Showing posts sorted by relevance for query Don Black. Sort by date Show all posts
Showing posts sorted by relevance for query Don Black. Sort by date Show all posts

Wednesday 11 April 2018

Sunset Boulevard (UK Tour), New Wimbledon Theatre | Review


Sunset Boulevard (UK Tour)
New Wimbledon Theatre
Reviewed on Tuesday 10th April 2018 by Glenys Balchin
★★★★★

Sunset Boulevard is wonderful musical with great music, amazing performers, awesome staging and lighting and superb costumes and makeup. The atmosphere on opening night was electric and the New Wimbledon theatre provided an iconic setting for this fabulous musical. 

I had my trepidation’s about whether I was going to enjoy Sunset Boulevard. I had seen the film telling the dark tale of the fading Hollywood silent screen goddess trying to make a comeback who gets intwined in a dark world with her young screenwriter and lover; but I doubted how it would work as a musical. How wrong was I to doubt this wonderful operatic music of Andrew Lloyd Webber alongside the brilliant writing and lyrics of Christopher Hampton and Don BlackThe melodramatic film-framework is embellished to bring Sunset Boulevard up to the heights of a Grand Opera.

The entire cast must be congratulated on their performance but in particular Ria Jones who is sensational. Her character interpretation is phenomenal as she becomes Norma Desmond. She engages with the audience immediately as we're drawn into her world of despair and the larger than life dramatisation of sorrow grief of yesteryear. 

To go with that outstanding acting performance is Ria's fantastic voice- how does that voice come from such a diminutive frame!? I have to say I was wondering how Ria would compare with the voraciousness of Gloria Swanson in the 50’s movie, well she did! What’s more-she is every inch a frightening diva; as Norma tumbles into madness in the final scene - “Mr DeMille Lights Cameras” Ria Jones herself has reached the realms of a superstar and I can’t wait to see her in another production.

Moving on to Ria ‘s co-star, Danny Mac, the Strictly Come Dancing finalist really holds his  own against the formidable singing voices of Ria Jones and Adam Pearce. As Danny’s ex strictly judge would say “I didn’t like it I LOVED it” his performance is excellent, enjoyable, energetic, easy on the eye and his rendition of Sunset Boulevard is extraordinary.

Special mention of the fabulous Max, Norma's butler played by Adam Pearce who's voice is astounding and Molly Lynch who gives a mesmerising performance playing sweet Betty.

The scenery is particularly atmospheric. On the top it's fairly simplistic but once you look closer there's a level of complexity which is intrinsic to the whole plot developing. The use of lighting and old films gives you shivers down the spine, as if you are a prisoner in that oppressive mansion yourself.

The costumes capture the Hollywood era perfectly, bringing glitz and glamour. Norma’s flamboyant, elegant and surreal costumes, life and personality really make her one of the most iconic of characters.

Last but not least, praise must go to the orchestra who provide the heartbeat of the musical playing the opulent and lavish musical scores of Andrew Lloyd Webber, which are resounding in my head from last night. The songs provided magical moments bringing the whole show together as the cast performed them pitch perfectly.

I cannot praise this show enough, it was a wonderful experience to watch this truly brilliant cast transfer me to a world of “make believe”. The thing I love about theatre is it's escapism, the world of suspense from reality and when I see a show like this it makes me to want to go more and more. So, if there's one theatre trip you have to do this year, make it Sunset Boulevard!

Sunset Boulevard runs at the New Wimbledon Theatre until April 14th before continuing it's UK Tour. 

photo credit: Manuel Harlan


Friday 5 November 2021

Bonnie and Clyde in Concert Full Cast and Company Announced



Fourth Wall Live is delighted to announce the full cast joining Broadway star Jeremy Jordan in the sell-out BONNIE AND CLYDE IN CONCERT at the Theatre Royal Drury Lane on Monday 17 and Tuesday 18 January 2022. www.bonnieandclydeconcert.com
 
Joining the previously announced Jeremy Jordan as ‘Clyde’ will be Olivier-nominated performer Frances Mayli McCann as ‘Bonnie’. The previously announced Laura Osnes is no longer performing in Bonnie and Clyde in Concert.
 
The principal cast is completed by West End stars including Olivier Award winner George Maguire as ‘Buck’, Natalie McQueen as ‘Blanche’, Trevor Dion Nicholas as ‘Preacher’ and Liam Tamne as ‘Ted’.
 
The cast is completed by Casey Al-Shaqsy (The Prince of Egypt, Joseph and the Amazing Technicolor Dreamcoat) as ‘Stella’, Simon Anthony (The Wedding Singer, Ragtime) as ‘Cop/Bud/Archie/Deputy Johnson’ Gillian Bevan (Holby City, Into The Woods) as ‘Cummie Barrow/Eleanor’, Eloise Davies (Be More Chill, Grease) as ‘Trish’, Adrian Grove (Follies, Wonder.land) as ‘Henry Barrow’Olivier Award nominee Debbie Kurup (Girl From The North Country, The Bodyguard) as ‘Governor Miriam Ferguson’, Matthew Malthouse (Matilda, Mrs Henderson Presents) as ‘Bob Alcorn’, Jeremy Secomb (Sweeney Todd, Les Misérables, The Phantom of the Opera) as ‘Judge/Sheriff Schmid’, Russell Wilcox (Billy Elliot, Annie) as ‘Captain Frank Hamer’ and Julie Yammanee (Lazarus, Spamilton) as ‘Emma Parker’.
 
George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in Sunny Afternoon. His other theatre credits include 35mm: A Musical Exhibition at The Other Palace Studio, Oliver! at the London Palladium and the European tour of Rent.
 
Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of Kylah in Our Ladies of Perpetual Succour. Her other West End credits include ‘Heather McNamara’ in Heathers at the Theatre Royal Haymarket, ‘The Mistress’ in Evita at Regent’s Park Open Air Theatre and Eponine’ in the UK and International Tour of Les Misérables.
 
Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in 9 to 5 The Musical at the Savoy Theatre, Wicked at the Apollo Victoria Theatre and Kinky Boots at the Adelphi Theatre. Her other theatre credits include the UK tour of Wonderland, Murder Ballad at the Arts Theatre and Starlight Express at The Other Palace.
 
Trevor Dion Nicholas’s West End credits include ‘George Washington’ in Hamilton at the Victoria Palace Theatre and ‘Genie’ in Aladdin at the Prince Edward Theatre. He also presents on Magic at the Musicals and appears as a panellist on ITV’s All Star Musicals.
 
Liam Tamne’s West End credits include playing ‘Ramses’ in The Prince of Egypt at the Dominion Theatre, The Light in the Piazza at the Royal Festival Hall, The Phantom of the Opera at Her Majesty’s Theatre, Les Misérables at the Queen’s Theatre, Hairspray at the Shaftesbury Theatre and Wicked at the Apollo Victoria Theatre.
 
BONNIE AND CLYDE IN CONCERT has a book by Ivan Menchell (Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents) and is directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with musical direction by Katy Richardson (SIX, Rent, Jersey Boys). The Assistant Director is Alexzandra Sarmiento (Hamilton, Message in a Bottle), Lighting Designer is Zoe Spurr (The Unreturning, Tiny Dynamite), Set and Costume Designer is Philip Whitcomb (Atlantis, Stones In His Pockets, Mame), Sound Designer is Tom Marshall (The Drifters Girl, Nativity! The Musical), Production Manager is Phil McCandlish (Rock of Ages, Elf), Company Stage Manager is Graham Harrison (Joseph and the Amazing Technicolor Dreamcoat), Deputy Stage Manager is Anne Baxter (Singin’ in the Rain, Spamalot), Assistant Stage Manager is Tom Fisher (The Curious Incident of the Dog in the Night-Time), Dialect Coach is Charmian Hoare (The Curious Incident of the Dog in the Night-Time, War Horse) and children’s casting is by Keston and Keston (Nativity! The Musical, A Christmas Carol).  BONNIE AND CLYDE IN CONCERT is produced by Fourth Wall Live and co-produced by DLAP Group, Jason Haigh-Ellery and David Treatman Creative.

The band is made up of Assistant Musical Director Chris Poon (Keys 2), Kate Ingram (Reed 1), Hannah Lawrance (Reed 2), Kobi Pham (Guitar 1), Jack Pennifold (Guitar 2), Zach Okonkwo (Drums), Elliot Lyte (Fiddle)and Annie Blake (Bass).

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.
When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

Fourth Wall Live is a live entertainment company that produces concerts internationally. It regularly brings Broadway artists to the UK, previous concerts include Broadway and TV regulars Laura Benanti, Sierra Boggess, Kelli O'Hara, Chita Rivera, Laura Michelle Kelly, Megan Hilty, Tituss Burgess, Jeremy Jordan, Matthew Morrison, Erich Bergen, Eden Espinosa, Julia Murney and Cynthia Erivo. Other concerts include West End Stars solo concerts including Michael Ball, Matt Cardle, Kerry Ellis, Oliver Tompsett, Hannah Waddingham, Sharon D Clarke and Bonnie Langford. Upcoming productions at Cadogan Hall include Jenna Russell, Shoshana Bean, Keala Settle and Jessica Vosk.

Tori Amos’s musical The Light Princess was presented to critical acclaim, as a special one-off concert in the summer of 2018. Next year Bonnie & Clyde the musical concert will run for two nights to a sold-out audience at Theatre Royal Drury Lane starring Jeremy Jordan. 

Fourth Wall Live also regularly partners with the Hippodrome Casino, in November-December 2020 they produced 25 nights of socially distanced entertainment, proudly being the first live event post lockdown. The current season of Hippodrome concerts runs from September 2021 to December 2021 and features 20 nights of musical entertainment featuring Alice Fearn, Kerry Ellis, Hayley Tamaddon and David O’Reilly.Fourth Wall Live is committed to following all relevant UK Government Covid-19 guidelines, creating a safe working environment for our cast, musicians, creatives, crew and their families.

Wednesday 23 February 2022

Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical


DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musicalopening at the Arts Theatre from Saturday 9 April 2022


Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’. 

 

They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced. 

 

Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.

 

Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.

 

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace. 

 

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”. 


Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre. 

 

Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End. 

 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

 

Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow MorningMAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky)Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt)Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell)Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake. 


Further crew and band to be announced.  


photo credit: Darren Bell


Monday 24 July 2017

I Loved Lucy, Arts Theatre | Review


I Loved Lucy
Reviewed on Monday July 24th 2017 by Olivia Mitchell
★★★

Just transferred from the Jermyn Street theatre to the Arts Theatre, I Loved Lucy is an autobiographical play, adapted from Lee Tannen's memoirs about his relationship with cultural icon, Lucille Ball.


A massive fan of the comedy star, Tannen uses obscure family ties to meet and form a friendship with Lucy. They bond with stories and fantasies over their games of backgammon as Tannen becomes a close confidant and sees a side of 'Auntie Mame' that very few got to see.

As someone who wasn't alive during any of Ball's life and who until writing this review, had never seen an episode of I Love Lucy, I don't suppose I'm the target audience for this play. There were a number of anecdotes and names which meant nothing to me purely because of my age and I felt I was an outsider looking in on the jokes. However, for most of the times I didn't laugh, something else came along which had me in hysterics proving you don't need to be a Lucy fan to enjoy this show. Tannen's script is witty and uses repetition extremely well to generate laughs.  Alongside the laughs there are also more heartfelt moments, especially in act two when Lucy realises she has peaked and can never achieve the same levels of fame and love again.

Tannen as the narrator is humorous and he doesn't shy away from showing his dark side as well as Lucy's but I found it strange at times how closely he paints the relationship. Tannen is shown as being one of Lucy's only confidants and the only person in her life. With her children and partners barely mentioned I feel that Tannen is an unreliable source and although it may have been true that Lucy had very few other relationships, it would be interesting to see why the others are so absent.

Sandra Dickinson captures Lucy's mannerisms and iconic laugh perfectly. She gives a truly wonderful performance and remains committed to the role throughout. Her comedic timing, although sometimes ever so slightly off is good and she delivers Lucy's slicing asides and witty quips with ease.

As the celebrity obsessed, excitable, Tannen, Matthew Scott is great and he gives a beautifully emotive performance. He not only plays his main role but a number of smaller roles such as the hotel receptionist and chauffeur where he shows off his versatility well. Dickinson and Scott's chemistry is great and although the stalkerish fan becoming best friends with the star is kind of strange, it somehow works and comes across in a natural way.

Anthony Biggs' direction makes good use of the black box Arts Theatre and he is unafraid of stillness for dramatic effect. Gregor Donnelly's simplistic set design adds just enough drama whilst keeping the flow of the piece.

I Loved Lucy is a joy to watch- great fun with an air of drama, glitz and glam.


I Loved Lucy runs at The Arts Theatre until September 2nd 2017

Thursday 14 September 2017

Hairspray (UK Tour), Bord Gais Energy Theatre | Review


Hairspray (Tour)
Bord Gais Energy Theatre, Dublin
Reviewed on Monday 11th September 2017 by Damien Murray 
★★

Despite highlighting serious issues such as prejudice and intolerance, this show remains a popular, light-hearted and fun night of musical theatre and this latest touring production – courtesy of Mark Goucher, Matthew Gale and Laurence Myers – certainly kept it in this now famous ‘feel-good’ vibe.

Set in Baltimore in 1962, against a backdrop of racial segregation, the simple scenario of wanting teenagers of all colours to be able to dance together on a local TV dance programme with a campaign for integration on the show reflects the wider problem of racial segregation and to a welcomed social change at that time.

Opening with a look down at teenage Tracy in bed before hitting hard with one of the show’s most popular songs, 'Good Morning Baltimore', this production got off to a bright up-tempo start in a busy street scene with the dancers quickly establishing the two main communities of the piece, and – under Paul Kerryson’s direction – this theme was reinforced throughout (e.g. there was the telling line that “the TV is black and white” and the costumes in the jail scene were all black and white for the protesters as opposed to the colourful costumes that were used in the rest of the show).




Staged with a practical and realistic brick house set at either side, this production used mobile trucks and effective projected scenery throughout to keep its fast-moving pace in place, while Philip Gladwell’s bright and colourful lighting plot brought a lot to the show and I loved, at the start of each Act, how the audience was flooded in moving coloured lights to create a fun atmosphere.

As a dance-orientated show, Drew McOnie’s choreography and movement was always slick, lively, entertaining and of its time and it was a brave decision to do a routine at one stage with several basketballs being thrown about on a crowded stage.

While the costumes were overly bright (probably for staging purposes to increase the fun and escapism elements of the production), they – like the hairstyles – were authentic for the era.

The mostly up-tempo score was varied with 60s Pop, Rhythm & Blues, Doo-Wop and Gospel influences, and Musical Director, Ben Atkinson, and his 7-piece on-stage band did well in keeping things moving at a lively pace and with such a full-on sound, despite this show being written for a much larger instrumentation line-up.




While the comic duet, 'You’re Timeless To Me', proved popular with audiences, songs like 'Mama, I’m A Big Girl Now' and 'I Can Hear The Bells' were well staged; the latter having a particular magical feel to it.

However, the big production numbers that really stood out were: 'Welcome To The 60s', complete with the female vocal trio’s sparkling dresses and the floor gobos and wallpaper displaying a popular pattern of the era; the glorious piece of Gospel, 'I Know Where I’ve Been', which almost lifted the roof; and the all-singing, all-dancing finale, 'You Can’t Stop The Beat', with its totally infectious feel-good factor.

Sometimes there is something about the way a particular show is written, or cast, that is simply annoying and, for me, it is why there is a tradition of playing Tracy’s mother, Edna, as a ‘drag-role (i.e. always played by a man), as the character is not a drag queen, but was first played by one).
I feel it adds nothing to the show and is unnecessary … maybe it is just me and I am missing something obvious, but I just don’t get it.

However, that said, this is certainly no reflection on the talents of Matt Rixon, who played the role of the large, kind and shy Edna superbly in what could best be described as a towering performance, especially against the physically smaller, Norman Pace, as her ever-joking but loving husband, Wilbur (maybe that is the reason for the ‘drag-role’?).




Brenda Edwards’ super soulful vocals made her perfect for the part of the sassy and determined Motormouth Maybelle, while the experienced performance by Gina Murray, as the producer and controlling mother, Velma, was a show-stealer here and this scheming villainess must surely be the most glamorous ‘baddie’ of them all.

If Velma was the baddie, then young Rebecca Mendoza was a real ‘goodie’ here, making an impressive professional debut as the big-hearted and teenage Tracy.

All were well supported by the lively ensemble and others like Jon Tsouras’ self-loving Corney, Layton Williams’ energetic and popular, Seaweed, Edward Chitticks’ heart-throb pop star, Link, Aimee Moore’s not so talented and selfish wannabe, Amber, and Annalise Liard-Bailey – another recent theatre graduate – as the dim but beautiful, Penny.

Hairspray is at the Bord Gais Energy Theatre until September 16th before continuing on its tour.

Photo Credit: Darren Bell

Wednesday 10 August 2022

Callum Scott Howells and Madeline Brewer Announced to Join Cabaret From 3 October 2022


The producers of the multi award-winning, critically acclaimed production of CABARET at the KIT KAT CLUB in London’s West End are thrilled to announce that BAFTA Award nominee Callum Scott Howells will play ‘The Emcee’ and Emmy Award nominee Madeline Brewer will play ‘Sally Bowles’ from 3 October 2022 until28 January 2023kitkat.club

 

Callum Scott Howells said today “I can't wait to work with the incredible team and company, and follow on from two actors who I hugely respect and admire. I feel very lucky and excited to be taking on such an iconic role within this widely celebrated and unique production. It's going to be a ride.”

 

Madeline Brewer said today Rebecca’s vision is the most magical and emotional and exciting Cabaret I’ve ever seen. It’s a Sally and a Kit Kat Club so thrillingly fun and humbly prescient. I’m beyond honored to be invited to the party.”

 

Callum Scott Howells is best known for playing Colin in Russell T Davies’ hit Channel 4 drama It’s a Sin. For his performance as Colin, Callum won the BAFTA Cymru Award for Leading Actor and the Royal Television Society Award for Best Male Actor. For the same role, he was twice nominated at the 2022 BAFTA Television Awards; for Best Supporting Actor and Virgin Media’s Must See Moment. Later this year, he will be seen in the Netflix film The Beautiful Game opposite Bill Nighy. Callum’s theatre credits include She Loves Me at the Menier Chocolate Factory and Matthew Bourne’s production of Lord of the Flies.

 

Madeline Brewer has starred as Janine Lindo in all four seasons of Hulu’s hit drama The Handmaid’s Tale, for which she was nominated for the Emmy Award for Best Supporting Actress in a Drama Series. She will star in the fifth season of the show, due to premiere this September. Madeline began her career portraying Tricia Miller in the Netflix series Orange is the New Black. Her film credits include Hustlers alongside Jennifer Lopez and Cam for Netflix. Madeline’s other credits include Netflix/Channel 4’s Black Mirror and Apple TV’s Shining Girls. 

 

At certain performances, the role of Sally Bowles will be played by Emily Benjamin.

 

As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened last year. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.

 

Also joining the cast on 3 October 2022 will be Sid Sagar as ‘Cliff Bradshaw’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. Vivien Parry and Richard Katz continue to play ‘Fraulein Schneider’ and ‘Herr Schultz’ respectively.

 

The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.

 

The Prologue Company currently includes Rachel Benson, Laura Braid, Asmara Cammock, Julian Capolei, Celine Fortenbacher, Reuben Greeph, Samantha Ho, Andrew Linnie, Carys McQueen, Kate Robson-Stuart and Sally Swanson

 

This unique production of CABARET opened in December last year to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April this year, the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history, as well as three prestigious Critics Circle Awards.

 

In a time when the world is changing forever, there is one place where everyone can be free… Welcome to the Kit Kat Club, home to an intimate and electrifying new production of CABARET. This is Berlin. Relax. Loosen up. Be yourself. 


Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time CABARET features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

CABARET is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision by Jennifer Whyte and musical direction by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.

 

CABARET at the KIT KAT CLUB is produced by Ambassador Theatre Group Productions and Underbelly.