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Tuesday 10 January 2023

Aimee Lou Wood and John McCrea to Join Cast of Cabaret

Cabaret at the Kit Kat Club in London’s West End are delighted to announce that BAFTA Award winner Aimee Lou Wood will play ‘Sally Bowles’, Olivier Award nominee John McCrea will play ‘The Emcee’ and Nathan Ives-Moiba will play ‘Cliff Bradshaw’ from 13 February 2022 until 27 May 2023. kitkat.club

Aimee Lou Wood said today “I’ve wanted to be Sally Bowles since I was around 10 so this is really special. I’m unbelievably excited and having the greatest time in rehearsals. The production is so wonderful and I feel honoured to be stepping into this beautiful team of people!”

John McCrea said today “I’m thrilled to be taking on the iconic role of the Emcee in this ground-breaking production of Cabaret. It’s an absolute honour to be joining this amazing company of artists.”

Aimee Lou Wood is best known for her portrayal of Aimee Gibbs in all three series of the Netflix series Sex Education for which she won the BAFTA Award for Best Female Comedy Performance. She recently starred in the critically acclaimed film Living opposite Bill Nighy. Her stage credits include Sonya in Uncle Vanya at the Harold Pinter Theatre in the West End and Downstate at the National Theatre.

John McCrea created the role of Jamie New in the smash hit musical Everybody’s Talking About Jamie at both the Sheffield Crucible Theatre and the West End’s Apollo Theatre. For his performance he was nominated for the Olivier Award for Best Actor in a Leading Role in a Musical and won the Most Promising Newcomer at the Critics Circle Theatre Awards, the WhatsOnStage Award for Best Actor in a Leading role in a Musical and the UK Theatre Award for Best Musical Performer. He recently appeared as Max in Daddy at the Almeida Theatre and his film credits include Artie in the hit Disney film, Cruella.

Nathan Ives-Moiba’s many theatre credits include As You Like It at the National Theatre, My Children My Africa at Trafalgar Studios, Our Country’s Good for Out of Joint, A Midsummer Night’s Dream, And Did Those Feet and Tull, all at the Octagon Theatre. For his performance in Tull, Nathan was nominated for the Best Newcomer at the Manchester Theatre Awards.

At certain performances, the role of Sally Bowles will be played by Emily Benjamin.

As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.

The final performance for Callum Scott Howells as ‘The Emcee’ and Madeline Brewer as ‘Sally Bowles’ will be Saturday 28 January 2023. Sid Sagar’s final performance as ‘Cliff Bradshaw’ will be Saturday 11 February 2023.

Between 30 January 2023 – 11 February 2023 the role of ‘The Emcee’ will be played by Matthew Gent and the role of ‘Sally Bowles’ will be played by Emily Benjamin. At certain performances the role of ‘Sally Bowles’ will be played by Sally Frith.

Matthew Gent’s West End theatre credits include Sweeney Todd at the Adelphi Theatre, The Phantom of the Opera at Her Majesty’s Theatre and Les Misérables at the Queen’s Theatre. His other theatre credits include Rags at the Park Theatre, The Queen of the Mist at Charing Cross Theatre, The Water Babies at Leicester Curve, The Carnival of the Animals at Riverside Studios and Taboo at Brixton Club House.

The cast also includes Vivien Parry as ‘Fraulein Schneider’, Richard Katz as ‘Herr Schultz’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.

The Prologue Company currently includes Rachel Benson, Ami Benton, Laura Braid, Reuben Greeph, James Hastings, Samantha Ho, Emma Holt, Liz Kamille, Andrew Linnie, Aine McLoughlin and Callum Sterling.

This unique production of Cabaret opened in December 2021 to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April 2022 the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history. The production has also won three prestigious Critics Circle Awards and most recently the Evening Standard Theatre Award for Best Design for designer Tom Scutt.

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

One of the most successful musicals of all time Cabaret features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

Cabaret is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision is by Jennifer Whyte and musical direction is by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.

Cabaret at the Kit Kat Club is produced by Ambassador Theatre Group Productions and Underbelly.

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Friday 17 November 2017

Everybody's Talking About Jamie, Apollo Theatre | Review

Everybody's Talking About Jamie

Apollo Theatre

Reviewed on Wednesday 15th November 2017 by Olivia Mitchell

★★★★

Everybody's Talking About Jamie has been one of my most highly anticipated shows of 2017 since I heard the rave reviews during it's run at the Sheffield Crucible. Based on real life events, it tells the story of 16 year old Jamie New, who's dreams are a little different to his classmates. Chronicling the struggles of growing up, issues with family and being accepted, it's the warm, British, comedic show the West End has been waiting for.

The real story was adapted for stage by composer Dan Gillespie-Sells and Tom MacRae and is their first foray into the world of musical theatre.

Dan's soundtrack is sublime with a faultless mix of upbeat, pop numbers such as 'You Don't Even Know It' as well as heart-achingly beautiful ballads, my personal favourite being 'Wall in My Head'.

Tom MacRae's book is equally fantastic; humour is perfectly balanced with drama and pain to make the show ebb and flow seamlessly. Of course the production is camp but it's not over the top or forced and the classroom scenes are just hilarious. Nothing is overdone and despite some comments falling slightly flat, every moment of dialogue is truly realistic- it feels like watching real life play out rather than performers on a stage.

On the surface this is a show about drag but the real focus is on the relationships between Jamie and his peers and specifically between him and his mum Margaret, played wonderfully by Josie Walker. It's wonderful to see a parent so supportive of their child even though they're not what people may perceive as 'normal', and it's made even more special by the fact that we know it's based on a true mother/son relationship. Whilst Margaret and Jamie's struggles may contrast to others, the story shows just how important mum's, and not just mum's but whoever your supports in life, are. We all fight with and irritate those who are close to us but that's just because we love them and it's so joyous to see this love played out so sweetly and genuinely on stage.

John McCrea is faultless as Jamie, even in his ludicrously high stilettos! He is quick witted, sarky and exudes life and joy- I want to be his friend! His voice is great and he just does the most outstanding job every second he's on stage (and he's basically on stage every second.)

His best friend and partner is crime, Pritti is performed fantastically by Lucie Storthouse. 'It Means Beautiful' is sung wonderfully by her and the extremely clever staging adds a magical element to it. It almost becomes a prayer and is a touching scene.

Katie Prince's unique choreography fits the show perfectly and adds a fresh and modern feel. The contemporary dance during 'If I Met Myself Again' is breathtaking and certainly a standout moment of the entire show.

Overall, Everybody's Talking About Jamie is the perfect injection of life, modernity and sass that the West End is craving. It's a story about being yourself no matter what and facing your fears head on. For a contemporary, spectacular piece of British theatre, get yourself along the the Apollo theatre and start talking about Jamie!

For tickets and information about the show, visit https://www.londonboxoffice.co.uk

photo credit: Johan Persson

*disclaimer: this was a preview performance so elements of the show could change*

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