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Thursday 1 February 2024

Bronco Billy the Musical at the Charing Cross Theatre REVIEW | A Delightful Musical Romp


Bronco Billy the Musical
Charing Cross Theatre

Bronco Billy the musical, is a rollicking ride through the Wild West, that brings a unique blend of sincerity and high camp to the Charing Cross Theatre. It's a show so full of heart, you can't help but be charmed by it, as it provides a theatrical escape that is genuinely marvellous.

As the title suggests, the musical tells the tale of Bronco Billy, a performing Cowboy as he leads his troupe around America, aiming to make enough money to keep them afloat. Along the way he meets Antoinette, an heiress who's on the run from her money grabbing stepmother and a host of other characters wishing for her demise. It's as random and wacky as it sounds but truly it's a tale of heart, friendship and dreaming, all wrapped up to create a rootin' tootin' good show that thrives through it's melodramatic highs.

The cast are full of absolute joys. Star on rise, Emily Benjamin shines as the chocolate heiress on the run, Antoinette, injecting the role with gumption, charm and vulnerability, plus sweltering vocals to match. Her delightful partnership with Tarrin Callender as Bronco Billy, provides some of the show's standout moments. Callendar's effortless charisma and soaring baritone vocals fill the Charing Cross Theatre, making it evident why the troupe is so drawn to him, and showcasing a performance that is beautifully vulnerable and volatile.

The leading duo are complemented by a supporting cast of well-defined characters, each with small arcs and interests that really bring them to life. Between them, the group also showcase a variety of killer circus tricks, from juggling, to supremely impressive rope-wielding and magical wild-west wizardry. A big part of the show is the aspect of found family and the entire cast do a really fantastic job of portraying this loving unit, and together bring some sweet, sincere moments to an otherwise wild show.

Heaps of praise must go to Victoria Hamilton-Barritt portraying the gold digger, murderess stepmother, Constance, as she delivers a performance that is nothing short of perfection. Her comedic timing rivals the best in the business, and her astounding physicality, faultless facial expressions, and hilarious vocal inflections create a dynasty-esque portrayal that keeps the audience in stitches. Barritt's magnetic stage presence draws in the crowd, and she expertly milks every moment for maximum laughs and somehow still leaves us yeehawing for more.

Amy Jane Cook's set design and Sarah Mercade's costumes are commendable, wonderfully capturing the essence of the Wild West with authenticity and providing some surprising moments whilst utilising all of the limited space available. Alexzandra Sarmiento's choreography is undeniably fun and while there's potential for more in a larger space, it fits the Wild West vibe exceptionally well and is two-step away from perfection, though I'd trade my hat for an encore tap dance number.

The upbeat score by Chip Rosenbloom, John Torres and Michelle Brourman is continually engaging, with a number of quirky ear-worms and vocal gems. It may not be a musical masterpiece, but it's intelligent and inventive enough to fit perfectly with the style of the show and deliver exactly what it needs to.

Bronco Billy is a delightful musical extravaganza that successfully balances sincere moments with high camp theatrics. It isn't groundbreaking, but with charismatic leads, touching found family dynamics, and a hugely fun Wild West atmosphere, it is a silly stampede of a show that guarantees you'll leave with a prairie sized grin and joy to share. Who knew that what London theatre needed was a disco cowboy musical?!

★★★★

Reviewed on Wednesday 30th January 2024 by Olivia
Photo Credit: The Other Richard

{AD PR Invite- tickets gifted in exchange for honest review}

Wednesday 1 November 2023

Bat Boy the Musical at the London Palladium Review: A Campy Delight


Bat Boy the Musical in Concert
London Palladium

I had the pleasure of spending Halloween at Bat Boy the Musical in concert at the iconic London Palladium, and it was truly a wild, wacky, and wonderful show. The talented cast, which included Jordan Luke Gage, Jodie Steele, and Trevor Dion Nicholas, delivered an electrifying performance that left the audience thoroughly entertained.

The campy nature of the production was evident from the get-go, and it added to the overall charm of the show. The exaggerated characters, over-the-top antics, and quirky humour all contributed to a delightfully eccentric atmosphere that had the audience in stitches. Victoria Hamilton-Barritt in particular is a complete comedic superstar, perfectly bouncing off the crowd and having everyone in stitches from the smallest movement or expression.

However, it wasn't all smooth sailing. There were some noticeable sound issues throughout the performance. Missed lines and an uneven balance between the orchestra and vocals meant that, at times, it was challenging to hear the lyrics properly. While these technical hiccups did momentarily detract from the overall experience, they were overshadowed by the sheer fun of the show.

For those unfamiliar with the story, Laurence O'Keefe's Bat Boy the Musical is a quirky tale about a half-human, half-bat creature who is discovered in a cave and taken in by a family in a small town. The musical explores themes of acceptance, prejudice, and the complexities of human nature, all while delivering it with a humorous and satirical touch.

Despite the sound issues, the show's humor and the cast's stellar performances shone through. The witty one-liners and comedic timing of the actors had the audience roaring with laughter, making it easy to forgive the occasional technical glitch.

Jordan Luke Gage gave an endearing performance as the title Bat Boy, showcasing stupendous vocals as well as really well done and hilarious characterisation; continually rising to new heights, I cannot wait to see what he takes on next. Jodie Steele's portrayal of the struggling sister balanced superbly with Gage's and had some solid development and growth throughout. Completing the family pack, Trevor Dion Nicholas gave a vocal powerhouse performance and made the morally wild father a stand out performance. Tosh Wanogho-Maud was a complete powerhouse, giving some of the best vocals of the night, despite not having a hugely developed character. The entirety of the supporting cast and choir also did an excellent job of bringing the Bat Boy world to life.

One aspect that truly stood out was the effective and simple staging. The use of minimal sets and props allowed the audience to focus on the characters and the story. It was remarkable how such a straightforward approach could be so striking and immersive. This also allowed Rhys Wilkinson's well thought out and adapted movement to really shine and add a finessed element to this one night only performance.

Bat Boy the Musical was a wild, blood filled, hoot of a musical, with a fantastic cast and an abundance of humour. While the sound issues were a minor drawback, the overall experience was thoroughly enjoyable, leaving the audience with smiles on their faces. A hilarious and campy musical done so well!

★★★★
Reviewed on Tuesday 31st October
{AD PR Invite- tickets gifted in exchange for honest review}

Monday 17 July 2023

The Wizard of Oz at the London Palladium review: A Delightfully Nostalgic Experience

a visual spectacle that fits so well with the whimsical and well-loved world of Oz"

The Wizard of Oz
London Palladium
★★★★

Magic, wonder, and unforgettable melodies reign supreme as you step into the mesmerising world of The Wizard of Oz at the London Palladium. This enchanting production, a transfer from the Leicester Curve, weaves a delightful experience that is sure to captivate audiences of all ages.

Thanks to Nikolai Foster’s direction, once the curtain rises you will find yourself immersed in a world of imagination and fantasy. The detailed costumes, effective sets and strong video effects seamlessly blend together to create a visual spectacle that fits so well with the whimsical and well-loved world of Oz. The semi-modern, steampunk aesthetic lends a unique twist to the classic tale, infusing it with a fresh and vibrant energy.

The cast of The Wizard of Oz delivers exceptional performances, breathing life into the beloved characters with charm and charisma. Dorothy, portrayed by the stunning Georgina Onuorah with innocence and determination, effortlessly captures our hearts as she embarks on her journey to find her way back home. Joining Dorothy on yellow brick road are three iconic friends she makes. Searching for courage, the Cowardly Lion is played superbly well by Jason Manford, who is perfectly evocative of Lahr in the film but with a spin of his own that really works. Looking for a heart the Tin Man is oiled by well by Ashley Banjo who creates some really brilliant moments; the vocals aren’t as stellar as they could be but his dance skills and charisma more than make up for it. Completing the quad is Louis Gaunt as the Scarecrow searching for a heart, who is utterly charming and a real triple threat. The chemistry between the group is well portrayed, however on stage you don’t feel as a strong of a connection to their journey and never root for them quite enough; their story is enjoyable but not as emotionally intense as it could be.

The other supporting cast members shine in their respective roles, each bringing their own unique flair and personality to the story. Christina Bianco’s Glinda and Dianne Pilkington’s Wicked Witch of the West are throughly entertaining, if a little underdeveloped but both provide some of the stand solos of the show. The musical numbers in The Wizard of Oz combine Andrew Lloyd Webber's new compositions with the beloved songs from the classic film and while Webber's additions may not steal the spotlight, they seamlessly blend with the original score, enriching the overall experience. The familiar melodies of ‘Somewhere Over the Rainbow’ and ‘Follow the Yellow Brick Road’ undoubtedly take centre stage, evoking a wave of nostalgia and bringing smiles to the faces of the audience.

This musical really does exactly what you’d expect it to in telling the story which so many love. All the classic moments are featured and there are also some fun things to spot such as Ozified show names (West Witch Story, Margaret Hamilton etc…) a hidden Olaf and some swanky costumes which are truly Ozian. However, act two is a little bit lacking as a whole, with the video aspect which is so effective in act one, becoming gimmicky and a little basic, especially when showing the wicked witch’s army and the flying monkeys. Moments which could have been really awe-inspiring are instead brushed over and there’s never a true wow moment.

A way the production does soar is in how it pays heartfelt homage to the original book by Frank L. Baum, incorporating references that will surely delight fans. The inclusion of Dorothy's return to Kansas in her Oz dress adds a touch of nostalgia, serving as a loving nod to the source material. These thoughtful gestures elevate the production, reminding us of the timeless charm that made the story a classic in the first place.

It’s not a faultless show but The Wizard of Oz offers a delightful escape into a world of fantasy and adventure. With its talented cast, striking visuals, and heartfelt nods to the original, this production is well worth seeing. Whether you are reliving cherished childhood memories or experiencing the magic for the very first time, this show will transport you to a place where dreams come true and a trip to Oz should definitely be part of your summer plans.

Reviewed on Wednesday 12th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner

{AD PR Invite- tickets gifted in exchange for honest review}

Friday 7 July 2023

New Cast Announced for The Phantom of the Opera at His Majesty's Theatre


Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.

Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur AndréMatt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry.  At certain performances the role of Christine Daaé will be played by Paige Blankson.

 

The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.


Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.

The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.

The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.

Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.

Tuesday 15 November 2022

Mrs Doubtfire to Open in the West End in May 2023


Producers Kevin McCollum and Jamie Wilson are thrilled to announce that new comedy musical Mrs. Doubtfire, based on the iconic movie, will open in the West End next Summer.

Having thrilled audiences at its UK premiere in Manchester earlier this year, the London production will begin performances at the newly refurbished Shaftesbury Theatre from Friday 12 May 2023, with a Press Night on Thursday 22 June. Tickets go on-sale today via www.mrsdoubtfiremusical.co.uk

A hilarious and heartfelt story about holding onto your loved ones against all odds, Mrs. Doubtfire is the musical comedy we need right now.

Out-of-work actor Daniel will do anything for his kids. After losing custody in a messy divorce, he creates the ​alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.

Mrs. Doubtfire will introduce Gabriel Vick (Avenue Q) as Daniel Hillard.

Gabriel will be joined in the principal cast by Carla Dixon-Hernandez (Matilda the Musical) as Lydia Hillard, Cameron Blakely (The Addams Family) as Frank Hillard, Marcus Collins (Kinky Boots) as Andre, and Ian Talbot OBE (Hairspray, and Director of The Mousetrap) as Mr. Jolly.

Further cast include Joshua Dever, Samuel Wilson-Freeman, Maria Garrett, Kiera Haynes, Adam Lyons, Lisa Mathieson, Ellie Mitchell, Matt Overfield, Tom Scanlon, Vicki Lee Taylor and Rebecca Donnelly, Amy Everett and Paulo Teixeira.

The roles of Miranda Hillard, Stuart Dunmire, Janet Lundy, Wanda Sellner and the full cast are to be announced at a later date.

For cast & creative team information, please see www.mrsdoubtfiremusical.co.uk

Mrs. Doubtfire has been created by a transatlantic team of award-winning artists, with Original Music and Lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, (the Tony Award-nominated team behind Something Rotten!, along with O’Farrell), a Book by Karey Kirkpatrick and John O’Farrell, Direction by 4-time Tony winner Jerry Zaks (Hello, Dolly!), Choreography by Lorin Latarro (Waitress), and Music Supervision, Arrangements & Orchestrations by Ethan Popp (Tina: The Tina Turner Musical). Scenic design is by David Korins (Hamilton), Costume Design by Catherine Zuber (Moulin Rouge! The Musical), Lighting Design by Philip S. Rosenberg (Pretty Woman The Musical), Sound Design by Brian Ronan (Beautiful: The Carole King Musical), Hair Design by David Brian Brown (Frozen), Makeup & Prosthetics Design by Tommy Kurzman (The King and I), Casting by Stuart Burt (Cabaret) and Children’s Casting Director is Verity Naughton.

Mrs. Doubtfire is produced by Kevin McCollum and Jamie Wilson and is presented by special arrangement with Buena Vista Theatrical.

Wednesday 25 May 2022

Line-Up for West End LIVE is Unveiled


A packed line-up of 34 hit West End shows has been unveiled so far ahead of this year’s West End LIVE, a free and unticketed celebration of London’s world-leading theatre scene which comes to Trafalgar Square on the weekend of 25 and 26 June. More acts are due to be announced in the next few weeks, as London gears up for the biggest ever West End LIVE.
 
Tens of thousands of theatre fans are expected to flock to the capital for this year’s musical theatre spectacular, enjoying free performances from dozens of top shows - from long-running favourites Hamilton, Les Misérables, Wicked, Six, The Book Of Mormon, Disney’s The Lion King and Matilda The Musical, to new shows making their West End LIVE debut, such as Moulin Rouge! The Musical, Legally Blonde, My Fair Lady, Disney’s Beauty And The Beast, Back To The Future - The Musical and Get Up Stand Up! The Bob Marley Musical.
 
This unique event, a joint production by Westminster City Council and the Society of London Theatre (SOLT), unites London’s theatre industry every year and brings people of all ages into central London to experience the best of the West End - from the city’s unparalleled culture scene to food, drink, fashion, nightlife, retail and more.
 
As excitement builds for West End LIVE, anyone visiting central London in the next couple of weeks - and who happens to look up - might catch one of a series of surprise, pop-up performances by West End shows on iconic London rooftops, an opportunity to get a feel for things to come from one of the world’s most spectacular outdoor theatre events. Details for these ‘Sing it from the Rooftops’ events will be teased before each appearance on the West End LIVE and Official London Theatre social channels, and anyone lucky enough to witness one will be in with a chance of winning a West End LIVE queue jump. The first pop-up performance will take place today (Wednesday 25 June) at 4pm, in Covent Garden’s famous piazza on the SUSHISAMBA balcony. 
 
Sky VIP are welcomed back as sponsor for West End LIVE 2022, having also supported last year’s event. Once again, they will be offering their customers the chance to watch from the exclusive Sky VIP viewing area onsite, plus win some fabulous prizes. 

They join returning partners The Northbank and Edwardian Hotels and sponsors Art of London, Capco Covent Garden, The Crown Estate, Derwent London, Great Western Railway, Heart of London Business Alliance, New West End Company, The Portman Estate, Regent Street & St James’s, Shaftesbury, Veolia, Victoria Business Improvement District, Victoria Westminster Business Improvement District and Whitehall Business Improvement District.

Eleanor Lloyd, President of SOLT, said:
 
‘London’s theatres are the envy of the world, and West End LIVE is a highlight of the theatrical calendar for so many - not just the countless fans who converge on Trafalgar Square to enjoy a wealth of incredible live entertainment, but also the hundreds of performers and crew involved in putting on what is always an unforgettable weekend. We are delighted to continue to work so closely with Westminster to deliver West End LIVE, and hugely grateful for the support of Sky, who have a long history as champions of theatre and the arts.’

Cllr Tim Roca, Deputy Leader at Westminster City Council, said:

‘West End LIVE is a much-loved annual event that brings together the musical theatre community in celebration of the world-class theatre we have right on our doorstep. One of the main aims the new administration has for the council is to make culture, arts and leisure accessible to everyone living in Westminster, not just the few. We want to encourage all residents, especially those in disadvantaged communities, to participate and join in cultural opportunities and big, fun events such as West End LIVE so we can bring all our communities in Westminster together.’
 
Joel Keoghan, Head of Brand Partnerships at Sky said: 
Sky is delighted to be part of West End LIVE again. This annual celebration of London’s world class theatre is a fantastic event and a highlight in the arts calendar.  It’s a great opportunity for us to host and thank our customers, getting them closer to the entertainment they love through Sky VIP.

Official London Theatre will be backstage throughout the West End LIVE weekend sharing exclusive behind-the-scenes content across our social channels.

West End LIVE remains free and unticketed as in previous years. The event will be BSL interpreted by Sue MacLaine, Marco Nardi and Caroline Richardson.
 
List of shows appearing at West End LIVE 2022
More shows and acts will be announced in the lead-up to the event
 
& Juliet
Back To The Future - The Musical
Disney's Beauty And The Beast
Bonnie And Clyde The Musical
The Book Of Mormon
Chess, Kinky Boots and Treason at Drury Lane
The Choir Of Man
Come From Away
Dear Evan Hansen
The Drifters Girl
Fantastically Great Women Who Changed The World The Musical
Disney's Frozen
Get Up Stand Up! The Bob Marley Musical
Grease The Musical
The Great Gatsby
Hamilton
Heathers The Musical
Jersey Boys
Legally Blonde The Musical
Disney's The Lion King
Magic Mike Live
Mamma Mia!
Mary Poppins
The RSC’s Matilda The Musical
Les Misérables
Moulin Rouge! The Musical
My Fair Lady
Only Fools And Horses The Musical
The Phantom Of The Opera
Pretty Woman: The Musical
Six
South Pacific
Tina - The Tina Turner Musical
Wicked

photo credit: Pamela Raith