Posts with the label play
Showing posts with label play. Show all posts
Showing posts with label play. Show all posts
Thursday 26 January 2023
The Ocean at the End of the Lane (Tour), New Victoria Theatre | Review
New Victoria Theatre
Reviewed on Wednesday 25th January 2023 by Olivia Mitchell
★★★★★
One of the most moving and stunning pieces of theatre, The Ocean at the End of the Lane is currently making its way around the UK on a tour that is truly a must see. Based on Neil Gaiman's book with the same name, the play is a complex story which deals with the concept of memories and how we carry them with us, as well as forgetting them. A visual and emotional masterpiece, it's an intriguing tale which has many magical realism elements that are transferred to stage so well by Joel Harwood's adaptation and Katy Rudd's expert direction.
The show was originally staged at the National Theatre and many of their trademark features and overall aesthetic are completely woven through. From the start you are immersed in a world which is dark but enticing. Fly Davis' stunning set really embodies those childhood memories of imagining what spookiness lies just out of sight. A minimalistic moss covered design provides the backdrop for some moments of pure magic, where chiffon becomes an ocean and clever stagecraft movement (Steven Hoggett) is transformed into out of this world beings. There's also great contrast between the father's home which never truly feels complete since his wife passed and the nightmare world which is dark and loud.
The fantastical elements of the show feel strangely natural while still being awe-inspiring. Jamie Harrison's illusions are so well pulled off and are authentically magical and the balance of magic and genuine heartfelt moments is perfect.
Perpetually moving, the play perfectly captures grief and the painful fear that your lost loved one is being replaced and erased. These emotions are intensely portrayed not only through the action on stage, but via Jherek Bischoff's imposing and enchanting music which is utterly cinematic and combined with Ian Dickinson's sound design- so powerful. Alongside Paule Constable's lighting design, the whole thing is a masterclass is storytelling and theatricality.
As well as all of this, the cast of outstanding performers imbue every moment with sincerity and vulnerability. Keir Ogilvy really taps into the innocence of childhood whilst bringing to life the Boy who is struggling with the pain of losing his mother. As his Sis Laurie Ogden is fantastic at portraying her need to be loved and noticed through her's, and her families pain. Charlie Brooks fulfils that need as the chilling, omnipresent Ursula who is really what nightmares are made of. Trevor Fox as Dad has some really emotionally challenging scenes which are brought to life incredibly well. Finty Williams, Millie Hikasa and Kemi-Bo Jacobs have excellent chemistry as the Hempstock trio, and individually give wonderfully strong performances as well as coming together to provide some humourous moments. The rest of the ensemble work as one entity to bring the whole world to life with complete fluidity and power.
A spectacle of a show in the most quiet and beautiful way, The Ocean at the End of the Lane embodies everything that makes theatre so magical and is moving in all the best ways.
{AD PR Invite- tickets gifted in exchange for honest review}
Monday 5 December 2022
Orlando, Garrick Theatre | Review
Orlando
Garrick Theatre
Reviewed on Monday 5th December 2022
★★★★
Thought to be inspired by Virginia Woolf's romance with Vita Sackville-West, Orlando depicts a boisterous protagonist whose journey spans five centuries and two genders. Its awareness of gender politics and expectations as well as the way is defies them is really something special, and it's astounding that Woolf wrote such a groundbreaking piece of work in 1928 and that it remains so relevant now.
Tilda Swinton famously took on the role in the 1992 film adaptation but it's the superb Emma Corrin who plays the title character in Neil Bartlett's production. As a non-binary performer, Corrin feels like the perfect fit for this gender fluid role and they do an outstanding job of bringing Orlando to life with wit and momentum. At 90 minutes, it's impressive how much range Corrin is able to show and as a whole, the production manages to really pack a punch.
Michael Grandage's intelligent direction gives the show a real buoyancy. The ensemble help to create the story as it goes and the narration is spread around to give a continual movement. This adaptation also sees Corrin's Orlando assisted by Deborah Findlay's Mrs Grimsditch who maintains the pace whilst adding comical insights on the predicaments faced throughout. Much of the script is mischievous and sharp, and there are also some really brilliant homages to other literary and theatrical moments, including a particularly witty nod to Cabaret. Despite not being full of content, Bartlett's adaptation does a good job of keeping the audience engaged and showcasing what's there to its fullest extent. The overall idea of personal identity and growth is key throughout.
Peter McKintosh's set design is superbly effective in demonstrating the various eras of Orlando's life, without being at all over the top or gimmicky. The use of banners, beds and boats is extremely well done and cleverly combined lighting choices (Howard Hudson) and projections not only help emphasise the plot and script, but also add an almost fairy-tale like feel to the whole piece.
That line between childlike dreams and theatrical astonishment is truly the heart of this play and it allows the audience to ponder some pretty deep topics, whilst also feeling swept along in the magic and mystery of it all. It may not be quite as groundbreaking as in 1928 but this is definitely a show that's been revived at the right time, with a stellar cast to boot!
photo credit: Marc Brenner
Tuesday 16 August 2022
The Woman in Black Celebrates 13,000 Performances at The Fortune Theatre
PW Productions were delighted to celebrate 13,000 performances of Susan Hill’s The Woman in Black at The Fortune Theatre on 13 August 2022. To celebrate this milestone performance, a strictly limited number of £13 tickets are available for select performances until 27 August.
The Woman in Black stars Julian Forsyth as Arthur Kipps and Matthew Spencer The Actor.
Due to the show’s enduring popularity with young people, the Producers are pleased to offer a free ticket to those aged 18 and under to see the West End production, alongside a full paying adult.
In June 2019 The Woman in Black celebrated its 30th Anniversary in London’s West End with a special gala performance.
Stephen Mallatratt’s adaptation of Susan Hill’s best-selling novel tells the story of a lawyer obsessed with a curse that he believes has been cast over his family by the spectre of a Woman in Black. He engages a young actor to help him tell his story and exorcise the fear that grips his soul. It begins innocently enough, but as they delve further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds. The borders between make-believe and reality begin to blur and the flesh begins creep.
The Woman in Black is directed by Robin Herford, with designs by Michael Holt and lighting by Kevin Sleep.
Saturday 14 May 2022
Prima Facie, Harold Pinter Theatre | Review
Prima Facie
Harold Pinter Theatre
Reviewed on Friday 13th May 2022 by Olivia Mitchell
★★★★★
Anyone who's seen Jodie Comer in her multifaceted performance in Killing Eve understands why she is such a well loved and in demand actor. In her one-woman West End debut in Prima Facie, Comer lives up to every expectation and delivers a performance that astounds and stays with you long after the curtain comes down.
What's so impressive with Comer is not only how she brings interesting and enticing vocal intonations to the script, but how she physically embodies every moment. The high-voltage emotions which run through the piece are literally carried by Comer and she imbues every moment with intensity and expressiveness. You can just tell how much work has gone into crafting such an intelligent and wonderful portrayal, even from small details such as becoming slightly posher when she's presenting in court compared to talking to her mother. Comer never flags for a second of the 95 minute show and whether she's shattering you with heart-breaking moments, or having you laugh out loud with her witty performance, she has you wrapped around her finger in a phenomenal way.
Of course this performance wouldn't exist without Suzie Miller's script which is so expertly crafted and focusses on the heartbreaking realities of sexual assault and how difficult it is for women to get closure via successful prosecutions in a court which is based on archaic rules written by men and does very little to support or empathise with victims.
Comer's character Tessa is a barrister who rose from being the underdog at university to being one of the top defence lawyers for men accused of sexual assault. The play opens with her revelling at being great in court and later on contrasts this by showing flashbacks to her younger self full of doubt as to whether she could succeed when surrounded by all the private school classmates who she cannot relate to. Her excitement and razor sharp cross examination skills show how she can sew the seed of doubt that the victim may have in fact given consent and that the man was doing what he believed she wanted. The way she talks about it almost gets you on her side until she herself is raped by a colleague and realises how messed up the whole system and court process is.
Natasha Chiver's lighting design and Justin Martin's direction really hammer this message home, with folders creating a blank canvas for the action but also becoming part of the story at times. Gradual lighting changes bring further gravitas to the mood changes and the clever closing monologue which breaks the fourth wall is so well done. As a whole this production is a sleek treat which discusses a dark matter but has you feeling uplifted by the talent and skill displayed on stage and behind the scenes.
In a stunningly moving performance, Jodie Comer shows her emotional range and magnetic stage presence which makes her the wondrous performer she is and makes this an unmissable piece of theatre. Beg, borrow, or steal a ticket if you can find one, or book to see Prime Facie in cinemas!
Thursday 17 March 2022
One Woman Show 'Pickle' to Open at London's Park Theatre
Audiences can expect bagels, self-deprecation and a large dose of Jewish guilt.
Here’s the shtick: Pickle is a darkly comic one-woman show about a Jewish woman caught between two conflicting worlds.
As part of the ‘Come What May’ festival, this new one-woman, 60-minute play written and performed by Deli Segal (Ali & Dahlia, Pleasance Theatre), produced by Tanya Truman and directed by Kayla Feldman, will open at the Park Theatre on Monday 2nd May 2022.
Pickle brings a band of Jewish women together as an authentic creative team to explore what it means to be a young Jewish woman in London today.
It tells the story of Ari: Jewish, still living at home with her parents in North-West London and struggling through life in a secular world. But can she get the voice of Jewish guilt out of her head?
Deli Segal, writer and star of Pickle, said: “Pickle is all about one woman’s experience of reconciling belief and tradition with change. I wanted to tell a story that explores being in the middle of both worlds and celebrates the parts that fit together, and those that don’t. The vibrancy, the spirit, the richness of culture, the humour of Jewish life - those things often get lost in the conversation. Pickle brings them all to the stage.”
Producer Tanya Truman added, “I was so drawn to this story, as a young, Jewish woman – this piece really spoke to me and had me laughing immediately. I can’t wait to get the show in front of an audience and am really excited about its future.”
Tickets for Pickle are on sale now via the Park Theatre.
Wednesday 16 February 2022
2.22 A Ghost Story Announces 17 Week Transfer to Criterion Theatre
Producer Runaway Entertainment is delighted to announce that the critically acclaimed, smash hit, supernatural thriller 2:22 - A Ghost Story will transfer for a second time to The Criterion Theatre where it will play a 17.5 week season opening on 7 May 2022. The production began its life last summer at the Noel Coward Theatre starring Lily Allen, Julia Chan, Hadley Fraser and Jake Wood. It then transferred to the Gielgud Theatre for 10 weeks from 4 December 2021. The production there starring Stephanie Beatriz, James Buckley, Elliot Cowan and Giovanna Fletcher completed its run on 12 February 2022. The cast for the transfer to the Criterion Theatre will be announced soon.
“A great spine-tingling night out!” Evening Standard
The West End theatre event of the year will return this summer by popular demand.
“It’s happening again...”
Following two record-breaking seasons at the Noel Coward and Gielgud Theatre with a host of acclaimed star performances, this edge-of-your-seat, supernatural thriller returns once again for a brand-new limited engagement at the Criterion Theatre.
2:22 is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster. Look out for the clues to unlock the mystery in this brilliantly funny and intriguing play; it’s an adrenaline-filled night where secrets emerge and ghosts may or may not appear…
Danny Robins said: "I'm so damn thrilled that the 2:22 - A Ghost Story journey gets to continue. The response to the play so far has blown me away. Since I was a kid I've been obsessed by ghost stories, and I'm so glad that theatre audiences seem to feel the same way. My aim, writing the play, was to create a fun, spooky, thought-provoking night out, a show that leaves you buzzing, on the edge of your seat, questioning what you believe. If you haven't seen it yet, I hope you'll come down to the Criterion and see what you believe... if you dare!”
Matthew Dunster said: "This feels like an extraordinary journey for a new play. It sounds like an obvious thing to say, but even in this crazy time we’re living through, people really seem to want to see this show. Sell out runs with two exciting and surprising casts at two West End theatres; and now a run to look forward to at The Criterion where there’ll be more more surprises and more excitement. I just feel terrifically proud of Danny and all the team. And really grateful to the Up For It audiences who have been coming along.”
What do you believe? And do you dare discover the truth?
“THERE’S SOMETHING IN OUR HOUSE. I HEAR IT EVERY NIGHT, AT THE SAME TIME"
Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they’re going to stay up... until 2:22... and then they’ll know.
“A slick, chilling, romp of a play” The Guardian
2:22 - A Ghost Story features set design by Anna Fleischle, costume design by Cindy Lin, lighting design by Lucy Carter, sound by Ian Dickinson for Autograph Sound, casting by Jessica Ronane CDG and illusions by Chris Fisher, co-direction by Isabel Marr.
2:22 - A Ghost Story is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment, Isobel David and Kater Gordon.
photo credit: Helen Murray
“A great spine-tingling night out!” Evening Standard
The West End theatre event of the year will return this summer by popular demand.
“It’s happening again...”
Following two record-breaking seasons at the Noel Coward and Gielgud Theatre with a host of acclaimed star performances, this edge-of-your-seat, supernatural thriller returns once again for a brand-new limited engagement at the Criterion Theatre.
2:22 is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster. Look out for the clues to unlock the mystery in this brilliantly funny and intriguing play; it’s an adrenaline-filled night where secrets emerge and ghosts may or may not appear…
Danny Robins said: "I'm so damn thrilled that the 2:22 - A Ghost Story journey gets to continue. The response to the play so far has blown me away. Since I was a kid I've been obsessed by ghost stories, and I'm so glad that theatre audiences seem to feel the same way. My aim, writing the play, was to create a fun, spooky, thought-provoking night out, a show that leaves you buzzing, on the edge of your seat, questioning what you believe. If you haven't seen it yet, I hope you'll come down to the Criterion and see what you believe... if you dare!”
Matthew Dunster said: "This feels like an extraordinary journey for a new play. It sounds like an obvious thing to say, but even in this crazy time we’re living through, people really seem to want to see this show. Sell out runs with two exciting and surprising casts at two West End theatres; and now a run to look forward to at The Criterion where there’ll be more more surprises and more excitement. I just feel terrifically proud of Danny and all the team. And really grateful to the Up For It audiences who have been coming along.”
What do you believe? And do you dare discover the truth?
“THERE’S SOMETHING IN OUR HOUSE. I HEAR IT EVERY NIGHT, AT THE SAME TIME"
Jenny believes her new home is haunted, but her husband Sam isn’t having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer, so they’re going to stay up... until 2:22... and then they’ll know.
“A slick, chilling, romp of a play” The Guardian
2:22 - A Ghost Story features set design by Anna Fleischle, costume design by Cindy Lin, lighting design by Lucy Carter, sound by Ian Dickinson for Autograph Sound, casting by Jessica Ronane CDG and illusions by Chris Fisher, co-direction by Isabel Marr.
2:22 - A Ghost Story is produced by Tristan Baker and Charlie Parsons for Runaway Entertainment, Isobel David and Kater Gordon.
photo credit: Helen Murray
Friday 11 February 2022
Instructions For a Teenage Armageddon, Southwark Playhouse | Review
Instructions For a Teenage Armageddon
Southwark Playhouse
Reviewed on Thursday 10th February 2022
★★★★
Currently playing in The Little at the Southwark Playhouse, Instructions For a Teenage Armageddon is a solo show performed expertly by Rosie Day who also wrote the script (and the book on which it's based). With direction by Georgie Staight, it's an incredibly well written and performed social satire which broaches and discusses some incredibly emotional topics.
At 75 minutes long it's quite impressive how much Day is able to fit into this painful coming-of-age story and it really is an intense rollercoaster. The show is a series of monologues from a witty, introspective teenager who is trying to cope with the death of her sister as well as teen betrayal, manipulation, isolation and trauma. What is a very deeply dark show is made lighter by looking at it all through the main characters eyes as she frames each section with gaining a new scout badge.
The entire show uses quick, clever prose and black humour which consistently walks the line of being too much, but always adds to the story and characterisation of the leading lady. What's particularly striking about the show is that you're seeing real trauma of a child brought to life; and aside from the more intense topics broached, many aspects are, unfortunately, hugely relatable for girls and women everywhere. The idea of altering who you are to fit in to societal norms and hiding pain behind humour is something many people grow up doing, and the pressures on girls to look and act a certain way never seems to change no matter how many developments are made. At the end of the day Instructions For a Teenage Armageddon acts as a fable or a cautionary tale on why we need to support one another and have open and honest conversations about mental health amongst other things.
Instructions For a Teenage Armageddon is incredibly engaging throughout, with Rosie Day bringing every story to life brilliantly and giving an outstanding performance. The use of projections also adds another element and make it feel more well rounded. Isabella Pappas' on screen performance is particularly memorable. This is an extremely timely, intense show that is expertly performed.
photo credit: Mark Senior
Friday 17 September 2021
Tell Me Straight Returns To London
Gartland Productions are pleased to announce the return of Offies Commendation production, Tell Me Straight by Paul Bradshaw.
Following a hugely successful run in this year’s Queer Season at the King’s Head Theatre, the revival of Tell Me Straight will open at the Hope Mill Theatre, Manchester on 26th October 2021 before opening at the Turbine Theatre, London on 2nd November 2021.
Paul Bradshaw, writer and co-star of Tell Me Straight said “Tell Me Straight draws on my previous experiences but frames them in a new narrative. This fresh and dynamic production highlights the sexual encounters that made me who I am, both the good and those I’d rather forget… not only to make you laugh but to also remind you, you are not alone”
Paul Bradshaw co-stars in his hilarious and fast-paced one-act production with George Greenland and Stephanie Levi-John.
Tell Me Straight tells the honest and heartwarming tale about a young Londoner who is approaching the big 3 0, who is trying to find his way. His life, like everyone else’s, needs to change! For the next thirty days, he will be getting his sh*t together; no booze, no fast food and no shagging…but it’s never that easy, eh?
His long-suffering bestie Dani has heard it all before – she’s done with his never-ending line of sexual conquests, all with the one thing in common, they’re straight!
Babe, you need to find a gay man, who actually likes gay men.
But it seems straight men are like buses … In seventy-five minutes, our young Londoner meets Matt, the city boy, Ryan, an actor currently selling perfume, Lee, a fresh-faced grad, and Alex. Are any of them gonna be the one?
Paul Bradshaw, writer and co-star of Tell Me Straight said: “I think there’s something for everyone! This play captures those moments we’ve all felt when swept up in the nervous and fizzy energy when you first start seeing someone. It’s playful and exciting but how long can that spark last? Is it healthy? Is it always a good thing? Tell Me Straight explores that and ultimately poses the question of - do we attract a certain type of person or are we seeking that kind of person?”
Tell Me Straight is directed by Imogen Hudson-Clayton with assistant director Hiba Elchikhe.
Writer Paul Bradshaw and producer Liam Gartland are thrilled that the returning company of Tell Me Straight are composed of queer and/or working-class artists.
Paul Bradshaw writer of Tell Me Straight said: “It’s time to have rooms where the whole company is made up of the people reflected in the work. Representation matters, and we’re excited to get started with this team.”
Liam Gartland, Executive producer at Gartland Productions said: “'After a short run at The King's Head Theatre, Tell Me Straight received fantastic five-star reviews and an OFFIES Commendation which gave me no other option than to carry on sharing this story with audiences. As a queer theatre producer raised in Manchester, I knew this was a story that needed to reach further afield. Opening the show at The Hope Mill, a place that has inspired me from the beginning, marks a special moment in my career.'
Tickets for Tell Me Straight at both the Hope Mill Theatre and Turbine Theatre are on sale from Monday 20th September 2021.
Monday 4 May 2020
Theatre You Can Stream For FREE
With no end in sight to this lockdown, the boredom may be setting in for a lot of people so I thought I'd make a little round up of some FREE theatre you can watch from your home. Now some of these do rely on you having a Netflix, Disney+ and/or Amazon Prime account but I assume most people do! There are also some no subscription shows at the end. If you have a show you'd like to be included in this list, feel free to email rewritethisstory@outlook.com
Netflix has a whole host of binge-worthy films and series, with a great selection of musicals including:
The Wizard of Oz: A young farm girl Dorothy (Judy Garland) and her dog Toto are whisked away from their Kansas home in a tornado to the magical land of Oz. A complete classic, with whimsy to take you away and a load of tunes to sing along to.
Burlesque: Ali (Christina Aguilera) is a singer who moves to LA in hopes of achieving her dreams. After getting a job at a burlesque lounge, Ali performs there nightly and helps the lounge's owner (Cher) restore the club to its original glory. It's a film of absolute boppage with two musical queens.
La La Land: While navigating their careers in Los Angeles, a pianist (Ryan Gosling) and an actress (Emma Stone) fall in love. As they start to experience professional success, they struggle in their relationship and have to decide between love and doing what they love.
Opening Night: A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew. Starring Lesli Margherita and Taye Diggs.
The Wizard of Oz: A young farm girl Dorothy (Judy Garland) and her dog Toto are whisked away from their Kansas home in a tornado to the magical land of Oz. A complete classic, with whimsy to take you away and a load of tunes to sing along to.
Burlesque: Ali (Christina Aguilera) is a singer who moves to LA in hopes of achieving her dreams. After getting a job at a burlesque lounge, Ali performs there nightly and helps the lounge's owner (Cher) restore the club to its original glory. It's a film of absolute boppage with two musical queens.
La La Land: While navigating their careers in Los Angeles, a pianist (Ryan Gosling) and an actress (Emma Stone) fall in love. As they start to experience professional success, they struggle in their relationship and have to decide between love and doing what they love.
Opening Night: A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew. Starring Lesli Margherita and Taye Diggs.
West Side Story: Romeo and Juliet told through the street gangs of New York City — The Sharks and The Jets. When Tony (Richard Beymer), a Jet, falls in love with Maria (Natalie Wood), a Shark, drama ensues as the gangs fight one another and Tony and Maria fight for their love.
Crazy Ex Girlfriend: Rebecca Bunch, a New York City real-estate lawyer abandons her job and her life in an attempt to find happiness in the unlikely locale of West Covina, California. It's hilarious and heart-warming and the music (by Rachel Bloom) is completely genius.
Disney+ there are of course all the live action movies on here as well as the classic Disney films such as Annie, The Sound of Music, Frozen etc... but here are a few other things you may have missed/not gotten round to yet:
High School Musical: The Musical: The Series: If you haven't watched this, you'll probably think it's rubbish but it's actually really entertaining and has some great songs. The main plot point is that the school where the HSM movie was filmed are putting on their own production of the musical, but amongst that there's teen romance, rivalries and over the top musical numbers.
Newsies: Based on the real-life Newsboy Strike of 1899, this musical tells the story of Jack Kelly (Jeremy Jordan), a rebellious newsboy who dreams of a life as an artist away from the big city. After publishing giant Joseph Pulitzer raises newspaper prices at the newsboys' expense, Kelly and his fellow newsies take action. The dancing, the choreo, the cast- it's all exceptional and worth a watch purely just for Jezza singing Santa Fe!
Encore!: Hosted by Kristen Bell, this series takes adults back to high school to revive the musicals they were a part of in their youth. There's a great selection of musicals included from Godspell to The Sound of Music and it's lovely to see theatre kids who have all taken different directions in life reunite through a shared love.
Amazon Prime has a few more rogue theatrical selections as well as some great documentaries; some of my favourites are:
Once: The story of Girl meeting Guy. He, is a Dublin busker on the brink of walking away from music after having his heart broken and feeling unheard in a bustling world; whilst, she is a force for change who exudes positivity from the moment their worlds collide. In the space of a few days, their lives become beautifully connected and changed forever.
The Last Five Years: This show chronicles the lives of a struggling actress (Anna Kendrick) and a successful writer (Jeremy Jordan) as they journey through their ultimately doomed relationship. Told from two perspectives, this is just a beautiful piece of theatre.
Wild Rose: Fresh out of prison, a Scottish woman (Jessie Buckley) juggles her job and two children while pursuing her dream of becoming a country music star. She soon gets her chance when she travels to Nashville, on a life-changing journey to discover her true voice. Featuring both original music and covers, this is a lovely, lovely film.
Jesus Christ Superstar: Based on Andrew Lloyd Webber/Tim Rice's musical, JCS recounts the last days of Jesus Christ (Ted Neeley) from the perspective of Judas Iscariot (Carl Anderson), his betrayer.
Hamilton: One Shot to Broadway: If you're a Hamilton fan this is a must watch. It looks at how the hit musical came to be and features snippets of the show as well as interviews and archive footage.
Aside from what's available on these regular streaming platforms, the brilliant creatives from the world of theatre have put together some amazing online resources:
National Theatre at Home: Each week the National Theatre are streaming plays from their archives on YouTube. Each show stays up for 7 days and there's a whole variety of genres. This week's stream is Frankenstein with Anthony and Cleopatra going live on Thursday and more to be announced. Check out the channel here
Ghost Quartet: If you missed the recent revival of Dave Malloy's show at the Boulevard Theatre, you can now watch the original production here
Signal: A series that presents new artist driven musical theatre has released a complete playlist of songs presented over the past two years. Available here
The Show Must Go Online: Each Friday Andrew Lloyd Webber is sharing one of his musicals, available here
21 Chump Street: Lin Manuel Miranda's lovely 15 minute musical is available to stream now. Telling the true story of an agent who went undercover in a school to reveal students who were dealing drugs. For a short musical, this fits so much in and the performances from Anthony Ramos and Lindsay Mendez are outstanding.
Jesus Christ Superstar: Based on Andrew Lloyd Webber/Tim Rice's musical, JCS recounts the last days of Jesus Christ (Ted Neeley) from the perspective of Judas Iscariot (Carl Anderson), his betrayer.
Hamilton: One Shot to Broadway: If you're a Hamilton fan this is a must watch. It looks at how the hit musical came to be and features snippets of the show as well as interviews and archive footage.
Aside from what's available on these regular streaming platforms, the brilliant creatives from the world of theatre have put together some amazing online resources:
National Theatre at Home: Each week the National Theatre are streaming plays from their archives on YouTube. Each show stays up for 7 days and there's a whole variety of genres. This week's stream is Frankenstein with Anthony and Cleopatra going live on Thursday and more to be announced. Check out the channel here
Ghost Quartet: If you missed the recent revival of Dave Malloy's show at the Boulevard Theatre, you can now watch the original production here
Signal: A series that presents new artist driven musical theatre has released a complete playlist of songs presented over the past two years. Available here
The Show Must Go Online: Each Friday Andrew Lloyd Webber is sharing one of his musicals, available here
21 Chump Street: Lin Manuel Miranda's lovely 15 minute musical is available to stream now. Telling the true story of an agent who went undercover in a school to reveal students who were dealing drugs. For a short musical, this fits so much in and the performances from Anthony Ramos and Lindsay Mendez are outstanding.
Southwark Playhouse have introduced the Southwark Stayhouse with three of their previous productions, including the tale of the Bronte sisters, Wasted. Find them all here
The Royal Opera House #FromOurHouseToYourHouse: The Royal Opera House are releasing lots of their archive shows, including La Traviata. Find them all here
The Shows Must Go On!: Weekly readings of Shakespeare's plays, performed by stellar actors take place on YouTube
Only The Brave: Telling the story of a group of soldiers in the run up to the D-Day landings, the hit musical starring Caroline Sheen and David Thaxton is available to view here
Myth: The Rise and Fall of Orpheus: Filmed live at The Other Palace in March 2018, this belt-fest of a musical is available to watch here
Eugenius! Towards the start of lockdown, team Eugenius! released their show which was filmed during its run at The Other Palace and the show is still available to stream now.
Eugenius! Towards the start of lockdown, team Eugenius! released their show which was filmed during its run at The Other Palace and the show is still available to stream now.
Subscribe to:
Posts (Atom)
Welcome to the BLOG
Into The Spotlight
