Posts with the label interview
Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts
Wednesday 8 March 2017
In Conversation With... Billy Cullum | Rent | Interview
Billy Cullum, has already had an impressive and extensive career starring in shows such as Spring Awakening and Jesus Christ Superstar. He's currently taking on the role of Mark Cohen, the introverted film maker in the 20th Anniversary tour of Rent and wowing audiences across the country with his incredible performance. I saw Rent for the fifth time last night and was as moved as I was the first time. It's truly a brilliant production.
Not only is Billy a wonderful performer but also a wonderful person and he was nice enough to answer these questions about all things Rent, performing and life in general!
Not only is Billy a wonderful performer but also a wonderful person and he was nice enough to answer these questions about all things Rent, performing and life in general!
For those that don't know, can you explain a little about your career and highlights so far?
I trained at the Arts Educational School of Musical Theatre and graduated in 2010. My first job was a small scale musical of Alice in Wonderland that toured all around Italy. It was hard work but getting paid to travel all around such a beautiful city made all the early mornings and get-ins worthwhile. I then went on to play Jesus in Godspell at the Union Theatre followed by one of my dream roles as Moritz in the UK Tour of Spring Awakening. I then performed in Hair, Merrily We Roll Along before my West End debut in the RSC’s Matilda at the Cambridge Theatre. Roald Dahl was becoming a running theme as I then joined the cast of Charlie and the Chocolate Factory at the Theatre Royal Drury Lane. Being an Oompa Loompa was the hardest thing I’ve ever had to do! After this I joined the cast of Jesus Christ Superstar at Regent’s Park Open Air Theatre. It was an incredible piece to be a part of. I understudied and played the role of Jesus. Now I am lucky enough to be in one of my favourite musicals and playing one of my dream roles as Mark Cohen in Rent.
Was being a performer what you always yearned for or did you have another career path in mind when you were younger?
Performing is the only thing I’ve ever really focused on from the age of 3. It wasn’t until I was about 16 though that I thought it could become a career. I’m a songwriter and a recording artist which is something I love to do as well. I’m just about to release the first single ‘Lost in You’ from my debut album which is released 03.03.17.
Rent is one of the most iconic musicals ever, do you feel a lot of pressure taking on such an important role?
When I got offered the job I was ecstatic. I was so excited. Then it hit me that this musical has such a strong following. It means so much to people. It really has a place in people’s hearts so the pressure slowly started to dawn on me. I then had to go into the rehearsal room on the first day and let all that pressure go and focus on my portrayal of Mark. I like to think I’ve made him my own and I have enjoyed exploring him. He’s very complex and intricate which I don’t think many people realise.
The cast must be so close with this production, have there been any standout funny moments on or offstage between you all?
There have been MANY funny moments. My favourite though has to be when Layton Williams who plays Angel got his coat stuck in his wig as he was about to go full throttle into 'Today For You'. Somehow, he managed to sort out the issue whilst incorporating it into the song with humour and sass "My Wig! Help me out with my Wig!" It was pure genius!
Has the show changed at all going from tour to the St James and then back on tour?
It naturally changes to fill different spaces. The St James was such an intimate setting which I loved. It was very intense. Performing in bigger venues such as Edinburgh Festival Theatre lets other moments thrive more. The show always has the same heart but it definitely feels adapts beautifully to each venue.
How are you enjoying touring life? What do you miss most being away from home?
I’m really enjoying it. I love seeing different places I wouldn't necessarily chose to go to. The thing I miss most about being away is my loved ones and my dogs.
Can you sum up the show in 5 words?
Live and Love without fear.
If you could go back to any era, when would it be and why?
I’d wanna go back to the caveman era. I wanna know how I would survive!
If you had a magic wand, which show would you do next?
Oooh. I think it would have to be Next to Normal.
What's the best piece of advice you're ever received and what advice would you give to aspiring performers?
"Just Be You" is the best advice I’ve ever had. It really works. That’s the advice I’d give to any aspiring performers. Don’t try and fit a mould because someone told you to or because that’s how you get work. I like to think I’ve been employed because of my talent and character and I’ve done that by simply being me. To add to this I would also say never give up. Focus on your own path, it’s so dangerous to compare yourself to others. If you really want it don’t give up. Your time will come.
Thank you so much Billy for doing this interview; go see him in Rent and make sure you purchase all his new music!
Rent is playing at the New Victoria theatre, Woking until March 11th. Visit http://www.atgtickets.com/shows/rent-the-musical/new-victoria-theatre/ for tickets
Reasons You Should Go See Rent: http://www.rewritethisstory.com/2017/02/reasons-you-should-go-and-see-rent.html
Interview by Olivia Mitchell, Editor
Monday 6 February 2017
In Conversation With... Cleve September | Hamilton | Interview
Cleve September is a rising star of the West End. He recently starred in Annie Get Your Gun and In The Heights to much acclaim and has just been cast as Laurens/Philip in the upcoming West End production of Hamilton so it safe to say he's destined for stardom!
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I've been singing since I can remember but only started dancing about 6, nearly 7 years ago. Before that I was really into my sports.. I played a lot of basketball and rugby. And I also love 100m and 200m sprints. So I was quite athletic because I got into musical theatre. And the dream back then was to be in the Olympics.
You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?
You just finished playing Sonny in In The Heights to much acclaim. It just seems like the funnest show and cast to be a part of. Can you sum up that experience?
Really there are no words to describe how incredible the experience was! In The Heights will always have a place in my heart, as will the cast! They were all such incredible human beings! And they really made my first professional job so amazing.
Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?
Did you feel any extra pressure joining so many original Southwark Playhouse cast members when you joined the show at the Kings Cross Theatre? How did you put your own spin on the role?
Not at all because everyone was so welcoming and everyone was so supportive! And I wasn't expected to do the things that Damian can do or did in the show so I could do a bit of creating and figuring out how my body wanted to move in terms of the dance routines. And we just found new things.
You definitely became a fan favourite at Heights; did you expect to gain so many fans in your first role after training?
I didn't know that I was a fan favourite... I had no idea what to expect but I am so thankful for the fans because their love and constant support was amazing throughout the run.
The Kings Cross theatre is super intimate. Are you excited to perform in the Crucible and other larger venues in the future? Do you prefer more intimate or bigger venues?
I'm yet to experience a bigger venue... so I'll let you know!
Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?
Annie Get Your Gun is such a Classic musical. Did it get a modern twist in your recent production or did it stick to its original roots?
Nope there was no modern twist to it, we very much stuck to the roots and played it truthfully! The choreography was stunning and it was such an honour and a pleasure working for the team of creatives behind that show!
Can you explain a little about Annie Get Your Gun and how your character Tommy fits into it?
AGYG is about a woman called Annie who is an incredible shooter. She falls in love with a 'swollen headed stiff' named Frank Butler and their story of how they fell in love through the circumstances that they were put through. My character had his own little love story going on with a character called Winnie Tate, who's older sister Dolly, forbids them to be together.
What was your biggest challenge with taking on this role?
What was your biggest challenge with taking on this role?
I had more than one big challenge haha. The style of Choreo and also singing in a legit style were the two biggest challenges for me as they were both very new to me. However once I managed to kinda wrap my head around it I had the most incredible time!
If you had a magic wand, which show would you do next?
If you had a magic wand, which show would you do next?
Hamilton 
You have a five minute break during rehearsal, what do you spend that time doing?
You have a five minute break during rehearsal, what do you spend that time doing?
If there is food near my I'm eating, or trying to wrap my head around something that may have confused me or I might have done wrong..
You studied at Mountview, what was the best piece of advice your were told during your time there?
You studied at Mountview, what was the best piece of advice your were told during your time there?
To be a sponge and soak everything up that works for me!
Thank you so much to Cleve for taking the time to answer these questions. Make sure you go see Cleve in Hamilton and any other shows he does- you'll love him!
Interview by Olivia Mitchell, Editor
Follow Cleve on twitter here
Saturday 7 January 2017
A West End Guide To Singing | Gabriela Garcia
I am one of those people who is obsessed with hearing other peoples stories and tips and tricks of how they do what they do. So when I see any show I instantly want to pick the brains of the cast about how they sing as well as they do. I'm sure I'm not alone in this so I'm starting a series called 'A Stagey Guide To Singing' where West End stars will answer a series of questions about singing! I hope you find it interesting. Let me know if you have any specific questions or people you'd like answers from!
So for our first instalment we have all of Gabriela Garcia's singing secrets! Gaby is currently starring as Nina in In The Heights and her voice is blowing away people every night so without any more rabble, here we go...
When did you realise you could sing? Did you have singing lessons?
I always liked singing since I can remember but I have videos of me being totally tone deaf all the way up to when I was 16! I started taking singing lessons at 16.
How do you keep your voice healthy, do you have any rituals before shows?
I go to singing lessons regularly (once a month maybe once every 2 months) and I do a short vocal warm up - I concentrate more on my breath warming up rather than my voice. I have to sing through 'BREATHE' before every show on my own just to make sure everything is in place lol
Have you always been able to belt? If not, when did you start belting?
hmmm belting...I guess I was always able to belt as I thought belting was just shouting...during my time at drama school my teachers started to teach me a safer way to 'belt' by mixing and making the sound a bit 'smaller' this is to be able to sing 8 shows a week safely.
What vowels do you find easiest to belt? Do you modify words to make them easier to sing?
Yes, its all about the vowel modification - keeping the vowels as narrow as possible work for me.
What tips do you have for singing and dancing at the same time?
hmm I'm still learning how to merge the two as the breathing is so different! I guess identifying the breathing moments in the choreography and being conscious of not 'pushing'
What's the best exercise to get your voice ready for belt/twang?
I just do witchy and baby sounds which works for me
Overall, what's your number one piece of advice for finding and developing your singing voice?
You never stop learning and you are always developing your technique I guess being open to different teachers advice and being able to identify what works for you and what doesn't.
Read our previous interview with Gabriela at: http://www.rewritethisstory.com/2016/07/in-conversation-with-gabriela-garcia.html
Monday 28 November 2016
In Conversation With... Shoshana Bean | Concert | Interview
Firstly I want to apologise for how late this interview is. I interviewed Shoshana back in September but unfortunately my phone glitched and I couldn't retrieve the interview so it had to be put off. Thankfully I got it back so you lovely, stagey people can finally read it! So I hope you enjoy this late, but still very interesting and relevant interview from the wonderful Shoshana Bean!
Shoshana is a Broadway veteran who's starred in Wicked, Funny Girl, Hairspray and Beaches to name a few. She's released 3 solo albums, done countless solo concerts as well as those with the Postmodern Jukebox AND she sung back-up vocals for Michael Jackson! There's really nothing this lady can't do!...
Wednesday 23 November 2016
In Conversation With... Sarah Naudi | In The Heights | Interview
Sarah Naudi is currently starring in Lin Manuel Miranda's glorious brainchild In The Heights as the feisty, loved up Vanessa. Her other credits include the short film In The Name of Bjorn and By The Sea in which she acts alongside Angelina Jolie, to name a few.
After a wonderful performance of In The Heights, Emilie and I interviewed the lovely Sarah. We found out about her journey to becoming a performer, her love for Lara Croft, her future aspirations and so much more. So without further ado, here is our interview:
Was being a performer something you always yearned for or did you have a different career path in mind when you were younger?
I always wanted to be a performer. Oh my god, I have to get into my sob story now! Anyway, I was born with a deformity in my foot and it's a disability and they were like “oh she’ll never dance, she’ll never do anything” so my mother was like “oh I’m gonna send her to ballet lessons then”. And I was always the shittest and the worst but I was facially always the happiest and having the most fun so I just carried on dancing for years.
Then when I was 15 I told my parents that I really wanted to go to England cause I had seen The Lion King here and I was like “oh my god in England they do musicals” so that’s kind of why I came here and again, struggled very much in dance and then was dancing amongst these [the cast of In The Heights] amazing people! I’m very lucky and it's just a dream come true really so yeah, to answer your question, this is what I’ve always wanted to do… but I really want to do film! So I think after this, because this is the part I really wanted to play in musical theatre, and I’ve done Carla and Daniela, Nina and Vanessa which is amazing, I really want to act seriously.
What has been the highlight of your career so far?
Probably meeting Angelina Jolie, that was amazing. I don’t know if you’ve seen By The Sea it's her film with Brad Pitt? So basically she filmed it in Malta so I had to do a scene me and her and she's like my idol, I’ve always wanted to be like the next Lara Croft or something so when I met her I was like “this is it” and she’s an amazing, amazing woman. She’s motherly, very nice and was like “thanks for being in my film Sarah” and I was like “thank me?? Thank you!”. It was amazing yeah, definitely a highlight!
With all the success of Hamilton do you feel extra pressure being in one of Lin’s shows?
Well I can’t wait to watch it [Hamilton] here, its going to be honestly amazing, just gonna blow everyones minds! Oh god its gonna be so good!
With the success of course there’s more pressure because its brought more attention to the show because everyone knows who he is now but everyday -no matter what happens backstage or in your own personal life- when you hear the music we just realise how lucky we are.
And Gaby (Gabriela Garcia) and I, these were our dream roles at college. We lived together, went to school together, everything and we just cant believe that it's happened, not just for one of us but for both of us. When we’re on those stairs together at the end we look at each other and we go “wow, how did this happen, we are so lucky”. So everyday listening to Lin’s music its just, yeah! And I can’t wait to watch Moana, it looks amazing and the music sounds incredible!
You’ve been with In The Heights since it was at the Southwark, how has it changed since then?
I feel like at the Southwark we loved the show and not the story yet. So there was a lot of heart for the show and it was a ball of energy and that’s why it was such a success but now I feel the focus is on the story, whereas before it wasn’t because we didn’t have time to invest in it whereas now, most of us know it so well and we’ve been doing it for so long that we’re like “this is why he wrote the song!”
And even getting to meet him and hear him speak, when he said he is Nina and Sam is Usnavi like wow, what a compliment for Sam! That’s what I feel the biggest difference is, now I really understand the story, whereas before I loved the music and how I felt, now I really really love, you know the whole Paciencia y Fe and all of that!
The idea of heritage is prevalent in the show, did you face some of the same struggles as Nina and Usnavi when you moved to the UK from Malta?
100% I mean I’m from a tiny island in the Mediterranean and people haven’t even heard of it and I always had these big dreams, kind of like Vanessa, really just wanting to go and get out and do something and when I came here I found a massive culture shock. I found, at first, my classmates were very cold. It's a colder culture here, it's more polite, whereas in the Mediterranean we’re used to hugs so I used to talk to people on the tube all the time like “oh I really like your nail polish” and they thought I was a psycho because you don’t do that here! So I really had to learn that but I think when the Brits really get to know you as a foreigner they fall in love with you. I have so many close British friends now but I did struggle. All of them making fun of my accent oh god…. they still do it backstage now!
Have there been any challenges playing Vanessa in general or with your transition for Carla to Vanessa?
More nerves. First of all, more pressure because I have been begging to play this part for I don’t know how long so its like "uh oh the producers are looking at me now", so you really have to deliver.
And vocally there's more pressure. As Carla, if I was having a bad singing day I could do okay. And also when I was playing Carla I could hide behind the humour and really get along with the audience whereas with Vanessa, it's really hard to make her likeable because she's always moaning on stage! So I really wanted to make sure that I kind of play her more sweetly and just like she's trying to get out of here but has a good heart, so that was kind of a lot of pressure to try and get that across. And it was difficult doing 'The Club' with a completely different track and all that... yeah just more pressure!
The idea of home is therefore very important, what three things remind you of home?
The smell of the sea reminds me of home. Damian [Buhagiar], his Maltese accent backstage! He speaks to me all the time in Maltese which is really sweet! And probably my family.
Whats your favourite moment in the whole show?
To play, definitely Champagne. In my life and so many of my friends lives theres that moment where you really want to tell someone to stay and I feel like every night I get to do that and tell the person to stay and I know he doesn’t do that, he stays for the great but I can get over that! But yeah, every night I have the opportunity to do it, in life I sometimes don’t do that so I love playing it.
To listen to as a song definitely Benny’s Dispatch. Every night backstage I’m vibing along and also probably in ‘Carnaval’ Sam’s bit where he sings “a corner full of foreigners” and all that section.
If you had a magic wand, which show would you do next?….. although you want to do film!
Lara Croft the Musical?! haha, no I don’t know. I actually have no idea because this was my dream show! I love Spring Awakening, I think I’d be too old for it now but probably Spring Awakening.
Moulin Rouge… that’s what I wanna be in! That’s the one… something gritty!
If you could be any fictional character for a day, who would you be and why?
A superhero definitely! [Lara Croft?] Yeah! I didn’t want to say it again but lets be honest. Yeah I just like the idea of being a really strong woman who can save lives.
What does your perfect Sunday look like?
Ohh definitely involves a party of some sort! I go to these things called Morning Raves. They’re for people who don’t drink or don’t do anything they just love music and you just party from like six in the morning until 10 to start your day and you start your day really fresh and happy. Also seeing friends, Winter Wonderland- going on the the rides, just something adventurous. Once on our day off Courtney (Mae-Briggs) and I went skydiving in Peterborough! We’re just adrenaline junkies! We booked it two days before and it said ‘North London Skydiving’ but Peterborough is not North London, just saying! It took us ages!
Whats your best piece of advice for an aspiring performer?
Whats your best piece of advice for an aspiring performer?
I would say always be prepared because success is when preparation meets the opportunity. So if you’re always ready and the opportunity comes, then boom. If the opportunity comes and you’re not ready then you're not going to get the part or get into the school you know, so always, always, always be prepared. Keep improving yourself. Gaby (Garcia) is a master at that, I mean, she inspires me everyday because she is always learning and always asking us what she can do better. She goes to lessons all the time so just keeping that. No matter how successful you become just keep working at it. Be kind, be really kind to people. People will wanna work with you again. And be on time… don’t be late!
A huge, huge thank you to Sarah for being so lovely, kind and inspirational. A truly talented lady who I hope to see become a movie megastar in the future! Thank you to Emilie for joining me on the interview and as usual thank you to Lin Manuel Miranda for creating the best musical ever!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Friday 23 September 2016
In Conversation with... Victoria Hamilton-Barritt | Murder Ballad | Interview
Rewrite This Story recently caught up with the wonderfully talented Victoria Hamilton-Barritt whos had a fabulous career from Gypsy and Saturday Night Fever to In The Heights most recently. Victoria told us all about her upcoming musical Murder Ballad, her career so far and her advice for aspiring performers...
You've had a fantastic career that many performers would dream of. What have your highlights been?
Paul Kerryson cast me in Gypsy at Curve Theatre playing Louise/Gypsy and I had an absolute ball in that role. Finally I was playing a role that had so many layers with an epic journey. Paul gave me the greatest opportunity with that show and I absorbed every drop of that incredible production. Another highlight close to my heart is creating the role of Daniela for the London run of In The Heights, Southwark Playhouse and Kings Cross Theatre. I had the best time in that role and changing it up a for a London audience.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I worked in London Zoo when I was younger and was told if I stayed on I would one day be made a zoo keeper. I absolutely love wildlife so I know that's where I would have ended up otherwise.
You went from A Chorus Line to In The Heights, both of which received amazing audience reactions. How was it to be a part of that? Both shows must have felt like a true family!
I've never felt family in a show to the degree of what In The Heights delivered. What a special place. We all shared an obsession for the show which was heartbreaking when I left.
A Chorus Line was tricky because there were no interval and we were on stage for a solid 3 hours. The cast were so lovely but because of this obstacle we never fully got to know each other in that 8 month period. Talented writing in the sense where it's an audition and keeping distance. Clever.
Both Diana and Daniela are kickass characters; how do you bring so much sass on stage? Do you have any diva inspirations?
I was always Inspired by Joanna Lumley, Jennifer Saunders and Dawn French. Ruby Wax and all women who make you laugh whether it be with an aggressive undertone or just damn right silly.
So last time you were performing you were heavily pregnant (how did you manage to still dance in heels!?) Since then you’ve had a beautiful baby (congratulations!) Has this changed the way you approach material?
Thank you! She is gorgeous and has made my life. I would have had a harder pregnancy had I not been in a show. It's better to just get on with things and do what makes you happy. Pregnancy was tough for me as I got so big where I looked full term at 4 months so come 8 months I looked like I was going to pop which caused discomfort for audience members who new I was pregnant for real. People really didn't believe I was pregnant though, where there were a lot of gasping at stage door. Some critics thought it a character choice... honestly.
You’ve gone from the Palladium to the Southwark Playhouse to the Kings Cross Theatre and now you’re going to perform at the Arts Theatre. These venues couldn’t be more different. Do you prefer the bigger theatres or the more intimate settings?
I love intimate spaces where you can see every expression and subtle choice. Small venues grant that, which always makes the connection with the audience more connected.
Can you explain a little about Murder Ballad and how your character fits into it?
I'm the narrator of the show which shares a story of a love triangle which gets complicated and things go wrong. Very wrong. That's all I will say for now. 😉
Can you describe it in 5 words?
love, lust, betrayal, sexy, oops.
Your talent and career make you an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
Work hard but don't take yourself too seriously. If it doesn't make you happy find the right time to stop. If you'd like to pick it up again do so when it feels right for you. You're enough and they're lucky to have you in their room.
Interview by Olivia Mitchell, Editor
Read an interview with Victoria's Murder Ballad co-star Kerry Ellis
Tuesday 23 August 2016
In Conversation With... Natasha O'Brien | Children of Eden | Interview
Last week I had the pleasure of sitting down and chatting with Natasha O'Brien who is currently starring as Eve/Mama Noah in Children of Eden at the Union Theatre (which I reviewed here.) Natasha is an incredible performer and I got to pick her brains about all things stagey, see what we discussed below:
For anyone that doesn’t know, can you explain a little what Children of Eden is about?
So Children of Eden is, its a show in two parts, its almost like, each act, they're very closely related but they’re almost like two separate shows. The first act is the story of Adam and Eve and Father, the creation and act two is the story of Noah, and the Ark, and all the animals. But ultimately Christian Durham the director wanted to stray away from the tendency to get too religious with the show and he wanted to make the show about family and parenthood and what it means to create something and to raise something and ultimately the difficulty of letting it go to become its own thing.
Have there been any challenges with bringing this script to life?
I think trying to make this show palatable for a wide audience can be a challenge sometimes, especially nowadays the show has a tendency to be picked up a lot of religious amateur groups and it really lends itself well to those kinds of theatre groups but to take it into a broader arena maybe with a more professional cast and crew can be a challenge. I think Christian’s done a really good job making the themes very universal and just making the material watchable.
Are Eve and Mama Noah anything like you?
Yeah totally, we all bring elements of ourselves to our characters, you have nothing else to go on than your own experience. Mama Noah, she’s definitely very no-drama , she’s very chilled out, very grounded and i elected to make her that way because thats what I immediately took from her and I mean that was just sort of my first impression and I branched from that to create her. With Eve I think her precociousness and her, I don’t wanna say petulance but just a little bit of cheekiness, I really identified with that. More so in my younger years, I think that there’s a sense of wonder there that I just admire and love about that character, the way she's written and hows she's so flawed. I mean for all intents and purposes she is sort of the antagonist in the first act. You know, if she didn’t eat that apple… there would be no show, but at the same time you love her for it and you see the humanity of it and she is the embodiment of humanity and their flaws and how we have to learn how to love ourselves in spite of it all.
What will the audience be thinking about in the car as they drive home after this show?
I think the show really goes out with a bang, from my experience, what I’ve witnessed and what people have said to me is that from ‘Ain’t it Good’ onwards you can tell that we’re rapping up the show and there are two really big, beautiful vocal numbers. You know, ‘Ain’t it Good’ is such a big piece, for me personally but just for the whole cast, energetically its really joyous and then ‘In The Beginning’ is just really vocally beautiful, the harmonies are so rich and we really get a chance to showcase the true chemistry and love and fun that we are all having together as a company and that seems to really resonate with audience members. I think vocals and the score are something people remember, they leave the theatre and they’re really happy and singing. At least I hope so!
Can you sum it up in 5 words?
Sum up the show in 5 words?! What! I just got so nervous, I just got so anxious! Okay, Family. Love. Encouragement. Belief. Trust. They’re off the top of my head without thinking too much about it which I shouldn’t anyway!
Have you found any differences between Canadian audiences and UK audiences so far?
Yeah! When I think about it the average theatre goer in Canada is much much older and we don’t have as thriving a theatre scene in one city. In London theatre is so engrained in the culture and so much indie theatre is supported by so many age groups and people from different backgrounds, there’s theatre being produced that is really so marketable, like on the West End you’ve got the massive tourist attractions but on the smaller scale, the local community with come to smaller venues like Children of Eden at the Union Theatre and we just have a much more young, excitable and supportive theatre community here in London. Its incredible and its what helps to keep the theatre industry alive. Its struggling in Canada which is one of the reasons I left, we have such a small populations spread over such a huge land mass and in order to work in Canada you have to travel all across the country, which I did. I worked everywhere from Alberta to Montreal and everywhere in between. Whereas in London you can kind of keep it, if not London based then UK based and have an actual career because there are always interesting projects coming up. There’s an actual scene here. And without an audience there’s no industry, so the audience members are younger, more enthusiastic, more supportive, more critical as well. They’re just more seasoned.
Was being a performer something you always yearned for or did you have a different career path in mind when you were younger?
Yeah. I did my first musical when I was 6 and I just kind of always did musical theatre and have always known that was it for me. There was a brief moment in my life where I had a dalliance with the idea of maybe becoming a lawyer just because I liked the sound of my own voice and I considered quite strongly becoming a paramedic. I think its like that seeking of thriving under pressure and drama, but ultimately I chose musical theatre. But it was definitely what I’ve wanted to do my whole life and something that I’ve always had as a part of my life. I’ve always done shows, I’ve always had music and performance in any form like speech competitions or saxophone exams, just always some kind of performance.
What’s the last thing you do before you step out on stage?
You know what, I always look at myself in the mirror. Not like, “how am I looking?” but I spend a moment, have a sip of water and just focus. Its more to tune out everything around me, sometimes backstage before a show can be quite frenetic, the energy can be quite crazy and especially with this show the energy is so high and everyone is having such a good time and we’re all very much in love with each other but I need to make sure that I’m really focussed because the first act of this show goes by in like 10 minutes for me. I never stop so I just sort of stare and myself in the mirror for a few minutes and zone out, almost like an open eyed meditation in a way. Have a sip of water, make sure I pee and I’m good to go!
If you had a magic wand, what show would you do next?
Oh my god, if I had a magic wand! I would love to be in Wicked, oh god I would love it! When it first came out I was just starting drama school so it was just a part of a really magical, exciting time so my feelings attached to the music and everything, its visceral. And I mean, come on, its Wicked! It’d be amazing although part of me gets scared at the concept of that cause its like ‘oh god, every night!’ its a lot!
Alternatively I’d love to do Into The Woods, I mean any role, obviously I’m too old and too tall to play little red now but I think the bakers wife and one day I would love to play the witch. I would love to do Into the Woods and I really love Urinetown! Its so clever and good and the music just takes the piss out of every musical ever written. I would love to be in Les Mis; speaking of musicals it takes the piss out of, it just rips into Les Mis and I would just love to do it because its just a classic and to play Fantine- have a Wicked first act and then boom done!
Whats your best piece of advice for an aspiring performer?
I will share a piece of advice that Nancy Sullivan and David Thaxton shared with me back in February. There’s this amazing company called W1 workshops who I heard about from my friend Carrie O’Dowd who's also a performer and they run these incredible intensive workshops that are super affordable and always in a centrally located area and Nancy and David are both incredible, well respected established performers.
Anyway, the piece of advice that they gave and this resonated so strongly with me, they said: change your environment, surround yourself with people who are doing what you want to do and join in. Do it. Do the workshops. Take the coachings. Go to the classes. If you want to be in this industry, put yourself in the thick of it and surround yourself with people who are doing what you wanna do.
Its really easy to shy away and get overwhelmed and to let our ego and jealousy kind of cloud us but the most important thing you can do is surround yourself with people doing what you want. Its inspiring, it kicks you in the ass, it gives you an idea of whats going on and from a very practical perspective, you’re networking which is so important. I think networking gets such a gross name but networking is really just talking to people, being a normal, interesting human being with something to say and if I can’t have a conversation with someone and make them feel comfortable then I do not belong on a stage! If I can’t talk and make you feel comfortable, I am not an actor!
So I think that is probably the best piece of advice and it is exactly what has afforded me this opportunity. I mean, I’m brand new to this city, I knew no one in this industry when I moved here and it was just about throwing myself into these workshops, finding them online, going in, shaking hands, getting up with your rep and saying, “Hey Danielle Torento, we’ve never met but I’m gonna sing this song for you now” and you know, follow up emails and just do it!
Change your environment. It might be one thing you do differently a day, just one thing at a time and as you change your environment you start to develop this foundation and confidence in yourself that you are in fact, doing it. Because being an actor isn’t just being on stage, its really hard to explain that to people who aren’t in the industry. I don’t just show up somewhere 9 to 5 and have people tell me what to do, its all offstage. That [the performance] is the holiday, thats the treat, the bulk of the work is an unbelievable amount of groundwork, so, change your environment. That would be the advice… and its not even mine, I’m just passing it along because I think its a golden nugget of wisdom.
A huge thank you to Natasha for a wonderful chat!
Children of Eden at the Union Theatre is booking until September 10th, make sure you book to see this fantastic show! Tickets are available here.
Read my review of the show here.
Monday 1 August 2016
In Conversation With... Kerry Ellis | Murder Ballad | Interview
Rewrite This Story caught up with the fantastic Kerry Ellis about her upcoming musical Murder Ballad, working with Brian May, Wicked and more. Check out what she has to say...
For people that may not know about your career, what would you say some of the highlights have been?
There are so many highlights I've been very fortunate to do some incredible things I guess one of the biggest was playing Elphaba on Broadway which was a childhood dream, another was performing in Verona with Brian May live on Italian television in an incredible venue that is like the Colosseum in Rome.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I always knew that I wanted to perform I just didn't know how my career would work out, it sounds very cliche but it was in my blood and still is.
I got to see you perform at the Hampton Court Festival with Brian May and you both seemed so natural and at home with each other… Why do you think you work so well together? What have you learnt from one another?
I think the reason Brian and I work so well together is because we both share the same passion for music and performing, or shows and albums and performance is now very simple it's all based around a voice and the guitar the things we care about so it just seems very natural. There is a lot of drama and atmosphere but also a lot of laughing and fun.
Let's talk about Wicked a little bit. Elphaba has become such an iconic character in musical theatre, what was your favourite and least favourite part playing her? Would you like to don the green paint again for the upcoming film?
Playing Elphaba was an incredible experience, in the West End and on Broadway, of course I would love to be involved in the film in some way and I can never say I wouldn't go back to the show ever again however I have such wonderful memories that will stay with me forever.
It's tough so it's like running a marathon eight times a week physically, emotionally and vocally it's tough but also one of the most rewarding roles I have ever played.
You’re an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
You have to love this industry, it can be so competitive and hard at times but also it's one of the best jobs in the world, there are many knock backs many tears but if you are strong enough and passionate enough it's worth the fight
You’re set to star in Murder Ballad from September, can you explain little about the shows storyline and how your character Sara fits into it?
I think you just need to come and see the show. I'm really excited about it it's a forehand are very intimate show something I've never done before. All the cast are stars and I think it's going to be show not to be missed.
Murder Ballad is set in a bar right? You’re used to performing in much bigger venues, how do you feel about performing in the more intimate Arts Theatre?
I'm a little nervous if I'm honest but I like the challenge and I always like to try new things, it's going to be a very new experience of performing so intimately as a character.
Sam Yates will be directing us and I have full confidence that he will make this show incredible.
Can you describe ‘Murder Ballad’ in 5 words?
Dangerous passionate electric emotional and fun
Interview by Olivia Mitchell, Editor
A huge thank you to Kerry for taking the time to answer these questions!
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