Posts with the label concert
Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts
Sunday 16 June 2019
Ben Platt: Sing To Me Instead, Eventim Apollo | Review
Ben Platt: Sing To Me Instead
Eventim Apollo
Reviewed on Saturday 15th June 2019 by Olivia Mitchell
★★★★★
In his premiere London concert, Ben Platt performed his Sing To Me Instead tour to thunderous applause, and proved that sublime vocal skill and authentic connection are the perfect combination for a magical night.
Opening the evening was James TW. A British singer-songwriter, James instantly got the audience on his side through his earnest songs and impressive vocals which set the tone for the intimate evening ahead. His stripped down version of Hey Ya! was particularly entertaining, especially as the audience sang back in a wonderful moment of synchronicity. Personally the most moving song was When You Love Someone which was performed with absolute candor, and highlighted why James is succeeding in his career so far.
After a brief interval, headliner Ben Platt took to the stage to almighty applause as he sung out his first instantly recognisable phrase. From the opening moment we were transferred to a vibrant jam session which was energetic and magnetic throughout. The opening song Bad Habit paved the way for the signature vibrato, laid back vibe and insanely well performed concert we were about to experience. With a set list almost exclusively featuring songs from Ben's debut album, this was a wonderful chance to see and hear Ben outside the restraints of playing a character. Whilst yet to perform in a West End musical, it was clear from the many people sporting Dear Evan Hansen merchandise, that a lot of his fans are from his theatre work. What was wonderful about this concert, is that despite not featuring any musical theatre numbers, it felt just as emotive and transformative as sitting through a plot filled musical and will entertain both stageys and non-stageys alike. If the album is not enough to assure you of Platt's vocal prowess, seeing him live will absolutely seal the deal.
Ben animatedly chatted between songs as he found ways to open himself up and connect to the audience. Short anecdotes about each piece added a depth which seemed to resonate with everyone there. In a night of perfectly performed songs it's hard to label standouts, but Honest Man and Share Your Address were particular favourites as they radiated energy thanks to Ben and his outstanding band and backup singers. Throughout the concert Platt used his smooth riffs and a soaring range to share the various life lessons he's learned and seemed to truly be loving every minute of it.
Aside from Ben's own music, he also put his spin on some other artists. Brandi Carlile's The Joke was goosebump inducing, whilst Stevie Wonder's Overjoyed transported us to a bopping bar and the melody of Elton Jonh's Take Me To The Pilot was emphasised and enthusiastically performed.
The intimate feel of the Sing To Me Instead album was perfectly reflected in the stage layout which was dotted with cushions and family photos. Every beat of each song was matched faultlessly through the lighting design of the tour. Superbly theatrical, warm and awe-inspiring, it was truly the most well lit concert I've ever experienced and made the night not only aurally pleasing, but visually stunning.
Ben closed the night with Older and Run Away; two beautifully controlled pieces which solidified him as performer in his own right, outside of playing a character. As audience members, we were welcomed into Ben's world and he did not shy away from letting us in on his triumphs and flaws. This connection was truly magical and I have absolutely no doubt that Ben will continue to beguile and inspire audiences around the world.
photo credit: Olivia Mitchell
Wednesday 22 May 2019
Sunday Favourites: Marisha Wallace, The Other Palace | Review
Sunday Favourites: Marisha Wallace
The Other Palace
Reviewed on Sunday 19th May 2019 by Olivia Mitchell
★★★★
The Other Palace is playing host to a new series of intimate solo concerts, where the West End's finest get to perform their favourite songs in a laid back session called Sunday Favourites. Last Sunday Dreamgirls and Waitress superstar Marisha Wallace, took us on a soulful journey where she opened up about her life and showed off her golden pipes in a wonderful celebration of music.
Featuring an eclectic selection including an Aretha Franklin medley, My Funny Valentine, Zero to Hero and How Deep is Your Love, Marisha provided something for everyone and vocal gem after vocal gem.
As well as a fine solo repertoire, a number of guests also helped the proceedings. Nicole Raquel Dennis and Nathaniel Morrison brought some smooth, crazily tight backing vocals to a few songs, including a remixed version of Britney Spears' Lucky which was hauntingly brilliant. Jodie Steele also took to the stage for a lovely performance of the India Arie classic, Ready For Love; whilst Lucie Jones joined Marisha for a fiery rendition of Take Me or Leave Me. Both Jodie and Lucie complemented Marisha excellently and all three created a warm, natural environment that welcomed the audience in. It goes without saying that the vocals were super and it's great to know that all the performers are thriving on musical theatre stages where their talents can really shine. Competition winner Lashayah, also showed that the future of the West End is in very safe hands.
Despite having missed the concert version of The Colour Purple I was lucky enough to hear Marisha perform the powerful I'm Here at her 2017 Soul Holiday concert, and was absolutely thrilled to have another chance to hear her incredible rendition on Sunday. Marisha has a wonderful ability to word paint even the smallest of words to truly bring a piece of music to life. Her vocal skills are matched by her magnetic personality and witty rapport with the audience.
Again, Marisha spoke candidly about her life, namely the ups and downs she has experienced throughout her career and more recently as she soared in Dreamgirls but struggled in her personal life. Hearing someone be so honest on stage is refreshing and works to unite the audience through common emotions.
It's evident from the new levels Marisha has consistently been reaching since she came to our side of the pond, that she's got a long career ahead of her and a loyal fanbase over here. It just goes to show that talent really is appreciated and alongside being a kind, genuine person, will get get you everywhere. Of course there are negatives and lows, but Marisha is proof that with perseverance, hard work and real skill, you can succeed.
photo credit: Danny Kaan
Thursday 9 May 2019
Georgia Carling and Patrick Sullivan: Surviving a Millennial Jukebox, Museum of Comedy | Review
Georgia Carling and Patrick Sullivan: Surviving a Millennial Jukebox
Museum of Comedy
Reviewed on Wednesday 8th May 2019 by Olivia Mitchell
★★★★★
Bat Out of Hell may have closed at the start of the year but that doesn't mean the love for the show and its cast has dwindled. In fact, the fans may be even more supportive now as they jump at each chance to keep the memories alive. Last night that was helped by Valkyrie and Blake themselves: Georgia Carling and Patrick Sullivan who put on a concert as part of Monsteers Artistry's new series. The pair took to the stage of the intimate Museum of Comedy to bring us a night of beautiful vocal entertainment as they sung us through some of their favourite songs.
Despite both having their starring moments in Bat, it was an enthralling treat to hear both performers really sing and show the audience just how talented they are. Their various song choices allowed us to hear cutesy, lilting moments alongside huge belt numbers, each and every one of which was performed with intensity and vocal prowess.
Patrick Sullivan's gloriously smooth tone is a true delight to hear as he skilfully masters huge songs including The Streets of Dublin (revive A Man of No Importance please) and Sam Smith's Lay Me Down. Patrick's natural charm leads the audience to feel welcomed and the space of the Museum of Comedy is perfect for a semi-informal concert.
Georgia Carling's infectious personality bursts out from the stage as she provides not only killer vocals but a magnetic stage presence which enchants the audience and has them in the palm of her hand. Georgia's rendition of The Story was completely magical and Before He Cheats brought a sassy side to the night's proceedings. Georgia has a special skill of being able to capture a crowd whilst remaining natural and relaxed as she allows the audience to bask in her talents.
Alongside the natural banter of Georgia and Patrick, the pair were joined by ex-Strat and fan favourite, Benjamin Purkiss who brought spades of humour and vocals beyond belief to the nights proceedings. Stacy's Mom was a comedic standout and Matt Corby's Brother was a vocal gem of a piece which Ben performed stunningly.
In a night where every song was a delight, some other highlights included Patrick's masterfully controlled version of The First Time Ever I Saw Your Face; They Just Keep Moving The Line which Georgia performed with gusto and honesty; Dream On which was a battle of the powerhouses Patrick and Ben; and Lucky which was magically performed by Georgia and Patrick.
If you weren't at the Museum of Comedy last night then you really missed out on a fantastically performed concert with treat after treat from three of the most talented performers the West End has to offer. I can only hope this isn't the last time we see and hear this trio perform. If you want to witness truthful, magnetic performances then look no further than Georgia, Patrick and Ben!
Follow Monsteers Artistry for information on future concerts and events
photo credit: Rishi Rai
Friday 22 March 2019
Vision of You: Live with Rob Fowler and Sharon Sexton, Key Theatre | Review
Vision of You: Live
Key Theatre, Peterborough
Reviewed on Tuesday 19th March 2019 by Olivia Mitchell
★★★★
Since the closing of Bat Out of Hell, fans of the show have been able to keep their love and involvement alive through Rob Fowler and Sharon Sexton's album Vision of You which charts the backstory of their characters Falco and Sloane. Accompanying the album, the pair have been on a mini tour around the country where they welcomed fans into the Falco Family and provided some absolutely outstanding vocals while they did it.
The final stop on the tour (for now) took Vision of You back to where Rob first performed, Peterborough where a home crowd joined with those from out of town to create a wonderful atmosphere and a real celebration of the music and the performers. A mixture of a concert and a musical, this version of Vision of You used the basic skeleton of the previous ones and added to it to create a complete extravaganza of a show. Once again, Erin Ong (who travelled from America to be part of the final show!) provided her lovely artwork which was projected above the characters to create an almost comic book feeling and embellish the story that was being told.
Rob and Sharon performed most of the songs from their album, as well as some extras, with the heart, vocals and chemistry that they are so loved for and took the audience on a journey through the eyes of their characters very well. What made this show extra special, was the involvement of Raven and Strat aka the crazy talented Georgia Carling and Simon Gordon, who performed solos, duets and group numbers to perfection. Also joining the gang were the young KYT performers who gave spirited performances and brought The Lost to life. Accompanied by Steve Corley and his distinguished band, each number was a powerhouse moment and a true celebration of the superbly talented performers on stage.
Opening with 'Falling Slowly' and closing with 'The Show Must Go On' really sums up how versatile all the performers on stage are; from the hugely upbeat numbers to the more intimate and delicate numbers, there was never a moment which fell flat or felt under emoted. Both Rob and Sharon's voices are raw and expressive but manage to maintain complete control throughout. Especially impressive were Sharon's heartfelt renditions of 'Delight' and 'The Man with the Child in his Eyes' which brought a stillness to the room that was hauntingly beautiful. Rob gave a comedic performance of 'A Miracle Would Happen' as well as his signature rock tones in the epic 'What You Own' where he was also joined by Simon Gordon.
Simon's voice is beyond beautiful and he showcased it effortlessly with each number he was a part of. His performance of 'Bat Out of Hell' illustrated exactly why he was cast in the role of Strat and gave us a chance to hear and see him shine without the lighting and effects that were prevalent in Bat Out of Hell. If this evening was anything to go by, I'm convinced Simon could probably make a shopping list sound exquisite. Aside from Simon's performance, this semi stripped back rendition of Bat also highlighted just what a brilliant song it is.
Georgia Carling's voice complemented Simon's fantastically in their duets, 'For Crying Out Loud' and 'High Enough', as well as shining in her solo and group moments. 'Taking Chances' is a belter of a song and Georgia tackled it with ease as she gave a vocally faultless and completely first-rate performance. After gaining many fans from her performances as Raven and Valkyrie in Bat Out of Hell, there's no doubt that Georgia will continue wowing with her superb talents.
Vision of You was a night of extremely well done storytelling and singing. Seeing how much Bat Out of Hell means to Sharon and Rob is really moving and I'm sure this isn't the last we'll hear of Falco and Sloane. The stellar performances, well done lighting, outstanding band, skillful projections and great atmosphere made this a fabulous night and a perfect farewell-for-now to Vision of You.
photo credit: Bat Loaf
Wednesday 13 March 2019
West End Live Lounge: Woman, The Other Palace | Review
West End Live Lounge (Concert)
The Other Palace
Reviewed on Friday 20th October 2017 by Olivia Mitchell
★★★½
This is the second Woman themed West End Live Lounge, but this time, the team have graduated from The Other Palace Studio, to the main space as they become bigger and better. Featuring songs from some of the most influential women in music and raising money for Samaritans, West End Live Lounge is really about the heart and soul of everyone involved.
Host for the evening was Samuel J Holmes who wittily engaged the audience and provided innuendo after innuendo and a number of anecdotes about his new home in Southend. The atmosphere remained lighthearted throughout but we were all reminded of the crucial reason for the concert. As always, the proceeds from West End Live Lounge go to charity, this time we were raising funds for Samaritans who do crucial work helping those in dark mental places. The Samaritans answer a call for help every six seconds which is truly incredible and its imperative that we help where we can. Especially in an industry where mental health is often battered, it feels very special and close to everyone's hearts that we can support the charity in this way.
Whilst the evening did flow very well, it would have been nice to hear each performer introduce themselves and their songs a little as at times they felt a little removed from the audience. Perhaps this was due to nerves but I felt that some ice breaking could have helped.
To raise funds and of course provide entertainment, founder of West End Live Lounge, Shaun McCourt pulled together some of the best West End performers to sing their hearts (and larynx's) out. Highlights were aplenty so I'll just name a few... First up, Jennifer Tierney's performance of All By Myself which was note perfect and superbly performed. With her hauntingly beautiful rendition of With Woman in the Moon, Brady Isaacs Pearce brought calm to the venue, whilst Shekinah McFarlance showed off her extreme vocal prowess with Lose To Win.
Blowing the roof off at the end of act two, Emma Lindars put her own spin on the Jessie J classic, Mama Knows Best and wowed the entire audience a second time with Stone Cold by Demi Lovato. Live Lounge regulars Divalution provided their signature riffs, belt and sass with All I Ask and Power, and Matthew Harvey put a new spin on Britney Spear's, Circus, complete with multi-coloured lighting.
Other stand outs included Kayleigh McKnight's rendition of Chandelier, Louise Dearman's take on the Celine classic, Taking Chances. And, after an understated start, Simon Gordon's performance of Shallow was utterly breathtaking and completely memorable. The 10 piece band led my MD Sam Coates did an outstanding job of backing up the performers as well as having their own chances to shine. The full band bring a real warmth to these concerts and its fantastic to, not only hear them playing brilliantly, but also see them looking like they're having a great time.
West End Live Lounge continues to provide a highly entertaining Sunday out, full of treats a surprises. There is always guaranteed to be something for everyone and you should definitely pop along, not only to hear fabulous singing, but also to support highly deserving charities.
photo credit: Nick Brittain (Brittain Photography)
Thursday 21 February 2019
In Conversation With... Shaun McCourt | West End Live Lounge | Interview
West End Live Lounge is back at The Other Palace on March 10th for a celebration of WOMEN. The stellar line up of performers will sings songs from powerful ladies, all whilst raising money for Samaritans. I spoke to founder, Shaun McCourt about all things West End Live Lounge...
Can you tell us a bit about the creation of West End Live Lounge?
West End Live Lounge started in 2017 as an idea for a series of concerts to raise money for charity and has since grown to where it is today. I wanted to create an event which would allow West End performers the platform to sing material which was not from the world of musical theatre with a live band. There was a gap in the gig/concert circuit for such an event and I simply decided to go for it-and what an exciting journey it has been.
You’ve gone from the Union Theatre to the Other Palace Studio to the main house and each concert is getting bigger and better. What’s the next thing you’d like to achieve with your concerts?
I am always overwhelmed by the support that West End Live Lounge receives. It is great to see so many people enjoying the concerts. Without this support, its reputation would not be where it is now. The show continues to grow and there are certainly exciting plans in place for its future. However, I am going to keep the secrets for now I am afraid. Watch this space!
In terms of what I would like to achieve, my aim is to continue to produce concerts that not only entertain our audiences, but also raise as much money for charity as possible.
What’s your favourite part of putting the Live Lounge concerts together?
Though I may look slightly stressed on the day of a Live Lounge concert, I have to say that I enjoy the whole process of putting it together- from picking the theme, to casting the line-up, liaising with The Other Palace, to the day of the concert itself. However, if I had to pick a favourite moment, it would be the rehearsals and soundcheck on the day of each event. The Live Lounge band are all incredible musicians and our musical director, Sam Coates, is a genius. That moment when we are all set up and I hear the band play for the first time is really special. It is always a reminder of just how much hard work people put into making these events a success.
West End Live Lounge has become a bit of a family. The central team is made up of Sam Coates (musical director), Will Miney (technical manager) and myself. However, all performers and musicians that have been involved become part of this family. Getting to work alongside so many talented individuals always makes this such a rewarding process.
What can people expect when they come and experience a West End Live Lounge?
People can expect a great night at the theatre. If this doesn't happen, then I am doing something wrong! A West End Live Lounge event promises a fantastic line up of incredible singers and musicians. Each concert has an exciting theme and gives the audience the chance to see their favourite West End performers step out of the world of musical theatre.
Each concert you raise money for a different charity, how do you choose the charities to support and what do they mean to you?
Choosing the charity for each concert is always a tricky job. There are so many important charities, so rather than continue to raise money for just one, I decided that it was really important to me that each concert raised money for a different cause. For some concerts, the theme and charity often go hand in hand. There have also been times where a major event has happened in the world around the time of the concert and it makes total sense to donate the proceeds to this cause.
If you could have any performer dead or alive to perform at a Live Lounge, who would you choose and why?
This is a tricky question! I am incredibly grateful to every single performer who has given up their time to be part of a West End Live Lounge event. They each bring an amazing talent and such a great energy to the stage. It is important to me that I continue to introduce new faces to the Live Lounge stage and that each concert offers a diverse and exciting line up.
But if I had to pick one person...
Well...If I could get Jennifer Hudson along to sing a number, would I be excited? Absolutely!
Can you sum up in 5 words why people should come to the next West End Live Lounge?
Belting for a good cause.
West End Live Lounge tickets go on sale March 25th.
Full cast (subject to availability): Adam Bailey, Christina Bennington, Louise Dearman, Lauren Drew, Simon Gordon, Jennifer
Harding, Matthew Harvey, Emma Hatton, Lisa Marie Holmes, Claudia Kariuki, Sejal Keshwala,
Emma Lindars, Shekinah Mcfarlane, Kayleigh McKnight, Christina Modestou, Brady Isaacs Pearce,
Lauren James Ray, Danielle Steers, Laura Tebbutt, Jennifer Tierney, Rodney Vubya.
Interview by Editor, Olivia Mitchell
Interview by Editor, Olivia Mitchell
Saturday 9 February 2019
Friday Night is Music Night, Queen Elizabeth Hall | Review
Friday Night is Music Night: Live From The Queen Elizabeth Hall (Concert)
Queen Elizabeth Hall, Southbank Centre
Reviewed on Friday 8th February 2019 by Olivia Mitchell
★★★★
The iconic Friday Night is Music Night, led by Ken Bruce took over the recently refurbished Queen Elizabeth Hall last night for an eclectic 2 hours of outstandingly virtuosic performances. From Shostakovich to Barry Manilow there was something for everyone and whether you were in the room or listening on the radio, you surely had a fantastic night.
The ever wonderful BBC Concert Orchestra showcased their impressive ensemble work as they performed a variety of pieces, including highlights from West Side Story and Jurassic Park. Under the baton of Bramwell Tovey, the orchestra created magic that filled the space of Queen Elizabeth Hall with power whilst, also bringing moments of tranquility to the auditorium. A contrast, which listening back to the radio broadcast, transferred very well indeed.
Also part of the proceedings was supremely talented cornet player, Thomas Nielson who was awarded the 2018 BBC Young Brass Award. With the talent and stage presence of someone much older, Thomas showed just how versatile the cornet can be with his renditions of Napoli and Someone to Watch Over Me. With highly impressive breath control, a wonderful aura and bucket loads of talent, there's no doubt that Thomas will be highly successful in the music scene.
Gary Wilmott and Sarah Fox contributed even more beautiful performances. Gary opened with the tongue-twister Ya Got Trouble from The Music Man which showed his impressive linguistic skills. Wilmott's strong vocals were showcased more in Billy's Soliloquy (Carousel) which built to a powerful and emotive ending that had the audience in instantaneous applause. Song To The Moon was the perfect piece to highlight Sarah's strong soprano voice and provided a lovely contrast to the other pieces in the programme. Cleverly transitioning from a story which inspired a Disney film, to a Mary Poppin's number from a Disney film, the night flowed very well and shone light on the versatility of all the performers.
Joyous performances made for a really magical and highly entertaining night at the Queen Elizabeth Hall. Although for most people, every night is music night, there's something special about being part of such an iconic BBC feature; and when it's as well performed as last night, you can't really go wrong.
Friday Night is Music Night is available for catch up here
Sunday 3 February 2019
West End Women, Cadogan Hall | Review
West End Women (Concert)
Cadogan Hall
Reviewed on Saturday 2nd February 2019 by Olivia Mitchell
★★★★
After their Cadogan Hall debut, Lambert Jackson Productions are back with West End Women, featuring three of the most prominent performers UK theatre has to offer: Rachel John, Lauren Samuels and Celinde Schoenmaker. Taking us on a loose history of women in theatre and melting our faces off with vocal gymnastics, this was a wonderful way to spend a Saturday evening.
Despite the biting wind outside and the snow enveloping the country, Cadogan Hall felt warm and buzzy as it was taken over by powerhouse performance followed by powerhouse performance. The trio opened with the upbeat 'I Got Rhythm', before some solo showcases of their voices. A simplistic and heartwarming rendition of 'Someone To Watch Over Me' brought stillness to the room thanks to Celinde Schoenmaker. Lauren Samuels kept us in the 20s with a beautiful rendition of 'Lady, be Good'; whilst Rachel John brought us a decade further forward with the sultry and smooth 'Summertime'.
The ladies were then joined by the MX Masterclass choir for 'Blow Gabriel Blow', followed by a Rodgers and Hammerstein medley of 'It Might As Well Be Spring', 'My Favourite Things' and 'If I Loved You'. The choir then gave a vivacious and humourous performance of 'America' which brought some real energy to the concert and gave us a glimpse into the future of the West End.
Also giving us the inside scoop on 'Names To Remember' were the wonderful competition winners who performed throughout the concert. Three became six as act two opened with the merry murderesses in the 'Cell Block Tango', before Brady Isaacs Pearce gave a spine tingling performance of 'A Piece of Sky'. I've said before that Brady is one to watch out for and her continually more brilliant performances are just evidence of that. Watch out West End! Fourteen year old Talia Robens was equally as powerful with 'Everything I Know', which she performed with effortless grace.
West End Women presented music from 1930 all the way to 2017 and showed just how timeless the songs and stories are. Every performance was a faultless delight but some highlights among the highlights included Lauren's gloriously clear renditions of 'Maybe This Time' and 'Never Enough'; Celinde's 'Think of Me' and Rachel's 'I Never Knew His Name' (Bring Brooklyn to the West End now please). All three women gave vocal masterclasses as their technique and power provided the backbone to the entire night. Whilst each powerhouse brings something individual to the table, the trio also work gloriously together and their clear as glass voices ring out with pure sincerity and strength in the acoustically great space of Cadogan Hall.
Alongside the fantastic musicians (expertly led by Adam Hoskins) this was a really great night which reminded me of why the music part of musical theatre is so special and moving. For a masterclass in technique, go see these ladies in their future endeavours.
photo credit: Mark Sykes
Thursday 24 January 2019
Vision of You: Live with Rob Fowler and Sharon Sexton, The Space at Studio 88 | Review
Vision of You: Live
The Space at Studio 88
Reviewed on Thursday 24th January 2019 by Olivia Mitchell
★★★★
After releasing their album Vision of You, back in December, Rob Fowler and Sharon Sexton have taken their exploration of the backstories of Falco and Sloane (the pair's characters in Bat Out of Hell) to new levels with a series of concerts about how the duo came to be.
Featuring a mixture of the Vision of You album and additional songs, the evening is an entertaining and dramatic look at two well loved Bat characters and is certainly a fitting antidote for the fans still mourning the loss of the show at the Dominion Theatre. Starting from when Falco and Sloane meet with 'Falling Slowly' and ending with a bittersweet duet about the couple's life and romance, 'Always Remember Us This Way', Rob and Sharon do a brilliant job of storytelling and taking the audience on a journey.
Of course, both Rob and Sharon are vocal powerhouses and they don't fail to deliver top notch performances that are gritty but controlled. Combined with Steve Corley's magical, musical skills and the intimate but booming Space at Studio 88, the couple are able to show various sides of their voices and complement each other remarkably.
The ups and downs of the Falco Family relationship are brought to life further by Erin Ong's beautiful artwork which is projected between songs to fill in the story gaps. There are a number of aspects of the artwork, staging, lyrics and costumes that directly mirror Bat Out of Hell, and avid fans will have a great time picking out the subtle references to the show. Fans will also hear some familiar people accompanying the artwork, with Georgia Carling, Katherine Hare, Jordan Luke Gage and Patrick Sullivan lending their voices to dramatic points in the plot and bringing their Bat characters to the screen.
The love Sharon and Rob have for the characters they have created is evident through their album and live performances, and the work they have put into these concerts is so visible. It's clearly a labour of love for the duo and it's only right that all three performances at The Space have sold out. Bat fans will love this character development, but even if you're not a fan of the show, there's no way you'd be underwhelmed by the incredible talent and dedication the pair exude.
If you want vocal gymnastics, raw performances, drama, angst and romance, then Vision of You, both live in concert and recorded is for you.
photo credit: Specular and Olivia Mitchell
Tuesday 8 January 2019
Christina Bennington, Live at Zedel | Review
Christina Bennington (Concert)
Crazy Coqs, Zedel
Reviewed on Monday 7th January 2019 by Olivia Mitchell
★★★★
The wounds are still fresh for Bat Out of Hell fans, who had to wave goodbye to their beloved show at the Dominion Theatre just two days ago; but the Bat love was still strong as Christina Bennington took to the stage in a one night only couple of concerts. As usual, the Zedel provided a cosy and relaxed backdrop for a night of pure vocal entertainment and we felt welcomed into the songbook of Christina's life and career.
After performing Jim Steinman's huge musical numbers for the last couple of years, it was enthralling and refreshing to hear Christina show off the other shades of her voice, with her lilting soprano contrasted wonderfully against her powerful belt and buoyant performance. Some stand out numbers included Green Finch and Linnet Bird, I'm With You and Salley Gardens which each showed a different aspect to the vast range Ms Bennington beholds. Act One closer, Raven was another highlight as Christina's voice soared over the audience and enchanted us all through the power of a beautiful song.
Alongside sweet anecdotes we also heard from two guest performers: Danielle Steers and Dan Buckley. Good Girls Go To Heaven performed by Danielle and Christina was met with elation from the audience who were wrapped around the performers fingers, whilst, Happy Days Are Here Again/Get Happy illustrated the friendship between the duo and how their voices complement each other so well. Daniel played the Disney Princes in the pairs mini Disney mash-up and reminded us of just how much talent is on offer in the West End with his beautiful rendition of You Matter To Me from Waitress; it's lovely to see two friends really seeming to have fun on stage.
Superbly talented Musical Director Noam Galperin took charge of the nights musical proceedings, leading his outstanding band with musical fluidity and providing some unique and interesting arrangements of well known songs.
It's interesting to see Christina outside of the rock musical format not only as a showcase of her versatile vocals but also her depth as a performer. Christina's comedic choices, especially during Stupid With Love from Mean Girls were highly entertaining. Equally her performance of Princess was immensely moving. The way Christina physically embodies a song is truly wonderful to see and it's clear why they say "the eyes are the key to the soul" as she conveys a single emotion or thought with a mere twitch of her eyes.
Closing the show with Heaven Can Wait and All Coming Back to Me Now was a wonderful way of rounding off, what must have been a whirlwind few years for Christina, and felt like a fitting way to put Raven away for now, and open doors for new ventures.
If you want to witness a master of acting through song and a beautiful songbird, don't miss Christina Bennington's future performances as she is sure to shine and astound.
photo credit: Joseph Sinclair
Tuesday 11 December 2018
A Christmas Carol (LMTO), Lyceum Theatre | Review
A Christmas Carol (LMTO)
Lyceum Theatre
Reviewed on Monday 10th December 2018 by Olivia Mitchell
★★★★★
The London Musical Theatre Orchestra are fast becoming a staple part of my Christmas tradition, with their glorious performances of A Christmas Carol really bringing the joy and festivity of the season to life, and of course, providing a wonderful night of top quality musical theatre.
Based on the classic novel by Charles Dickens and with music by Alan Menken and Lynn Ahrens and a book by Mike Ockrent, A Christmas Carol tells the tale of Ebeneezer Scrooge as he's visited by the ghosts of Christmas Past, Present and Future and is forced to evaluate the way he lives his life.
Under the expert hand of Freddie Tapner the LMTO bring out all the best parts of this beautifully virtuosic score. Alan Menken's music brings a Disney-esque vibe to the story which actually broaches some dark subjects such as homelessness and poverty, and manages to evoke a whole range of emotions.
Griff Rhys Jones brings the miserable but endearing Scrooge to life with a wonderful and fresh portrayal. His performance is supremely entertaining and he manages to enthral, even in this semi-staged concert production.
As the hilarious Mr and Mrs Fezziwig (among other characters) Nicolas Colicos and Rosemary Ashe have the audience in the palms of their hands whilst they give supremely humourous and vocally powerful performances.
The vocal delights on offer in this concert are second to none, with Cedric Neal providing smooth riffs and a delicate but powerful tone that's to die for and Jeremy Secomb bringing the ultimate scrooge to life in a menacing but humourous rendition of Link By Link, in which he shows off his booming voice. David Hunter is charming as Bob Cratchit alongside the fantastic Caroline Sheen as his wife and Jon Tarcy gives a memorable performance as Young Scrooge.
I'd like to be visited by the three ghosts just to be serenaded by them. Miriam-Teak Lee is sass embodied as the brings the Ghost of Christmas Past to life. Her vocals are super strong and she really brings magic to the stage with her performance. Lucie Jones' voice continually astounds; her clear as can be vocals and stellar diction bring Emily and The Blind Old Hag to the forefront of the show and equally, as the ghost of Christmas Future who never utters a word, Lucie still magnetises the audience and gives a subtle performance that you can't be drawn away from.
The young cast are great, as are the LMTO Chorus who are perhaps the strongest chorus at an LMTO concert yet. Completely in sync throughout their humourous numbers and close harmony pieces, they ground the piece and bring a magnificent Christmas choral feel to the show.
The true festive kindness was shown when two young girls in front of us beamed from start to finish and shared a single sweet between them during the final song. Cheer and love enveloped the theatre throughout this magically festive, and brilliantly performed evening. Get yourself to the Lyceum Theatre next Monday for a jubilant night of theatre.
A Christmas Carol is on at the Lyceum theatre on Monday 17th December at 4pm and 7.30pm
photo credit: Nick Rutter
Sunday 2 December 2018
Lea Michele and Darren Criss (Concert), Vicar Street, Dublin | Review
Lea Michele and Darren Criss (Concert)
Vicar Street, Dublin
Reviewed on Thursday 29th November 2018 by Damien Murray
★★★★
It is not often that you get not only one, but TWO Broadway and former Glee stars sharing a concert stage together in Ireland.
However, so good a time was had by both in Dublin on the last Glee tour that – ahead of their LM/DC concert tour dates in the UK – Lea Michele and Darren Criss (aka Glee’s Rachel Berry and Blaine Anderson) decided to open their latest joint tour in the Irish capital.
Although the venue was a relatively intimate one for such a popular attraction, it proved to be a perfect choice for this talented twosome to display the wide-ranging vocal ability that they each possess and – being a rock venue (a ‘first’ for Michele!) as opposed to the more theatrical surroundings that they are used to – it was a totally less formal affair for an opening night and made for a more relaxed and fun-filled atmosphere for both the audience and performers alike.
While Gleeks and musical theatre fans turned out in force from all corners of Europe to enjoy this ‘Glee-ful’ trip down memory lane, there was so much more to this concert than the Glee and musical theatre input, with the inclusion of a selection of rock and pop songs representing either songs they performed in the iconic television series or those they wished they had performed … and either songs they had written or those they wished they had written.
Backed by a tight 4-piece band, the dynamic duo did not disappoint in this eclectic night of music, with around 2 dozen songs during the 2-hour performance.
The relaxed mood also allowed for lots of stage banter from the pair (although I was surprised at some of the colourful language being used) and their individual personalities shone every bit as much as their singing skills with jokes about the tour being called the Nick Jonas and Idina Menzel Show because of their similarity in looks to these stars.
Neither could conceal their obvious excitement at being back in Ireland again and, during her solo set, Michele became openly emotional at one point and surprised many by revealing some secrets about herself, including that she is very nervous during shows and that she needs a wide range of liquids on stage to aid her vocals … and that she, too, is a Gleek!
Opening with soaring vocals in two classic Broadway duets - Sondheim’s Broadway Baby and Suddenly Seymour- the duo’s softer harmonies came into play and were perfectly suited to their third choice, Falling Slowly (The Swell Season’s Once); a popular choice for a Dublin audience as it is a story set in the city and written by local singer/songwriter, Glen Hansard.
Lea's solo set was very entertaining with pop songs like Cannonball and Lady Gaga’s Poker Face/Edge Of Glory alongside a show-stopping trio of musical theatre classics, including belters like Don't Rain On My Parade and Maybe This Time, and, while it may have been a rock venue, you could have heard a pin drop during her beautiful vocals in an Eva Cassidy style rendition of Over the Rainbow.
Accurately describing the show as ‘a celebration of all types of music’ during his solo set, Criss, who often accompanied himself on guitar and piano, was really at home in a rock venue and, in addition to some of his own compositions (of which Going Nowhere was an undoubted highlight), offered some surprises in re-imagined and improbable versions of musical evergreens, Hopelessly Devoted To You, and I Dreamed A Dream.
Keeping the set list fresh and, to a degree, unpredictable, Criss has made a point since the tour began in May of throwing in a new song each performance that is appropriate in some way to the gig location on any given night.
With so many great songs having emerged from Dublin over the years, he had a difficult job deciding which one to perform … So, he ended up giving a musical nod to the city with a short rendition of a Thin Lizzy hit and a full version of U2’s I Still Haven’t Found What I’m Looking For.
The duo reunited on stage for the finale, which featured the last song that Rachel performed in Glee, This Time (written for her by Criss), and one of the earliest songs from the series, The Human League’s international chart-topper, Don't You Want Me.
The encore also proved to be a highlight, and a surprising choice, with a totally acoustic and unamplified version of Bob Dylan’s Make You Feel My Love as a final little love note to the fans.
Overall, peppered with interesting little anecdotes from their past, this was a fun-filled night full of surprises, musical and otherwise, and a chance to hear two incredible and quite different young stars doing what they love so perfectly.
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