Showing posts sorted by relevance for query Andrew Lloyd Webber. Sort by date Show all posts
Showing posts sorted by relevance for query Andrew Lloyd Webber. Sort by date Show all posts

Thursday 29 March 2018

Son of a Preacher Man (UK Tour), Storyhouse | Review


Son of a Preacher Man (UK Tour) 
Storyhouse 
Reviewed on Tuesday 27th March 2018 by Becca Cromwell
★★

Set in modern day Soho, Son of a Preacher Man focuses on the lives of three people dealing with loss and heartbreak who turn to the past to find answers. All three of them end up at a record shop named the Preacher Man, which got its name from the man who ran it. In the 60s, all your troubles would be solved through music and advice from the shop’s owner, making it one of the most popular places of its time.

The story focuses on Kat, who recently lost her grandmother, Alison, who realises she’s in love with someone she can’t have and Paul, who still pines over a man he first fell in love with 40 years ago. The three of them venture to where the shop used to be in a search for advice and closure, only to find it no longer exists. Distraught, they meet the son of the shop’s owner Simon, who is the son of a preacher man. Simon takes it upon himself to help them, and with a little help from his deceased father, does just that.

The storyline is rather cheesy, which is to be expected from a jukebox musical, and features plenty of Dusty Springfield’s hits including The Look of Love, I Only Want To Be With You and of course, Son Of A Preacher Man. There are also plenty of other sixties hits thrown in for good measure, such as Cilla Black’s You’re My World.


Kat, played by Alice Barlow, is a young girl suffering the loss of her grandmother, who turns to her grandmothers’ favourite place, which just so happens to be the Preacher Man, for comfort. Alice is known for playing Rae Wilson on Hollyoaks, and being a previous contestant on The Voice. Alice delivered solid vocals and gave a good performance as Kat, and impressed many of the audience with the sheer quality of her voice.

Alison, played by Michelle Gayle, is a teacher turned tutor who recently lost her Husband, Jim. Alison turns to the Preacher Man for advice on her new love, and learns a lot from it. Michelle Gayle is known for playing Hattie Tavernier in Eastenders, signing a record contract and releasing two albums with BMG and starring on Grange Hill as a child. Michelle gave a good, believable performance, with impressive vocals to match.

Simon is played by Nigel Richards who has had an extensive and impressive career in musical theatre, including Enjrolas and Grantaire in Les Miserables, and the Phantom in Andrew Lloyd Webber’s Phantom of the Opera. Nigel gave a convincing performance as the shy but loveable Simon and I was suitably impressed.


Paul, a man who is still lusting after his first love, is played by Nigel Howe. Nigel has had an affluent career in theatre, TV and Film, with over 40 acting credits to his name on IMDB and almost as many theatre credits. Nigel gave a decent performance as Paul, making the audience really feel for him in the process.

With Craig Revel Horwood choreographing the show, I expected more in terms of choreography, which left me a little disappointed. However, the lack of choreography was made up for by most of the cast members occasionally playing instruments on stage.

Son of a Preacher Man continues its UK tour until July.



Monday 31 October 2022

New dates added to Carrie Hope Fletcher's debut tour


More dates have been added to award-winning stage sensation Carrie Hope Fletcher’s debut solo tour due to phenomenal demand.

 

Carrie Hope Fletcher - An Open Book will see the musical theatre star, author and vlogger play a series of unmissable theatre shows in May and June 2023, with new shows added in Oxford, Liverpool, Leicester, Milton Keynes, Southend, Bath and Glasgow.

 

Performing songs from her incredible West End and touring career, fans can look forward to hits from HeathersLes MisérablesThe Addams Family and many more, interspersed with chat about Carrie’s fascinating life and career.

 

Tickets for the new dates are on general sale from 10am, on Friday, November 4 from www.cuffeandtaylor.com

 

Carrie Hope Fletcher - An Open Book 2023


18-May Bradford, St George’s Hall

19-May Oxford, New Theatre

21-May Southampton, Mayflower Theatre

22-May Norwich, Theatre Royal

25-May London, The London Palladium

27-May Llandudno, Venue Cymru

28-May Salford, The Lowry

29-May Birmingham, Symphony Hall

21-May Sheffield, City Hall

01-June  Liverpool, Empire Theatre

02-June Nottingham, Royal Concert Hall

03-June Newcastle, O2 City Hall

04-June Edinburgh, Festival Theatre

06-June  Leicester, De Montfort Hall

07-June  Milton Keynes, Milton Keynes Theatre

09-June  Southend, Cliffs Pavilion

10-June  Bath, The Forum

11-June  Glasgow, Theatre Royal


 

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said


“I am so excited to be preparing for my first ever solo tour – and to be adding new dates is absolutely fantastic.


“A solo concert tour is something I have wanted to do for some time, and it’s great to be able to visit even more places and meet even more fans.

 

“I adore being on stage and am fortunate to have performed in so many theatres, but there’s something very special about being able to get out on the road and visit some beautiful theatres around the UK.”

 

Earlier this year, Carrie was named best performer in a female identifying role in a musical as the title role in Andrew Lloyd Webber’s Cinderella. Most recently, she has wowed critics in a new revival of Brecht’s The Caucasian Chalk Circle and is now preparing for her pantomime debut as the villain Carabosse in Sleeping Beauty at The Marlowe Theatre, Canterbury.

 

Carrie, who has an impressive three WhatsOnStage Awards to her name, has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables.

 

Since then, Carrie’s theatre credits include Fantine in Les Misérables: The Concert, Veronica in Heathers, Wednesday in The Addams FamilyÉponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

 

When she’s not treading the boards of the West End’s biggest stages, Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

 

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

 

Jamie Lambert, of Lambert Jackson, said: 

Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

 

“There has been a phenomenal demand for the tour so we are delighted to be adding extra dates so even more people will be wowed by the stunning voice of Carrie, while also getting an insight into her incredible career.”

 

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: 

“We are very excited to be presenting Carrie’s debut UK tour, and it is testament to her great popularity that we’re adding these dates. Carrie is the most wonderful musical theatre talent and audiences will absolutely love this show.”

 

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

 

Tuesday 17 July 2018

Evita (UK Tour), New Victoria Theatre | Review


Evita (UK Tour)
New Victoria Theatre 
Reviewed on Tuesday 17th July 2018 by Olivia Mitchell 
★★★★

Classic musical, Evita has been thrilling audiences in the UK and around the world since it opened in 1978, winning the Olivier Award for Best Musical. Multiple re-incarnations have allowed various portrayals of the iconic characters and different takes on the tale of Eva Perón. Despite not having a huge amount to compare to, having only seen the 1996 movie and 2006 West End production, I don't hesitate saying that this current tour helmed by Lucy O'Byrne, Glenn Carter and Mike Sterling has created an almost perfect production and showcases the music and story of Evita wonderfully.

Not only was tonight Evita's opening night at the New Victoria Theatre but was also the opening night for the three leads who each do an outstanding job. Mike Sterling commands the role of Juan Perón with power and fight whilst also showing off a softer side with his wife. He is vocally wonderful and complements Lucy's voice well. As Che (in some productions based on Che Guevara, and others as working class Everyman base of Peronism) Glenn Carter is versatile. A strong voice and all-knowing-rock-god-vibe means he brings a unique but perfectly suitable strength to the role.

As the leading lady, Lucy O'Byrne grows and blazes as Eva Perón. Starting out as a 16 year old who knows what she wants to a dying politicians wife, O'Byrne's transition is breathtaking to watch. Stand out moments include Rainbow High and You Must Love Me which show the drastic differences between Eva's character. Lucy performs the role with passion and drive whilst maintaining brief innocent moments. Her vocals grow as the character does and her stellar diction means we don't miss a word of the fast-paced passages.


Bill Dreamer's choreography brings to life the world of Argentina and cleverly moves us from one moment of action to another, whilst, Matthew Wright's sets and costumes create a vibrant world which draws you in from the opening. The fairly simplistic sets echo the world of the Perón's and at times provide a stark contrast to the glamour of Eva. 

It's hard to pick fault with such a strong production but one thing in particular strikes me as odd: the decision to give the entire cast English accents. This doesn't take away from the performances at all but feels like a bit of a cop out, and makes us forget the show is set in Argentina at times. 

However, overall this production is well thought out and does a brilliant job of bringing Tim Rice and Andrew Lloyd Webber's music and lyrics to life once more. This show is not glitz and glam happiness, but it is a raw and moving story which should certainly be seen. Stellar music is brought to life by a magnificent cast who make Evita a must see!

Evita runs at the New Victoria Theatre until July 21st before continuing it's tour.

photo credit: Keith pattison

Tuesday 31 December 2019

Olivia's Top Shows of 2019



This year I saw 150 shows, from glitzy West End productions to smaller fringe pieces and many UK tours. Before we step into the new decade, I want to feature some of my favourite pieces of the year and those which have stuck with me in some way.



Dolly Parton has been a family favourite growing up so this musical ticks all the boxes for me. 9 to 5 is a catchy, colourful celebration of girl power. With another tour planned for next year, this show is sure to delight audiences in 2020 and beyond.



Six featured in last year's Top 10 list, but having seen it a few times this year, I thought it warranted a place once again. The fantastically, feminist musical is pure joy on stage and a complete treat. Enthralling audiences around the world with its pop/musical theatre crossover sound and the heart which is retained in all its incarnations, Six's world domination is only just beginning. 



I mentioned the Broadway production of Come From Away last year, but 2019 saw the triumphant West End transfer of this show which is completely spectacular and special beyond compare. Telling the heartfelt story of the unity formed in a small village in Canada during the traumas of 9/11, the Celtic sounds and complete ensemble feel of the piece make it effective and oh so powerful.



Performed by members of the British Theatre Academy (BTA), the young cast transported audiences on a mystical journey of love and magic. Lee Proud and Harrison Clark created a production worthy of much acclaim and showcased some of the future stars of UK theatre.



Having missed the Open Air production of Jesus Christ Superstar, I was thrilled to get the chance to see it at the Barbican and it did not disappoint. Andrew Lloyd Webber and Tim Rice's score soared thanks to the ingenious staging which made the space feel as though it was outside, and Lee Curran's lighting which made the atmosphere both electric and intimate. Amazing performances all round made this a production not to be forgotten.



Not only was it a treat to see this enchanting song cycle by Dave Malloy brought to life by such talented actor-musos, but getting to experience the new space of the Boulevard Theatre was a delight in itself. The whole space feels fresh, welcoming, modern and all in all a wonderful addition to the London theatre scene. Ghost Quartet was a wacky mish-mash, but there's something about it that was truly enchanting.


The Cher Show | Neil Simon Theatre

If you'd told me at the beginning of the year that The Cher Show would be in my top shows, not just of 2019 but ever, I doubt I would've believed you. The cast were amazing but as someone unfamiliar with Cher's music and kind of bewildered by the whole idea, I didn't expect to come out beaming after one of the best night's ever at the theatre. The biopic musical tells the story of the superstar's rise to fame via three Cher's representing different times in her life. The performances are other worldly and the humour hits all the right spots. This is the embodiment of a grand musical and I can only hope it comes to the West End sometime soon!


The Jungle | St Ann's Warehouse

This is another show I missed in London but was lucky enough to catch in New York at the incredible setting of St Ann's Warehouse in Brooklyn. This is the most striking piece of theatre I have ever witnessed, and I can't even explain how spectacular the entire production was. The community feel that was created within moments of entering the theatre is like nothing I've ever experienced and every element of theatricality was so perfectly used to highlight the stories of those on stage.



The Adam Guettal musical was on my 'To See' bucket list, so it was a complete joy to experience the sumptuous score performed by such a stellar cast this year. The story about young Clara falling in love with Fabrizio on a trip to Italy is beautiful and made me want to go to and have my own romantic holiday accompanied by a beautiful classical soundtrack.



Fiver played a brief run at the Southwark Playhouse and earned itself much praise and many fans. With a fantastic score by Alex James Ellison, the musical follows the story of a £5 note and how it's value changes in the hands of various people. This was a completely unexpected treat of a show which completely enraptured me and left me feeling joyous, thanks to the wonderful mix of musical styles and fantastic array of stories involved. The superb cast of five gave everything and made it a real gem of a piece. A delightful musical, lets hope we see more of Fiver in the future.

Monday 21 March 2022

School of Rock (Tour), New Wimbledon Theatre | Review


School of Rock (Tour)
New Wimbledon Theatre
Reviewed on Monday 21st March 2022
★★★★

Many people know and love the hit 2003 film School of Rock. With Jack Black’s iconic comedy, incredibly catchy tunes and a true rock soul it became an instant classic. Fortunately, all of this translates brilliantly to the stage and to the current UK tour which is getting audiences up on their feet and releasing their inner rock god’s.


With music by Andrew Lloyd Webber, School of Rock provides a throughly entertaining night out.  The show follows Dewey Finn, a man who’s only goal is to live a life of music. One thing leads to another and he ends up taking the place of his best friend and pretending to be a supply teacher for the elite Horace Green school. There he discovers that he’s not the only one with music in his soul; he finds a classroom full of wonderful musicians who just want to be heard. Thus begins his mission to form a band and win the Battle of the Bands. The entire story is a comedic dream, with a cast of amazing talents and so many great songs.


There’s also astute observations on growing up and the pressures young people are under, as well as many witty and topical comments on the world as a whole.


Of course this show would not be half of what it is without the young performers who make up the class. There’s not a weak link, with utterly superb musicianship being displayed throughout. They all have enough energy to raise the roof off of the New Wimbledon Theatre and also do particularly well in the more moving moments of the show. Special mention must go to Souparnika Nair who shone supremely bright with her spectacularly controlled vocals as Tamika and Emerson Sutton who is a marvel on the drums. All the children are a joy to watch and there's also some exceptional hairography going on throughout!



As Dewey Finn, Jake Sharp carries the musical outstandingly. Not wavering a single moment he’s on stage (and that’s pretty much throughout). He’s hilarious, vocally virtuosic and brings enough of the iconic Jack Black attitude and swagger that we know and love but also adds his own flair and makes the role his own. 


Rebecca Lock as Rosalie Mullins the uptight headmistress who also longs to break free is utterly charming. Her vocals are spectacular with her operatic range shining in the Queen of the Night aria and her astounding belt providing a real highlight in Where Did The Rock Go.


You can’t have School of Rock without the music and aside from the formidable onstage musicians, the pit band are stellar. Natasha Katz's lighting is also especially effective and Anna Louizos’ set design works faultlessly to transport us from scene to scene.

This is an incredibly cohesive production that never falters in sleekness but still retains its spontaneous, high octane feel. Become part of the band and go see School of Rock on tour.


photo credit: Paul Coltas

Tuesday 9 July 2019

Jesus Christ Superstar, Barbican Theatre | Review


Jesus Christ Superstar
Barbican Theatre
Reviewed on Thursday 4th July 2019 by Olivia Mitchell 
★★★★

Back for its third triumphant year, the Regent's Park Open Air production of Jesus Christ Superstar is exciting, vibrant fresh and thrilling. Originally released as a concept album, Timothy Sheader's production strips Superstar back and puts on a glittering and compelling performance which lets every aspect of the show shine. 

Of course Andrew Lloyd Webber and Tim Rice's rock score is the heart of this production, with huge belters from the two Js: Jesus and Judas, and more soothing, lighter numbers from Mary Magdalene. However, it's Drew McOnie's choreography that really elevates everything about this version of Superstar. Each riveting moment is sharp but free and grungy at once. The frenetic energy flits between excitement, fury, trance and sadness and creates a pulse which sizzles and entertains throughout. 

What's particularly striking about this show is the mob mentality of the followers and apostles of Jesus. Turning on a dime to support and then attack Jesus, there are very few loyalties when peer pressure gets overwhelming. Emphasised even further through Lee Curran's lighting, it's equal measures devastating and thrilling. 


Robert Tripolino's Jesus is charismatic and obviously troubled as he pours everything he has into his preaching, but is exhausted and alone as he privately questions his destiny on earth. His storming vocals are the perfect balance of sincere and shocking and his hugely dramatic death, manages, in a strange way, to resonate; and his heartbreakingly truthful performance of Gethsemane in act two enthrals the audience. Ricardo Afonso is a complete superstar as Judas, played with a ferocity which is electrifying. Again he shows off the versatility of his voice but is most vibrant in his bold, angry moments. A real masterclass performance. 

Matt Cardle comes to life in act two whilst Nathan Amzi and Cavin Cornwall provide entertaining vocals throughout. Samuel Buttery brings a comic relief which suddenly turns brutish in his excellent portrayal of King Herod. The ensemble are a body of their own as they pulse across the stage with an energy and intensity that jumps off the stage. Without a weak link, the performances are consistently full-out and electrifying. This team work as one throughout and give a continually flowing show.

This is a thrillingly furious, highly millennial production, in which miraculous performances are given and striking images resonate long after the curtain falls. 

photo credit: Johan Persson

Wednesday 3 August 2022

Joseph and the Amazing Technicolor Dreamcoat (Tour), New Victoria Theatre | Review


Joseph and the Amazing Technicolor Dreamcoat
New Victoria Theatre
Reviewed on Wednesday 3rd August 2022 by Olivia Mitchell 
★★★★★

Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat is a staple and rite of passage for many musical theatre fans so when a production is mounted there's always a ready and willing audience to view it. Thankfully for current audiences, the Palladium production which is touring the country is absolutely top notch and a dream night out.

Laurence Connor's version of Joseph is a reinvigorated, large scale, glitzy production that feels like it's been plucked straight from the West End and dropped into Woking. The excellent sets by Morgan Large look luxurious but there's also a lovely element of simplicity which is reminiscent of the hugely popular film version. The entire set design is sleek and perfectly embodies the joy and energy which this show provides.

If you're looking for a killer cast, you need to look no further than Joseph. Every single cast member fires on all cylinders and the power and joy which pours out from the stage is just a treat to experience. In the lead role Jac Yarrow is star quality embodied. His Close Every Door To Me is absolutely excellent and he brings a lovely cheeky quality which draws you to Joseph and makes you root for him even more.

Yarrow is joined by Linzi Hately who is wonderfully witty as The Narrator as well as Bobby Windebank who gives a brilliant portrayal of the Elvis-esque Pharaoh. Mention must also go to Matt Gibson as Rueben and Will Hawsworth as Simeon, both of whom are real standouts vocally in their solo moments. The child performers are a joy to watch as they take on various roles and exude happiness.

This is also a choreography heavy production which further elevates it. There are tap numbers alongside a string of high intensity ensemble moments. Joann M. Hunter has done an outstanding job of providing an array of styles and making every number engaging.

For a show which could easily become pantomimic, there is a real level of intensity which upgrades it and makes it a two hour treat that you'd have to be a scrooge not to enjoy.  The outstanding band led by the joyous musical director John Rigby, alongside the super strong ensemble and superbly adapted show, mean and you can't help but leave the theatre smiling from ear to ear. 

photo credit: Tritram Kenton

Thursday 26 May 2022

Carrie Hope Fletcher, Danielle Steers & Laura Pitt-Pulford to star in The Witches of Eastwick in Concert


Producer Jack Maple, by arrangement with Cameron Mackintosh Ltd, is delighted to announce that West End stars Carrie Hope Fletcher, Danielle Steers and Laura Pitt-Pulford will star as Sukie, Alexandra and Jane respectively in a special one-off concert of THE WITCHES OF EASTWICK at the Sondheim Theatre on Monday 20 June 2022, directed by Olivier Award-winning Maria Friedman. They join the previously announced Olivier Award-winning actor Giles Terera as Darryl Van Horne.
 
THE WITCHES OF EASTWICK has a book and lyrics by John Dempsey and music by Dana P. Rowe, based on the novel by John Updike and the Warner Brothers motion picture. This will be the first time the musical has been seen in London since it originally played at the Theatre Royal Drury Lane in 2000, transferring to the Prince of Wales Theatre in 2001.
 
Further casting is to be announced.
 
Carrie Hope Fletcher is currently starring as Cinderella in Andrew Lloyd Webber’s Cinderella until 12 June 2022. She has played both Eponine and Fantine in Les Miserables at the Queen’s/Sondheim Theatre and Gielgud Theatre in London’s West End and the Opera House in Dubai. In the UK, she originated the roles of Wednesday Addams in the UK tour of The Addams Family and Veronica Sawyer in Heathers at the Theatre Royal Haymarket which transferred from The Other Palace. Her other credits include Beth in the arena tour of The War of the Worlds, Emily in A Christmas Carol and Brenda Payne in The Christmasaurus Live at the Eventim Apollo. Carrie is also a Sunday Times Best Selling author.
 
Danielle Steers is currently starring as Cher in the UK and Ireland tour of The Cher Show. Her previous credits include Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.
 
Laura Pitt-Pulford’s theatre credits include Louise in Gypsy in concert (Alexandra Palace), Marlene Dietrich in Piaf (Nottingham Playhouse/Leeds Playhouse), Falsettos (The Other Palace), Little Miss Sunshine (Arcola Theatre), Charity Hope Valentine in Sweet Charity (Pimlico Opera), Flowers for Mrs Harris (Chichester Festival Theatre & Sheffield Crucible), Nancy in Oliver (Curve), Milly Bradon in Seven Brides for Seven Brothers (Regent’s Park Open Air Theatre), for which she received an Olivier Award nomination, and Maria in The Sound of Music (Curve).
 
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. It is a town where everyone knows everything about everyone else, and it is presided over by the indomitable Felicia Gabriel. Bored with their small town lives, three women - Alexandra (Alex), Sukie, and Jane--share a desire for “all manner of man in one man” to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. 
 
THE WITCHES OF EASTWICK has musical staging by Chrissie Cartwright, lighting design by Simon Sherriff, sound design by Adam Fisher and associate direction by Jack McCann.