Wednesday 30 March 2022
Singin' in the Rain (Tour), New Victoria Theatre | Review
Tuesday 29 March 2022
Gemma Collins to Star as Mama Morton in Chicago
David Ian in association with Barry and Fran Weissler are delighted to announce TV personality Gemma ‘The GC’ Collins will star as ‘Mama Morton’ in the acclaimed UK and Ireland tour of the international smash hit musical Chicago. Gemma will join the tour at the Sunderland Empire from Tuesday 31 May 2022, ahead of playing Cardiff New Theatre, Blackpool Winter Gardens, Sheffield Lyceum, Norwich Theatre Royal and New Theatre, Oxford.
David Ian said today, “We were completely stunned by Gemma’s audition for the role. She’s an undeniable force both on and off stage, and we can’t wait to see her portrayal of ‘Mama Morton’ on tour. Audiences across the country are in for a treat.”
Gemma Collins is best known as a media personality and businesswoman, having first featured in the reality series The Only Way Is Essex. She was awarded the 2021 winner of the Best Female Personality at the National Reality Television Awards. Since ‘Essex’ Gemma has appeared in numerous television shows including, I’m A Celebrity, Get Me Out of Here!, Celebrity Big Brother, Dancing on Ice and All Together Now in which she was a finalist. Most recently Gemma was seen on screens with her intimate Channel 4 documentary, Gemma Collins: Self-Harm & Me. Before finding fame on The Only Way Is Essex, Gemma was a keen performer having studied dance and winning a place at the renowned Sylvia Young Theatre School.
Gemma joins Faye Brookes as ‘Roxie Hart’, Djalenga Scott as ‘Velma Kelly’, Jamie Baughan as ‘Amos Hart’ and B.E. Wong as ‘Mary Sunshine’. The role of ‘Billy Flynn’ will be announced soon. Full tour schedule below. www.chicagothemusical.com
The cast is completed by Ishmail Aaron, Michelle Andrews, Gabby Antrobus, Delycia Belgrave, Joel Benjamin, Tanisha-Mae Brown, Daniel Clift, Callum Fitzgerald, Emily Goodenough, Billie Hardy, Aaron Jenkins, Liam Marcellino, Theo Reece, Hollie Jane Stephens and Harrison Wilde.
Faye Brookes (Roxie Hart) reached the final of last year’s series of ITV’s Dancing On Ice. She is best known for her role as Kate Connor in ITV’s Coronation Street, for which she won a National Television Award. Her theatre credits include Princess Fiona in Shrek and Elle Woods in Legally Blonde, both on national tour, Ann/Edna in That Day We Sang directed by Victoria Wood at Manchester’s Royal Exchange, Liesl in The Sound of Music at Regent’s Park Open Air Theatre and Frenchy in Grease at the West End’s Piccadilly Theatre. Faye’s other TV credits include Agnes Franklin in Our Girl and Helena in Atlantis, both for the BBC.
Djalenga Scott’s (Velma Kelly) West End credits include Lily St Regis in Annie at the Piccadilly Theatre, Joseph and the Amazing Technicolor Dreamcoat at the New London and Chicago at the Adelphi, Cambridge and Garrick Theatres. Her other credits include Anita in the national tour of West Side Story, Rizzo in Grease at Curve Leicester, Magenta in The Rocky Horror Show and Carmen in Fame, both on European tours, the US tour of Batman Live and Bombalurina in Cats at Kilworth House. Djalenga’s screen credits include Scarlett/Esme in Trapped for the BBC and Alexandra in the film I Give It A Year.
Set amidst the razzle-dazzle decadence of the 1920s, Chicago is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago’s slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today's tabloids.
Created by the musical theatre talents of John Kander, Fred Ebb and legendary choreographer Bob Fosse, Chicago’s sexy, sassy score includes the show-stopping songs “Razzle Dazzle”, “Cell Block Tango”, and “All That Jazz”. Winner of six Tony Awards, two Olivier Awards and a Grammy, Chicago is the longest running American musical in Broadway and West End history.
Since it opened in New York in 1996, Chicago has played in 36 countries worldwide and has been performed in English, Dutch, German, Swedish, Spanish, Portuguese, Italian, French, Danish, Japanese and Korean. Worldwide it has been seen by an estimated 33 million people, grossed over $1.7 billion and played over 32,500 performances.
Chicago, which is based on the play by Maurine Dallas Watkins, has a book by Fred Ebb and Bob Fosse, music by John Kander and lyrics by Fred Ebb. The 1996 Broadway revival of Chicago was choreographed by Ann Reinking in the style of Bob Fosse, directed by Walter Bobbie, and produced by Barry and Fran Weissler.
Tuesday 22 March 2022
Rebecca Lock on Bringing Rock to the Stage | School of Rock | Interview
it has been such a joy to recreate this role and wonderful story
A wanna be failed rockstar pretends to be his flat mate and earn some money by being a substitute teacher in a posh prep school. He forms a band with the class and enters into the battle of the bands whilst charming the headmistress Rosalie Mullins along the way.
This is such an iconic story and now show, what’s it been like bringing it to the stage?
It’s one of my favourite films so it has been such a joy to recreate this role and wonderful story.
If you could star in any other screen to stage adaptation, which film would you choose?
Oh cripes… there’s far too many to choose from… all the best ones have already been adapted!
Aside from the music, this is really a show about an inspirational teacher, have you had any influential teachers in your life?
Oh definitely… Mr Cobly my first drama teacher taught me so much and encouraged my pursuits.
You play the headteacher Rosalie Mullins who is an authority figure but also has some really humorous moments. How do you balance the two?
Why do you think people should come and see the show?
It’s a proper family show… something for everyone! From 8- 98… you’ll leave wanting to pick up a guitar and form your own rock band!
Jake Sharp on Bringing Rock to Wimbledon | School of Rock | Interview
All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.
School of Rock is a cult classic film which celebrates music and how it brings people together. Post- pandemic it provides the perfect, lighthearted, high energy, night out. Currently starring in the show as leading man Dewey Finn, Jake Sharp tells us about his experience in the show and what it's like stepping into Jack Black's shoes...
Firstly, for anyone that doesn’t know could you explain a little bit about School of Rock?
Obviously Jack Black is a genius so they are quite big shoes to fill. But the blueprints that his performance has given means there is so much room to play. Dewey Finn is basically a big kid so it’s so much fun seeing how he reacts in the world of Horace Green School.
What’s been your favourite part of starring in School of Rock?
Playing ‘Teachers Pet’ to audiences all round the country. In that moment everything the audience hears is just us playing live on stage. It never fails to give me goosebumps and the reaction from the crowds is next level. The fact that people from all over have the opportunity to see the show is amazing, but the knowledge that we are inspiring the next generation of musical protégées is super cool.
It’s a very high energy show, how do you keep your voice and body strong doing the show every night whilst touring the country?
A lot of water, a lot of sleep and a lot of pasta. It’s been a real personal undertaking to get myself to a fitness level vocally, physically and mentally to be able to keep producing the energy levels that the show requires. But it’s absolutely worth it! Plus pasta is delicious.
Dewey inspires his students in many ways, did you have an influential teacher growing up?
I did but when it comes to Dewey I always think more about the other adults that have been influential. I grew up playing sports and a lot of the time as a kid I would be around or apart of the adult teams. The way that they treated me as an equal in that environment is how I think Dewey treats the kids. They are all level pegging in the band - it doesn’t matter how old or how ‘cool’ they might seem in ‘normal’ life.
Why do you think people should come and see the show?
I hate it when people say this but it’s completely true for this show. It’s absolutely fun for all the ages. Whether on a date, a solo trip, with kids, with a school - everyone will enjoy School of Rock. It’s high energy, face melting rock and roll and champions live music and being creative. All that was taken away from us during the pandemic is celebrated in the show by some genius young superstars.
Monday 21 March 2022
School of Rock (Tour), New Wimbledon Theatre | Review
Many people know and love the hit 2003 film School of Rock. With Jack Black’s iconic comedy, incredibly catchy tunes and a true rock soul it became an instant classic. Fortunately, all of this translates brilliantly to the stage and to the current UK tour which is getting audiences up on their feet and releasing their inner rock god’s.
With music by Andrew Lloyd Webber, School of Rock provides a throughly entertaining night out. The show follows Dewey Finn, a man who’s only goal is to live a life of music. One thing leads to another and he ends up taking the place of his best friend and pretending to be a supply teacher for the elite Horace Green school. There he discovers that he’s not the only one with music in his soul; he finds a classroom full of wonderful musicians who just want to be heard. Thus begins his mission to form a band and win the Battle of the Bands. The entire story is a comedic dream, with a cast of amazing talents and so many great songs.
There’s also astute observations on growing up and the pressures young people are under, as well as many witty and topical comments on the world as a whole.
Of course this show would not be half of what it is without the young performers who make up the class. There’s not a weak link, with utterly superb musicianship being displayed throughout. They all have enough energy to raise the roof off of the New Wimbledon Theatre and also do particularly well in the more moving moments of the show. Special mention must go to Souparnika Nair who shone supremely bright with her spectacularly controlled vocals as Tamika and Emerson Sutton who is a marvel on the drums. All the children are a joy to watch and there's also some exceptional hairography going on throughout!
As Dewey Finn, Jake Sharp carries the musical outstandingly. Not wavering a single moment he’s on stage (and that’s pretty much throughout). He’s hilarious, vocally virtuosic and brings enough of the iconic Jack Black attitude and swagger that we know and love but also adds his own flair and makes the role his own.
Rebecca Lock as Rosalie Mullins the uptight headmistress who also longs to break free is utterly charming. Her vocals are spectacular with her operatic range shining in the Queen of the Night aria and her astounding belt providing a real highlight in Where Did The Rock Go.
photo credit: Paul Coltas
Thursday 17 March 2022
Three Sets of Twins Cast in 'Identical’, the New Musical Adaptation of ‘The Parent Trap’
Producer Kenny Wax says: “Identical is a story about the reuniting of twins separated shortly after birth and the healing of a family which has been fractured. The narrative offers a powerful message for the world right now and under the directorial genius of Trevor Nunn, I have no doubt that Identical will be regarded as one of the great musicals of its generation…..providing that we can consistently cast incredibly talented identical twins!”
Nottingham Playhouse’s Executive Director Stephanie Sirr commented: “We can’t wait to create this show. It’s particularly exciting to give kids from our community the chance to work alongside world class professionals and to take part in the premiere of a newly commissioned musical.”
Stiles and Drewe said: “It’s been a delight to adapt Erich Kästner’s hauntingly beautiful and timeless tale of two identical twins separated as babies, and their wily determination to stitch their family back together. It’s a story packed with wonderful humour and characters which makes it a great canvas to become a musical and retell for a 21st-century audience.”
Wednesday 16 March 2022
Everybody's Talking About Jamie (Tour), New Victoria Theatre Theatre | Review
Wednesday 2 March 2022
The Osmonds, A New Musical (Tour), New Victoria Theatre | Review
Friday 11 February 2022
New Production Images Released For Les Miserables UK & Ireland Tour 2022
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