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Showing posts sorted by date for query Gabriella Slade. Sort by relevance Show all posts

Wednesday 7 September 2022

The Cher Show (Tour), New Victoria Theatre | Review


The Cher Show (Tour)
New Victoria Theatre
Reviewed on Tuesday 7th September 2022
★★★

A world renowned singer, actress and age defying star, Cher has had a longtime career full of ups and downs, which have now been transformed into a glitz-filled stage show.

Turning back time from her Las Vegas residencies, The Cher Show begins in the 1950s with a young Cherilyn Sarkisian who's longing to be a star, and progresses through her various ventures, successes and failures up to the modern day. Taking on the role of the musical icon, are three superstars who share (cher) the role and show her at various stages of her life. Debbie Kurup plays the Star, Danielle Steers is Lady and Millie O'Connell is the youngest, Baby.

It's Cher's rich, contralto voice which makes her so recognisable and the three actresses do a great job of mirroring her style as well as her mannerisms and speaking voice. All are vocally excellent and give performances that the icon herself would be proud of.

Whilst the three Cher's represent different times in her life, they also interact throughout and almost act as a Greek chorus or moral compass for one another. This is one of the most effective parts of the musical as the trio interact so wonderfully and have some really witty moments. They also help to keep the plot moving and provide somewhat of a through line to the show.

Aside from this, the script and storyline are somewhat lacklustre. There's not a real cohesion to the story and while of course liberties can't be taken with a real life story, it does feel like there needs to be a theme which ties the show together, or at least more of a conclusion. Towards the end of the musical there is more mention of Cher as a Goddess Warrior but it kind of comes from nowhere. This as a recurring theme throughout could be more effective as a way to show that Cher was a strong business and career woman who got herself back up every time. Instead, the main points and moments are the relationships in Cher's life. That's not to say these aren't enjoyable to watch, and the whole cast do a great job of portraying them, but for Cher being such a powerful woman, there is a distinct lack of oomph and empowerment overall.

The show also has a few moments which fall flat, such as the tap scene where the dancers aren't actually tapping. For a show which packs in thirty of Cher's greatest hits, there also isn't a real crowd pleaser until the megamix at the end. The songs are effectively shoehorned in to tell the story but don't get a chance to shine in their own right as the musical classics that they are. Perhaps less would be more in terms of showcasing the real bops of the track list and leaving out some of the small interludes.

However, less is most definitely not more in the general visual spectacle of the show. Tom Rodgers' set is fairly simplistic but cleverly transforms and feels like a thousand sets in one. Gabriella Slade's costumes take inspiration from Bob Mackie's originals and bring superb glitz, glam and dazzle to proceedings, with the Cher's quite literally beaming sparkles around the auditorium. Ben Cracknell's lighting is a star in its own, completely fitting the vibe of the show and bringing energy and excitement throughout, even more so in the huge finale.

Whilst the tour of The Cher Show does have some faults, it's a treat to see such strong performances on stage and Cher's persona and discography speaks for itself. For glitz and glam you couldn't really ask for more and will Cher-ly have a great time soaking it all in.

photo credit: Pamela Raith

Thursday 21 April 2022

The Cher Show (Tour), Leicester Curve | Review


The Cher Show (Tour)
Leicester Curve
Reviewed on Friday 15th April 2022 by Hope Priddle
★★★★★

After a brief run on Broadway, the beat goes on for The Cher Show as a new reimagined version, directed by Arlene Phillips, opened at the Leicester Curve this week. Spanning an astounding six decades and featuring iconic hits such as Believe and Strong Enough, The Cher Show charts the early life of Cherilyn Sarkissian and her spectacular rise to fame. In this uplifting girl-powered production, join Cher as she fights to take charge of her career in a man’s world, leaving a legacy as a trailblazing feminist icon.

This is not an ordinary jukebox bio-musical – there is not just one Cher, but three; Baby, Lady and Star. Though the book (Rick Elice) relies heavily on exposition and is not always successful in divorcing itself entirely from a tired format, it is sharp and quick-witted. By introducing us to three protagonists who interrupt each other with sassy asides and sage advice, an otherwise linear narrative suddenly feels reactive and full of endless possibilities. The Chers reclaim, retell and revise their own story.

The cast is led by a powerhouse trio of women in the role of Cher. Millie O’Connell (Baby) Danielle Steers (Lady) and Debbie Kurup (Star) give natural and nuanced performances as the legendary diva. Cher has become so mythologised into the annals of pop history, it is easy to forget she is a real person. Not once however do our leading ladies stray into the territory of camp or hammy caricature.

As the eldest Cher, Debbie Kurup grounds the trio with her wisdom and worldliness. Kurup’s vocals are truly outstanding, but it is in her ability to reveal the vulnerability, resilience and tenderness behind the icon, that her true power lies. Danielle Steers plays Lady, tasked with negotiating Cher’s fraught personal and professional relationship with husband Sonny Bono. Steers is infamous for her rich contralto vocals and as such, unapologetically devours the score. Steers’ commanding rendition of Bang Bang is a total showstopper, proving that Cher was a role she was born to play. Millie O’Connell is a delight as lovestruck dreamer Baby and is a comedic genius to boot – her repartee with Lucas Rush (Sonny) during The Sonny and Cher Comedy Hour is a complete joy to watch.


It would be easy to assume that Baby and Lady take a secondary role to Star, that they perhaps function as her warm-up act. However, they shine brightly on their own. Baby and Lady are no less accomplished, no less complete than Star. What is so wonderful about The Cher Show is that although their shared story is a linear one, the Chers exist in parallel timelines, supporting rather than replacing one another along their journey.

Lucas Rush gives a tremendous performance as Cher’s first husband and lifelong artistic partner, Sonny Bono. Not only does Rush masterfully imitate Sonny’s nasally vocal inflections, they skilfully embrace his smarmy unlikability and genuine charisma. Though Sonny exhibits exploitative and explosive behaviour at the height of their career, he remains an enduring confidante and champion. We are also introduced to a host of influential characters – Cher’s Mother (Tori Scott), Bob Mackie (Jake Mitchell), and her subsequent husbands Gregg Allman (Sam Ferriday) and Robert Camilleti (Ferriday) - all of whom are treated with affection and goodwill. The ensemble are strong and deliver Oti Mabuse’s dynamic choreography with pizazz.

Tom Roger’s set design is simple yet highly effective, transporting the audience backstage by flanking the wings with monochrome rails and wig-laden shelves. The costumes retain all the glamour of Bob Mackie’s original wardrobe, but his departure from the creative team has clearly allowed designer Gabriella Slade the freedom to take a more inspired approach. Slade’s gladiatorial designs fully embody the fierce spirit of Cher and transform our leading ladies into goddess warrior queens.

The Cher Show is a universally uplifting story of a woman’s fight for independence in an industry driven by men. While it unashamedly embraces all the flair and flamboyance that fans will most certainly expect, as a respectful homage to a much-loved icon, it retains real heart. If I could turn back time, I would watch it all over again.

photo credit: Pamela Raith

Friday 18 March 2022

Six The Musical to be Performed Live at Hampton Court Palace


Worldwide hit musical SIX, created by Toby Marlow and Lucy Moss, will play three open-air concert performances at Hampton Court Palace, reuniting the original West End Queens and performing within the iconic main courtyard of their infamous ex-husband’s former residence on Sunday 19 June and two performances on Monday 20 June, 2022.

This production, staged in partnership with Historic Royal Palaces – the independent charity which cares for Hampton Court Palace - will see the global musical phenomenon staged outdoors for the first time, in front of an audience of over 3,000 at each performance.

SIX Live at Hampton Court Palace will reunite the original West End line-up of Olivier Award nominated cast members; Jarnéia Richard-Noel (Catherine of Aragon), Millie O’Connell (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anna of Cleves), Aimie Atkinson (Katherine Howard) and Maiya Quansah-Breed (Catherine Parr).

The production will be co-directed by Lucy Moss and Jamie Armitage, with choreography by Carrie-Anne Ingrouille, musical supervision by Joe Beighton and costumes by Gabriella Slade based on the original staging with Scenic Design by Emma Bailey, Lighting Design by Tim Deiling, Sound Design by Paul Gatehouse and Orchestrations by Tom Curran.
Speaking about SIX Live at Hampton Court Palace, producers said: “We are delighted to be working in partnership with Historic Royal Palaces and reuniting our original West End Queens for three performances. While SIX continues to triumph worldwide, we are thrilled to be celebrating this home-grown musical and staging it within the beautiful grounds of Hampton Court Palace this summer.”

Liz Young, Head of Events at Historic Royal Palaces, said: “Bringing the phenomenon that is SIX to Hampton Court Palace has been a long-term aspiration, and we’re delighted that this summer loyal fans and newcomers alike will get the chance to experience the award-winning show in the very place where the lives, loves and legacies of these legendary Queens live on.”

SIX has become a global phenomenon since its debut as a student production at the Edinburgh
Fringe Festival in 2017. Since then, and following the reopening of theatres across the world,  
performances have resumed in London’s West End, on Broadway and in Sydney (as part of an Australia anNew Zealand Tour), with a brand-new production opening in Chicago later this month, and a second North American Tour due to open in July.

SIX was nominated for five Olivier Awards including Best New Musical and Best Actress in a Supporting Role, for which the Hampton Court Palace cast were collectively nominated. It won the BBC Radio 2 Audience Award for Best Musical at the WhatsOnStage Awards 2019, and was most recently awarded Best West End Show at the WhatsOnStage Awards 2022.

The music from SIX has also achieved global prominence, with its hit songs streamed over 340 million times across all platforms, with over 2 million views on YouTube and 3 billion views on TikTok, making it one of the world’s most successful cast recordings in music history. In October 2021 the original studio cast recording was officially awarded Gold status, in an event streamed globally, live on TikTok.

On-Sale Information

Priority On-Sale opens at 10am on Saturday 19 March
to existing Historical Royal Palace Members 
and subscribers to the SIX UK Mailing List

General On-Sale opens at 10am on Sunday 20 March

Booking link
www.sixthemusical.com/london/tickets

Performance Times
Sunday 19 June - 9pm
Monday 20 June - 3pm* and 9pm

The performance will last approx. 80 minutes without an interval and will feature flashing lights, strobe effects, theatrical haze and loud music. 

*Monday 20 June 3pm will integrate British Sign Language (BSL) interpretation throughout the performance. 

Ticketing Information
The appearance of any particular cast member cannot be guaranteed in the unforeseen event of illness or other circumstances beyond producers’ control. Maximum of 8 tickets per transaction. Tickets are available exclusively through SIX Tickets without booking/transaction fees. Tickets sold elsewhere are in breach of the T&Cs and liable to be cancelled. Please check all terms and conditions regarding entry, the event and further information prior to booking. 

Venue information
The formal East Front Gardens are open for SIX Ticket Holders up to four hours prior to each performance where attendees are welcome to experience Hampton Court Palace Gardens. 

SIX at Hampton Court is an outdoor event and therefore open to the elements. 

Undercover seating can be selected at the time of booking. 

No umbrellas are permitted during the performance. 

Access Information 
A number of wheelchair spaces and adjacent companion seats are available at each performance, subject to availability at the time of booking. In addition, wheelchair and ambulant accessibility requirements can be accommodated in other areas of the auditorium, subject to availability, booked on a first come first serve basis. Further venue information is available here.

Tuesday 15 March 2022

Full Cast Announced for the UK and Ireland Tour of The Cher Show

 


“All of us invent ourselves.
Some of us just have more imagination than others.”
CHER

 
The producers of the brand new production of The Cher Show are delighted to announce the full cast joining Debbie KurupDanielle Steers and Millie O’Connell, all starring as Cher – Star, Lady and Babe respectively.

Lucas Rush will play Sonny, Jake Mitchell will play Bob Mackie, Sam Ferriday will play Greg Allman and Tori Scott will play Georgia. Joining them are Jordan Anderton, Jasmine Jules Andrews, Carla Bertran, Catherine Cornwall, Áine Curran, Sam Holden, Samantha Ivey, Aston Newman Hannington, Ingrid Olivia, Clayton Rosa, Chay Wills and Guy Woolf.

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision, orchestrations and arrangements by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett, musical direction by Danny Belton and casting by Will Burton CDG.

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

Website: www.cheronstage.com
Twitter, Facebook, Instagram: @TheCherShowUK

Friday 25 February 2022

Millie O’Connell, Danielle Steers and Debbie Kurup to Play Cher in The Cher Show

“All of us invent ourselves.

Some of us just have more imagination than others.”CHER

The producers of the brand new production of The Cher Show are delighted to announce that the role of Cher will be played by Debbie KurupDanielle Steers and Millie O’Connell. The production features the actresses portraying Cher in three different ways throughout her iconic career, with Debbie as ‘Star’, Danielle as ‘Lady’ and Millie as ‘Babe’.  Further casting is to be announced.

 

With book by Tony and Olivier Award-winning Rick Elice (Jersey BoysThe Addams FamilyPeter and the Starcatcher), direction by Arlene Phillips (Saturday Night FeverStarlight ExpressGrease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (SixIn The HeightsSpice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

 

Debbie Kurup’s theatre credits include Bonnie & Clyde (Theatre Royal, Drury Lane), Queen Tuya in The Prince of Egypt (Dominion), Blues in the Night (Kiln), Sweet Charity (Donmar Warehouse), Mrs Neilsen in Girl From The North Country (Old Vic/ Noël Coward), The Threepenny Opera (NT), Anything Goes (Sheffield Crucible/UK Tour), Nikki Marron in The Bodyguard (Adelphi - Olivier Award nomination for Best Performance in a Supporting Role in a Musical), Velma Kelly in Chicago (Cambridge/Adelphi), Sister Act (London Palladium), East (Leicester Curve), West Side Story (Prince of Wales), Tonight’s The Night (Victoria Palace), Rent (Prince of Wales/UK Tour), Fame (UK Tour), Guys And Dolls (Sheffield Crucible), Pal Joey (Chichester) and Boogie Nights (Savoy).

 

Danielle Steers’s theatre credits include The Empress in Aladdin (Theatre Royal, Plymouth),  Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre, Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.

 

Millie O’Connell’s theatre credits include Maureen in Rent (Hope Mill Theatre - WOS Award Nomination), Jeanie in Hair (Turbine Theatre), Chloe Valentine in Be More Chill (Shaftesbury Theatre and The Other Palace), Anne Boleyn in SIXThe Musical (UK Tour and Arts Theatre, London - Olivier Award nominated), Ensemble/cover Millie in Thoroughly Modern Millie (UK Tour), Ensemble/Understudy Annie in 42nd Street (Theatre Royal, Drury Lane), Ensemble/Understudy Peggy Sawyer in 42nd Street (Theatre Du Chatelet).

 

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

 

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

 

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

 

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

 

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett and casting by Will Burton CDG.

 

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

 

Website: www.cheronstage.com

Twitter, Facebook, Instagram: @TheCherShowUK


photo credit: Matt Crockett


Tuesday 1 February 2022

New Cast Announced For Six The Musical Tour



The fresh tour cast for the much-loved, award-winning musical has been revealed, joining the production from 8 March at the Yvonne Arnaud Theatre in Guildford. The current cast for the show will play their final performance on 6 March (at the same location).

The new touring Queens will be played by Chlöe Hart (Catherine of Aragon), Jennifer Caldwell (Anne Boleyn, previously one of the alternatives), Casey Al-Shaqsy (Jane Seymour), Aiesha Pease (Anna of Cleves), Jaina Brock-Patel (Katherine Howard) and Alana M Robinson (Catherine Parr). Grace Melville, Leesa Tulley and Natalie Pilkington (Dance Captain) also feature in the cast as alternates, with super swing Harriet Caplan-Dean.

The multi-award-winning musical, which picked up the Radio 2 Best West End Musical Award at the 20th Annual WhatsOnStage Awards, currently has touring dates through to January 2023.

Penned by Toby Marlow and Lucy MossSix is co-directed by Moss and Jamie Armitage, featuring choreography by Carrie-Anne Ingrouille. The design team includes Emma Bailey (set design), Gabriella Slade (costume design), Tim Deiling (lighting design) and Paul Gatehouse (sound design).

The score features orchestrations by Tom Curran with music supervision and vocal arrangements by Joe Beighton. The musical director is Jennifer Deacon and UK musical supervisor is Katy Richardson. Casting is by Pearson Casting, with the production produced by Kenny Wax, Wendy and Andy Barnes and George Stiles.

Thursday 11 November 2021

Six the Musical, Vaudeville Theatre | Review



Six The Musical
Vaudeville Theatre 
Reviewed on Wednesday 10th November 2021 by Olivia Mitchell 
★★★★★

Since opening in 2017 Six the Musical has taken the world by storm, with productions running in the West End, Australia and Broadway, as well as on tour and cruise ships. Laden with awards, critical, and audience praise, it's a history lesson you'll want to revisit time and time again.

In Six the wives of Henry VIII come back to life and remix five hundred years of trauma, grief, drama and exploits to decide who will get to lead their girl-power band. A series of stylistically varied songs chronicle their lives and how they got their place in the classic rhyme: Divorced, Beheaded, Died, Divorced, Beheaded, Survived. It's an 80 minute treat that flies by in a whizz of comedy, vocal excellence, spangly costumes and heart.

The incredible women who make up the cast (at this performance: Jarnéia Richard-Noel, Courtney Bowman, Collette Guitart, Cherelle Jay, Sophie Isaacs and Hana Stewart) give first class solo performances, whilst also bouncing off of one another perfectly. The chemistry and camaraderie on stage is a joy to watch and alongside the stellar audience reaction, makes you really feel part of the girl power rewrite. From the opening beats the energy in Six's new home, the Vaudeville theatre, is completely frenetic and doesn't slow until you're brought back to the real world when you step onto the Strand.

Gabriella Slade's bedazzled costumes are the perfect combo of modern sass, mixed with historical elements. With Tim Deiling's fantastically precise and impactful lighting the women sparkle like royal disco balls and the whole production is an explosion of brilliance. Like the whole show, Emma Bailey's set has had a slight upgrade and continues to perfectly frame the Tudor tale. Toby Marlow and Lucy Moss' score continues to hit however many times you hear it and since last seeing the show, the small tweaks and tucks have made the whole thing tighter and chicer than ever before. 

With huge energy, this royal riot is everything you could wish for and Six the Musical is sure to continue it's reign long into the future. Move aside Henry, it's these Queens we want to remember!

photo credit: Pamela Raith

Wednesday 6 March 2019

Six, Arts Theatre | Review


Six
Arts Theatre 
Reviewed on Tuesday 5th March 2019 by Olivia Mitchell 
★★★★★(★)

Yesterday, the 2019 Olivier Awards nominations were announced and Six are up for five. For a show which started as a university project, its pretty amazing and inspiring that Six is reaching such levels of stardom, and rightly so. Since debuting with the Cambridge University Musical Theatre Society, showcasing at the Edinburgh Fringe, having a stint at the Arts Theatre, touring and now returning for a pretty open ended run at the Arts, Six has gone up and up, reaching stratospheric levels of brilliance and dazzle. Creators and besties, Toby Marlow and Lucy Moss have somehow managed to capture every type of audience member with their inventive and exciting pop re-telling of Henry VIII's wives. It seems impossible that this show can get better but on my fifth visit, I can confirm: it can!

The concept is that each of Henry VIII's wives sing a song about the hardships of their time with him in the hope of having the most dramatic life story, and therefore becoming the Queen of Queens and leader of the girl group. The setup is the perfect instrument to provide showcase moments for each performer and allow each story to be told with enough depth to keep it interesting and entertaining. This is really an ensemble piece of theatre as each Queen has the opportunity for a solo, as well as backing up the others, so it's only right that all six have been nominated as team for Best Supporting Actress in a Musical. Even the structure of the show, without the songs themselves, upholds the notion of women supporting women.

The Arts Theatre is transformed to a pop concert, Tudor Court with harpsichord remixes of modern songs greeting us as we take our seats. Tim Deiling's pre show lights act like a crown framing the stage and set the tone for the epic lighting that is to come. Of course the music and performances are outstanding but they are taken up several notches by Tim's well thought out and supremely effective lighting. Gabriella Slade's costumes are also spectacular. The clever use of stiff and sparkly fabrics mirror the message of femininity alongside power and are just another tick to add for this show.  The sharp wit of the ladies, is matched by Carrie-Anne Ingrouille's choreography which is modern, pop inspired and oh so sharp. If the Arts  Theatre paid it's bills in sass, this choreography alone would do the job.



Whilst Six does follow real life people, not all the facts are historically correct and everything needs to be taken with a pinch of salt and a peep into a history textbook. However, Marlow and Moss have done an outstanding job of scattering facts here and there and allowing their own writing style, alongside influences from famous pop performers to develop the stories. The composers provide catchy tune after catchy tune as each of the queens tell their stories in their distinctly them style. 

The two queens who got off the lightest (aka they were not killed and had pretty great lives post-Henry) bring fiery, energetic performances. Jarneia Richard-Noel as Catherine of Aragon is the definition of sass as she tells Henry there's No Way he can throw her out like a pheasant carcass (not a direct quote but it sounds like a Tudor insult, right?) Anna of Cleves (Alexia McIntosh) shows her success as she regales us with snippets of her life in her resplendent, Richmond Palace. Both ladies perform their upbeat songs with enough energy to power the entire West End and give their absolute all night after night.

Otherwise, Natalie May Paris gives a completely heartfelt performance as "the only one he truly loved", Jane Seymour who died young in childbirth. Her hilariously awkward one liners bring a like-ability to her character, as does her note perfect, chill-inducing rendition of Heart of Stone. 

Natalie's performance beautifully and painfully highlights the exploitation of women by the men in power. Whilst she proclaims her love for Henry, she also realises that Henry only loved her because she was able to provide him with an heir. Although all the women are treated badly by men, it's Aimie Atkinson as Katherine Howard who gives the most strikingly painful display. All You Wanna Do is a slow building piece which portrays the dark way in which Katherine was essentially groomed her entire life. The way Aimie manages to show a complete character arc in this song, is truly skilful.

Millie O'Connell is utterly dazzling as the super cheeky Anne Boleyn who is equally used by men but employs her wit and sex appeal to fight back. Although this led to her head off demise, it allows for a fantastically well characterised performance which is worthy of every ounce of applause it receives. 



This is an undoubtedly feminist show that inspires women to support each other and reminds us all that we're stronger together. Maiya Quansah-Breed's number towards the end I Don't Need You Love is a pinnacle of the show as it is not only performed perfectly, but wraps up the show and its message so well. The queens combined are an absolute force to be reckoned with and upon leaving the theatre, my friend exclaimed "I've never wanted to be a sassy woman more... I've never felt so empowered!" and that is absolutely true. 

Whilst many deep and pretty dark themes course through the roots of this show, writers Marlow and Moss and co-director (with Moss) Jamie Armitage have done a superb job of never making anything too heavy or overwhelming. They maintain a balance which thrills and moves the audience. 

With various international productions and tours already in the works, there's no doubt that Six will continue to receive acclaim and a posse of adoring fans around the world. This is the history lesson you'll love and want to return to over and over again. Perfectly executed (!) and superbly created, Six is the smash hit you need to see... and see again.

Read my original Six review here

photo credit: Idil Sukan