Posts with the label Garrick Theatre
Showing posts with label Garrick Theatre. Show all posts
Showing posts with label Garrick Theatre. Show all posts
Friday 4 October 2019
Noises Off, Garrick Theatre | Review
Noises Off
Garrick Theatre
Reviewed on Thursday 3rd October 2019 by Olivia Mitchell
★★★★
If you're looking for a few hours of complete laugh out loud escapism, Noises Off is one hundred percent the show for you. It is a play about putting on a fated production; from a dramatic technical dress rehearsal to a dramatic performance mid run and a final disastrous show near the end of the run, it's clear that this show is destined for doom.
What's fantastic about this play, is that the real joke is rooted in the processes of theatre and those that perform it. Entrances, exits, line memorisation and personal issues are just some of the things that go into the mixture to create this crumbling production. Long before The Play That Goes Wrong, Michael Frayn had the idea for this farcical show after watching a performance of his own play The Two of Us from backstage at the Garrick Theatre. It's a production of controlled chaos which is entertaining from the front of house and backstage.
Max Jones' set is a wonderfully realistic and beautifully executed living room and upper landing that is exquisitely turned round for act two. The play begins as tiring director Lloyd (Lloyd Owen) is trying to push his company of actors through a final rehearsal for Nothing On. Making appearances in the stalls, boxes and circle as he tears his hair out, the audience are immediately immersed in the hilarity and action set to ensue. Whilst heightened, the panic and tension hits close to home for anyone who's been part of putting on a show.
The cast are exceptional in their performances as they stand out individually but also thrive as an ensemble. Each with razor sharp comedic timing, their organised chaos is perfectly carried out. Slamming doors, lost contact lenses and dropping trousers, there's something ever entertaining about slapstick comedy when it's carried out so well.
Within the uniformly stellar cast, there are three performances which stand out just a tad. Meera Syal plays Dotty, the poised but forgetful performer who is playing Mrs Clackett, an absent-minded housekeeper who can't seem to keep her sardines. Sarah Hadland is Belinda, the overly nice, girl next door who plays the flirty Flavia Brent. Daniel Rigby as Garry is is excellent and he transforms from doting to hating and gives a tiring but completely enthralling physical performance.
A blissfully laughable production, with a heart of gold reminder about professionalism in the arts, this is a must see production which will surely continue to have audiences gasping for air and slapping their thighs.
Tuesday 1 May 2018
Young Frankenstein, Garrick Theatre | Review
Young Frankenstein
Garrick Theatre
Reviewed on Monday 30th April by Olivia Mitchell
★★★★
So far in 2018, Young Frankenstein is the show which has pleasantly surprised me the most. I must admit, all I knew of the show was the performance I'd seen at the Olivier Awards so I expected a cheesy, ridiculous story that I wouldn't enjoy. What I got was a cheesy, ridiculous story which I thoroughly enjoyed!
Young Frankenstein is a hilariously brilliant night at the theatre and certainly one of the funniest shows in the West End. Of course it's the work of comic genius Mel Brooks so you'd expect greatness, but the show had a less than stellar run on Broadway and despite it's huge budget, failed miserably. However, from what I've read and been told, this production is scaled down and swifter. The book by Brooks and Thomas Meehan is the most successful aspect of the show, with emphasis solidly on the comedy.
Frederick Frankenstein (pronounced "Fronkensteen") is an American professor of neurology who is drawn to Transylvania when his grandfather passes away and he is set to inherit his gothic home and all that's inside it. There, he meets a number of wacky characters and begins to toy with the idea of recreating his grandfather's famous experiment and reanimating a corpse.
Ben Cracknell's atmospheric lighting alongside, William Ivey Long's fabulous costumes and, Gareth Owen's effective and spooky sound design create a thrilling assault on the senses and add to the humour and drama of the show without becoming repetitive or sleazy. Any moments which could be cringy and cliched are cleverly avoided by onstage characters pointing out how ridiculous they are! Beowulf Borritt's set design cleverly intertwines aspects of the film and moves seamlessly from one location to another. Again, nothing is too over the top.
The cast are exceptional. Each giving spades and spades of energy whilst perfecting the comedic balance. Making it hysterical without being forced. Hadley Fraser is delightfully dynamic as Frederick and his glorious vocals ring out beautifully, especially in Frederick's Soliloquy.
Cory English scuttles round the stage humourously as the contorted, gormless Igor. He brings a warmth to the role as well as a somewhat eerie side. Lesley Joseph is gleefully devoted to the older, violent Frankenstein. Her rendition of He Vas My Boyfriend is wonderfully weird and enjoyable.
Young Frankenstein is definitely not an ode to feminism, but the political incorrectness makes it all the more funny. Summer Strallen and Emily Squibb bring their tongue-in-cheek characters to life with side-splitting humour and verve as well as giving wonderful vocal performances.
This show is funny beyond belief and a real joy to watch. If it's a feel good show you want, then Young Frankenstein is the one for you.
photo credit: Alistair Muir
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