Showing posts sorted by relevance for query Holly Sumpton. Sort by date Show all posts
Showing posts sorted by relevance for query Holly Sumpton. Sort by date Show all posts

Tuesday, 16 June 2026

Operation Mincemeat UK Tour Review: The Five Star Musical That Is Every Bit as Brilliant Beyond the West End

The cast of Operation Mincemeat UK Tour on stage at Woking Theatre

A joyous, hilarious and heartfelt triumph
Operation Mincemeat (Tour) | Woking Theatre | ★★★


Some shows become hits because they're spectacular. Others become hits because they have one unforgettable song or a big star attached to them. Then there's Operation Mincemeat, a show that has become one of the UK's biggest success stories simply because it's brilliantly written, wonderfully performed, and absolutely bursting with heart.


Having previously fallen in love with it in the West End, I was curious to see whether its magic would translate to a touring production. After all, some shows are so intrinsically linked to their original theatre that they lose something when they move elsewhere. I'm delighted to say that isn't the case here at all. If anything, Operation Mincemeat proves just how strong it is as a piece of theatre because it works absolutely anywhere.


Based on the astonishing true story of one of Britain's most audacious wartime missions, the musical follows a group of intelligence officers during World War II who hatch an extraordinary plan to deceive Hitler and change the course of history. Their idea is simple in theory but wildly bizarre in execution. Create an entirely fictional identity for a dead man and convince the enemy that the Allies intend to invade Greece rather than Sicily.


Sean Carey in Operation Mincemeat on stage


It sounds ridiculous because, frankly, it is. That's exactly what makes it so entertaining. The beauty of Operation Mincemeat is that it never forgets how absurd the story itself is, allowing the audience to laugh alongside the characters rather than simply learning a history lesson. Yet equally, it never makes light of the real stakes involved. That balance between humour and sincerity is where the show truly excels. One moment you're crying with laughter, and the next you're unexpectedly emotional. Very few musicals can pivot between those two extremes without creating tonal whiplash, but this one does it effortlessly.


The touring cast is phenomenal. Every performer has an enormous job to do, playing multiple roles and switching characters in the blink of an eye. Christian Andrews, Seán Carey, Charlotte Hanna-Williams, Holly Sumpton, and Jamie-Rose Monk are all exceptional, throwing themselves into every scene with incredible energy, commitment and precision. The chemistry between the company is infectious and that sense of camaraderie radiates throughout the theatre. You never feel like you're watching actors simply perform a show. You feel like you're watching a team of people having enormous fun telling a story they genuinely adore. That enthusiasm is impossible not to catch.


The staging is another reminder that theatre doesn't need huge moving sets or endless technical wizardry to make an impact. There is exactly the right amount of everything. The set (Ben Stones) pieces are simple but clever, allowing locations to transform effortlessly while keeping the focus firmly on the story. The costumes are equally ingenious, with tiny additions that instantly create entirely new characters, and the lighting (Mark Henderson) brilliantly supports every moment. The performances never compete with the design, the design never competes with the music, and the music never overwhelms the emotion. 


Everything exists in perfect harmony.


Holly Sumpton as Ewen Montagu in Operation Mincemeat UK Tour


The songs themselves are fantastic. Sharp, witty and endlessly inventive, they're packed with clever lyrics and genuine earworms, but they also know exactly when to pull back and let emotion take centre stage. It's impossible not to appreciate just how meticulously crafted every aspect of the show is. Even if you already know the true story, the pacing keeps you fully invested. If you don't know the outcome, it's even more thrilling.


Perhaps what I love most about Operation Mincemeat, though, is that underneath all of the jokes, quick changes and catchy songs, there's a huge amount of heart. It's a show about teamwork. About creativity. About ordinary people doing extraordinary things. About finding unconventional solutions when all hope feels lost. At a time when the world can often feel heavy, there's something incredibly uplifting about that message.


The touring cast of operation mincemeat during the bows of their first show


There's also something rather wonderful about the journey this musical itself has been on. From its small beginnings to becoming an Olivier Award-winning sensation, Broadway export and now a hugely successful tour, Operation Mincemeat has become one of British theatre's greatest modern success stories. And it deserves every second of it.


Joyous, witty, energetic, clever and completely unique, this is one of those productions that reminds you exactly why live theatre is so special. Some musicals entertain you for an evening. Operation Mincemeat stays with you long after you've left the theatre. Five stars simply isn't enough.



Reviewed on Monday, 15th June 2026 by Olivia
Photo Credit: Matt Crockett & Phil Tragen
{AD PR Invite- tickets gifted in exchange for honest review}

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Friday, 13 April 2018

The Comedy About a Bank Robbery, Criterion Theatre | Review

Cast of The Comedy About a Bank Robbery on stage at the Criterion Theatre London, 2018 production

The Comedy About a Bank Robbery
Criterion Theatre
Reviewed on Thursday 12th April 2018 by Emma Gradwell
★★★

Written by Mischief Theatre founders Henry Lewis, Jonathan Sayer and Henry Shields, The Comedy About a Bank Robbery gives you a grouping of incompetent thieves as they try to steal a rare diamond from Minneapolis City Bank during the summer of 1958 – very much a homage to American screwball cops and robbers comedies. The play begins with escaping convicts and corrupt Prison Guards plotting the heist. The tone is set from the start that this is very much a modern farce, with “Naked Gun” style misheard and misinterpreted words and phrases. 

The farcical plot concerns a dubious banker by the name of Robin Freeboys (played by Leonard Cook) whose name produces many comic moments when misheard as “robbing three boys”, inexplicably being entrusted with a rare diamond owned by a Hungarian Prince. The mantra from the start is that everyone in this town is a crook of which we are often reminded by Mr. Freeboys underpaid but very smart receptionist, Ruth Monaghan (gloriously played by Jenna Augen). You have to keep watching to the end to find out who finally bags the jewel. 

Cast of The Comedy About a Bank Robbery on stage at the Criterion Theatre London, 2018

Aggressive and gruff prison escapee Mitch Ruscitti (played by Matt Hunt) returns home to his beautiful but tricky girlfriend Caprice (played by Holly Sumpton) who happens to be the daughter of Mr. Freeboys. Caprice is entertaining loveable petty criminal Sam (played by Sam Fogell) that she met at the bank, he also happens to be the son of bank employee Ruth. What follows is an impeccably timed scene involving concealing Sam all around a malfunctioning mechanical bed ending with him assuming the identity of Robin Freeboys with a ridiculous disguise made up of household objects. 

The story continues with obvious visual and verbal gags coming thick and fast. The sporadic doo wop musical interludes are cute and beautifully done. One of the highlights is a scene in the bank set at a perilous 90 degree angle to obtain a birds eye view from the banks vents system where the crooks are attempting to get to the vaults. Ageing intern Warren Slax (gamely played by Peter McGovern) is anchored by a safety harness as he tries to manoeuvre his way around the “office” while carrying out menial tasks for the demanding Mr. Freeboys. It is very hard to pour a coffee when gravity is not defied. 

A special mention needs to go to Chris Leask who marvellously plays “Everyone Else” in the play. His facial expressions alone had the audience roaring with laughter. A three way fight between Caprice’s unwitting lovers ensues. The lovers are a hillbilly, a decrepit nursing home resident and an angry German. Playing all three parts and being on the giving and receiving end of the punches is no mean feat. Wonderfully performed and slickly directed. 

The jokes do become repetitive and are not really very clever. If it’s an evening of high-brow culture you are after then this definitely is not the show for you but if you want to just sit back and watch a bit of silliness then this will tick the right boxes.

Photo credit: Robert Workman