Posts with the label plays
Showing posts with label plays. Show all posts
Showing posts with label plays. Show all posts
Wednesday, 16 October 2024
New Cast Joins Harry Potter and the Cursed Child at the Palace Theatre
The producers of Harry Potter and the Cursed Child- Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions—are thrilled to welcome a new cast that begins performances at the Palace Theatre this week. This acclaimed, multi-award-winning London production continues to enchant audiences, with bookings now open until 29 June 2025.
The new cast features Claire Lams as Ginny Potter, alongside David Ricardo-Pearce reprising his role as Harry Potter and Ellis Rae returning as their son Albus Potter. Eve de Leon Allen will make her debut as Rose Granger-Weasley, daughter of Ron Weasley and Hermione Granger, with Thomas Aldridge and Jade Ogugua continuing in their roles as Ron and Hermione, respectively. Steve John Shepherd remains as Draco Malfoy, joined by Harry Acklowe as his son Scorpius Malfoy.
In addition to the core cast, the ensemble includes Ishmail Aaron, David Annen, Nicole-Lily Baisden, Sabina Cameron, Rob Curtis, Zijuan Elsol, Gabriel Fleary, Rory Fraser, Tim Hibberd, Sally Jayne Hind, Max Hunter, Dewayne Jameson Adams, Emma Louise Jones, Julia Kass, Debra Lawrance, Tasha Lim, Matty Loane, Sophie Matthew, Jaden Oshenye, Helen Power, Jocelyn Prah, Conor Quinn, Ian Redford, Catherine Russell, Martin de los Santos, Adam Slynn, Benjamin Stratton, Alex Tomkins, Jake Tuesley, Sam Varley and Katie Wimpenny. Oliver Dawson, Layla Duke, Aubrey Hayes, Rhiannon Parry, Aljosa Radosavljevic, Sienna Sibley and Ethan Webster alternate two children’s roles.
Set 19 years after Harry, Ron, and Hermione’s legendary battle against dark forces, this new chapter invites audiences to join them on an extraordinary adventure with a brave new generation arriving at Hogwarts School of Witchcraft and Wizardry. Spectacular spells, a breathtaking race through time, and an epic showdown against mysterious forces await as the characters grapple with the weight of the future.
Tickets for Harry Potter and the Cursed Child are currently available, with prices starting at £15 per part. The regular performance schedule is Monday, Tuesday, and Thursday—no performance; Wednesday, Friday, and Saturday at 2 PM for Part One and 7 PM for Part Two; and Sunday at 1 PM for Part One and 6 PM for Part Two. Access performances are scheduled, including an Audio Described show on Saturday, 9 November 2024, and a Captioned Performance on Saturday, 16 November 2024, with more access performances planned for 2025.
Harry Potter and the Cursed Child is the first story from the Harry Potter universe to be adapted for the stage and serves as the eighth story in the series. Now in its ninth year at the Palace Theatre, the production has captivated over 1.7 million people in the West End and over 11 million globally, boasting an impressive collection of 60 major awards, including nine Laurence Olivier Awards and six Tony Awards for Best New Play. Currently, there are five productions running worldwide, including those in New York, Hamburg, and Tokyo. A North American tour began in September at Chicago’s James M. Nederlander Theatre and will move to Los Angeles’ Hollywood Pantages from February to June 2025, before continuing to Washington DC’s Broadway At The National starting on 8 July 2025.
Based on an original new story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is crafted into a play by Jack Thorne, directed by John Tiffany, featuring movement by Steven Hoggett, set design by Christine Jones, and an impressive array of creative talents including Imogen Heap, Neil Austin, and Jamie Harrison. Produced by Sonia Friedman Productions, Colin Callender, and Harry Potter Theatrical Productions, this magical experience continues to be a must-see event for fans of all ages.
photo credit: Manuel Harlan
Orange Tree Theatre Announces Exciting 2025 Season Featuring World Premieres and Classic Revivals
Orange Tree Theatre (OT) has announced its highly anticipated 2025 season, packed with a dynamic lineup of six new plays, including four world premieres, two rediscoveries, and a beloved classic comedy. Artistic Director Tom Littler and Executive Director Hanna Streeter have curated a season that blends cutting-edge new writing with timeless stories, exploring powerful themes such as war, power, privilege, and the human condition.
The season launches with Churchill in Moscow, an imagined meeting between Winston Churchill and Joseph Stalin in 1942, reuniting playwright Howard Brenton and Littler for their sixth collaboration. The production stars Roger Allam in the titular role and promises to be a standout event. Following this, the theatre will revive April De Angelis’ acclaimed Playhouse Creatures, starring Anna Chancellor and directed by Michael Oakley, before transferring to the Yvonne Arnaud Theatre and Theatre Royal Bath. Next, the London premiere of Mark Ravenhill’s Ben and Imo, produced in collaboration with the RSC and directed by Erica Whyman, will feature Samuel Barnett and Victoria Yeates reprising their original roles. The spring season concludes with a revival of Terence Rattigan’s In Praise of Love, directed by Amelia Sears.
The summer and autumn months promise even more excitement with Chiara Atik's Poor Clare, directed by Blanche McIntyre, and world premieres of two eagerly anticipated adaptations: Dance of Death, adapted and directed by Richard Eyre from the play by August Strindberg, and Hedda, a fresh take on Ibsen’s Hedda Gabler by Tanika Gupta. Tom Littler will also helm a special 250th-anniversary production of Richard Brinsley Sheridan’s classic comedy The Rivals. Additionally, the OT Young Company will present Alice in Wonderland, a new adaptation by Chinonyerem Odimba based on Lewis Carroll’s iconic novel.
As part of OT's ongoing commitment to engaging younger audiences, the theatre is launching OT Under 30 Nights, offering 18-29-year-olds the chance to see shows for just £15, complete with a post-show talk and a social event. The inaugural event will take place on 8 November, featuring the JMK Award-winning production Guards at the Taj. Cast members Usaamah Ibraheem Hussain and Maanuv Thiara will participate in the post-show panel, alongside creatives Roisin Jenner and Priya Virdee, with the discussion chaired by Kalungi Ssebandeke, the 2023 JMK award winner.
In addition to the main stage programming, the OT’s Community team will continue their work with young people, offering educational performances of Julius Caesar and Romeo & Juliet for primary and secondary school audiences, as well as participation in the National Theatre’s Connections festival for teenagers.
Priority booking for Churchill in Moscow, Playhouse Creatures, Ben and Imo, and In Praise of Love opens on 16 October, with general sales starting on 28 October. On-sale dates for the rest of the season will be announced soon.
Photo Credit: Rebecca Need Menear
Monday, 14 October 2024
Casting Complete for Craig Wright’s The Unseen at Riverside Studios
The highly anticipated London debut of Craig Wright’s gripping play, The Unseen, is set to premiere at Riverside Studios on November 15, 2024. Featuring a stellar cast, this intense drama explores themes of resilience, power, and survival under oppressive regimes.
The cast includes BAFTA Cymru Award-winner Richard Harrington (Fisherman’s Friends: One and All, Home I’m Darling) as Wallace, Waj Ali (Carnival Row, King Lear) as Valdez, and Ross Tomlinson (Allelujah, This Is Going to Hurt) as Smash, a conflicted prison guard. Directed by Iya Patarkatsishvili, with set and costume design by Simon Kenny, The Unseen promises to captivate London audiences.
First performed in 2007 at the Humana Festival, The Unseen focuses on two prisoners, Wallace and Valdez, who, trapped in a brutal totalitarian regime, communicate through the walls of their cells. Amidst cycles of hope and despair, they forge a bond and create personal philosophies to make sense of their confinement. Meanwhile, their torturer, Smash, wrestles with his conscience, setting the stage for an explosive conclusion.
The Unseen has lighting by Anna Watson and sound by Mike Walker. Danny Short serves as composer and executive producer alongside Peter Huntley and Callum Runciman for Smart Entertainment.
Post-Performance Discussions & Special Exhibition
Audiences will also have the chance to attend a series of post-performance discussions, featuring expert guest speakers on human rights and the play’s themes, supported by the Russian Democratic Society. Additionally, the UK premiere of Faces of Russian Resistance will be hosted at Riverside Studios, showcasing an international exhibition highlighting Russian citizens who have opposed the Putin regime and paid the price with their freedom.
Don’t miss this thought-provoking exploration of the human spirit, running from November 15, 2024, at Riverside Studios.
Wednesday, 9 October 2024
David Tennant and Cush Jumbo’s Macbeth to be Released in Cinemas
Trafalgar Releasing, in collaboration with the Donmar Warehouse, has announced the cinema release of Macbeth, starring David Tennant and Cush Jumbo. This sold-out production, currently playing in London's West End, will be screened in cinemas across the UK, US, Australia, and select international locations starting February 5, 2025. Directed by Max Webster, this critically acclaimed performance was filmed live at the Donmar Warehouse.
Tickets for the cinema release go on sale October 16 at MacbethDonmarCinema.com.
Tim Sheader, Artistic Director of the Donmar, and Executive Director Henny Finch expressed excitement over the production's expanded reach, saying, “We are thrilled that this innovative staging of Macbeth will reach even more audiences beyond its original run. It’s exciting to think that thousands of viewers globally will get to experience this unique, immersive production in cinemas.”
Trafalgar Releasing’s CEO, Marc Allenby, highlighted the continued success of theatre in cinemas, remarking that, “Theatre remains a key driver of cinema box office, and working with the Donmar to bring Macbeth to global audiences further broadens our cultural content portfolio.”
The production, with David Tennant (Doctor Who, Broadchurch) as Macbeth and Cush Jumbo (The Good Wife, Criminal Record) as Lady Macbeth, has garnered rave reviews. The Daily Telegraph called it "enthralling," while The Guardian praised its "wolfish imagination and alarming surprise." The live cinema screening will capture the intense and brutal pace of this tragic tale of ambition, power, and fate, enhanced by immersive 5.1 surround sound.
The production also features Moyo Akandé as Ross, Cal MacAninch as Banquo, and Rona Morison as Lady Macduff, along with a host of seasoned performers, many with extensive theatre, television, and film credits.
The Donmar Warehouse, renowned for its intimate staging and groundbreaking productions, has teamed up once again with Trafalgar Releasing to bring theatre to a global audience. The company has previously collaborated with Trafalgar on successful cinema releases, and Macbeth promises to be no exception.
For more information and tickets, visit MacbethDonmarCinema.com.
Monday, 7 October 2024
Ncuti Gatwa and Sharon D. Clarke Lead The Importance of Being Earnest at the National Theatre
The National Theatre has announced the complete cast for its highly anticipated revival of Oscar Wilde’s classic comedy, The Importance of Being Earnest. Directed by Max Webster, this production marks his debut at the National Theatre and is set to run at the Lyttelton Theatre from November 20, 2024, to January 25, 2025.
The stellar cast features Sharon D Clarke as the formidable Lady Bracknell, Ncuti Gatwa as the charming Algernon Moncrieff, and Hugh Skinner as the earnest Jack Worthing. Ronkẹ Adékọluẹ́jọ́ will portray Gwendolen Fairfax, while Eliza Scanlen takes on the role of Cecily Cardew. The cast is rounded out by Richard Cant as Reverend Canon Chasuble, Amanda Lawrence as Miss Prism, and Julian Bleach as Merriman/Lane.
Joining this impressive lineup are ensemble members Shereener Browne (The Effect), Jasmine Kerr (Follies), Gillian McCafferty (The Rise and Fall of Little Voice), Elliot Pritchard (Museum of Austerity), and John Vernon (Coriolanus).
This production will also be filmed live for a worldwide cinema release starting February 20, 2025. The creative team behind this revival includes set and costume designer Rae Smith, lighting designer Jon Clark, and sound designer Nicola T. Chang. Other members of the creative team include movement director Carrie-Anne Ingrouille, composer DJ Walde, and intimacy coordinator Ingrid Mackinnon.
Audiences can expect a fresh interpretation of Wilde’s sharp wit and social commentary, delivered by a dynamic cast. This revival is poised to bring new life to a classic that continues to resonate with contemporary themes of identity and societal expectations.
Wednesday, 10 April 2024
2:22 A Ghost Story on Tour REVIEW: A Spooky Night Out
2:22 A Ghost Story (Tour)
New Victoria Theatre
Since premiering in the West End and playing at a number of theatres, 2:22 A Ghost Story has established itself as a must-see spooky night out. It's a production that promises to thrill and entertain audiences, and definitely does just that.
Drawing from the personal experiences of playwright Danny Robbins, this haunting journey into the supernatural explores themes of love, loss, and enduring connections. The storyline is skilfully crafted, keeping viewers on the edge of their seats while infusing humour that enhances the realism. However, amidst the solid pacing and unexpected twists, the abundance of overacting in this touring version detracts from the authenticity, making it challenging to fully engage with the narrative.
Set against the backdrop of a dinner party with minimal set changes, the focus remains on the characters so there's a lot riding on them. This cast, made up of Vera Chok, Jay McGuiness, George Rainsford and Fiona Wade, mostly succeed in creating a believable atmosphere, capturing the essence of a boozy evening, however at times, it really feels like you can see some of the performers acting and the line delivery is too over the top to be realistic. When I last saw the show, it almost felt as if you were a fly on the wall during the haunted dinner party, but this time everything is a bit more forced and over performed. The dynamics between the characters are there and you can understand the boiling pot of traumas and emotions that are sewn throughout, but they're not as impactful as when the play is performed with more nuance.
Additionally, while the sound effects aim to heighten the tension, they often feel conspicuous and unnecessary, failing to enhance the overall atmosphere. However, beyond these surface-level thrills, 2:22 A Ghost Story delves into social and economic issues, as well as the dichotomy between belief and science. This commentary adds depth to the production, and helps to create a genuinely good play.
Anna Fleischle's set design allows for spooky moments while maintaining the mundane setting of a family home. The attention to detail, combined with Lucy Carter's atmospheric lighting, provides a perfect backdrop for this ghostly tale.
2:22 A Ghost Story is definitely worth seeing. Despite its flaws, including excessive theatrics and unnecessary jump scares, the play offers moments of genuine suspense and an interesting array commentary.
★★★
Reviewed on Tuesday 9th April 2024 by Olivia
{AD PR Invite- tickets gifted in exchange for honest review}
Sunday, 17 March 2024
Instructions for a Teenage Armageddon at the Garrick Theatre REVIEW: Charithra Chandran makes a moving stage debut
Instructions for a Teenage Armageddon
Garrick Theatre
In a transfer from the Southwark Playhouse to to the Garrick Theatre, Instructions For a Teenage Armageddon sees Charithra Chandran making her stage debut after her notable appearance on screen in Bridgerton.
Written by Rosie Day (who previously starred as Girl), Teenage Armageddon revolves around a witty, introspective teenager coping with the loss of her sister amidst the tumult of teenage betrayal, manipulation, and trauma. Despite the dark undertones, Day lightens the mood by framing each section with the protagonist's quest for new scout badges. The story is moving, if at times predictable and is a good way of supporting teens and putting them at the forefront of a story.
In this 75-minute journey directed by Georgie Staight, Chandran deftly navigates through a poignant social satire, tackling a myriad of emotional themes. Her characterisation is good, breathing life into a variety of personas throughout the performance. While her comedic and emotional timing may not always deliver the biggest punch, Chandran's portrayal remains commendable, particularly given the emotional depths demanded by the role; and it's highly impressive that her first foray into theatre is with a one-girl-show.
Having seen the show in its previous iteration I knew what to expect but this version certainly felt different. Mainly in terms of staging, the show has moved away from the campfire setting as it's main framework and instead the action physically takes place in a muted bedroom which doubles as all the other locations. Video projections by Dan Light add depth and interest, especially with the extra on screen characters played by Shelley Conn (Mum), Philip Glenister (Dad) and Isabella Pappas (Ella). At times the show does feel a little too staged and as though its lost some of the real childishness which was so charming during its last run, however it retains it's heart and sincerity which really make it sparkle.
The show is adorned with quick, clever prose and such dark humour, you never quite feel certain you should be laughing as loudly as you are. The play is a poignant exploration of real childhood trauma, with relatable themes that will certainly resonate with audiences, particularly girls and women navigating societal pressures and concealing pain behind humour.
Instructions For a Teenage Armageddon serves as a cautionary tale, urging for open conversations about mental health and the importance of supporting one another. Chandran's performance is really admirable and the show's West End transfer is a testament to Rosie Day's brilliant writing.
★★★★
Reviewed on Sunday 17th March 2024 by Olivia
Photo Credit: Danny Kaan
{AD PR Invite- tickets gifted in exchange for honest review}
Thursday, 8 February 2024
War House to Embark on New UK Tour
The acclaimed War Horse production, adapted from Michael Morpurgo's beloved novel and originally directed by Marianne Elliott and Tom Morris, is set to embark on an extensive 18-month UK Tour starting from September 5, 2024, and continuing until 2026.
Opening at the New Wimbledon Theatre from September 5 to 14, the tour will then move to various venues including The Lowry in Salford (September 18 to 28), Mayflower Theatre in Southampton (October 8 to 19), The Marlowe in Canterbury (October 22 to November 2), Sunderland Empire (November 5 to 16), Theatre Royal Plymouth (November 26 to December 7), and New Theatre Oxford (December 10, 2024, to January 4, 2025), with additional dates and locations to be announced.
Led by Tom Morris and revival director Katie Henry, with redesigned sets by Rae Smith and additional music by Adrian Sutton, the production features puppetry by Basil Jones and Adrian Kohler, lighting design by Rob Casey, and movement choreography by Toby Sedgwick. Animation and projection design are by Nicol Scott, while John Tams provides musical contributions and Christopher Shutt manages sound design. Casting details are yet to be announced.
Having premiered at the National Theatre in 2007, War Horse has since captivated audiences worldwide, with productions spanning across continents. For more information and ticket bookings, visit WarHorseOnStage.com. The tour will also include visits to Theatre Nation Partner venues, such as The Lowry in Salford and Sunderland Empire, with assisted performances available throughout the run at each venue.
Tuesday, 6 February 2024
Tom Holland to Play Romeo in Jamie Lloyd's Romeo and Juliet
The Jamie Lloyd Company today announces its new West End production of Shakespeare’s Romeo & Juliet, starring Tom Holland as Romeo, and directed by Jamie Lloyd. Romeo & Juliet runs at the Duke of York’s Theatre, Saturday 11 May – Saturday 3 August 2024.
Further casting to be announced. Tickets go on sale to those signed up for priority booking and ATG+ members on Tuesday 13 February at 8am; general booking opens on Tuesday 13 February at 12pm.
Sign up for priority booking here: www.romeoandjulietLDN.com
The Jamie Lloyd Company also continues its commitment to accessibility, offering 10,000 tickets priced at £25 and under, with 5,000 of these exclusively for under 30s, key workers and those receiving government benefits. Further information to be announced.
Jamie Lloyd said today:
“Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End.”
Text edited by Nima Taleghani; Set and Costume Design: Soutra Gilmour; Lighting Design: Jon Clark; Sound Design; Ben and Max Ringham; Video Design and Cinematography: Nathan Amzi and Joe Ransom; Composer: Michael 'Mikey J’ Asante; Casting Director: Stuart Burt CDG; Movement Directors: Sarah Golding & Yukiko Masui (SAY); Intimacy Coordinator: Ingrid Mackinnon; Associate Director: Jonathan Glew; Associate Designer: Rachel Wingate
Violent delights have violent ends.
Violent delights have violent ends.
Photo Credit: Isaac Anthony / AUGUST
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