfound Precision and Radiance
The Curious Case of Benjamin Button
Ambassadors Theatre
The Curious Case of Benjamin Button the musical at London’s Ambassadors Theatre isn’t just a production; it’s an unforgettable journey through life’s fragility and beauty, rendered with soul-stirring precision and depth. I previously reviewed the show at the Southwark Playhouse and I'm thrilled to say that in its current run, this show has transformed into an even sleeker, tighter production, gracefully weaving together heartfelt storytelling with mesmerising visuals and a flawless cast. Every element is fine-tuned and elevated, resulting in a masterpiece that celebrates light over darkness and resilience over despair. At a time when the world is rife with uncertainty, especially on a night as charged as tonight with the outcome of US election, Benjamin Button feels like an essential reminder of hope, love, and the good in humanity. If the title makes you expect a straightforward story about aging backward or something akin to the Brad Pitt film, think again- this adaptation of F. Scott Fitzgerald’s short story blossoms into a beautifully layered, vibrant musical that’s so much more than its name suggests.
From the outset, the cast, led by the astounding performances of John Dagleish (Benjamin) and Clare Foster (Elowen), grounds the fantastical tale with warmth, authenticity, and nuance. Dagleish’s transformation through Benjamin’s reverse aging is breathtaking; he deftly captures the innocence of youth and the weariness of age within a single character arc, making every step of Benjamin’s journey feel genuine and impactful. Foster’s portrayal of Elowen exudes strength, tenderness, and an unwavering belief in love that carries the entire production. Together, their chemistry illuminates the stage, bringing the highs and lows of Benjamin’s unconventional life to vivid reality.
The supporting cast, too, delivers standout performances, each role finely crafted and essential to the show’s tapestry. This ensemble excels in maintaining a delicate balance between humour and emotion, enriching the story and infusing moments of levity that accentuate the depth of the more profound themes. It’s rare to find a cast so collectively committed to a show’s vision, and here, every actor plays a vital role (and instrument) in amplifying the story’s emotional impact.
This really is a theatrical feast and the technical design elements elevate the show even further. The lighting, created by Zoe Spurr, is simply exquisite; it bathes the stage in soft, evocative hues that shift subtly as Benjamin’s life unfurls. From warm sunlight to muted twilight, Spurr’s design captures the moods of both time and place, visually narrating Benjamin's life in a way that feels poetic and hauntingly beautiful. The sound design, crafted by Luke Swaffield, adds another layer of immersion. It gently guides the audience through the ebb and flow of Benjamin’s experiences, using carefully timed soundscapes that accentuate the emotional resonance of each scene without ever overshadowing the actors, as well as keeping us in the world during the pre-show and interval.
From the carefully curated theming of the venue with period-inspired newspaper articles and gentle nods to the show scattered around, to the Cornish-sourced drinks and playful options like Miss Moncreif's teapot cocktails, every touch feels like an invitation to step deeper into Benjamin’s world. The merchandise is equally thoughtful, with unique items that perfectly echo the essence of the production, offering mementos as distinctive as the show itself. What’s truly remarkable, though, is the respect the show affords its audience; it trusts them to form their own interpretations and to find meaning in the visual and thematic patterns woven throughout. Symbolic imagery and clever symmetry appear again and again, enriching the storytelling and leaving subtle clues for the audience to uncover on their own. The love and care that have gone into crafting The Curious Case of Benjamin Button shine through in every detail, creating a rare and unforgettable experience. Shows like this are a rarity, and it feels like a privilege to witness the start of something so genuinely special.
What makes The Curious Case of Benjamin Button particularly profound is its unwavering commitment to showcasing the best of humanity. In a story that could easily become mired in the tragic aspects of aging backward, this adaptation instead emphasises joy, connection, and the resilience of the human spirit. Every moment, whether tinged with sorrow or elation, reflects a radiant optimism that’s both disarming and inspiring. By centring the narrative on life’s beauty, fleeting as it may be, the musical leaves audiences with a renewed sense of appreciation and awe for the world we inhabit.
The score, written by Darren Clark and Jethro Compton, is both folk-inspired and timeless, perfectly complementing the story’s unique narrative. The music serves as an emotional anchor, moving with ease from soul-stirring solos to harmonious ensemble numbers that stay with you long after the final curtain call. Each song feels intricately woven into the fabric of the story, enhancing the unfolding of Benjamin's life and carrying the audience through his journey with grace and sincerity.
Reflecting on this evening's performance- especially set against the tense backdrop of the US election results- I can’t help but feel that Benjamin Button offers something the world desperately needs. It’s a beacon of light, a testament to the resilience of love and the enduring power of human connection. It urges us to look beyond divisions and differences and find solace in the beauty of a shared journey. I left the theatre not only deeply moved but also with an undeniable urge to spread the word about this remarkable production. Theatre this beautiful, this uplifting, deserves to be seen, discussed, and cherished.
In a world that sometimes seems obsessed with darkness, The Curious Case of Benjamin Button chooses to shine, offering a precious reminder of all that is good, kind, and beautiful. It’s a production that demands to be witnessed, not just for its artistic brilliance but for its resounding message: that even in a life bound by time, there’s so much to savour, celebrate, and remember. Don’t miss your chance to experience this exceptional production- it will touch your heart, challenge your perspective, and leave you with a warmth that lingers long after the lights dim.
Reviewed on 6th November 2024 by Olivia
Photo Credit: Marc Brenner
{AD PR Invite- tickets gifted in exchange for honest review}
Wednesday, 6 November 2024
Matthew Bourne’s Iconic Swan Lake Celebrates 30 Years with Extensive UK and Ireland Tour
Dance lovers, prepare to experience the power and artistry of Matthew Bourne’s Swan Lake, as it embarks on an extraordinary UK and Ireland tour to celebrate its 30th anniversary. With 29 weeks of breathtaking performances across 19 venues, New Adventures once again brings Tchaikovsky’s classic to audiences with a thrilling revival that pushes dance theatre boundaries. Starting at Theatre Royal Plymouth on November 11, 2024, and leading into an 8-week holiday season at Sadler’s Wells, this tour marks New Adventures’ 22nd consecutive Christmas season at the iconic venue.
In 2025, the tour extends to Aberdeen, Sheffield, and Dublin, alongside previously announced cities including Birmingham, Cardiff, Edinburgh, and Glasgow, ensuring audiences nationwide will have a chance to experience the groundbreaking production that forever changed dance theatre. Since premiering at Sadler’s Wells in 1995, Swan Lake has won over 30 international awards and become the most successful dance production of all time, celebrated for replacing the traditional female swan ensemble with a bold, male corps-de-ballet. The production’s success has reverberated globally, holding records for the longest-running full-length dance piece in both the West End and on Broadway, with Olivier and Tony Awards in categories from Best New Dance Production to Best Choreography.
This tour also welcomes a new generation of New Adventures talent making their debut in lead roles: Harrison Dowzell, Jackson Fisch, and Rory Macleod as The Swan/The Stranger; James Lovell, Leonardo McCorkindale, and Stephen Murray as The Prince; Nicole Kabera and Ashley Shaw as The Queen; Katrina Lyndon and Bryony Wood in double roles. The company’s stellar ensemble will elevate Lez Brotherston’s set and costume design and Paule Constable’s dynamic lighting, with video and projection by Duncan McLean. The dark, witty, and emotionally charged choreography, directed by Matthew Bourne, remains central to this genre-defining experience, blending wit and menace in equal parts.
As Official Partners, Fortnum & Mason and Edwardian Hotels bring their support to the tour, underscoring the cultural importance of this masterpiece. Join the excitement as Swan Lake embarks on its 30th-anniversary journey, celebrating dance theatre history with every performance.
photo credit: Johan Persson
The Great Gatsby Musical to Dazzle London’s West End in Spring 2025!
Step into the Roaring Twenties as The Great Gatsby musical makes its highly anticipated West End debut at The London Coliseum next spring, bringing F. Scott Fitzgerald’s classic story of love, luxury, and longing to the UK stage. Following a record-breaking, sold-out premiere at New Jersey’s Paper Mill Playhouse and a triumphant Broadway run in 2024, The Great Gatsby will start previews on April 11th 2025, with the official press night on April 24th, and performances running until September 7th, 2025. Tickets go on sale on November 27 via londongatsby.com, with priority booking available for early sign-ups.
This glittering adaptation of Fitzgerald’s timeless novel captures the glamour and extravagance of the Jazz Age.
I am thrilled to bring this timeless, glamorous, and resplendent production to the UK’s West End,” says lead producer Chunsoo Shin. "The London Coliseum, with its grand architecture and historic charm, is a spectacular venue that perfectly complements the show’s lavish aesthetic and vibrant energy, transporting audiences back to the opulence of the 1920s.”
The show’s creative team features Tony Award nominees Jason Howland and Nathan Tysen, who bring the story to life with dazzling new music and lyrics, alongside a book by Jonathan Larson Grant winner Kait Kerrigan. Directed by Marc Bruni and choreographed by Dominique Kelley, with stunning costume design by Tony-winner Linda Cho and immersive scenic and projection work by Paul Tate de Poo III, this production promises an unforgettable night of entertainment.
Casting announcements are forthcoming, but with the production’s acclaimed design team and energetic direction, Gatsby’s world of riotous parties and mysterious romance is sure to captivate London audiences. Don’t miss this chance to experience “the party of the century”- get ready to immerse yourself in one of the greatest stories ever told.
Tuesday, 5 November 2024
Full Cast Announced for The Lonely Londoners at Kiln Theatre; Extended Run Due to High Demand
Kiln Theatre and Jermyn Street Theatre have announced the full cast for the highly anticipated run of The Lonely Londoners, adapted by Roy Williams from Sam Selvon's iconic novel. Directed by Ebenezer Bamgboye, the production features a stellar ensemble cast including Tobi Bakare, Shannon Hayes, Solomon Israel, Gilbert Kyem Jnr, Carol Moses, Aimée Powell, and Romario Simpson. Due to popular demand, the run has been extended, with performances now scheduled from 10th January to 22nd February 2025, at Kiln Theatre, with the official press night set for 16th January.
Bamgboye, returning to direct this critically acclaimed adaptation, remarked:
Sam Selvon’s novel, The Lonely Londoners, is a timeless masterpiece... I feel doubly lucky for the opportunity to return back to it a second time, at a perfect venue, alongside a truly stellar group of actors and creatives.”
Set in 1950s London, The Lonely Londoners tells the story of Henry ‘Sir Galahad’ Oliver, a Trinidadian immigrant who arrives in London with dreams and optimism, only to encounter the harsh realities faced by a generation of Caribbean migrants. As he meets others from the Windrush generation, he is confronted with the challenges and complexities of building a home in a city that often views him as an outsider. This adaptation explores the Windrush generation’s hopes, resilience, and camaraderie in a society shaped by prejudice.
Creative Team:
Director: Ebenezer Bamgboye
Set Designer: Laura Ann Price
Costume Designer: Anett Black
Lighting Designer: Elliot Griggs
Sound Designer: Tony Gayle
Movement Director: Nevena Stojkov
Voice and Dialect Coach: Hazel Holder
Casting Director: Abby Galvin
Kiln-Mackintosh Resident Assistant Director: Imy Wyatt Corner
Associate Sound Designer: Bella Kear
Literary Consultant: Susheila Nasta
Mike Leigh’s Acclaimed The Pirates of Penzance Returns to English National Opera This Winter
Set sail for an evening of swashbuckling humour, iconic songs, and sharp satire as the English National Opera (ENO) revives Mike Leigh’s The Pirates of Penzance at the London Coliseum, running from December 2nd, 2024, to February 21st, 2025. First directed by Leigh in 2015 to great acclaim, this production brings Gilbert & Sullivan’s beloved comic opera back to the stage for a second revival, guided by Revival Director Sarah Tipple and featuring the ENO Orchestra under the baton of Natalie Murray Beale, a conductor making her highly anticipated ENO debut.
With 15 scheduled performances, this production tells the charmingly absurd story of Frederic, a young pirate apprentice torn between his duty to his pirate crew and his love for Mabel, the daughter of Major-General Stanley. Audiences can look forward to iconic numbers like 'I am the Very Model of a Modern Major-General' and 'I am a Pirate King'. delivered by an exceptional cast of G&S veterans and ENO regulars.
Richard Suart reprises his celebrated role as Major-General Stanley, joined by John Savournin as The Pirate King, bringing his G&S expertise from recent ENO productions Iolanthe and H.M.S. Pinafore. Tenor William Morgan makes his debut as Frederic, and Classic FM “30 Under 30 Rising Star” Isabelle Peters will play Mabel, following her appearance in ENO’s Jenufa in 2024. Rounding out the principal cast are James Creswell as Sergeant of Police, Bethan Langford as Edith, and Gaynor Keeble as Ruth.
Mike Leigh’s production, known for its vibrant direction and humour, is brought to life with design by Alison Chitty, lighting by Ian Jackson-French, and choreography by Francesca Jaynes. A relaxed performance will take place on Thursday, January 30, at 13:00, and a signed performance on Saturday, February 8, at 14:30.
Ticket Information:
Tickets begin at £10, with free options available for those under 21, and discounted prices for 21-35-year-olds. A booking fee of £3.75 applies for online and phone bookings. The production is a co-production with Les Théâtres de la Ville de Luxembourg and the Saarländische Staatstheater Saarbrücken.
Performance Dates:
Evening Performances: December 2, 4, 6, January 24, 25, 30, February 4, 6, 19 at 19:00
Matinee Performances: December 7, January 30 (13:00); January 25, February 8, 21 (14:30)
Cast Announced for Stiles + Drewe’s Best New Song Prize Concert 2024: A Star-Studded Celebration of New Musical Theatre Talent
Prepare for an unforgettable night of new musical theatre as Mercury Musical Developments and Stiles + Drewe, in partnership with Broadway Licensing Global, present the 2024 Best New Song Prize Concert. Hosted by Olivier Award-winning actor Jenna Russell, this one-night-only gala will take place at The Other Palace on Monday, December 2 at 7:30 pm, showcasing the incredible talent of both emerging and established musical theatre creators.
This unique concert features a glittering cast, including stage icons like Charlie McCullagh (42 Balloons, Jesus Christ Superstar), Desmonda Cathabel (Aladdin, Miss Saigon), Lauryn Redding (Standing at the Sky’s Edge), Natalie Paris (Pretty Woman, SIX), Obioma Ugoala (Frozen, Hamilton), Samuel Barnett (Rock Follies), and Tim Howar (Rock of Ages, The Phantom of the Opera). Also performing are Allyson Ava Brown (Hamilton, Les Misérables), Cassius Hackforth (Something Rotten), Dan Partridge (Grease), Jodie Jacobs (Hello Dolly!), and Liv Andrusier (Fiddler on the Roof).
Alongside performances from these incredible artists, the event will feature songs from recent British musical successes like Becoming Nancy, Cable Street, Two Strangers (Carry a Cake Across New York), and 42 Balloons. The evening celebrates the vitality of new writing with a special showcase of 12 finalist songs, which include:
- 'The Temptation of Me' from Proud by Mark Anderson & Lee Freeman
- 'I’m Going to Stay With You' from The Tale of the Gifted Prince by Lezlie Wade & Dan Green
- 'It Starts Small' from Unfolding by Emma Vieceli
- 'Ideal Robot Assistant' from A.I. Will Solve All Your Problems by Leo Mercer
- 'Someday My Prince Will Come' from Queering the Canon by Cheeyang Ng & Eric Sorrels
- 'Viareggio' from Lifeboats by Gus Gowland
- 'Die Like Trees' from Girl Goes to the Underworld by Sam Norman & Bela Kawalec
- 'Hero' from Man Vs Snake the Epic Musical by Stuart Matthew Price & Daniel Fletcher
- 'Spread a Little Joy Around the Place' from Retail Therapy by Hilmi Jaidin
- 'Locked Away' from The Queen is Mad by Amy Clare Tasker & Tom McGrath
- 'Drek!' from Otto's Weidt's Brush and Broom Workshop for the Blind by Amir Shoenfeld & Caitlyn Burt
- 'Invisible' from Hatched! by Lydia Shaw & Edward Court
A distinguished panel of judges, including Chris Bush, George Stiles, Anthony Drewe, and Joanne Benjamin, will select the winning song, awarding £1,000 toward the winner’s development. An additional award recognising Voice, Vision & Potential will also be presented. Sponsored by Broadway Licensing Global, Dorico, Tarento Productions, and Kenny Wax Productions, the Best New Song Prize Concert celebrates the vibrant future of British musical theatre and its outstanding creative talent.
Stockard Channing Joins Brie Larson and Star-Studded Cast for the Thrilling West End Revival of Elektra
The timeless power of Greek tragedy is set to take the West End stage as Empire Street Productions announces additional casting for Elektra, Sophokles’s renowned drama, featuring a new, visceral translation by the award-winning poet Anne Carson. Academy Award-winner Brie Larson, previously announced as the lead, will make her West End debut alongside an impressive lineup: the internationally celebrated Stockard Channing (The West Wing, The Good Wife), Marième Diouf (Romeo and Juliet, The Globe), Greg Hicks (Grapes of Wrath, Coriolanus), and Evening Standard Award-winner Patrick Vaill, fresh off his acclaimed performance in Oklahoma! and Stranger Things: The First Shadow.
Directed by the visionary Daniel Fish, known for his groundbreaking Tony and Olivier Award-winning revival of Oklahoma!, this production of Elektra promises a powerful, haunting experience. Fish's return to Sophokles’s masterpiece marks the first major revival of the classic Greek tragedy in over a decade. The creative team behind Elektra features Annie-B Parson (Choreography), Jeremy Herbert (Set Design), Doey Lüthi (Costume Design), Adam Silverman (Lighting Design), Max & Ben Ringham (Sound Design), and Ted Hearne (Composer), with Kate Godfrey (Voice & Dialect) and casting by Heather Basten CDG.
The production begins its journey at Theatre Royal Brighton on January 13, 2025, before moving to London’s Duke of York’s Theatre for an exclusive 11-week season starting January 24, with a press night scheduled for February 5. This staging of Elektra promises an intense exploration of vengeance, grief, and survival, as Elektra, haunted by her father’s murder, awaits the return of her brother Orestes, who she urges toward a harrowing and irreversible act of revenge.
Empire Street Productions brings this much-anticipated Elektra revival to life following their acclaimed projects like Prima Facie with Jodie Comer and The Pillowman starring Lily Allen. The full cast lineup for Elektra will be announced soon. For tickets and more information, visit ElektraPlay.com.
Sunday, 3 November 2024
THEATRE NEWS ROUNDUP 27th October- 2nd November 2024
What a week for theatrical news! Lots of casting and show announcements, plus exciting concerts to look forward to next summer. Click the links below for the full stories!
The musical extends its UK tour due to high demand, adding extra dates in four cities and bringing its powerful, award-winning story to new audiences.
Celebrating 20 years, 13 Going on 30 comes to the stage with a musical adaptation premiering in Manchester, bringing Jenna Rink’s unforgettable journey to life for a new audience.
BBC Children in Need’s Challenge Squad brings an inspiring new story to life as Ethan prepares to take the stage in COME ALIVE! The Greatest Showman Circus Spectacular for the 2024 appeal.
Virginia Gay’s award-winning Cyrano brings a bold, gender-flipped spin on Cyrano de Bergerac to London’s Park Theatre, combining modern humour, romance, and a fresh perspective on classic storytelling.
Clueless The Musical is set to make a stylish West End debut, capturing the wit, charm, and ’90s nostalgia of the beloved film with a fresh score by KT Tunstall and Glenn Slater.
Star-Studded Gala A Marvellous Party Celebrates Noël Coward with a Glittering Lineup
A Marvellous Party will honour Noël Coward with an all-star charity gala featuring performances from some of the UK’s brightest talents.
The sell-out production directed by Eline Arbo and based on Annie Ernaux’s Les Années, comes to London’s Harold Pinter Theatre for a limited run, offering an evocative portrayal of one woman’s life amid societal change.
The musical's original Australian cast album is now streaming in the UK, ahead of the musical’s highly anticipated UK stage premiere at Leicester’s Curve Theatre in April 2025.
Les Miserables West End and World Tour Casting News
Lucie Jones rejoins Les Misérables in the West End for a limited eight-week run as Fantine, while Katie Hall steps into the role for select cities on the Arena Spectacular World Tour before returning to London.
Co-produced by Lance Bass and Michelle Visage, the musical brings a fresh take on Edward Scissorhands to London’s Southwark Playhouse, celebrating individuality through music and heart.
The season brings new voices and powerful stories to the stage with world premieres and inclusive performances featuring top-tier talent.
The play brings Britain’s iconic comedy legends back to life in a nostalgic and hilarious new play set to run in London’s West End.
The highly anticipated Jo- The Little Women Musical concept album will be recorded at Abbey Road Studios
The musical celebrating Houdini’s life and legacy will launch with exclusive previews on Lake Como, Italy, in Spring 2025
The musical returns in 2024 with a star-studded UK & Ireland tour celebrating its 20th anniversary and iconic performances across major cities.
The gripping supernatural thriller, returns for an extensive UK tour in 2025, inviting audiences nationwide to experience its suspenseful, paranormal intrigue live on stage.
The Tony winner is set to headline BST Hyde Park 2025 with a thrilling performance of musical theatre classics and more on July 6.
See you next Sunday for another week of news!
Friday, 1 November 2024
Mary Poppins Musical Returns for a Spectacular 2024 UK & Ireland Tour with Fresh Cast and Dazzling Magic
The beloved musical Mary Poppins is set to soar again as it embarks on a new UK and Ireland tour in 2024, marking the 20th anniversary since its world premiere. Opening on November 4, 2024, at the Bristol Hippodrome- where the magic began two decades ago- the production will bring familiar faces and new talent to audiences across the UK and Ireland. Sharon Wattis joins the cast as Mrs. Corry and Miss Smythe, alongside Stefanie Jones as Mary Poppins and Jack Chambers as Bert, both praised for their portrayals in Australia.
Audiences will also be captivated by seasoned West End actors like Michael D. Xavier as George Banks, Lucie-Mae Sumner as Winifred Banks, and Rosemary Ashe, a key cast member from the original West End production, returning as Mrs. Brill. Other favourites include Patti Boulaye as Bird Woman, Wendy Ferguson as Miss Andrew, and Ruairidh McDonald as Robertson Ay, with David Burrows taking on the role of Admiral Boom. A rotation of talented young actors will portray Jane and Michael Banks, ensuring each performance remains fresh and engaging.
This upcoming tour celebrates Mary Poppins’ enduring legacy with breathtaking choreography, effects, and music that audiences cherish, featuring unforgettable Sherman Brothers classics like 'Jolly Holiday', 'Step in Time', and 'Feed the Birds'. New songs and music by George Stiles and Anthony Drewe add depth to this magical production, showcasing the beloved P.L. Travers character with fresh vibrancy. The show will travel to prestigious venues including Dublin’s Bord Gáis Energy Theatre, Edinburgh’s Festival Theatre, and Manchester’s Palace Theatre, bringing the joy and wonder of Cherry Tree Lane to life for fans of all ages.
From its award-winning orchestrations by William David Brohn to the visionary direction of Richard Eyre, the Mary Poppins musical brings Broadway and West End mastery to the UK & Ireland stage. With a unique blend of classic storytelling, iconic songs, and a phenomenal creative team led by Cameron Mackintosh and Disney Theatrical Group, this production continues to enchant audiences worldwide.
Get ready for a magical journey with Mary Poppins, touring across the UK and Ireland in 2024, and experience the spellbinding choreography, set design, and unforgettable characters that have won hearts for two decades. Tickets are available now, so don’t miss the chance to see Mary Poppins back where she belongs- onstage, bringing joy to millions.
Subscribe to:
Posts (Atom)
Hello!
