Posts with the label in conversation with
Showing posts with label in conversation with. Show all posts
Showing posts with label in conversation with. Show all posts
Wednesday 4 April 2018
In Conversation With... Siubhan Harrison | The Country Wife | Interview
Siubhan Harrison stars as Alithea in the 1920s play, The Country Wife which opens tonight at the Southwark Playhouse. Siubhan told me about her role in the show, the 20s world, audience reactions and more...
Can you explain a little about The Country Wife and how your character Alithea fits into it?
The Country Wife is about a society of sexual liberation where Harry Horner poses as a eunuch in front of men in order to sleep with their wives without suspicion! He meets Margery the young beautiful country wife of Pinchwife, when she comes to London, we soon see Pinchwife lose her to the fun of the bright young things society as her eyes are opened to how town people conduct their relationships and searches for what makes her happy instead of her constricting loveless marriage. Alithea is Pinchwifes’ sister, who is due to marry Sparkish for what we suspect may be financial and social convenience for the pair of them but when she meets his friend Frank Harcourt who pursues her and offers her the possibility of happiness we see her turmoil.
What attracted you to the role of Alithea? Are you alike at all?
Alithea is fabulous, cutting, searing honesty and an absolute hostess, the image of the 1920s glamour girl! I wish I was like her... in real life I’m very clumsy and geeky!
How has it been immersing yourself into the 20s world? What do you enjoy the most?
1920s is so much fun, pretending to be a bright young thing has been a hedonistic, liberating party!
What do you think people will be saying and feeling as they leave the theatre after seeing the show?
Hopefully they’ll laugh, it’s amazing how a play written over 340 years ago can still be so accessible, the language and humour is brilliant!!! The era is so evocative and sexy!
Can you sun up the show in 5 words?
Debauched, funny, liberating, hedonistic, glamorous
If you had a magic wand, which show would you do next?
A spy film! Or a Pinter play
What's your best piece of advice for aspiring performers?
Be playful, be brave!
Massive thanks to Siubhan for taking the time to do this interview. The Country Wife runs at the Southwark Playhouse until 21st April .
Interview by Editor, Olivia Mitchell
Massive thanks to Siubhan for taking the time to do this interview. The Country Wife runs at the Southwark Playhouse until 21st April .
Interview by Editor, Olivia Mitchell
Thursday 14 December 2017
In Conversation With... Matt Addis | Remarkable Invisible | Interview
Matt Addis is currently starring in Remarkable Invisible, he sat down with me to chat all about the show, theatre he's recently loved and more...
For anyone that doesn’t know, can you explain a little about your career and what your highlight have been so far
For anyone that doesn’t know, can you explain a little about your career and what your highlight have been so far
I’ve been acting professionally for ten years, after escaping a blossoming career in corporate sales. Playing Nicholls in the international tour of War Horse was a delight, especially the shows for township kids in South Africa, where the puppets originated.
Have you always aspired to be a performer or did you have a different dream when you were younger?
I always aspired to be James Bond, but after reading John le Carré I decided acting was maybe a less tedious career.
Have you got any hidden passions you’d like to pursue?
Rally driving, although I’ll need a few more well-paid jobs to really make that happen.
What can people expect when they come and see Remarkable Invisible?
A deftly-woven, delicate portrait of a family. Beautiful naturalistic dialogue and some hard home truths.
What drew you to the role of Christopher in Remarkable Invisible- are the two of you alike in any ways?
It’s a beautiful play, deftly painted onto a very small canvas. I was enchanted by the quality of the writing, which feels so beautifully fresh. Christopher is an emotionally stunted millionaire architect who lives in San Francisco and likes good bourbon. I like good bourbon.
Can you sum up the play in five words?
Family. Moving. Home. Lies. Truth.
Is there a play or musical you’ve seen recently that you loved?
Iphigenia in Splott, with Sophie Melville at the NT has to be the finest piece of theatre I’ve seen in years. Excoriating, visceral and evocative. Sophie’s worked here at Keswick before, and I hope she’s back very soon.
What’s a fun fact people might not know about you?
I once played Dame Edna Everage in an episode of Hollyoaks.
What’s your best piece of advice for an aspiring performer?
Listen to all the advice you can find, and disregard everything that gets in your way. Believe in yourself with a passion stronger than any obstacle. Find joy in the present, wherever that is!
A huge thank you to Matt for taking the time to chat to me. Make sure you catch him in Remarkable Invisible as well as any future projects!
Interview by Olivia Mitchell, Editor
A huge thank you to Matt for taking the time to chat to me. Make sure you catch him in Remarkable Invisible as well as any future projects!
Interview by Olivia Mitchell, Editor
In Conversation with Jonathan Andrew Hume | Alice in Winterland | Interview
Jonathan Andrew Hume played the lead role of Simba in The Lion King and is set to star in the Rose Theatre's production of Alice in Hinterland, alongside the Rose Youth Company. Jonathan spoke to Rewrite This Story about the show and all things Christmas...
What have some of your career highlights been?
I have been blessed with some great career opportunities. Two of my career highlights have been playing the lead role of Simba in Disney’s The Lion King in the West End, and also working with Emily Blunt, Lin-Manuel Miranda and director Rob Marshall in the upcoming movie Mary Poppins Returns.
What attracted you to this production of Alice in Winterland?
Our director Ciaran McConville has written a great take on Alice’s adventure. After reading excerpts of Ciaran’s script adaptation for my audition, and hearing Eamonn O’Dwyer’s great song the Blue Caterpillar sings, I knew this was going to be a fun project to work on, and I’m so glad to be a part of it.
What can we expect from the show?
You can expect a brand new and exciting adaptation of Lewis Carroll’s iconic story. A thrilling and sometimes mad adventure into Wonderland, taking you on a journey of Alice’s self-discovery and with the help of her new-found friends, realisation of what strength and power lies inside her.
You play the Caterpillar/Knave, what’s the funnest part about playing these roles?
Playing the extravagance and edgy lethargies of the Blue Caterpillar are the most fun. He’s such a great character to play. However, quite frankly, playing the Knave is also fun because I play a villain! I’ve always wanted to play one of the bad guys, and there is a certain satisfaction in getting “booed” by the audience at the end. You definitely know you’ve done your job properly... or at least I hope that’s what they’re “booing” for!!!
Who in the show do you think is most like their character?
I think our four talented young actresses sharing the role of Alice (Ellie Clark, Madeline Lynes, Gaia Mondadori and Hannah Wilkinson) have become most like their characters. All four of them are living the role each night they go on, and they do it with ease. Seeing them grow as actresses through this rehearsal process has been a privilege to watch. Their acting choices are natural and personal, and they make Alice so relatable that you cannot help but feel with her, the love, anguish, pain and joy she goes through before your eyes.
When it’s 'Time for Tea', what’s your biscuit of choice?
Oooh, that’s a hard one! I’d probably have to say it’s a tie between an Oatmeal and Raisin Cookie and an Oreo.
On a scale of 1-10 how much of a Christmas lover are you?
Probably a '9’. I love spending time with family, gift giving, singing carols and getting into the spirit of Christmas. I take away one point because as beautiful as winter can be, especially when snowing, I’m not the biggest fan of the cold!
If you could spend Christmas with anyone dead or alive (other than your family), who would you choose?
Wow! Another hard question. I think I would actually like to spend Christmas with the Hatter from the show, because it would definitely be the craziest, funniest (and messiest) Christmas dinners ever!
Give us your best sales pitch as to why people should come and see Alice in Winterland!
Alice in Winterland is an extraordinary Christmas show which people both young and old will enjoy. Be ready to be taken on an adventure into Wonderland that is like no other. With enchanting scenery and costumes, extraordinary puppetry and memorable songs, all put together by an amazingly talented creative team and performed by a brilliant cast!
A huge thank you to Jonathan for taking the time to do this interview. Alice in Winterland runs at the Rose Theatre until January 7th.
Interview by Olivia Mitchell, Editor
photo credit: Mark Douet
Monday 30 October 2017
In Conversation With... Charlotte Cooper | The Night Pirates | Interview
Charlotte Cooper has had an extensive career and is currently starring in the swashbuckling family production, The Night Pirates. Charlotte sat down with Rewrite This Story to tell us about her career and why this production is perfect to take your little ones too!
For anyone that doesn’t know, can you explain a little about your career and highlights so far?
I have worked extensively in children's theatre. I have been lucky enough to tour all over the world including Singapore, Malaysia and America as well as all over the UK and a stint in the West End.
Have you always aspired to be a performer of did you have a different career path in mind when you were younger?
I discovered performing when I was 10 and knew instantly that I wanted to do it as my career. Prior to that I had wanted to be a farmer! I am still a big tractor fan and listen to The Archers daily.
What drew you to The Night Pirates?
The Night Pirates is a great book and gender equality in the form of female pirates is what the world needs! The team behind it are brilliant, Miranda and Barrie work beautifully together and Rose Theatre Kingston produce such excellent stuff. As soon as I heard it was being done I was itching to be seen for it. I am really pleased and proud to be a part of it
Did you have a favourite bedtime story growing up?
I was a big fan of Each Peach Pear Plum and the Jane Hissey Old Bear stories. I still have a soft spot for those.
What would your pirate name be?
What WOULD it be?! I am already blessed with one! ChARRRlotte or Captain Cooper. Captain ChARRRlotte Cooper to give me my full name.
Can you sum up the show in five words?
Swashbuckling action-packed piratey fun!
How do you adapt to performing in front of groups of mainly children compared to mainly adults?
An audience of mainly children is not a forgiving one! With shows for younger audiences, you know immediately by their reaction if something has or hasn't worked. They become restless if not fully entertained and need to be given plenty of opportunities to interact. It is a high energy medium and you have to be thinking constantly.
Younger audiences notice everything, it’s impossible to trick them or divert them, if something funny happens on stage they will have noticed and you can't gloss over the moment in the way you could with an adult audience. (I was once in a show where another character and I collided and he fell over. It was incredibly funny as he fell to the floor and into a spotlight centre stage, the whole audience saw it so I had to acknowledge it had happened which gave them permission to laugh and helped to explain my obvious guffaws!)
What’s a fun fact people may not know about you?
I have a keen interest in dinosaurs and am currently studying a paleobiology course. I find it fascinating!
What’s your best piece of advice for an aspiring performer?
Find your niche. The acting industry is vast and there are many different genres and mediums, the thing you may be best suited to you might not know about yet. Be open and receptive to trying new stuff and find what you enjoy.
A huge thank you to Charlotte for taking the time to do this interview. The Night Pirates is touring until November 19th, more information can be found here.
Interview by Olivia Mitchell, Editor
A huge thank you to Charlotte for taking the time to do this interview. The Night Pirates is touring until November 19th, more information can be found here.
Interview by Olivia Mitchell, Editor
Monday 23 October 2017
In Conversation With... Peter Becker | Interview
Peter Becker is currently starring in the UK Tour of War Horse and is the first German person to play Friedrich in the show. He sat down with me to discuss the show and his role...
Can you tell us a little bit about the rehearsal process for War Horse?
Can you tell us a little bit about the rehearsal process for War Horse?
On the first day of rehearsals I was seriously overwhelmed by the sheer scale of things. We were rehearsing in a massive industry complex at Morden Wharf in London and I could not quite get my head around the enormity of the undertaking. There are so many people involved in creating the show! The actual stage floor was already installed, we were immediately provided with all the necessary props and costumes. It felt like stepping into a whole new universe. I was invited to improvise with both horses in order to find out how to interact with them. Since the puppeteers knew everything about the anatomy and the natural behaviour of horses it all felt very natural. Like the audience I totally forgot they weren’t real horses I was dealing with in the matter of minutes. As the horses will solely react on the tone of our voices and the way we move I started speaking German to them. It was very interesting to learn that it didn't matter what language I used, they still understood my intentions and reacted accordingly. The attention to detail and the love that has been invested by the National Theatre is immense.
During rehearsals we had a visit from the Imperial War Museum, providing us with in-depth information. We visited the King's Troops, who answered all questions about the military handling of horses. We had military training, shooting lessons, went to several exhibitions and prepared presentations on the First World War from English, German and French perspective.
What’s the most challenging part about bringing this story to life?
What’s the most challenging part about bringing this story to life?
In Germany actors are mostly hired to play repertoire shows as a permanent cast member with one particular theatre where as over here it is common to play one show with a company every night. I first had to adapt to the different system. In addition, it is very challenging to interact with the horse puppets. On one hand it is very easy to believe they are real as they are so brilliantly manipulated, on the other hand you have to be technically very precise in order to achieve certain effects. Funnily for me the most demanding part was speaking English with a very strong German accent. I am half an Englishman and have a much less pronounced accent in real life. When playing, I got confused at first. It was very interesting to determine how different my brain works when I have to switch back and forth between the two languages. I feel a little delayed sometimes because I will often translate mentally before I react. My voice also sounds different when I speak English I believe.
Can you explain a little about your character?
When introduced at first, we get to know Friedrich as a high-ranking German military officer - shortly after capturing English soldiers. The challenge is to give the "enemy" - from an English perspective - a human face. In the course of the story, Friedrich will lose his beliefs in the concept of war and thus question his entire life. From a dramatic point of view, he reflects Albert's development in a nearly mirror-like manner: Whereas Albert continues to harden, Friedrich, in his desperate desire to defend his humanity, continues to soften through his experience in the war. What binds the two characters together is their unconditional love for the horses.
Besides yourself, which actor in the production is going to blow people away?
I have the privilege of being part of an outstanding ensemble. It is unbelievable what talented actors our Casting Director Jill Green and Director Katie Henry have gathered to bring this enormous show to life. It is merely impossible to emphasise individual colleagues at this point as War Horse is a true ensemble play with everyone contributing equally to it’s success.
You’re the first German Friedrich in War Horse, what’s the experience been like? Do you feel an extra pressure taking on the role?
It is very exciting in many ways to meet this challenge. In Germany, the First World War is completely overhauled by the reprocessing and remembrance of the Second World War. Because of the Germans' war guilt, there is no collective mourning of the dead, we have no equivalent to Remembrance Day. Only in recent years have there been attempts to tell the differentiated history of German soldiers. I too grew up with the image of the unscrupulous murderer, who would literally stop at nothing. Now having the opportunity to give the German soldiers a human face is a great responsibility which stirs me every evening anew. It is important to point out that we are all human beings with the same fears, hopes and needs, especially in those times when we seem to be moving farther and farther apart. Besides, I am very much looking forward to perform before my English family for the first time. My aunts, uncles, cousins and grandcousins have so far only seen me on TV, never on stage before...
What do you think makes War Horse so special and lasting?
To me War Horse almost represents a deep psychological inventory of the British nation. The songs put together by John Tams and performed by Bob Fox are deeply rooted in the DNA of the British people - partly going as far back as Celtic times. The story has a universal character whilst, very concretely taking place in a time that characterises Great Britain to this very day. The unspeakable suffering and the social upheavals, caused by the First World War, which interestingly is called The Great War over here, have in the most brutally possible way ushered in modern society. The audience is invited to witness the transition from 'innocent' country life to technologically alienation. Through the identification with the horses those unconscious experiences are being made accessible again. I believe it is a very cathartic experience for a lot of people.
What do you think will people be saying as they leave the theatre?
No more wars, hopefully.
If you had a magic wand, which show would you do next?
The place in Germany I come from (interestingly founded in the Middle Ages by an English monk from Malmesbury) is home to the largest German open-air theatre festival - the Bad Hersfelder Festspiele. There I saw a stunningly current version of Cabaret last year. The piece has accompanied me since I was 15 as it was the first I ever performed in. Ten years ago I also had the chance to play the role of Ernst Ludwig in Vienna. I would very much like to have the opportunity to bring the time before the Nazis took over to life in English-speaking countries because there are so many obvious parallels to our present time, which I would love to explore - preferably in the role of the M.C.
If you could travel back to any era, when would you go to and why?
Last year I had the opportunity to play in an exciting new series, which will soon be broadcast in England on Sky and in America on Netflix. It is called Babylon Berlin and like Cabaret it is set in the period of change between First and Second World War. An incredibly ambivalent era between joy and despair. A hysterical time in which a whole society is living on the edge. If I had the chance I would love to go back to the Twenties in Berlin to experience what people felt and how ultimate freedom could turn into repression so easily.
Finally, what’s your best piece of advice for aspiring performers?
Our profession is increasingly internationalising. I am personally experiencing just how enriching it is to work in another country at the moment. In this respect, I would advise young actors: Travel as much as you can, learn different languages, the world is great and the possibilities are more diverse than ever before!
Thank you so much Peter for chatting with us! Make sure you catch War Horse on it's UK Tour.
Interview by Olivia Mitchell, Editor
Thank you so much Peter for chatting with us! Make sure you catch War Horse on it's UK Tour.
Interview by Olivia Mitchell, Editor
Thursday 5 October 2017
In Conversation With... Jane Booker | Rules For Living | Interview
Jane Booker has had a varied an extensive career, starring in a number of television series and films including Finding Neverland, Agatha Christie's Miss Marple and most recently in Sam Holcroft's play, Rules For Living...
For anyone that doesn't know, can you explain a little about your career and highlights so far?
I was in a sitcom called 'Don't Wait Up' when I was younger. I've done seasons with the RSC and I did work with Johnny Depp!
Have you always aspired to be a performer or did you have a different career in mind when you were younger?
I wanted to be a dancer and for a long time- a vet!
What drew you to the role of Edith in Rules for Living?
She is a woman trapped in a cycle of behaviour and so desperate for everything to be perfect and controlled.
What can people expect when they come and see Rules For Living?
They will get a lot of laughs, some painful truths that may resonate and a lot of mess.
Can you sum up the show in 5 words?
mayhem, rules, christmas, custard, gravy.
What's your usual Christmas like? Have there been any epic fails?
I do the cooking. The turkey 'flew' onto the floor on one occassion. Sometimes I long to be on a beach with a sandwich!
What's a fun fact people may not know about you?
I am a rollercoaster nut
What's the last thing you do before you step out on stage?
I do some chewing so my mouth isn't dry
What's your best piece of advice for an aspiring performer?
Do it! Tell yourself "they'd be lucky to have me" when going up for a job!
Interview by Olivia Mitchell, Editor
Interview by Olivia Mitchell, Editor
Wednesday 4 October 2017
In Conversation With... Natasha Langridge | In Memory of Leaves | Interview
Following on from Memoirs of a Tree, Natasha Langridge returns with, In Memory of Leaves. This monologue describes Natasha’s experience living in a block of flats on the Portobello Road council estate, which is being torn down by developers, and how all of her surroundings and green spaces are rapidly changing. The monologue also explores her work in Calais with the Occupy movement and the sadness people feel when they have to say goodbye to "home".
Did you grow up writing or was there something or someone which inspired you to write?
I’ve always written but I never showed anyone until after I’d started acting. I loved interpreting other writers work but I found that I had something to say too so I took my courage and showed my own work to other writer friends who, luckily, encouraged me to get it out there.
As well as writing, you perform and direct. How do you juggle each string to your bow and how do you smoothly transition from one to another?
I’ve got a very nice hat for each job and I look forward to wearing each one. I’m not sure I do anything smoothly except drinking wine.
Have you got any other quirky, hidden passions you’d like to pursue?
I went on a sailing trip recently. On an old Thames Sailing Barge .The main mast was 70ft high. I watched the mate climb the rigging. I helped unfurl the sail. I learnt how to tie a bowline knot. I helped steer the ship. I watched the moon rise up over the sea. I quite fancy being a pirate.
What’s your writing setup like? Do you have a certain playlist or drink you always have with you?
My vape. I move around to different places in my flat with my laptop. Or I sit on the floor with huge amounts of scrunched up paper strewn around me. Writing is terrifying. Like walking a tightrope.
In Memory of Leaves is extremely personal, did you feel a sense of pressure putting such an important story out into the world?
I felt a sense of compulsion. I’d just seen a beautiful park beneath my window massacred and felt I had to write about it and then shout about it. I am bearing witness to the ‘regeneration’ of my estate and of London and I have to tell its story-or my part in that story.
What’s the number one message you want people to take away from the show?
Live. From your heart. Speak out against injustice. We are living in a world run by psychopaths. We are living in a society based on a psychopathic model. Do whatever you can to protect love, all life and community.
Finally, what’s your number one piece of advice for anyone hoping to get into the performing industry, be it writing, performing, directing or anything else?
Do it. Don’t wait for anyone else. Or for the phone to ring. Get some good training and make your own work.
Thank you Natasha for taking the time to do this interview. In Memory of Leaves is being performed on a wide beam barge across three London locations. More information can be found at: https://goo.gl/QEXSrf
Interview by Olivia Mitchell, Editor
Thank you Natasha for taking the time to do this interview. In Memory of Leaves is being performed on a wide beam barge across three London locations. More information can be found at: https://goo.gl/QEXSrf
Interview by Olivia Mitchell, Editor
In Conversation With... Natasha Langridge | In Memory of Leaves | Interview
Wednesday 4 October 2017
Tuesday 26 September 2017
In Conversation With... Oliver Ormson | The Addams Family | Interview
Have you always wanted to be a performer or did you have a different dream when you were younger?
I think when I was really young I wasn’t too bothered, I think the first ever thing I wanted to be when I was really young was a policeman. But I was interested in football from a young age cause of my dad so probably a footballer really… But my mum was interested in amateur dramatics so I went that way when I was older. About the age of 16/17 I decided I wanted to be an actor.
Can you explain a little about The Addams Family and how your character Lucas fits into it?
The Addams Family is the classic everyone knows but it’s ten years on and in this story Wednesday (Carrie Hope Fletcher) is all grown up and she’s fallen in love with an American boy from a normal background and I’m that American boy!
So the Addams invite the Bieneke's round for dinner because Wednesday’s got a little secret and it’s a secret she’s kept from her parents. So the main premise is inviting a ‘normal’ family into the Addams family mansion where there’s all sort of ghouls and ghosts going on.
Lucas Beineke is that all-American boy but he likes the darkness and he’s intrigued by it. He’s come from a normal family and the first time he meets Wednesday she shoots a pigeon with an arrow and it lands by his feet in central park and he just falls in love with her straight away cause she’s so different from the background he grew up with.
So Lucas looks all clean cut but he does have a hint of the darkness as well!
Are you anything like Lucas and what drew you to the role?
It was more the project that drew me in. It’s the first time it’s been done in the UK by a professional company. It’s very rare these days that you get the opportunity to create your own role. So I am the first professional Lucas in the UK arnd Ireland so it’s really wow because I get to create and make things which doesn’t happen a lot. Especially on a tour which has been done time and time again; they tell you where to stay on a straight line but I had the chance to play with it which was amazing.
Probably the thing that I’d say that is the Oliver Ormson in Lucas is that I’ve tried to make him a bit dorky. Just a bit silly in that embarrassing phase where you go round to your partner’s house for the first time as a teenager and you’re sort of tripping over your words cause you’re trying to impress so it’s that sort of dorkiness. He just reacts to situations and doesn’t really think about it; he’s trying to be cool so he’s a bit dorky!
Who else besides yourself would you like to see play Lucas?
Oh wow, that’s really hard! I think it would have to be, and I know it’s cliched cause he’s massive at the moment, but it’d have to be Ben Platt. You know, he’s a fellow Hufflepuff as well! He tweeted saying that Evan Hansen is a Hufflepuff and I tweeted saying so is Lucas Beineke so I think we have the same sort of taste. I think he has that character cause he’s done it everyday like that twerpiness and he would sing it like an absolute dream! Unfortunately he’d probably be much better than me but as long as I’m gone and out the picture he can happily have it!
You’ll have to switch and be Evan while he’s Lucas!
Yes! Please make it happen, I’ll get you tickets to the opening night if you can make it happen!
Who in the show would you say is most like their character?
I would say Cameron Blakely who plays Gomez Addams cause he is crazy. He’s full of voices and full of character and he has a little daughter himself, a beautiful little daughter who’s three or four and you can see he has that protective side that Gomez has in the show over Wednesday. But he’s also that embarrassing dad so I’d definitely go with Cameron as Gomez.
If you were one of the ancestors, what would your crazy cause of death be?
This is really cool… erm maybe something silly when I was drunk or something? Yeah something silly like falling in a lake and my ancestors prop would be a can of lager or a pint!
What is your favourite thing to do when you’re not on stage?
This sounds quite cliched but I like to keep fit cause you never know when this jobs gonna end. I do a lot of dancing, not so much in this show but I’ve danced in other shows so I try and keep that up. I don’t wanna relax too much to think I just have to sing and act cause the next job you might wanna do could have a a tap number in it or something like that.
Yeah just try and keep fit really, go to the gym and I’m quite a boyish boy so watch Netflix or football or play games like video games so very cliched unfortunately!
I know you’re a big Harry Potter fan, so if you could bring anyone or anything from the Potter world into our, what or who would you bring?
I would just like a wand. You know, just the elder wand would be fine, the casual elder wand! That’s what I’d bring because I was thinking about the invisibility cloak and stuff but I think after a while that might get a bit boring!
And if you have the wand you can get other stuff with it!
Exactly, like with the wand you can do crazy spells!
Well that’s a lovely segue as my next question is: what show would you wish to do if you had a magic wand?!
As I mentioned I love Dear Evan Hansen but I’ve always wanted to play Fiyero in Wicked. I watched it and thought it was really magical and cool and people always say to me “you could play Fiyero, you can do that!” so if I actually do it I can shut those people up… in a nice way
If you could go back to any era, when would you go to any why?
I love the 80s. I was born in the 80’s, well only just by like 2 months in ’89 so I always claim that I’m an 80s child but to properly go and experience it and to actually live in that time I'd love. And I’ll see my mum and dad in their 20s which would be so weird!
Finally, what is your number one piece of advice for an aspiring performer?
There’s this amazing Bryan Cranston philosophy and he says to just act, just get yourself out there and act. Even if it’s just a local drama group, just hone your skills. Even if you’re doing an amateur production of Fiddler on the Roof you’re gonna learn things from that, you’re gonna be with people that have maybe done professional work before. So I’d say just act and be proactive and productive cause then you learn.
As professional actors we have stories of how we once did am dram and how that helped. So everyone starts somewhere. I think some people think that you come out of college and you go straight into the West End and all of a sudden you’re just a professional actor but you learn a lot of things before that. So just be creative and play and try things out, you’ll always learn things.
Do that and make sure it’s what you want to do and then pursue college or drama school which is an important route in my opinion but you can still do it without that. So go and learn, go and be proactive and just hone you’re skills.
Thank you so much to Oliver for taking the time to chat to me. The Addams Family runs at the New Victoria Theatre until the 30th September before continuing on it's tour.
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