Showing posts sorted by date for query Jo Parsons. Sort by relevance Show all posts
Showing posts sorted by date for query Jo Parsons. Sort by relevance Show all posts
Tuesday 8 March 2022
Disney's Newsies to have UK Premiere
Producer Runaway Entertainment is delighted to announce that Disney’s NEWSIES, the award-winning Broadway musical with music by Alan Menken, lyrics by Jack Feldman and book by Harvey Fierstein, will have its UK premiere at London’s Troubadour Wembley Park Theatre, where the strictly limited season will run from 28 November 2022.
Based on a true story, NEWSIES is set in New York City at the turn of the 19th century. It’s the rousing tale of a ragged band of teenage newspaper sellers, who dream of a better life far from the hardship of the streets. After newspaper magnate Joseph Pulitzer hikes up the prices for his papers charged to the newsies, Jack Kelly rallies his fellow newsboys in an attempt to protest the change, falling in love with young reporter Katherine along the way. These young newsies from across the city come together and rise up against the exploitation of wealthy publishing tycoons and fight for justice using the only power they have – solidarity.
The original production of NEWSIES opened on Broadway in 2012 and was slated to play only 100 performances but went on to play over 1,000 performances before touring and winning two Tony Awards®, including Best Original Score. The original production was filmed live on stage and released in cinemas in 2017.
Now for the very first time, audiences in the UK have a chance to enjoy the thrill of one of the biggest Broadway hits of recent years. In an innovative and brand new immersive production ‘in the round’ at Troubadour Wembley Park Theatre, theatregoers will be thrust right inside the action as the newsies dance, sing, jump and fly around the streets of a booming 19th century New York City.
Alan Menken said: “I am OVER THE MOON about Newsies opening in London!! I’ve been wishing and waiting for this for soooo long. I truly cannot wait!”
Matt Cole, Director & Choreographer, said: “As a huge fan of the original Disney film and the Broadway production, I am extremely honoured and thrilled to be reimagining this brand new version for London and the UK. With an incredible score by the legendary Alan Menken and book by Harvey Fierstein we will bring this all-singing, all-dancing show to Troubadour Wembley Park Theatre. This site-specific version of the show provides an exciting opportunity to present the piece in a non-traditional format. Set in the round, the audience will be thrust into turn-of-the-century New York, where the action and choreography will weave its way in and out of the audience. I cannot wait to work with this talented creative team on delivering this wonderful and exciting show to the UK.”
This new production of NEWSIES will be following on the recent successes of large scale shows at Troubadour Wembley Park Theatre such as the National Theatre’s productions of War Horse and The Curious Incident of the Dog in the Night-Time.
Oliver Royds, CEO of Troubadour Theatres, said: “We are thrilled to be hosting the UK Premiere of Disney’s much loved musical in Wembley and look forward to showing audiences just how versatile and flexible our venues are. We are sure this will be one of the theatrical events of the year."
Casting is to be announced.
Tickets will be going on sale in May 2022. To receive priority booking sign up at www.newsiesthemusical.co.uk
NEWSIES will be Directed and Choreographed by Olivier nominee Matt Cole, with Set Design by Morgan Large, Musical Supervision, Dance Arrangements & Musical Direction by Nigel Lilley, Costumes by Natalie Pryce, Lighting by Mark Henderson, Sound by Tony Gayle, Performer Flying by John Maddox for Suspended Illusions Ltd, Casting by Lucy Casson, Children’s Casting by Jo Hawes, Fight Directors Rachel Bown-Williams & Ruth Cooper-Brown for RC Annie, Associate Choreographer Jane McMurtrie, Associate Musical Director Chris Ma and Production Management by Lee Batty and Andy Fox for Setting Line.
NEWSIES is produced by Tristan Baker & Charlie Parsons for Runaway Entertainment with Kater Gordon and Dianne Roberts, by permission of Disney Theatrical Productions.
Monday 24 February 2020
Zorro, Cadogan Hall | Review
Zorro
Cadogan Hall
Reviewed on Sunday 23rd February 2020 by Olivia Mitchell
★★★★
Fiery, Latin, wacky, soulful and brilliant, Zorro made a triumphant return to London last night, 12 years after its West End premiere. The story of Diego De La Vega who becomes the illusive Fox aka Zorro, to save his town from the tyrannical reign of his childhood friend Ramon, is the classic good vs evil that can't help but invest you with its sincerity and heart of gold. Add to this a score by the Gipsy Kings and a fantastic cast and you've got a great night on your hands.
The plot is wafer thin but in this concert setting, we really had the chance to go beyond that to focus on the fantastic Spanish music and the wonderful characterisation from the whole cast. Even in a full setting, I would imagine that the self-awareness of this show, means you can pretty much overlook the plot faults and just enjoy it for what it is- a heap of fun! There are many 'deep' moments peppered throughout the production, but they're equally balanced with camp humour and wit which lighten the tone and allow us to go on a pretty much carefree journey.
Ricardo Afonso was incredibly convincing and powerful as Zorro/Diego, giving a completely marvellous vocal performance and enrapturing the audience of Cadogan Hall. Delightfully tongue in cheek, with a great balance of sincerity, swagger and playfulness, there's not much more you could ask for from the debonair hero. In great contrast, Robert Tripolino was truly evil as the rapacious ruler Ramon and completely commanded the stage in every moment. Zubin Varla and Jo Parsons, gave solid performances and it's just a shame we didn't get the chance to see and hear more from them.
The love interest Luisa was performed with tenderness by Emma Williams, who revived her West End role and showcased her vocal dexterity, namely in her touching rendition of The Man Behind the Mask.
Also reviving her (Olivier Award Winning) role, was Lesli Margherita who deservedly garnered much applause as the vivacious, smouldering gypsy Inez. Lesli's rendition of Bamboleo will be a memorable moment for everyone at Cadogan Hall and we can only hope she'll be back on London soil soon!
Under the baton of Freddie Tapner, the LMTO orchestra brought vibrant energy to the Hall, with exceptional guitar and percussion woven throughout the entire score. The foot stomping music was fully realised thanks to Paul Smith's sound design which was wonderfully balanced and showcased every single performer and musician brilliantly.
Entertaining and enthusiastic, Zorro was a perfect way to spend a Sunday. Hopefully the rapturous reception is enough to bring this musical back to London very soon. Viva el Zorro!
photo credit: Darren Bell
photo credit: Darren Bell
Wednesday 1 May 2019
Madagascar the Musical (UK Tour), New Theatre Oxford | Review
Madagascar the Musical
New Theatre Oxford
Reviewed on Tuesday 30th April 2019 by Emma Gradwell
★★★★
Spotlights spiral around the auditorium, a crate flies open and a monkey threatens to throw
poop at us if we use our mobile phones – the tone is immediately set for Madagascar the
Musical.
Set designer, Tom Rogers does a magnificent job. The stage is surrounded by packing crates
that may contain some surprises, and moving pieces that instantly transform the set into a
zoo, Grand Central Station and the jungles of Madagascar. The human ‘animals’ are visually
engaging, with clever costumes from Robert Alsopp that help to give them an uncanny
resemblance to their animated counterparts.
Matt Terry is a nimble and energetic Alex the lion, who along with Antoine Murray Straughan as Marty the zebra, relentlessly bound about the stage with fun-filled
choreography provided by Fabian Aloise. Terry’s vocals are great and he is engaging and
likeable. Timmika Ramsay shines as the sassy Hippo, Gloria and her vocals stand out among
the leads.
Jo Parsons shuffles onto the stage after the interval as the ridiculous King Julien, a lemur
with a crazy, indeterminate accent. This is when the production really comes alive. Aside
from the leads, all of the creatures are represented by puppets and are voiced by a talented
team. The penguins waddle out and are hilarious and endearing. Led by Shane McDaid as
Skipper they deliver some cherished lines from the film: “Smile and wave boys, smile and
wave”. The team switch seamlessly between characters, their voices providing much visual
joy to the proceedings. Jessica Niles as Mort the tiny lemur is unbearably cute.
While the musical numbers are not going to set the world alight, Madagascar the Musical
makes up for it with charm and spectacle. There is enough to entertain the adults (rectal
thermometers and a couple of drug-fuelled dream sequences), but it remains at heart a
children’s show. It’s a ninety minute escape from technology and provides the innocence
needed for an uncomplicated and fun evening. The faces of the young audience as they
flossed and sang along with King Julien were an absolute joy, and that surely has to be a job
well done.
Madagascar runs at the New Theatre Oxford until May 4th before continuing its tour
photo credit: Scott Rylander
Thursday 14 March 2019
Madagascar the Musical (UK Tour), New Victoria Theatre | Review
Madagascar the Musical (UK Tour)
New Victoria Theatre
New Victoria Theatre
Reviewed on Tuesday 12th March 2019 by Glenys Balchin
★★★½
Madagascar the Musical was a perfect family night out, full of fun for the young audience as they tapped, cheered and danced their way through the story, against the backdrop of a damp and drizzly night outside the New Victoria Theatre. It has to be said, that many of the adults accompanying their young charges were enjoying the performance of the energetic cast just as much; with the cast bringing alive the animal inhabitants of New York Zoo and the story of their escape into the wilds of Madagascar.
Having seen other Dreamwork productions: The Lion King and Shrek on both film & stage, I was not sure what to expect of Madagascar and unfortunately for me this did not reach the same pinnacle as the others. This was due to lack lustre look of some the main character costumes as well as having pre-recorded music rather than a live band.
The puppetry was well executed and the presence of a human controlling them soon disappeared and captured the spirit of your imagination. A stand out for me was Melman the Giraffe, whose characterisation by Jamie -Lee Morgan was thoroughly enjoyable and he delivered an excellent performance.
Although, the show was packed full of songs, none of them were very memorable. However, the dancing and abundance of energy displayed by all the cast members did not go unnoticed and I enjoyed the choreography, especially the exuberant 'Move It', but on the same note it was a little bit repetitive.
The plot itself is a little thin on the ground but the uncomplicated storyline makes it easy for small children to follow and remain enthralled by plenty of packed action fun and dazzle. Act two was more animated than the first, mainly thanks to the irrepressible, vigorously imaginative artistic style of Jo Parsons playing King Julien.
A little older than many of the children at the theatre, my companion's mane attraction for seeing the show was Matt Terry, so she was a little disappointed he was not playing Alex the Lion at this performance. However, I asked her verdict about the musical and she told me that whilst she had preferred The Lion King, she thought her younger sister (9) would love Madagascar. At the mature age of 14, she enjoyed it but was too cool to get up dance in the aisles with the other children and would certainly not have been happy if I had!
Her conclusion was that it is a song filled production, that features a set that is inventive and all flows well. She loved how the characters were portrayed, in particular the Lion and the Hippo, and she thought that the voice of Marty was the same as the Zebra in the movie.
Overall the production went down well with the younger members of the audience and many of the adults that were there. For me, it lacked soul or a pinnacle to the production, due to repetitive choreography, unmemorable songs and basic costumes, however, the cast were pretty brilliant overall.
Whilst its a three and a half out of five stars for me, I'm sure many of the small children would disagree and give it a full five stars!
Overall the production went down well with the younger members of the audience and many of the adults that were there. For me, it lacked soul or a pinnacle to the production, due to repetitive choreography, unmemorable songs and basic costumes, however, the cast were pretty brilliant overall.
Whilst its a three and a half out of five stars for me, I'm sure many of the small children would disagree and give it a full five stars!
photo credit: Scott Rylander
Wednesday 25 July 2018
Madagascar The Musical (UK Tour), New Wimbledon Theatre | Review
Madagascar The Musical (UK Tour)
New Wimbledon Theatre
Reviewed on Wednesday 25th July 2018 by Olivia Mitchell
★★★★
On a scorching summer night, the New Wimbledon Theatre played host to the opening of the high-energy, larger than life Madagascar The Musical. Based on the 2005 DreamWorks film of the same name, Madagascar follows a group of animals from the Central Park Zoo who find themselves in The Wild.
Fabian Aloise's choreography is wonderfully modern whilst not being overly cheesy. The children accompanying me especially loved the flossing and it's evident that Fabian know's what the show's target audience want. The cast of humans and 'animals' fill the space brilliantly and create a sense of motion throughout. This movement works hand in hand with Tom Rodgers' sets which are simplistic but vibrant and transition us well from one location to another. Howard Hudson's lighting is warming and especially effective in the more high-intensity group numbers where it feels like a party in the theatre.
The cast are superb; even in the sweltering heat they don't falter and give us intensity and power from start to finish. Medically challenged giraffe, Melman is embodied perfectly by Jamie Lee-Morgan who wanders round the stage in a somber but truly lovable manner whilst Tammika Ramsay as Gloria is sassy and commanding. As the zebra who dreams of escaping the zoo, Antoine Murray-Straughan is humourous and eccentric and his many talents are showcased especially during his brief rap and dance sections.
As the leader of the pack, Alex the lion, Matt Terry is impeccable. From his superb falsetto, riffs and generally beautiful tone, it's clear why he was voted the winner of X-Factor 2016. But, Matt's acting and dance performance is equally as strong as he owns the stage and draws the audience into the story.
Watching the show you completely forget these are not the same characters from the film. The costumes and puppets are so cleverly done that you even forget there are real humans on stage! The ensemble do a stellar job of playing a number of characters and completely transform themselves right in front of our eyes. Mention must also go to Jo Parsons as King Julian who has the audience in the palm of his hand with his epic performance of Move It.
The music of Madagascar is genuinely catchy and it's a show that both adults and children will appreciate and enjoy. If you want some light-hearted fun with a host of crazy characters and stellar performances then Madagascar is the one for you.
Madagascar runs at the New Wimbledon Theatre until July 28th before continuing it's tour.
photo credit: Scott Rylander
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