Posts with the label musical theatre
Showing posts with label musical theatre. Show all posts
Showing posts with label musical theatre. Show all posts
Friday 25 November 2022
Elf The Musical, Dominion Theatre | Review
Elf The Musical
Dominion Theatre
Reviewed on Thursday 24th November 2022 by Olivia Mitchell
★★★★
If you're looking for some festive magic this year, look no further than the Dominion Theatre for their gloriously Christmassy, sparkly production of Elf The Musical. Based on the cult classic film, it tells the story of Buddy the Elf who finds out he's really a human, so makes the journey from the North Pole to New York City to meet his biological father and experience the world. This musical adaptation has all the most iconic parts of the film plus a heap of theatrical magic that makes it the perfect festive treat.
This version of the show does a superb job of being laugh out loud funny and completely joyous without overstepping into pantomime territory; it's entertaining for all the family but not in a way that has you cringing at the jokes. Of course it's saccharine and over the top but isn't that what Christmas is all about?! At the heart of the story and its success is Simon Lipkin as Buddy, who takes on the role with complete joy and authenticity. Having previously given a starring performance in Nativity The Musical, Lipkin clearly has the Christmas magic which makes him such a dream to watch. From shredding paper to create snow to joyfully rollerskating, Buddy is an exuberant and endearing character who you can't help but love.
Alongside the humour, Lipkin also plays Buddy with a lovely vulnerability which comes across at various points, especially during his encounters with Jovie (played brilliantly by Georgina Castle) when he is completely overwhelmed by her "miraculous" self. His naivety comes across in an authentic and touching way, that doesn't stray into slapstick and gives a real depth to the plot.
The rest of the cast are incredibly strong throughout. Rebecca Lock is treat as Buddy's step-mum who's heart is slowly opened to Christmas; her duet in Act Two with Buddy's brother (Logan Clark) is absolutely outstanding. Tom Chambers is good as the businessman, absent father whilst Kim Ismay has some really witty moments as his secretary and the pair are great together. Another stand out performance comes from Dermot Canavan who is hilariously entertaining as the Macy's Manager. The ensemble give a really punchy performance, especially when performing Liam Steel's choreography. There's great variety in the show from jaded Santa's giving an impassioned, Newsies-esque display to a full company tap number which is marvellous.
Philip WM. McKinley's direction brings abundant joy to the stage as well as a healthy dose of magic. Tim Goodchild's set is suitably whimsical and there are some certified wow moments through a recreation of the Rockefeller Centre ice rink and some real life snow.
As a whole Elf The Musical is a perfectly packaged Christmas show, which has commercial elements to appeal to the masses as well as some theatrical gems for regular theatre goers. It's a wonderfully enjoyable show that's well worth a visit. Take a trip to the Dominion Theatre, have your elf a very Merry Christmas and feel the festive spirit from your head to your mistletoes!
photo credit: Mark Senior
Wednesday 23 November 2022
Girl From The North Country (UK Tour), New Victoria Theatre | Review
New Victoria Theatre
Reviewed on Tuesday 22nd November 2022 by Olivia Mitchell
★★★★
The UK theatre scene is no stranger to jukebox musicals, but Girl From The North Country which features Bob Dylan's backlog, is a completely different and outstanding take on the genre. Dylan's work is the definition of storytelling, with each song creating a mood and narrative to follow so it really lends itself well to being interspersed into a show.
Writer and Director Connor McPherson has taken the songs and set them in Minnesota (Bob Dylan's birthplace) against the backdrop of the depression; this leads to a dark show but it's surprisingly filled with a lot of light and humour and ultimately manages to be uplifting. McPherson's writing is truly wonderful, his rich, multi layered plot sweeps you up and takes you on a hugely moving but also intimate journey. Although at times things can be a little confusing you can't help but be drawn into the world of the characters and the story manages, much like life, to be both simplistic and chaotic at once.
The setting is an old boarding house run by Nick Laine, who is struggling to look after his wife Elizabeth who has dementia. Also struggling to make ends meet we see him try to stay afloat alongside the various others who come through his doors. Frances McNamee is breathtaking as Elizabeth, giving vocals that are so superbly soulful and smooth you're completely enamoured. Her performance is also amazingly witty and mischievous, often proving hilarious one liners and always keeping you on the edge of your seat; it's a real masterclass performance. Alongside her Colin Connor gives a really strong performance as the husband who is trying to hold everything together without falling apart himself.
Marianne (Justina Kehinde) was taken in by the Laines as a baby and now helps out in the guesthouse but is facing her own hardships as she is pregnant. Her father therefore is desperate to marry her off to alleviate some of the financial and social burden. Whilst his biological son (Gregor Milne) is an alcoholic wannabe writer who is completely stuck in a rut. It's really a portrait of a family who are struggling, which feels very relevant given the huge struggles today with the cost of living crisis and recession. Despite this, the musical (although its more a play with songs) isn't particularly maudlin, instead it's almost a celebration of resilience and relationships.
Without giving too much away, there are also a number of other romantic and friendship relationships showcased, all of which are well rounded and beautifully nuanced. One of which is that of Gene Laine and Katherine Draper (Eve Norris) which is a small part of the show but one of the standout moments with their performance of I Want You being a vocal delight.
As a whole the performances are incredibly strong. Justina Kehinde conveys Marianne's youth and vulnerability in a brilliantly natural way. Joshua C Jackson is mysterious and imposing but also tender as Joe Scott and Owen Lloyd is wonderful as bible seller Elias Burke. The ensemble performances make this show as moving as it is, with every song being performed in perfect conversation with the script. Like A Rolling Stone is a definite stand out, as are the moments of silence. The cast are so in sync that rests feel like a communal breath and it's magical to experience.
Girl From The North Country is raw and poetic show which quietly sneaks up on you and leaves you pondering the important things in life. It's intimate, energetic, entirely engaging and a really great theatrical experience.
Tuesday 15 November 2022
Mrs Doubtfire to Open in the West End in May 2023
Producers Kevin McCollum and Jamie Wilson are thrilled to announce that new comedy musical Mrs. Doubtfire, based on the iconic movie, will open in the West End next Summer.
Having thrilled audiences at its UK premiere in Manchester earlier this year, the London production will begin performances at the newly refurbished Shaftesbury Theatre from Friday 12 May 2023, with a Press Night on Thursday 22 June. Tickets go on-sale today via www.mrsdoubtfiremusical.co.uk
A hilarious and heartfelt story about holding onto your loved ones against all odds, Mrs. Doubtfire is the musical comedy we need right now.
Out-of-work actor Daniel will do anything for his kids. After losing custody in a messy divorce, he creates the alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.
Mrs. Doubtfire will introduce Gabriel Vick (Avenue Q) as Daniel Hillard.
Gabriel will be joined in the principal cast by Carla Dixon-Hernandez (Matilda the Musical) as Lydia Hillard, Cameron Blakely (The Addams Family) as Frank Hillard, Marcus Collins (Kinky Boots) as Andre, and Ian Talbot OBE (Hairspray, and Director of The Mousetrap) as Mr. Jolly.
Further cast include Joshua Dever, Samuel Wilson-Freeman, Maria Garrett, Kiera Haynes, Adam Lyons, Lisa Mathieson, Ellie Mitchell, Matt Overfield, Tom Scanlon, Vicki Lee Taylor and Rebecca Donnelly, Amy Everett and Paulo Teixeira.
The roles of Miranda Hillard, Stuart Dunmire, Janet Lundy, Wanda Sellner and the full cast are to be announced at a later date.
For cast & creative team information, please see www.mrsdoubtfiremusical.co.uk
Mrs. Doubtfire has been created by a transatlantic team of award-winning artists, with Original Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, (the Tony Award-nominated team behind Something Rotten!, along with O’Farrell), a Book by Karey Kirkpatrick and John O’Farrell, Direction by 4-time Tony winner Jerry Zaks (Hello, Dolly!), Choreography by Lorin Latarro (Waitress), and Music Supervision, Arrangements & Orchestrations by Ethan Popp (Tina: The Tina Turner Musical). Scenic design is by David Korins (Hamilton), Costume Design by Catherine Zuber (Moulin Rouge! The Musical), Lighting Design by Philip S. Rosenberg (Pretty Woman The Musical), Sound Design by Brian Ronan (Beautiful: The Carole King Musical), Hair Design by David Brian Brown (Frozen), Makeup & Prosthetics Design by Tommy Kurzman (The King and I), Casting by Stuart Burt (Cabaret) and Children’s Casting Director is Verity Naughton.
Mrs. Doubtfire is produced by Kevin McCollum and Jamie Wilson and is presented by special arrangement with Buena Vista Theatrical.
Thursday 10 November 2022
From Here To Eternity, Charing Cross Theatre | Review
From Here To Eternity
Charing Cross Theatre
Reviewed on Wednesday 9th November 2022
★★★
Based on the novel by James Jones and the classic film adaptation, From Here to Eternity follows the soldiers of G Company in the days leading up to the Pearl Harbour attack. There are dramas, romance and social commentary galore, and this production at the Charing Cross Theatre showcases it all with stunning performances, but a mishmashmed plot.
There have been a number of musical changes from the previous London production with songs being cut and some new additions made; the first act is very plot heavy and almost feels like a play with songs as opposed to a full blown musical. However, the score (lyrics by Tim Rice, music by Stuart Brayson) definitely has some stand out moments and the consistently strong cast give their all and provide absolutely divine harmonic moments throughout.
As Prewitt the leading man, Jonathon Bentley is astounding. In a vocally and physically demanding role, he completely excels and exudes star power. As Maggio, Jonny Aimes is incredibly enjoyable to watch, showcasing his versatility, beginning as the cheeky comedian before becoming beaten down by army life and what it entails. The entire male cast are strong and this is certainly a show which thrives in its ensemble moments where everything comes together in harmony and synchronicity. The female cast is small but mighty. Desmonda Cathabel as Lorene, Eve Polycarpou as Mrs Kipfer and Carley Stenson as Karen are uniformly formidable and give some great solo and trio moments. However, as with most of the characters there's limited development to their storylines so it's difficult to really root for them. Also, most of their action is just in reaction to the men and they aren't given much agency of their own which is a shame.
This is a show which pack a lot in but it's not all successful. With such a vast number of stories going on throughout and not enough time for their background exposition, there's a distinct lack of connection which means the drama never fully hits. That being said, this is a real powerhouse of a show vocally and is worth seeing for the sheer talent on display.
Another great aspect is the combination of Adam King's lighting and Stewart J Charlesworth's set design which work in unison to create a very cinematic feeling production. There are some visually striking moments and the small space of the theatre is used to its full potential. Cressida Carré's choreography also fits well and is perfectly sharp and clean.
From Here to Eternity has some faults but is ultimately a show which delivers oomph thanks to its completely committed cast. The story is a bit all over the place but the moments which hit, really do so well and it's great to see a much loved British musical back on stage.
photo credit: Mark Senior
Saturday 5 November 2022
Full Cast Announced for Doctor Zhivago In Concert
Full casting is announced for Doctor Zhivago- In Concert playing at the London Palladium for one-night-only on Sunday 7 May 2023.
Ramin Karimloo and Celinde Schoenmaker will reprise their 2019 roles as ‘Yurii Zhivago’ and ‘Lara Guishar’ and are joined by returning cast members Kelly Mathieson (‘The Phantom of the Opera, Into The Woods’) playing ‘Tonia Gromeko’ and Charlie McCullagh (’42 Balloons’ and ‘Bonnie & Clyde’) playing ‘Pasha Antipov (Strelnikov)’. Nadim Naaman (‘Broken Wings’, ‘Rumi: The Musical’, ‘The Phantom of the Opera’) will feature as ‘Viktor Komarovksy’.
The cast is completed by Maisey Bawden as ‘Olya’, Cavin Cornwall as ‘Alexander Gromeko’ and Emma Norman as ‘Anna Gromeko’ with Tilly-Raye Bayer as ‘Young Tonia’, Olivia Clark as ‘Young Lara’ and Samuel Newby as ‘Young Yurii’.
Doctor Zhivago- In Concert at The London Palladium is dedicated to the show’s composer Lucy Simon. Producers Jamie Lambert and Eliza Jackson said, “We were so saddened to learn of the passing of the brilliant Lucy Simon. She was a talent beyond words and we are honoured to dedicate this concert production of one of her favourite works to her”.
Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago tells the story of Yurii Zhivago (Ramin Karimloo), a political idealist, physician, and poet whose life is tossed by the tides of history as he is torn between a life with his close childhood friend and wife, and the passionate and mysterious Lara Guishar (Celinde Schoenmaker).
Ramin Karimloo and Celinde Schoenmaker will reprise their 2019 roles as ‘Yurii Zhivago’ and ‘Lara Guishar’ and are joined by returning cast members Kelly Mathieson (‘The Phantom of the Opera, Into The Woods’) playing ‘Tonia Gromeko’ and Charlie McCullagh (’42 Balloons’ and ‘Bonnie & Clyde’) playing ‘Pasha Antipov (Strelnikov)’. Nadim Naaman (‘Broken Wings’, ‘Rumi: The Musical’, ‘The Phantom of the Opera’) will feature as ‘Viktor Komarovksy’.
The cast is completed by Maisey Bawden as ‘Olya’, Cavin Cornwall as ‘Alexander Gromeko’ and Emma Norman as ‘Anna Gromeko’ with Tilly-Raye Bayer as ‘Young Tonia’, Olivia Clark as ‘Young Lara’ and Samuel Newby as ‘Young Yurii’.
Doctor Zhivago- In Concert at The London Palladium is dedicated to the show’s composer Lucy Simon. Producers Jamie Lambert and Eliza Jackson said, “We were so saddened to learn of the passing of the brilliant Lucy Simon. She was a talent beyond words and we are honoured to dedicate this concert production of one of her favourite works to her”.
Based on the Nobel Prize-winning novel by Boris Pasternak, Doctor Zhivago tells the story of Yurii Zhivago (Ramin Karimloo), a political idealist, physician, and poet whose life is tossed by the tides of history as he is torn between a life with his close childhood friend and wife, and the passionate and mysterious Lara Guishar (Celinde Schoenmaker).
With a book by Oscar nominee Michael Weller and lyrics by Tony nominee Michael Korie and Emmy nominee Amy Powers, Doctor Zhivago features a sweeping score by two-time Grammy winner and Tony nominee Lucy Simon.
Doctor Zhivago- In Concert is directed by Jordan Murphy (Sunset Boulevard, Matilda, Mary Poppins) with musical direction by Adam Hoskins (The Secret Garden, Dr Zhivago, Camelot).
Olivier and Tony Award nominee Ramin Karimloo made his name in some of the West End's most enduring productions, most notably The Phantom of the Opera and Les Misérables. He originated the role of the Phantom in Phantom of the Opera sequel Love Never Dies in 2010 before making his Broadway debut in the 2014 revival of Les Misérables.
Karimloo has also performed show tunes on a series of solo recordings, including his second album, 2019's From Now On, which landed on the Billboard Heatseekers chart. He is currently starring as Nicky Arnstein in Funny Girl on Broadway.
Celinde Schoenmaker is a Dutch actress and singer, known for appearing as Fantine in the West End production of the musical Les Misérables and as Christine Daae in the West End production of The Phantom of the Opera. Other London theatre credits include Jenny Lind in Barnum at the Menier Chocolate Factory. She also played Renate Blauel in the Elton John biopic Rocketman.
Doctor Zhivago- In Concert is produced by Lambert Jackson and Positive Sum Productions.
Founded by Jamie Lambert and Eliza Jackson in 2018, Lambert Jackson were recently nominated for an Olivier for Best Play for their production of Cruise at the Duchess Theatre with a successful return run at the Apollo Theatre this August/September. They are arguably one of the most exciting theatrical production companies in the UK at the present time. Having been put on the map by their production of the UK Premiere of Doctor Zhivago the musical, they entered the global pandemic with vigour and determination, creating one of the largest online concert series the UK has ever seen, Leave a Light On and leading the way with streamed productions such as The Last Five Years, BKLYN, title of show, Songs for a New World - the latter opening the West End at a sell-out concert at the London Palladium.
Founded in 2022, Positive Sum Productions was created to cultivate original theatre, and celebrate existing shows already loved by many.
TICKETS CAN BE FOUND AT www.lwtheatres.co.uk
Thursday 3 November 2022
Disney's Winnie the Pooh The Musical to open at London's Riverside Studios ahead of UK & Ireland Tour
Disney’s Winnie the Pooh will be coming to the UK and Ireland stage for the first time in Spring 2023, with preview performances at London’s Riverside Studios (Hammersmith) from 17 March and an official opening on 26 March. It will then tour the UK and Ireland until September 2023. Tickets for Riverside Studios on sale at 10am on Monday 7 November, with Tour tickets on sale now.
The UK premiere will be presented by Rockefeller Productions, in partnership with ROYO, and in association with Disney Theatrical Productions. The role of Winnie the Pooh will be played by Jake Bazel, who originated the role on Broadway. Further casting to be announced.
Jake Bazel is a puppeteer, voice actor, writer and coach with over a decade of experience working in children’s media. Credits include Sesame Street (HBO/PBS), Disney’s Winnie the Pooh: The New Stage Adaptation (Disney Theatrical), Sesame Workshop’s Helpsters (Apple TV+), The 90th Annual Macy’s Thanksgiving Day Parade with Disney’s Muppets (Disney/NBC), The 93rd Annual Macy’s Thanksgiving Day Parade with Sesame Street (Sesame Workshop/NBC), Duncan the Skunk and the Big Costume Trunk (Hellosaurus), The Very Hungry Caterpillar Show, Paddington Gets in a Jam, Paddington Saves Christmas, Sandra Boynton’s Frog Trouble, Jim Henson’s Dinosaur Train Live! and Sesame Street in Communities. As a writer, he helped to craft Disney’s Winnie the Pooh: The New Stage Adaptation.
Deep in the Hundred Acre Wood, a new adventure is about to happen. A.A. Milne’s beloved characters, Winnie the Pooh, Christopher Robin and their best friends Piglet, Eeyore, Kanga, Roo, Rabbit and Owl (and Tigger too!), will all arrive on stage in a beautifully-crafted musical stage adaptation.
In a new story from the Hundred Acre Wood, this fresh stage adaptation is told with impressive life-size puppetry, exciting new stories and featuring characters that have played iconic roles in the lives of children for generations. Accompanying the modern narrative is an original score by Nate Edmondson, featuring some of the Grammy award-winning songs written by the Sherman Brothers for the original animated features, including Winnie the Pooh, The Blustery Day, The Wonderful Thing About Tiggers and Whoop-De-Dooper Bounce, plus A.A. Milne’s The More It Snows (featuring music by Carly Simon) and Sing Ho in a new arrangement.
Winnie the Pooh: The New Musical Adaptation is developed and presented by renowned family entertainment creator Jonathan Rockefeller (whose spectacular puppetry is omnipresent in the acclaimed productions of The Very Hungry Caterpillar Show and Paddington Gets in a Jam).
Inspired by the beloved books by A. A. Milne and the classic Disney featurettes, the production was welcomed in New York in 2021, where it broke theatre box office records for the largest advance, with rave reviews where it was called “Enchanting!” (Time Out); “Winnie the Pooh: The New Musical Stage Adaptation is magical, sweet as honey, and full of humor. It's a wholesome, delightful, enchanting piece of theatre,” (BroadwayWorld); “A perfect reintroduction to live theater. It’s a captivating adventure with spectacular puppetry,” (Mommy Poppins); “Charming and whimsical stage show that Pooh surpasses every expectation I had for it,” (The Laughing Place); “Winnie the Pooh is delightfully first-rate,” (Theatre Pizzazz); “Irresistible. ‘Winnie the Pooh’ is sweeter than honey,” (DC Metro Arts); “An hour of bountiful joy,” (New York Theatre Guide); “Mesmerizing and lifestyle puppets and original Sherman Brothers tunes, the beautiful new Winnie the Pooh musical is must-see,” (Theatrely); “The wonderful thing about musicals is that musicals are wonderful things. The New ‘Winnie the Pooh’ Musical Is Sweeter than Honey,” (Toy Insider).
Wednesday 2 November 2022
Jayme-Lee Zanoncelli on Taking Rock and Roll On Tour | Bat Out Of Hell | Interview
It’s wild, it’s fun, it has everything
Bat Out Of Hell is rocking its way across the UK with its larger than life production values and stellar cast. Swing and Assistant Dance Captain Jayme-Lee Zanoncelli tells us about her experience in the show and why you should take a trip to see it!
For anyone that hasn’t seen Bat Out of Hell, can you explain a little bit about the show?
I would describe Bat out of Hell as a gothic love story. Shown musically, by the intricate and theatrical song writing by Jim Steinman as well as visually on stage. It’s unapologetically “out there.” There’s nothing else like it.
What do you think makes the show appeal you both old and new fans of Jim Steinman/Meatloaf?
I think for the old fans, the show gives them a chance to reminisce and enjoy the music they love so much. Even for the newer fans, Jim & Meatloaf’s music is exciting and unique. The characters are vibrant, the set is epic of course, fire, lighting and explosions all add to the experience.
What’s your favourite song to sing and what’s your favourite song that you don’t sing?
So many to choose from! I love All Revved Up. It’s intense and fast paced; a great opening for this show. I think my favourite song in the show is What Part Of My Body Hurts The Most. It’s song-writing at its finest.
Is there a Meatloaf song that isn’t in the show, that you wish was?
Midnight At The Lost and Found! It’s a great song!
What’s your favourite tour memory so far? Are you keeping track of the places you visit in any way?
There have been so many great memories on this tour! Our Bat Halloween party was really cool! Everyone put so much effort in.
I have kept a log of the places we have travelled to over the last 14 months. Plymouth and Edinburgh have both been memorable places for me.
In one sentence, why should people come and see the show?
Everyone should see this show. It’s wild, it’s fun, it has everything; you will not leave bored that’s for sure!
Bat Out of Hell plays at the New Victoria Theatre until November 5th and then continues it's tour
Tuesday 1 November 2022
Cory English to Play 'Doctor Emmett Brown' in Back To The Future the Musical for 6 Weeks Only
Lead producer Colin Ingram, together with Robert Zemeckis and Bob Gale, the creators of the Back To The Future film trilogy, are delighted to announce that celebrated theatre actor, Cory English, will join the cast of Back To The Future The Musical at the Adelphi Theatre, playing the role of ‘Doctor Emmett Brown’ from 23 November 2022 until 3 January 2023. Tony Award winner, Roger Bart, who is currently playing the role, will return to the show on 5 January 2023. His final performance in London will be 20 March 2023 after which he will lead the cast of the Broadway production, which begins performances at Winter Garden Theatre (1634 Broadway) on 30 June 2023 with an official opening on 3 August 2023.
The critically acclaimed Olivier, WhatsOnStage and Broadway World Award-winning Best New Musical had its opening night in London on Monday 13 September 2021. Last week the musical broke box office records at the Adelphi Theatre for the highest gross sales in one week.
Cory English played Max Bialystock in the West End and UK Touring productions of The Producers, directed by Susan Stroman. His other credits include Sleepless at Troubadour Theatre Wembley Park, She Loves Me at the Menier Chocolate Factory, Igor in Young Frankenstein on Broadway and in the West End and Benny Southstreet in Michael Grandage’s West End production of Guys & Dolls.
Back To The Future The Musical currently stars Tony Award-winning Roger Bart and Ben Joyce as ‘Dr Emmett Brown’ and ‘Marty McFly’ respectively, with Amber Davies as ‘Lorraine Baines’, Oliver Nicholas as ‘George McFly’, Jordan Benjamin as ‘Goldie Wilson’, Harry Jobson as ‘Biff Tannen’, Sophie Naglik as ‘Jennifer Parker’, Gary Trainor as ‘Strickland’, Will Haswell as alternate ‘Marty McFly’ and ‘Dave McFly’ and Emma Lloyd as ‘Linda McFly’. Also in the cast are Amy Barker, Simeon Beckett, Sia Dauda, Tyler Davis, Glen Facey, Dylan Gordon-Jones, Adam Margilewski, Cameron McAllister, Alessia McDermott, Bryan Mottram, Laura Mullowney, Anna Murray, Jon Reynolds, Melissa Rose, Georgia Tapp, Justin Thomas, Charley Warburton and Tavio Wright.
The Original Cast Recording, released on Sony Music’s Masterworks Broadway label, is now available on all formats, including vinyl, and has had over 3 million streams. It features the new music by multi-Grammy Award-winners Alan Silvestri and Glen Ballard alongside classic songs from the movie including The Power of Love and Johnny B. Goode.
Back To The Future The Musical won the Olivier Award for Best New Musical, four WhatsOnStage Awards, including Best New Musical, and the Broadway World Award for Best New Musical. The productions in London and Manchester have so far been seen by half a million people and the musical has broken box office records at the Adelphi Theatre.
Based on the Universal Pictures/Amblin Entertainment film, Back To The Future The Musical has a book by Bob Gale and new music and lyrics by Emmy and Grammy Award-winning Alan Silvestri and six-time Grammy Award-winning Glen Ballard, with additional songs from the film including The Power of Love and Johnny B. Goode.
Marty McFly is a rock ‘n’ roll teenager who is accidentally transported back to 1955 in a time-travelling DeLorean invented by his friend, Dr Emmett Brown. But before he can return to 1985, Marty must make sure his high school-aged parents fall in love in order to save his own existence.
Back To The Future The Musical is directed by Tony Award-winning director John Rando (Urinetown, On The Town), alongside the multi Tony and Olivier Award-winning design team of Tim Hatley (set and costume design), Tim Lutkin (lighting), Hugh Vanstone (lighting consultant), Gareth Owen (sound) and Finn Ross (video), with choreography by Chris Bailey, musical supervision and arrangements by Nick Finlow and Illusions by Chris Fisher. Orchestrations are by Ethan Popp and Bryan Crook, with dance arrangements by David Chase. Casting is by David Grindrod Associates.
Back to the Future the movie was released in 1985, starring Michael J. Fox as Marty McFly and Christopher Lloyd as Dr Emmett Brown. The film grossed $360.6 million (£279 million) at the box office worldwide and the total box office for all three films in the Back to the Future franchise was $936.6 million (over $1.8 billion in today’s money).
Back To The Future The Musical is produced by Colin Ingram, Donovan Mannato, Frankel/Viertel/Baruch/Routh Group, Hunter Arnold, Gavin Kalin Productions, Playing Field, Crush Music, CJ ENM, Teresa Tsai, Ivy Herman/Hallee Adelman, Robert L. Hutt, Universal Theatrical Group, Ricardo Marques, Augury, Robert Zemeckis, Bob Gale, in association with Kimberly Magarro, Stage Entertainment, Glass Half Full Productions/ Neil Gooding Productions.
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