Posts with the label review
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Wednesday 2 March 2022
The Osmonds, A New Musical (Tour), New Victoria Theatre | Review
The Osmonds, A New Musical (Tour)
New Victoria Theatre
Reviewed on Tuesday 1st March 2022
★★★
It has been over 50 years since the wholesome, handsome brothers from Utah, The Osmonds, began their career. They started as a barbershop quartet, performing for locals whilst fundraising and eventually became one of the biggest bands ever, dominating the charts for weeks on end and earning the hearts of girls all over the world. In 2022 their story has been brought to stage in a production written by Jay Osmond himself.
The autobiographical tale begins with the boys-Donny (Joseph Peacock), Jay (Alex Lodge), Merrill (Ryan Anderson), Alan (Jamie Chatterton) and Wayne (Danny Nattrass)- growing up and starting their professional career on the Andy Williams (performed excellently by Alex Cardall) show right until their world domination and consequent fiftieth anniversary reunion. The musical looks at some of the mental challenges the group faced throughout their lives but is mostly a celebration of the music and the fans who loved (and still love) it.
Throughout the show, the audience are introduced to a fan from Manchester called Wendy through the letters which she writes to Jay. This cleverly captures how much celebrities can mean to people, specifically the impact and support The Osmond family unit provided to many. It also acknowledges how the fans and those who showed up for the band helped them get to, and stay at the top of the charts.
The whole cast give excellent performances, with the main Osmonds giving solid vocal and acting portrayals which shine on stage. Georgia Lennon is especially brilliant as Marie Osmond and Charlie Allen and Nicola Bryan give strong performances as the Osmond parents. The young cast portray the boys' desperation to obey and please their father extremely well and are incredibly talented.
As you would expect, it's the music which carries this show, with the big hits Puppy Love, Crazy Horses and Love Me For a Reason providing highlights. The megamix at the end also proved an audience favourite and had pretty much all of the New Victoria Theatre on their feet.
The music and story are clearly very important to a lot of people and obviously seemed to resonate with many of the audience members who are long time fans. However, for anyone new visiting the show, it doesn't quite draw you in and if you don't have the nostalgia for the songs, it is somewhat lacking. If the full house is anything to go by though, there's nothing wrong with that. It seems the musical doesn't need to welcome a new audience of fans but compared to other jukebox musicals, it doesn't do as strong a job of appealing to a wider audience.
That being said, it's certainly a nostalgia fest and a must see for OG Osmond's fans who will enjoy every musical minute.
The Osmonds, A New Musical is at the New Victoria Theatre until 5th March and then continues its tour.
photo credit: Pamela Raith
Sunday 20 February 2022
All Our Hidden Gifts by Caroline O'Donoghue Book Review
All Our Hidden Gifts by Caroline O'Donoghue
Published: 1st July 2021 by Walker Books
★★★★★
I read this gem of a YA debut release as part of the Tandem Collective read along for the release of this book and the second in the series All The Gifts That Bind Us and I'm so glad it pushed me to pick it up. It's such a well written book that's full of magic and coming of age discoveries.
Maeve Chambers doesn't have much going for her. Not only does she feel like the sole idiot in a family of geniuses, she managed to drive away her best friend Lily a year ago. But when she finds a pack of dusty old tarot cards at school, and begins to give scarily accurate readings to the girls in her class, she realises she's found her gift at last. Things are looking up – until she discovers a strange card in the deck that definitely shouldn't be there. And two days after she convinces her ex-best friend to have a reading, Lily disappears.
Can Maeve, her new friend Fiona and Lily's brother Roe find her? And will their special talents be enough to bring Lily back, before she's gone for good?
This book feels like it's come at a perfect time given how popular crystals and the magical arts are. With the resurgence showing all over social media and providing a focus and outlet for many young people. What lovely about this book is how author Caroline O'Donoghue writes about it really respectfully as well as bringing to light the history and importance of these traditions. I think it really shines a light on how helpful they can be for young people to feel strong and empowered.
Despite this being a story about magic, what really drew me into it was O'Donoghue's wonderful portrayal of teens, with Maeve, Fiona, Roe and Lily all feeling honest and alive. They not only have a great chemistry with one another but are so diverse in their passions and personalities, they feel truly representative of the world we live in today and the friendship groups which exist. Nothing about it feels like a box ticking exercise, it's natural and genuine. I also love that each character feels incredibly important. Although Maeve is technically the lead, all the characters are very well developed, with their issues and lives brought to the forefront for moments to really let them shine.
The narrative itself is engaging, with the mystery of Lily's disappearance and Maeve's discovery of her powers and the social issues addressed make it more than just a fluffy, quick read. It discusses Ireland's social history and raises important conversations such as LGBTQ+ rights, gender politics and ingrained familial pressures.
All Our Hidden Gifts is a brilliant YA novel that I'd highly recommend reading and am sure the rest of the series will be just a good.
{AD PR product- book gifted in exchange for honest review}
Monday 14 February 2022
Waitress (Tour), New Victoria Theatre | Review
Waitress (Tour)
New Victoria Theatre
Reviewed on Monday 14th February 2022
★★★★
The dish of the day at the New Victoria Theatre this Valentines day is Waitress the Musical which follows Jenna Hunterson (Chelsea Halfpenny) an aspiring baker who wants nothing more than to escape her life and unhappy marriage. With the help of her colleagues and new gynaecologist, her dreams start to become possible as she bakes herself a new life. It's a heartwarming tale of romantic and platonic love, that is a sweet treat indeed.
Based on the film of the same name written by Adrienne Shelly, the stage version adds the extra ingredient of Sara Bareilles' score. Memorable, folky songs are a joy to watch and feature a number of gorgeous motifs which appear throughout. There is a great mixture of humourous numbers, as well as more emotional, reflective ones. The book by Jessie Nelson is dotted with wit and whimsy but occasionally feels a little underdeveloped with some moral ambiguity that is never resolved.
As leading lady, Chelsea Halfpenny is an utter delight in the role of Jenna. Vocally she is faultless and gives a beautifully nuanced performance full of charm and warmth. Her comedic timing is wonderful and she also brings Jenna's vulnerable side to life truthfully.
As her friends, Becky and Dawn, Sandra Marvin and Evelyn Hoskins are marvellous. Evelyn is completely adorable as Dawn, bringing the house down with her laughs and her completely frenetic performance that oozes humour. As her partner in crime, Ogie, George Crawford is completely stellar. His comedy chops completely shine and are matched by his great vocals.
As Dr Pomatter, Jenna's gynaecologist and love interest, Nathanael Landskroner is brilliantly bumbling. His chemistry with Chelsea is glorious to watch and he also matches her perfectly in terms of vocals and they really complement one another. The ensemble also work together like a well-oiled machine.
Just like the ensemble, Scott Pask's set and Lorin Latarro's fine-tuned choreography work seamlessly together. They are not only incredibly in sync with the whole show but are also greatly reflective of the story and emotions; with the set literally coming to life and expanding as Jenna finds herself.
Waitress is an intimate show which transfers wonderfully for touring venues. Despite its faults, it's almost baked to perfection. Excellent performances and major whimsy make it a stagey slice of sweetness that's well worth seeing.
Waitress plays at the New Victoria Theatre until 19th February 2022 and then continues its tour
photo credit: Johan Persson
Friday 11 February 2022
Instructions For a Teenage Armageddon, Southwark Playhouse | Review
Instructions For a Teenage Armageddon
Southwark Playhouse
Reviewed on Thursday 10th February 2022
★★★★
Currently playing in The Little at the Southwark Playhouse, Instructions For a Teenage Armageddon is a solo show performed expertly by Rosie Day who also wrote the script (and the book on which it's based). With direction by Georgie Staight, it's an incredibly well written and performed social satire which broaches and discusses some incredibly emotional topics.
At 75 minutes long it's quite impressive how much Day is able to fit into this painful coming-of-age story and it really is an intense rollercoaster. The show is a series of monologues from a witty, introspective teenager who is trying to cope with the death of her sister as well as teen betrayal, manipulation, isolation and trauma. What is a very deeply dark show is made lighter by looking at it all through the main characters eyes as she frames each section with gaining a new scout badge.
The entire show uses quick, clever prose and black humour which consistently walks the line of being too much, but always adds to the story and characterisation of the leading lady. What's particularly striking about the show is that you're seeing real trauma of a child brought to life; and aside from the more intense topics broached, many aspects are, unfortunately, hugely relatable for girls and women everywhere. The idea of altering who you are to fit in to societal norms and hiding pain behind humour is something many people grow up doing, and the pressures on girls to look and act a certain way never seems to change no matter how many developments are made. At the end of the day Instructions For a Teenage Armageddon acts as a fable or a cautionary tale on why we need to support one another and have open and honest conversations about mental health amongst other things.
Instructions For a Teenage Armageddon is incredibly engaging throughout, with Rosie Day bringing every story to life brilliantly and giving an outstanding performance. The use of projections also adds another element and make it feel more well rounded. Isabella Pappas' on screen performance is particularly memorable. This is an extremely timely, intense show that is expertly performed.
photo credit: Mark Senior
Thursday 10 February 2022
Blood Brothers (Tour), New Wimbledon Theatre | Review
Blood Brothers (Tour)
New Wimbledon Theatre
Reviewed on Wednesday 9th February 2022
★★★★
Willy Russell's award winning musical Blood Brothers has been wowing audiences around the world for forty years and is also one of the few shows to have run for over 10,000 performances in the West End. It's a regular feature of the theatre touring circuit and 2022 is no exception as it once again hosts Bill Kenwright's brilliant production.
The emotive and dramatic show tells the story of Mrs Johnstone, a single mother in Liverpool who is bringing up a large family alone and has just found out she'll have more mouths to feed as she's expecting twins. She really can't afford this, so in a snap decision she gives away one son to a wealthy lady who cannot have children of her own. They make a deal that the brothers will never know of one another and won't be part of each others lives. But when the two boys meet accidentally aged seven, they form an instant connection becoming 'Blood Brothers'. The story follows them across the years as we see how economic background and nature vs nurture affects the pair; and how it leads to their eventual tragic demise which opens the show.
I think what makes this such an enduring show is a mixture of both its observations on human nature/privilege and the way it swings effortlessly from comedy to tragedy and takes you along on the journey so well. At times it can be melodramatic but it's balanced so well with deep genuine pain that you can see past it.
The show's cast are exceptional, with the core performers showing depth and growth and the rest of the cast nimbly juggling a variety of roles and supporting the action brilliantly. As the son Mrs Johnstone keeps, Sean Jones is outstanding as Mickey. His character development is masterful as he goes from a cheeky seven year old, to a teen learning to love (and dance), all the way to an adult struggling with addiction. Every second is believable and engaging and he's just fantastic. As the other brother, Eddie, Joel Benedict is charming and sweet. His character isn't as multi-layered as Mickey but he does a great job with what he's given and the pair bounce off of one another like real childhood friends. Carly Burns also gives a touching performance as the final addition to the friendship trio. Her portrayal as Linda is nicely nuanced and it's heartbreaking to see her role in the tragedy.
As Mrs Johnstone, the boys' birth mother, Niki Evans is unparalleled. Her portrayal is the definition of honest and the vocals which accompany it are magnificent. Her acting is incredibly natural and you don't doubt for a second that she's really experiencing the highs and extreme lows of her life. Niki's performance of Tell Me It's Not True is astoundingly moving and has the audience raring to give their final standing ovation.
The show is dated in parts but it kind of adds to the charm and history of it all. It's an exhausting journey of a musical but well worth a watch. Pack some tissues and get yourself along to your local theatre to witness the magic and misery that is Blood Brothers.
Blood Brothers plays at the New Wimbledon Theatre until 12th February 2022 and then continues its tour
Wednesday 9 February 2022
Dirty Dancing, Dominion Theatre | Review
Dirty Dancing
Dominion Theatre
Reviewed on Tuesday 8th February 2022
★★★½
Dirty Dancing is one of the cult classic films that's beloved by many generations and continually stands the test of time, so a stage version has a built in audience. The show is a faithful adaptation of the film, following the story of 'Baby' Houseman as she spends a family holiday discovering love, relationships, sex and inequality.
There's also a number of subplots including an illegal abortion and the civil rights movement which doesn't quite land and feels somewhat shoehorned in but is a nice attempt at making an otherwise surface level show have some depth. Parts of the plot are lacklustre but overall it's a fun revival that doesn't take itself too seriously.
Filling Patrick Swayze's shoes as leading man Johnny Castle is definitely a tough job but Michael O'Reilly does so excellently and has the audience in the palm of his hand from the moment he enters in a Disney prince fashion. His dancing is skilful and he uses the minimal dialogue to command the stage and draw attention throughout, as well as showing a more vulnerable side to the character in the second act.
Kira Malou is wonderful as Baby, showcasing her character growth and dancing ability brilliantly. As a character Baby can be annoying at moments but Kira does a great job of making her seem real and brings her concerns and values to life in a way that feels genuine without being over the top or too whiney.
As her sister Lisa, Lizzie Ottley is delightful, bringing her comedic timing to the role and being a step behind just at the right time. Carlie Milner is a complete stand out as Penny, providing energy, legginess and such precision in her dancing, she's an absolute dream to watch and also gives a touching acting performance.
Aside from the dancing this is really a show about the music, which is so iconic. Whilst all the classic tunes are included in the show, I do wish there was more singing as opposed to some of the instrumental or extremely brief moments of song. Some vocal treats however, are provided by Mimi Rodrigues Alves who is fab. Additionally the Kellerman's band are first-rate as they become part of the on stage action.
Despite its shortcomings, Dirty Dancing is a lovely, feel-good tribute to the film. There's iconic moments aplenty, sleek lifts, sweet romance, a big dose of nostalgia and all in all it's a lot of fun. Did I have the time of my life? Not quite. But was it an enjoyable, carefree night out at the theatre? Absolutely!
Dirty Dancing plays at the Dominion Theatre until 16th April 2022
photo credit: Mark Senior
Friday 21 January 2022
Moulin Rouge! the Musical, Piccadilly Theatre | Review
Moulin Rouge!
Piccadilly Theatre
Reviewed on Thursday 20th January 2022
★★★
The West End premiere of Baz Luhrmann's 2001 musical Moulin Rouge has been a long-awaited adaptation. After a number of delays it has finally opened and is certainly a spectacle to behold. There's razzle-dazzle, glitz and glam and hugely sumptuous chorus numbers, but often it's a case of style over substance, with some moments falling flat.
There is a lot to love with the production; the energy is next level throughout, the variety of performers is wonderful to see and the classic songs from the movies are excellent. Unfortunately, a lot of the new musical additions feel chaotic and detract from the action. Some additions work well such as the updated Elephant Love Medley which combines the old and new incredibly deftly and is joyous as it's performed amongst a starlit backdrop. Adele's Rolling in the Deep combined with Gnarls Barkley's Crazy also sums up the angst and anger in act 2 well and is one of the strongest performances of the show. Many of the other songs are jarring and actually drag us out of the story, making the show feel more like a cabaret presentation or pantomime.
As a visual piece of art, this musical truly is like no other. Derek McLane's set is utterly jaw-dropping from the moment you enter the auditorium. Luscious velvet and fabric drapes the walls and the ceiling, a life size elephant watches over the auditorium and the swirling windmill of the Moulin Rouge gets the motion going from the start. Glitter and pyrotechnics are also a mile a minute and Catherine Zuber's costumes are a show in themselves.
The cast mostly do a great job at bringing the iconic cabaret to life. Liisi LaFontaine is beautiful as Satine, especially when she can really let her vocals soar in solo moments. As the young composer Christian, Jamie Bogyo is suitably awkward and charming but occasionally feels like he's holding back vocally. The pair are sweet, but there's something lacking in the chemistry and both characters feels quite underdeveloped. Instead of showing any real emotion, they're used for humour and it's not until the end that we get to see them make any decisions themselves. The only character who really gets to show his emotion is Tolulouse-Lautrec played expertly by Jason Pennycook.
It's in the large group numbers that the musical really excels and gets the audience invested. Sonya Tayeh's choreography is spirited and enticing, especially so in the Tango Roxanne, where Sophie Carmen-Jones and Elia Lo Tauro command the stage and give outstanding performances. The opening Lady Marmalade number and the closing mega-mix of all the best parts are also stunning showcases for the ensemble who lift the whole show up. The can-can is also particularly impressive and enjoyable to watch.
Whilst the show is lacking in places, it's certainly a spectacle and if you want to be immersed into a wild world then Moulin Rouge is certainly worth a visit.
photo credit: Matt Crockett
Thursday 11 November 2021
Six the Musical, Vaudeville Theatre | Review
Six The Musical
Vaudeville Theatre
Reviewed on Wednesday 10th November 2021 by Olivia Mitchell
★★★★★
Since opening in 2017 Six the Musical has taken the world by storm, with productions running in the West End, Australia and Broadway, as well as on tour and cruise ships. Laden with awards, critical, and audience praise, it's a history lesson you'll want to revisit time and time again.
In Six the wives of Henry VIII come back to life and remix five hundred years of trauma, grief, drama and exploits to decide who will get to lead their girl-power band. A series of stylistically varied songs chronicle their lives and how they got their place in the classic rhyme: Divorced, Beheaded, Died, Divorced, Beheaded, Survived. It's an 80 minute treat that flies by in a whizz of comedy, vocal excellence, spangly costumes and heart.
The incredible women who make up the cast (at this performance: Jarnéia Richard-Noel, Courtney Bowman, Collette Guitart, Cherelle Jay, Sophie Isaacs and Hana Stewart) give first class solo performances, whilst also bouncing off of one another perfectly. The chemistry and camaraderie on stage is a joy to watch and alongside the stellar audience reaction, makes you really feel part of the girl power rewrite. From the opening beats the energy in Six's new home, the Vaudeville theatre, is completely frenetic and doesn't slow until you're brought back to the real world when you step onto the Strand.
Gabriella Slade's bedazzled costumes are the perfect combo of modern sass, mixed with historical elements. With Tim Deiling's fantastically precise and impactful lighting the women sparkle like royal disco balls and the whole production is an explosion of brilliance. Like the whole show, Emma Bailey's set has had a slight upgrade and continues to perfectly frame the Tudor tale. Toby Marlow and Lucy Moss' score continues to hit however many times you hear it and since last seeing the show, the small tweaks and tucks have made the whole thing tighter and chicer than ever before.
With huge energy, this royal riot is everything you could wish for and Six the Musical is sure to continue it's reign long into the future. Move aside Henry, it's these Queens we want to remember!
photo credit: Pamela Raith
Wednesday 3 November 2021
Heathers The Musical (UK Tour), New Wimbledon Theatre | Review
Heathers The Musical (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 2nd November 2021 by Olivia Mitchell
★★★★
Westerberg High School is back open and this time it's touring the UK, currently playing at the New Wimbledon Theatre. The show's popularity is evident from acclaimed Off-West End and West End runs in 2018, followed by another West End engagement this summer and a newly announced run at The Other Palace. The touring production embodies the same energy and will continue to provide Big Fun until the end of the year.
What works so well about this musical is that it doesn't take itself too seriously; the whole thing is melodramatic and larger than life, focussing on high school stereotypes that are highly stylised and humourous. Alongside this, Heathers does focus on some extremely dark issues such as suicide, sexual assault and bullying, and it does so pretty well, although at times it feels somewhat sloppily handled and it would be great if there were some sort of trigger warnings before the show or placed around the theatre to prepare people for some jarring moments.
However, Andy Fickman does a great job at directing this fast-paced black comedy, which alongside Kevin Murphy and Laurence O’Keefe’s book, music and lyrics provides an energetic and enjoyable night out. Ben Cracknell's lighting does an excellent job of packing the stage with colour and cleverly draws your eye to crucial moments as well as literally highlighting the Heathers in their signature colours and often bathing JD in a cool, eerie shade. David Shields' design effectively transfers us to each plot setting, whilst maintaining the school vibes which course throughout; and the split levels utilise the space as well as working to emphasise the hierarchies of the characters.
Phil Cornwell leads the band to bring the rock soundtrack to life vigorously, Dan Samson's sound design really shines and Gary Lloyd's choreography ties it all together, with some excellent work by the mile a minute ensemble.
As our protagonist Veronica Sawyer, Rebecca Wickes is a powerhouse force. Her vocals are sensational and she maintains her energy and intelligence from start to finish. Barely leaving the stage Rebecca is a joy to watch as she brings a wide array of emotion and has a self-awareness that is magnetic. Simon Gordon as the brooding bad boy JD has equal pull as he sweeps Veronica and the audience up with his suave mystique, only to reveal his true self as the show moves on. Simon's voice is perfectly matched to the role and the pair work brilliantly together.
The three Heathers are played boldly by Maddison Firth (Chandler), Merryl Ansah (Duke), and Lizzy Parker (McNamara). Liam Doyle and Rory Phelan as Kurt and Ram give stand out performances and have a fantastically humourous chemistry with one another. As Martha Dunnstock, Mhairi Angus is heartwarming and vocally outstanding, providing a real starring moment and some calm in an otherwise crazy show.
Overall Heathers is a musical which clearly delights audiences and is top-notch for a modern musical. It ticks the boxes of humour, angst, drama and generally being over the top and is well worth visiting as it tours the country.
photo credit: Pamela Raith
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