Posts with the label stagey
Showing posts with label stagey. Show all posts
Showing posts with label stagey. Show all posts

Thursday 5 May 2022

Bat Out of Hell Returns to the West End


The producers of Jim Steinman’s Bat Out of Hell – The Musical, featuring Jim Steinman and Meat Loaf’s greatest hits, are delighted to announce the musical’s return to London in 2023. The show, which is currently touring the UK and Ireland, will play a limited season at the Peacock Theatre with performances from 17 February, ending on 1 April 2023.

Bat Out of Hell – The Musical will also have a residency at Paris Las Vegas Hotel & Casino from 27 September 2022.

Casting for both productions to be announced.

Bat Out of Hell – The Musical wowed critics and public alike when it played limited seasons at Manchester Opera House, London Coliseum and London’s Dominion Theatre from 2017 to 2019. The musical also ran successfully in Canada, Germany and at New York’s City Centre in 2019. The current UK and Ireland tour began performances at Manchester Opera House on 11 September 2021 and has been playing to sold out houses and great critical acclaim.

Bat Out of Hell – The Musical won the Radio 2 Audience Award for Best Musical at the Evening Standard Awards and was nominated for 8 WhatsOnStage Awards, including Best New Musical. Bat Out of Hell became one of the best-selling albums in history, selling over 60 million copies worldwide. 16 years later, Steinman scored again with Bat Out of Hell II: Back into Hell, which contained the massive hit I’d Do Anything for Love (But I Won’t Do That).

For the stage musical, the legendary and award-winning Jim Steinman incorporated iconic songs from the Bat Out of Hell albums, including You Took the Words Right Out of My Mouth (Hot Summer Night), Bat Out of Hell, I’d Do Anything for Love (But I Won’t Do That) and Two Out of Three Ain’t Bad, as well as two previously unreleased songs, What Part of My Body Hurts the Most and Not Allowed to Love.

The electrifying rock songs of Mr Steinman propel an epic story of rebellious youth and passion as Strat, the immortal leader of The Lost, has fallen in love with Raven, the beautiful daughter of the tyrannical ruler Falco.

The UK & Ireland Tour of Bat Out of Hell - The Musical has book, music and lyrics by Jim Steinman, direction by Jay Scheib, choreography adapted by Xena Gusthart, with musical supervision and additional arrangements by Michael Reed, set and costume design by Jon Bausor, original costume designs by Meentje Nielsen, original wig designs by Linda McKnight, video design by Finn Ross, lighting design by Patrick Woodroffe, sound design by Gareth Owen, orchestration by Steve Sidwell, original casting by David Grindrod CDG and UK Tour casting by Anne Vosser.

Bat Out of Hell – The Musical is produced by David Sonenberg, Michael Cohl & Tony Smith, with executive producer Julian Stoneman.

This tour is dedicated to the memory of Jim Steinman, who sadly passed away on 19 April 2021, and Meat Loaf, who passed away on 20 January 2022.

Twitter, Facebook & Instagram: @BatTheMusical

photo credit: Chris Davis Studio

Bat Out of Hell Returns to the West End

Thursday 5 May 2022

Thursday 21 April 2022

The Cher Show (Tour), Leicester Curve | Review


The Cher Show (Tour)
Leicester Curve
Reviewed on Friday 15th April 2022 by Hope Priddle
★★★★★

After a brief run on Broadway, the beat goes on for The Cher Show as a new reimagined version, directed by Arlene Phillips, opened at the Leicester Curve this week. Spanning an astounding six decades and featuring iconic hits such as Believe and Strong Enough, The Cher Show charts the early life of Cherilyn Sarkissian and her spectacular rise to fame. In this uplifting girl-powered production, join Cher as she fights to take charge of her career in a man’s world, leaving a legacy as a trailblazing feminist icon.

This is not an ordinary jukebox bio-musical – there is not just one Cher, but three; Baby, Lady and Star. Though the book (Rick Elice) relies heavily on exposition and is not always successful in divorcing itself entirely from a tired format, it is sharp and quick-witted. By introducing us to three protagonists who interrupt each other with sassy asides and sage advice, an otherwise linear narrative suddenly feels reactive and full of endless possibilities. The Chers reclaim, retell and revise their own story.

The cast is led by a powerhouse trio of women in the role of Cher. Millie O’Connell (Baby) Danielle Steers (Lady) and Debbie Kurup (Star) give natural and nuanced performances as the legendary diva. Cher has become so mythologised into the annals of pop history, it is easy to forget she is a real person. Not once however do our leading ladies stray into the territory of camp or hammy caricature.

As the eldest Cher, Debbie Kurup grounds the trio with her wisdom and worldliness. Kurup’s vocals are truly outstanding, but it is in her ability to reveal the vulnerability, resilience and tenderness behind the icon, that her true power lies. Danielle Steers plays Lady, tasked with negotiating Cher’s fraught personal and professional relationship with husband Sonny Bono. Steers is infamous for her rich contralto vocals and as such, unapologetically devours the score. Steers’ commanding rendition of Bang Bang is a total showstopper, proving that Cher was a role she was born to play. Millie O’Connell is a delight as lovestruck dreamer Baby and is a comedic genius to boot – her repartee with Lucas Rush (Sonny) during The Sonny and Cher Comedy Hour is a complete joy to watch.


It would be easy to assume that Baby and Lady take a secondary role to Star, that they perhaps function as her warm-up act. However, they shine brightly on their own. Baby and Lady are no less accomplished, no less complete than Star. What is so wonderful about The Cher Show is that although their shared story is a linear one, the Chers exist in parallel timelines, supporting rather than replacing one another along their journey.

Lucas Rush gives a tremendous performance as Cher’s first husband and lifelong artistic partner, Sonny Bono. Not only does Rush masterfully imitate Sonny’s nasally vocal inflections, they skilfully embrace his smarmy unlikability and genuine charisma. Though Sonny exhibits exploitative and explosive behaviour at the height of their career, he remains an enduring confidante and champion. We are also introduced to a host of influential characters – Cher’s Mother (Tori Scott), Bob Mackie (Jake Mitchell), and her subsequent husbands Gregg Allman (Sam Ferriday) and Robert Camilleti (Ferriday) - all of whom are treated with affection and goodwill. The ensemble are strong and deliver Oti Mabuse’s dynamic choreography with pizazz.

Tom Roger’s set design is simple yet highly effective, transporting the audience backstage by flanking the wings with monochrome rails and wig-laden shelves. The costumes retain all the glamour of Bob Mackie’s original wardrobe, but his departure from the creative team has clearly allowed designer Gabriella Slade the freedom to take a more inspired approach. Slade’s gladiatorial designs fully embody the fierce spirit of Cher and transform our leading ladies into goddess warrior queens.

The Cher Show is a universally uplifting story of a woman’s fight for independence in an industry driven by men. While it unashamedly embraces all the flair and flamboyance that fans will most certainly expect, as a respectful homage to a much-loved icon, it retains real heart. If I could turn back time, I would watch it all over again.

photo credit: Pamela Raith

The Cher Show (Tour), Leicester Curve | Review

Thursday 21 April 2022

Wednesday 30 March 2022

Alex Gibson-Giorgio Discusses Playing the Villain and Returning to the Stage | Zorro | Interview

You’re in for a night of heartfelt story telling full of passion, love, swashbuckling and sword fighting Alex Gibson-Giorgio is set to play Ramon in Zorro the Musical which is set to open at the Charing Cross Theatre this weekend. Pre-opening he chats to us about the rehearsal process, what it's like playing the villain and what audiences can expect from the musical...


Firstly, could you tell us a little bit about what audiences can expect from Zorro?
We all know and love the mask-wearing, sword-wielding bandit who fights for the poor and defends injustice, breaking many a heart along the way; made eternally famous by Antonio Banderas. Well, the musical has all the passion, love and fire of the film, with a little extra heart, all set to the songs of the Gipsy Kings.

It must be great to get back into theatre post-lockdown, especially with such a high energy show, what has the rehearsal process been like?
Being back in the rehearsal room is a huge privilege … it’s definitely one of my favourite parts of putting on a show. The pure magic of a group of actors in a space creating an imaginary world together … it’s so exciting! It’s a place to make bold offers and explore the full range of your character with no judgement … there are no wrong choices, instead there are endless possibilities. As my acting teacher Margot Fenley would say “Be bold and fail gloriously!”

Ramon is a pretty evil character and you’ve previously played Jafar in Aladdin, are you a fan of the villains?
I do love myself a villain. I think they’re the most interesting characters to play because you get to safely explore often darker ways of thinking and existing that are not always socially acceptable in everyday life. In the case of Jafar, it’s just CAMP!

The score of Zorro is by the Gipsy Kings, if you were to have a band write the score for a musical about your life, who would you choose?
Fleetwood Mac for sure. Or Gaga. Maybe James Taylor … this one’s hard.

What song are you most excited to perform for an audience when the show opens?
I love Baila Me … such a good tune! But watching Djobi Djoba and Bamboleo from offstage is a personal highlight for me. We are lucky to have such a talented company who not only sing and act, they also have to play multiple instruments, dance (WHILST PLAYING), shoot guns and sword fight!

Why should people come and see Zorro?
If you love The Gipsy Kings, you will love this show. The music fills your soul! You’re in for a night of heartfelt story telling full of passion, love, swashbuckling and sword fighting. VIVA EL ZORRO!


Thank you so much Alex for taking the time to chat to us. Zorro opens at the Charing Cross Theatre 2nd April

Interview by Olivia Mitchell, Editor

Alex Gibson-Giorgio Discusses Playing the Villain and Returning to the Stage | Zorro | Interview

Wednesday 30 March 2022

Tuesday 29 March 2022

Tom Felton, Mandip Gill, Beatriz Romilly and Sam Swainsbury to Join Cast of 2:22 A Ghost Story


Producer Runaway Entertainment is delighted to announce casting news for the transfer of Danny Robins’ edge-of-your-seat, supernatural thriller 2:22 - A Ghost Story for a third season to the Criterion Theatre. The run at the Criterion follows two record breaking runs at the Noel Coward and Gielgud Theatres and three Olivier Nominations including Best New Play as well as winning the Best New Play category in the Whatsonstage awards.
 
Tom Felton will play the role of Sam. Having made his breakthrough as ‘Draco Malfoy’ in the Harry Potter series of films, Tom has gone on to star in award winning films The Rise of the Planet of the ApesA United Kingdom, and Belle, television series The Flash, Netflix filmThe Forgotten Battle and was most recently seen on screen in SKY’s Save the Cinema. Coming up, he will star in Independent Film Burial.
Tom Felton said:I’m incredibly excited about getting to play in 2:22. I first started acting age 6 in a local theatre group and I haven’t trodden the boards since. I love the play, I’ve taken all my family to see it & everyone leaves with a smile. I’m thrilled to be part of this summers cast and will have a lot of fun with it.”
Mandip Gill will play Jenny. Mandip played companion Yasmin Khan in series 11, 12 and 13 of Doctor Who opposite Jodie Whittaker. She also played Phoebe McQueen in Hollyoaks and has appeared in CuckooDoctorsThe Good Karma Hospital and Casualty.
 
Mandip Gill said: “I am thrilled to be making my West End debut as part of the new cast of an already successful show. I am equally scared of ghosts so this should be fun” 
 
Beatriz Romilly will play the role of Lauren. Beatriz was born in Spain. She is best known for her work in Assassin's Creed ValhallaFinal Fantasy XIV: Shadowbringersand War of the Worlds. She has also appeared on stage at Chichester Festival Theatre, Shakespeare’s Globe and The Bush Theatre.
 
Beatriz Romilly said: "I’m delighted to be returning to London and joining the new 2:22 company. I feel very lucky to be working with Matthew Dunster again, and getting a chance to dive into Danny Robins nail biting script with such a wonderful creative team and cast.”
 
Sam Swainsbury will play Ben. Sam is known best for his roles as Jason in the BBC sitcom Mum and Rowan in the 2019 film Fisherman's Friends. In 2015, Swainsbury featured in the film Thor: The Dark World, In 2017, Swainsbury appeared on Fearless, In 2019, he appeared in Victoria as Dr John Snow.
 
Sam Swainsbury said:It's such a privilege to be joining the 2:22 company! I was really drawn to the script. It's engaging, funny, exciting and poignant, but… there was something else. Something I can’t put my finger on. Drawing me to it. Almost like… like a voice. From another place. That’s normal, right?!
 
Matthew Dunster said: Planning our 3rd iteration of 2:22has been just as exciting as the first two; working with Danny and my Co-Director, Isabel Mar, and our brilliant casting directors to re-imagine the characters once more. It’s such a privilege to do that and to know audiences are excited about ‘who’s next?’  We have a wonderful cast that once again is loaded with surprise, excitement and West End Debuts. People love watching this show and we love making it.”
 
After breaking all box office records for a new play at the Noel Coward Theatre; described as the theatre event of the year and the hottest ticket in the West End; and after weeks of sell-out performances, the show transferred for another record breaking run at the Gielgud Theatre. The run there ended in February and a third season, this time to the Criterion Theatre, was immediately announced. 
 
2.22 - A Ghost Story is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist and it is directed by Matthew Dunster. Intriguing, funny and scary, it takes audiences into one adrenaline fueled night where secrets will emerge and ghosts may appear….What do you believe? And do you dare to discover the truth?
 
“There’s something in our house. I hear it every night, at the same time.”
 
Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and her new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they are going to stay up… until 2.22am… and then they will know.
 
Danny Robins said "I'm overjoyed to have a cast of this outrageously exciting calibre for our new season. Tom and Mandip are stellar talents who I have admired for years, Sam is awesome and will be known and loved by comedy fans and Beatriz is someone I know is bursting with ability and on the cusp of stardom. Each new cast unlocks new surprises and thrills for me as a writer, each actor bringing their own distinctive take to the play. If you haven't seen 2:22 before, there's never been a better reason to come, if you have seen it, come back and see it again with this exciting line-up!” 
 
2:22 - A Ghost Story features set design by Anna Fleischle, costume design by Cindy Lin, lighting design by Lucy Carter, sound by Ian Dickinson for Autograph Sound, co-direction by Isabel Marr, casting by Jessica Ronane CDG and illusions by Chris Fisher.
 
2:22 - A Ghost Story is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment, Isobel David and Kater Gordon. 
 

Tom Felton, Mandip Gill, Beatriz Romilly and Sam Swainsbury to Join Cast of 2:22 A Ghost Story

Tuesday 29 March 2022

Gemma Collins to Star as Mama Morton in Chicago


David Ian in association with Barry and Fran Weissler are delighted to announce TV personality Gemma ‘The GC’ Collins will star as ‘Mama Morton’ in the acclaimed UK and Ireland tour of the international smash hit musical Chicago. Gemma will join the tour at the Sunderland Empire from Tuesday 31 May 2022, ahead of playing Cardiff New Theatre, Blackpool Winter Gardens, Sheffield Lyceum, Norwich Theatre Royal and New Theatre, Oxford.

 

David Ian said today, “We were completely stunned by Gemma’s audition for the role. She’s an undeniable force both on and off stage, and we can’t wait to see her portrayal of ‘Mama Morton’ on tour. Audiences across the country are in for a treat.”

 

Gemma Collins is best known as a media personality and businesswoman, having first featured in the reality series The Only Way Is Essex. She was awarded the 2021 winner of the Best Female Personality at the National Reality Television Awards. Since ‘Essex’ Gemma has appeared in numerous television shows including, I’m A Celebrity, Get Me Out of Here!, Celebrity Big Brother, Dancing on Ice and All Together Now in which she was a finalist. Most recently Gemma was seen on screens with her intimate Channel 4 documentary, Gemma Collins: Self-Harm & Me. Before finding fame on The Only Way Is Essex, Gemma was a keen performer having studied dance and winning a place at the renowned Sylvia Young Theatre School.

 

Gemma joins Faye Brookes as ‘Roxie Hart’, Djalenga Scott as ‘Velma Kelly’, Jamie Baughan as ‘Amos Hart’ and B.E. Wong as ‘Mary Sunshine’. The role of ‘Billy Flynn’ will be announced soon. Full tour schedule below. www.chicagothemusical.com

 

The cast is completed by Ishmail Aaron, Michelle Andrews, Gabby Antrobus, Delycia Belgrave, Joel Benjamin, Tanisha-Mae Brown, Daniel Clift, Callum Fitzgerald, Emily Goodenough, Billie Hardy, Aaron Jenkins, Liam Marcellino, Theo Reece, Hollie Jane Stephens and Harrison Wilde.  

 

Faye Brookes (Roxie Hart) reached the final of last year’s series of ITV’s Dancing On Ice. She is best known for her role as Kate Connor in ITV’s Coronation Street, for which she won a National Television Award. Her theatre credits include Princess Fiona in Shrek and Elle Woods in Legally Blonde, both on national tour, Ann/Edna in That Day We Sang directed by Victoria Wood at Manchester’s Royal Exchange, Liesl in The Sound of Music at Regent’s Park Open Air Theatre and Frenchy in Grease at the West End’s Piccadilly Theatre. Faye’s other TV credits include Agnes Franklin in Our Girl and Helena in Atlantis, both for the BBC.

 

Djalenga Scott’s (Velma Kelly) West End credits include Lily St Regis in Annie at the Piccadilly Theatre, Joseph and the Amazing Technicolor Dreamcoat at the New London and Chicago at the Adelphi, Cambridge and Garrick Theatres. Her other credits include Anita in the national tour of West Side Story, Rizzo in Grease at Curve Leicester, Magenta in The Rocky Horror Show and Carmen in Fame, both on European tours, the US tour of Batman Live and Bombalurina in Cats at Kilworth House. Djalenga’s screen credits include Scarlett/Esme in Trapped for the BBC and Alexandra in the film I Give It A Year. 

 

Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago’s slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids. 

 

Created by the musical theatre talents of John Kander, Fred Ebb and legendary choreographer Bob Fosse, Chicago’s sexy, sassy score includes the show-stopping songs “Razzle Dazzle”, “Cell Block Tango”, and “All That Jazz”.  Winner of six Tony Awards, two Olivier Awards and a Grammy, Chicago is the longest running American musical in Broadway and West End history.

 

Since it opened in New York in 1996, Chicago has played in 36 countries worldwide and has been performed in English, Dutch, German, Swedish, Spanish, Portuguese, Italian, French, Danish, Japanese and Korean.  Worldwide it has been seen by an estimated 33 million people, grossed over $1.7 billion and played over 32,500 performances.

 

Chicago, which is based on the play by Maurine Dallas Watkins, has a book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb.  The 1996 Broadway revival of Chicago was choreographed by Ann Reinking in the style of Bob Fosse, directed by Walter Bobbie, and produced by Barry and Fran Weissler.

Gemma Collins to Star as Mama Morton in Chicago

Friday 25 March 2022

The Choir of Man to return to the Arts Theatre, London this Autumn 2022


Due to phenomenal demand, the smash-hit, Olivier-nominated The Choir of Man returns to The Arts Theatre in London’s West End this autumn, with performances beginning 1 October 2022 and a national press night on Thursday 13 October.  Tickets will be on sale from 10.00am, Friday 25 March.
 
Casting is to be announced.
 
The initial limited season at The Arts Theatre will finish on Sunday 3 April 2022.  This month, it was announced that the show has received an Olivier nomination for Best Entertainment or Comedy Play.
 
The Choir of Man has previously played three sell-out seasons at the Sydney Opera House and multiple sold-out US and European tours.
 
The Choir of Man is the best lock-in at your local you'll ever have, featuring amazing reinventions of folk, pop, Broadway and rock chart-toppers from artists including Guns ‘N’ Roses, Fun!, Adele, Avicii, Paul Simon, Sia and many more. It’s a party, it’s a concert and it’s a lock-in like no other.
 
The multi-talented cast combine beautiful harmonies and foot-stomping singalongs with world-class tap dance and poetic meditations on the power of community. This is a riotously feel-good homage to that gathering place we all love: the pub, complete with a real working bar on stage.

The Choir of Man is created by Nic Doodson and Andrew Kay, directed by Nic Doodson, with musical supervision, vocal arrangements and orchestrations by Jack Blume, movement direction and choreography by Freddie Huddleston, monologues written by Ben Norris, scenic design by Oli Townsend, lighting design by Richard Dinnen, costume design and associate scenic design by Verity Sadler, sound design by Sten Severson, casting by Debbie O’Brien. Associate Choreographer is Rachel Chapman and Associate Musical Director is Hollie Cassar.
 
The show is produced by Immersive Everywhere, Nic Doodson, Andrew Kay, Wendy & Andy Barnes and AK Theatricals.
 
Facebook: @thechoirofman
Twitter & Instagram: @choirofman

The Choir of Man to return to the Arts Theatre, London this Autumn 2022

Friday 25 March 2022

Tuesday 22 March 2022

Rebecca Lock on Bringing Rock to the Stage | School of Rock | Interview

it has been such a joy to recreate this role and wonderful story
School of Rock is a cult classic film which celebrates music and how it brings people together. Post- pandemic it provides the perfect, lighthearted, high energy, night out. Currently starring in the show as headmistress Rosalie Mullins, Rebecca Lock tells us about her experience in the show and who her own inspirational teacher was...


Firstly, for anyone that doesn’t know could you explain a little bit about School of Rock?
A wanna be failed rockstar pretends to be his flat mate and earn some money by being a substitute teacher in a posh prep school. He forms a band with the class and enters into the battle of the bands whilst charming the headmistress Rosalie Mullins along the way.
 
This is such an iconic story and now show, what’s it been like bringing it to the stage?
It’s one of my favourite films so it has been such a joy to recreate this role and wonderful story.
 
If you could star in any other screen to stage adaptation, which film would you choose?
Oh cripes… there’s far too many to choose from… all the best ones have already been adapted!
 
Aside from the music, this is really a show about an inspirational teacher, have you had any influential teachers in your life?
Oh definitely… Mr Cobly my first drama teacher taught me so much and encouraged my pursuits.
 
You play the headteacher Rosalie Mullins who is an authority figure but also has some really humorous moments. How do you balance the two?
That’s the joy.. she’s one extreme and then she flips and you see a whole new side to her… super fun to play
 
Why do you think people should come and see the show?
It’s a proper family show… something for everyone! From 8- 98… you’ll leave wanting to pick up a guitar and form your own rock band!
 
Thank you so much Rebecca for taking the time to chat to me. School of Rock plays at the New Wimbledon Theatre until 26th March and then continues its tour.

Interview by Olivia Mitchell, Editor

photo credit: Paul Coltas
 

Rebecca Lock on Bringing Rock to the Stage | School of Rock | Interview

Tuesday 22 March 2022

Jake Sharp on Bringing Rock to Wimbledon | School of Rock | Interview

All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars. 

School of Rock is a cult classic film which celebrates music and how it brings people together. Post- pandemic it provides the perfect, lighthearted, high energy, night out. Currently starring in the show as leading man Dewey Finn, Jake Sharp tells us about his experience in the show and what it's like stepping into Jack Black's shoes...




Firstly, for anyone that doesn’t know could you explain a little bit about School of Rock?

School of Rock is about a wannabe rockstar Dewey Finn, who, needing some money, intercepts a phone call and poses as a substitute teacher at a prestigious school. When he hears the straight-A students playing classical music he transforms them into mini rockstars in order to compete at the Battle of the Bands.

Jack Black made Dewey such an iconic character, what’s it been like creating your own version?
Obviously Jack Black is a genius so they are quite big shoes to fill. But the blueprints that his performance has given means there is so much room to play. Dewey Finn is basically a big kid so it’s so much fun seeing how he reacts in the world of Horace Green School.

What’s been your favourite part of starring in School of Rock?
Playing ‘Teachers Pet’ to audiences all round the country. In that moment everything the audience hears is just us playing live on stage. It never fails to give me goosebumps and the reaction from the crowds is next level. The fact that people from all over have the opportunity to see the show is amazing, but the knowledge that we are inspiring the next generation of musical protégées is super cool.

It’s a very high energy show, how do you keep your voice and body strong doing the show every night whilst touring the country?
A lot of water, a lot of sleep and a lot of pasta. It’s been a real personal undertaking to get myself to a fitness level vocally, physically and mentally to be able to keep producing the energy levels that the show requires. But it’s absolutely worth it! Plus pasta is delicious. 

Dewey inspires his students in many ways, did you have an influential teacher growing up?
I did but when it comes to Dewey I always think more about the other adults that have been influential. I grew up playing sports and a lot of the time as a kid I would be around or apart of the adult teams. The way that they treated me as an equal in that environment is how I think Dewey treats the kids. They are all level pegging in the band - it doesn’t matter how old or how ‘cool’ they might seem in ‘normal’ life.

Why do you think people should come and see the show?
I hate it when people say this but it’s completely true for this show. It’s absolutely fun for all the ages. Whether on a date, a solo trip, with kids, with a school - everyone will enjoy School of Rock. It’s high energy, face melting rock and roll and champions live music and being creative. All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.

Thank you so much Jake for taking the time to chat to me. School of Rock plays at the New Wimbledon Theatre until 26th March and then continues its tour.

Interview by Olivia Mitchell, Editor

photo credit: Paul Coltas
 

Jake Sharp on Bringing Rock to Wimbledon | School of Rock | Interview

Monday 21 March 2022

School of Rock (Tour), New Wimbledon Theatre | Review


School of Rock (Tour)
New Wimbledon Theatre
Reviewed on Monday 21st March 2022
★★★★

Many people know and love the hit 2003 film School of Rock. With Jack Black’s iconic comedy, incredibly catchy tunes and a true rock soul it became an instant classic. Fortunately, all of this translates brilliantly to the stage and to the current UK tour which is getting audiences up on their feet and releasing their inner rock god’s.


With music by Andrew Lloyd Webber, School of Rock provides a throughly entertaining night out.  The show follows Dewey Finn, a man who’s only goal is to live a life of music. One thing leads to another and he ends up taking the place of his best friend and pretending to be a supply teacher for the elite Horace Green school. There he discovers that he’s not the only one with music in his soul; he finds a classroom full of wonderful musicians who just want to be heard. Thus begins his mission to form a band and win the Battle of the Bands. The entire story is a comedic dream, with a cast of amazing talents and so many great songs.


There’s also astute observations on growing up and the pressures young people are under, as well as many witty and topical comments on the world as a whole.


Of course this show would not be half of what it is without the young performers who make up the class. There’s not a weak link, with utterly superb musicianship being displayed throughout. They all have enough energy to raise the roof off of the New Wimbledon Theatre and also do particularly well in the more moving moments of the show. Special mention must go to Souparnika Nair who shone supremely bright with her spectacularly controlled vocals as Tamika and Emerson Sutton who is a marvel on the drums. All the children are a joy to watch and there's also some exceptional hairography going on throughout!



As Dewey Finn, Jake Sharp carries the musical outstandingly. Not wavering a single moment he’s on stage (and that’s pretty much throughout). He’s hilarious, vocally virtuosic and brings enough of the iconic Jack Black attitude and swagger that we know and love but also adds his own flair and makes the role his own. 


Rebecca Lock as Rosalie Mullins the uptight headmistress who also longs to break free is utterly charming. Her vocals are spectacular with her operatic range shining in the Queen of the Night aria and her astounding belt providing a real highlight in Where Did The Rock Go.


You can’t have School of Rock without the music and aside from the formidable onstage musicians, the pit band are stellar. Natasha Katz's lighting is also especially effective and Anna Louizos’ set design works faultlessly to transport us from scene to scene.

This is an incredibly cohesive production that never falters in sleekness but still retains its spontaneous, high octane feel. Become part of the band and go see School of Rock on tour.


photo credit: Paul Coltas

School of Rock (Tour), New Wimbledon Theatre | Review

Monday 21 March 2022