Showing posts sorted by date for query Rachel Izen. Sort by relevance Show all posts
Showing posts sorted by date for query Rachel Izen. Sort by relevance Show all posts
Tuesday 7 June 2022
Full Cast and Creative Team Announced for Billy Elliot the Musical
Curve has announced the cast and creative team for its upcoming Made at Curve production of Billy Elliot the Musical.
The first new UK production is directed by Nikolai Foster (A Chorus Line, Sunset Boulevard – At Home, West Side Story) and will run at the Leicester theatre for six weeks only from Thursday 7 July to Sunday 14 August. Press night will take place on Thursday 14 July.
The titular role of Billy Elliot, the miner’s son with a passion for ballet, will be performed by Leo Hollingsworth from Nottinghamshire, Alfie Napolitano from Northamptonshire, Samuel Newby from Hertfordshire and Jaden Shentall-Lee, whose family live in Leicestershire.
Billy’s dance teacher Mrs. Wilkinson will be played by West End and Broadway legend Sally Ann Triplett, whose iconic roles include Reno Sweeney in Anything Goes (National Theatre and Theatre Royal Drury Lane) and Young Phyllis in Follies (Shaftesbury Theatre), as well as Martha in the recent Made at Curve UK tour of White Christmas.
Michael, Billy’s best friend will be performed by Bobby Donald, Lucas Haywood, Ethan Shimwell and Leicester’s Prem Masani, who will make his stage debut in the production.
All hailing from the East Midlands, Pearl Ball, Caitlin Cole, Lola Johnstone and Ellie Copping – who returns to Curve’s stage having previously appeared as Susan Waverly in the 2018 Made at Curve production of White Christmas - will share the role of Debbie, Mrs. Wilkinson’s daughter.
Joe Caffrey, who previously performed in the West End production of Billy Elliot the Musical, will join the cast as Billy’s Dad Jackie, while Broadway and West End sensation Rachel Izen will play Billy’s Grandma Edna. Luke Baker (Everybody’s Talking About Jamie, the Made at Curve UK tour of Grease) will play Billy’s older brother Tony and Jessica Daley (recently seen in Made at Curve productions of White Christmas and The Music of Andrew Lloyd Webber) will play Billy’s Mum.
The adult company will be completed by Craig Armstrong as George, Minal Patel as Big Davey, Cameron Johnson as Mr. Braithwaite, Micky Cochrane as Scab, Robin Paley Yorke as Lesley, Christopher Wright as Mr. Wilkinson, Michael Lin as Pit Supervisor, Jonathan Dryden Taylor as Posh Dad, William Atkinson as Older Billy and ensemble, and Steph Asamoah, Tori McDougall, Anna Rossa and Louie Wood as members of the ensemble.
The young company of ballet dancers and boxers, most of which are Midlands-based or have local family connections, will feature Willow Adamson, Maddie Seren Ashley, Oliver Back, Aneeka Kaur Bains, Ella-Rose Blackburn Price, Harvey Clarridge, Lily Corkill, Miley Dalton, Matisse Didier, Isabelle Francis, Ethan Galeotti, Rahul Gandabhai, Isla Granville, Uzziah Gray, Orlaith Rae Hunt, Ava Rose Johnson, Ava Mia Komisarczuk, Kyrelle Lammy, Lienna-Jean Langdon, Tahlia Maddox, Lorcan Murphy, Nesisa Mhindu, Sophia Pirie, Hayden Polanco, Gopal Thacker and Mirabelle Varakantam.
The Made at Curve production of Billy Elliot the Musical will by choreographed by Lucy Hind, with Musical Supervisor and Musical Director George Dyer. The set will be designed by Michael Taylor with costumes designed by Edd Lindley. Also joining the creative team are Lighting Designer and Curve Associate Ben Cracknell, Sound Designer Adam Fisher, Props Supervisor Lizzie Frankl, RYTDS Resident Assistant Director Lilac Yosiphon, Birkbeck Trainee Director Thyrza Abrahams, Associate Choreographer James Berkery, Dialect Coach Elspeth Morrison, Fight Director Kev McCurdy and Head Chaperone Helen ‘H’ Mclaren-Frost.
Children’s casting is managed by Jo Hawes, with adult casting led by Curve Associate Kay Magson CDG.
Curve’s Chief Executive Chris Stafford and Artistic Director Nikolai Foster said:
“We are beyond excited to share our extraordinary cast for Lee Hall and Elton John’s astonishing musical Billy Elliot, ensuring this summer in Leicester is truly memorable.“Billy Elliot is a musical filled with incredible characters, epic ideas and at its heart, the story of a young boy who has the passion and courage to dance down a different path from the one prescribed for him. We are thrilled to be working with our four Billys - Alfie, Leo, Jaden and Sam - and the entire young company - all hugely talented, brimming with energy and representing the very best young talent in the UK today.“And leading the entire company, theatre legend Sally Ann Triplett takes on the role of the inspirational teacher we all need in our lives, Mrs. Wilkinson. Joining Sally, we are proud to welcome a first-class company to Curve, totally 55 performers! This is by far the most ambitious show we have staged at Curve and there is no better time to present this musical which recognises the value of culture in our society, the importance of expressing your truest self and gives a voice to the courageous working-class communities who are depicted in Lee Hall’s astonishing play. All beautifully framed by Elton John’s electrifying score.”
Based on Stephen Daldry’s BAFTA-winning 2000 film starring Jamie Bell and Julie Walters, Billy Elliot the Musical features music from Elton John and book and lyrics by Lee Hall. The musical first premiered at London’s Victoria Palace Theatre in 2005 and went on to win a host of international awards, including four Olivier Awards and ten Tony Awards.
Tickets for Billy Elliot the Musical at Curve be purchased on Curve’s website www.curveonline.co.uk, over the phone by calling 0116 242 3595 or in-person at Curve’s Box Office.
photo credit: Marc Brenner
Thursday 16 January 2020
Rags, Park Theatre | Review
Rags
Park Theatre
Reviewed on Wednesday 15th January 2020 by Olivia Mitchell
★★★★
Originally developed by Fiddler on the Roof writer, Joseph Stein as somewhat of a sequel, Rags has been reworked many times since the original Broadway production closed after only four performances. Lucky for us, the Hope Mill Theatre production was rather more a success and has transferred to London's Park Theatre.
David Thompson's rewrites have made this a sleek production that ebbs and flows well, whilst retaining an gitty side. With four onstage musicians and wonderful performances from the cast, Rags is certainly successful in its ambition.
Opening with a solitary violinist who is extremely reminiscent of Fiddler, the musical follows two Jewish girls as they make port in New York and try to create a new life for themselves and their families. There are various subplots about worker's rights, the Jewish contribution to art and culture, conformity and of course, romance. Most of the time the musical is paced well but there are still times which feel a little slow, or confusing as too much is happening at once.
However, overall this musical isn't about the plot, but rather the human experience and genuine struggles faced by people trying to live the American Dream that was promised to them. Its a clear window to the vile anti-semitic views held and the trials which are unfortunately still faced today. It's quite shocking that a musical written in the eighties, still has so much relevance today.
Whilst the songs (music by Charles Strouse, lyrics by Stephen Schwartz) are not individually particularly memorable, the overall moods created are very moving and do the job to tell the story, even if you won't leave the theatre humming the tunes. Nick Barstow's arrangements are beautiful and the cast give exceptional performances.
Carolyn Maitland gives a sensational performance as Rebecca. Her solo moments are complete vocal treats and she leads the show with a delightful nuance. Alex Gibson-Giorgio is instantly likeable and vocally exemplary as the Italian immigrant, Sal. As bright eyed Bella, Martha Kirby is an absolute vocal star who brings the youth and vulnerability of the character to life excellently, and is certainly one to watch! Oisin Nolan-Power as Ben and Rachel Izen as Rachel also give stand out performances.
photo credit: Pamela Raith
Wednesday 14 November 2018
In Conversation With... Rachel Izen | Funny Girl | Interview
Rachel Izen has starred in a number of shows on the West End, Broadway and on tour. Recently, Rachel played Mrs Brice in the UK tour of Funny Girl, which follows Fanny Brice on her journey from wannabe actress to reknowned performer. Funny Girl was recently screened at cinemas, Rachel talked to us about the show and how a filmed version breathes new life into it...
Can you tell us a little bit about your experience playing Mrs Brice in Funny Girl?
This was a very personal experience as I identified Fanny and Rose’s relationship to that of my own.
Funny Girl is a much loved story and show, do you think this filmed version will bring new life to the show and welcome a new audience to it?
This version is heart felt and explores successful women’s turmoil trying to balance career and personal life, so very current today.
What's your favourite memory from your time in Funny Girl?
Dancing to the overture in the wings every show.
Can you sum up Funny Girl in 5 words?
Luckiest people in the world!
If you could bring any other shows which you've been a part of to screen, which would you choose?
The Witches of Eastwick
If you had a magic wand, what would you do next in your career?
I would love to tv series filmed in front of a live audience recreating my favourite musical theatre moments.
What's your top piece of advice for aspiring performers?
Be a sponge. See everything, listen to everything, be practical, take classes. Just because you may have gained a degree and acquired an agent doesn’t mean the world owes you a living.
Thanks so much to Rachel for chatting with us.
Interview by Editor, Olivia Mitchell
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