Posts with the label musicals
Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Wednesday 18 January 2023

Moulin Rouge! the Musical, Piccadilly Theatre | Review


Moulin Rouge the Musical 
The Piccadilly Theatre 
Reviewed on Tuesday 17th January 2023
★★★★

A tale of two halves, Moulin Rouge the Musical is both a spectacular spectacular and a chaotic conundrum. Based on the 2001 film of the same name, it tells the story of fated lovers Christian and Satine, who despite the hardships which surround them, just want to be free to love one another. This musical adaptation takes elements from the film but also puts an extreme jukebox spin on the whole thing.


The real issue with Moulin Rouge is the clunky, all over the place book, which, especially in act one, feels basic. Random lines of dialogue are interspersed with pop songs that come out of nowhere and elicit awkward laughter from the audience; and the show feels confused, as if it can’t decide whether to lean into the comedy or try to be a serious show. There are also a number of side character arcs woven in to further the plot, each of which feel too random and under-developed to really elevate the show in any way. The heart of the story is Christian and Satine love and it would be more effective if we only followed their story.


However, on the other side of the coin, the musical is a visual masterpiece which completely astounds. It's the epitome of razzle dazzle, and the set certainly the most spectacular in the West End right now. Derek McLane has created a sumptuous backdrop which has details hidden in every corner of the auditorium, from the elephant who towers over, to the mini Moulin Rouges embossed in the golden decadence of the facade. Paired with Catherine Zuber's divine costumes, you really couldn't ask for more in terms of aesthetics.

Also, after a pantomime-esque Act One, the musical really steps up a gear. In Act Two the stakes get higher, the performances get more intense and it really becomes the show you'd expect. As leading man Christian, Jamie Muscato is absolutely glorious, serving divine vocals throughout and also bringing a charming, comedic side to the role. Crazy Rolling is a superb stand out moment, as is El Tango de Roxanne, which includes both breathtakingly good vocals, and fantastic dancing by Amy Thornton and Elia Lo Tauro

Both Ben Richards and Matt Rixon as the Duke and Harold Zidler respectively, are good as the 'baddies' but do lack a darker level of menacing that would really add to their performances. As Satine, Melissa James has some great moments, especially her duet of Come What May, a moment where I felt things levelled up and I became much more invested in the story.

Perhaps the most effective part of the musical are the group numbers where the ensemble come together with upmost energy to perform Sonya Tayeh's abundant choreography. The opening Lady Marmalade number is particularly impressive and there's no denying how talented this cast are.

Overall, a three star act one, a five star set, and a four star act two make this a distinctly middle of the ground show and there's definitely elements of style over substance, but when it's good, it's really good and worth seeing for the Act Two opening number alone.

{AD PR Invite- tickets gifted in exchange for honest review}

Moulin Rouge! the Musical, Piccadilly Theatre | Review

Wednesday 18 January 2023

Thursday 12 January 2023

The Commitments (UK Tour), New Wimbledon Theatre | Review


The Commitments (Tour
New Wimbledon Theatre
Reviewed on Wednesday 11th January 2023 by Olivia Mitchell 
★★★

35 years after the publication of Roddy Doyle's popular novel The Commitments, the stage adaptation is making its way round the UK and Ireland to bring soul to the masses. Set in Dublin in the mid 1980s, it tells the story of a group of working class friends and acquaintances who are trying to start a soul band. Featuring classic songs from the 50s and 60s the musicals has got some real toe tapping moments but doesn't strike the right chord throughout.

The musical score is a mile a minute, with the likes of Tina Turner, The Beatles and Aretha Franklin filling it out, and whilst the performances are great, the structure and use of musical numbers leaves something to be desired. There's no variety; the songs are either performed as a rehearsal or performance and just fill a gap every so often. Instead of adding anything to the story, they are shoehorned in, therefore making the whole thing feel a bit clunky and surface level. The performances themselves are excellent and as a concert you'd be more than happy with what's on offer, but as a theatrical piece it doesn't flow in a particularly cohesive or captivating way. 

That being said, the highly talented cast do a great job of working with what they've been given. Namely, Ian McIntosh who's vocals are outstanding as Deco. He gives an arena worthy performance and is a joy to watch. The show especially excels in its ensemble moments, when the band come together to really show what they're made of.  Ciara Mackey showcases some lovely vocals as Imelda, Stuart Reid is fabulous as Joey, Connor Litten has some fantastic musical solos and Ronnie Yorke is hilariously over the top as Mickah.

Also impressive is Tim Blazdell's set, which reminiscent of Billy Elliot, uses various levels and moving elements to transform into multiple venues such as the bar and Jimmy's home, allowing some motion throughout and providing visual entertainment. Equally, Jason Taylor's lighting is extremely effective, especially towards the closing of the show.

Throughout the show there are moments that are really special but they are purely musical. Unfortunately the inconsistent and sort of abrupt script makes it very hard to connect to the characters and their plight in any way.  The stakes are never high enough and there's a distinct lack of fluidity throughout any of the plot line. There's some semi-romantic moments and some lowkey drama but nothing to really sink your teeth into and after an abrupt ending that seemingly comes out of nowhere, the show closes with a long encore that is one of the most enjoyable parts and makes a strong case for this to be purely a concert musical without bothering with a plot or script.

All in all, whilst it may not be everyones full cup of tea, there's absolutely an audience for this style of show and overall The Commitments is a feel-good celebration of soul that has you clapping along and feeling good. The strong performances make it worth a watch and whilst you won't be emotionally invested, it’s a harmless, musical way to wile away a few hours.

photo credit: Ellie Kurttz

{AD PR Invite- tickets gifted in exchange for honest review}

The Commitments (UK Tour), New Wimbledon Theatre | Review

Thursday 12 January 2023

Wednesday 11 January 2023

Six the Musical, Vaudeville Theatre | Review


Six the Musical
Vaudeville Theatre
Reviewed on Tuesday 10th January 2022 by Olivia Mitchell 
★★★★★

Entering the Vaudeville theatre last night there was a bustling energy, not just because everyone was excited to see Six but because the cast of the highly addictive tv show, the Traitors were in the audience. Murmurs of “traitor” and “faithful” filled the air and the buzz was certainly something, who knew we’d all be so starstruck!? However, once the curtain was drawn it was all eyes on the Queens and a glorious 75 minutes followed.


Going into a new year it’s great to see that Six the Musical is as vibrant and wonderful as ever. The current queens of the castle do an outstanding job of keeping the energy of the show fresh and truly engaging so that both first time audiences audiences and longtime Six fans can feel like they’re experiencing something special. 


The cast, made up of Rhianne-Louise McCaulsky, Baylie Carson, Claudia Kariuki, Dionne Ward-Anderson, Koko Basigara and Roxanne Couch are a complete group of powerhouses who give stellar solo performances as well as backing up and complementing each other brilliantly. The camaraderie on stage is clear to see and really adds to the overall message of empowerment and support which is at the heart of the show. Special mention must go to Baylie Carson who is an absolute dream to watch as they bring something completely fresh and charming to the role of Anne Boleyn; I cannot wait to see all their future theatrical endeavours (Fangirls UK please!)


Having been playing at the Vaudeville theatre since 2021 the show feels completely settled and has perfectly upgraded from its first long term home, the Arts, to now filling the space on the Strand. The bigger space allows more to witness to wonder of the musical but the clever, cosy set design means none of the intimacy is lost. Emma Bailey's design is the ideal backdrop for this concert style musical. The simplistic framework really allows the performances to shine but there are also some really clever elements such as the throne which rises up grandly. Paired with Tim Deiling's lighting, you really do get the fully visceral concert experience.


A Tudor tale like no other Toby Marlow and Lucy Moss' show continues to get better and better and there's no end in sight for its reign of brilliance. Six the Musical will have you bowing down to the queens and then on your feet to dance along with them- go see this show.


photo credit: Pamela Raith


{AD PR Invite- tickets gifted in exchange for honest review}

Six the Musical, Vaudeville Theatre | Review

Wednesday 11 January 2023

Tuesday 10 January 2023

Aimee Lou Wood and John McCrea to Join Cast of Cabaret


Cabaret at the Kit Kat Club in London’s West End are delighted to announce that BAFTA Award winner Aimee Lou Wood will play ‘Sally Bowles’, Olivier Award nominee John McCrea will play ‘The Emcee’ and Nathan Ives-Moiba will play ‘Cliff Bradshaw’ from 13 February 2022 until 27 May 2023kitkat.club


Aimee Lou Wood said today “I’ve wanted to be Sally Bowles since I was around 10 so this is really special. I’m unbelievably excited and having the greatest time in rehearsals. The production is so wonderful and I feel honoured to be stepping into this beautiful team of people!”


John McCrea said today I’m thrilled to be taking on the iconic role of the Emcee in this ground-breaking production of Cabaret.  It’s an absolute honour to be joining this amazing company of artists.
 

Aimee Lou Wood is best known for her portrayal of Aimee Gibbs in all three series of the Netflix series Sex Education for which she won the BAFTA Award for Best Female Comedy Performance. She recently starred in the critically acclaimed film Living opposite Bill Nighy. Her stage credits include Sonya in Uncle Vanya at the Harold Pinter Theatre in the West End and Downstate at the National Theatre.

 

John McCrea created the role of Jamie New in the smash hit musical Everybody’s Talking About Jamie at both the Sheffield Crucible Theatre and the West End’s Apollo Theatre. For his performance he was nominated for the Olivier Award for Best Actor in a Leading Role in a Musical and won the Most Promising Newcomer at the Critics Circle Theatre Awards, the WhatsOnStage Award for Best Actor in a Leading role in a Musical and the UK Theatre Award for Best Musical Performer. He recently appeared as Max in Daddy at the Almeida Theatre and his film credits include Artie in the hit Disney film, Cruella.  

 

Nathan Ives-Moiba’s many theatre credits include As You Like It at the National Theatre, My Children My Africa at Trafalgar Studios, Our Country’s Good for Out of Joint, A Midsummer Night’s Dream, And Did Those Feet and Tull, all at the Octagon Theatre. For his performance in Tull, Nathan was nominated for the Best Newcomer at the Manchester Theatre Awards.

 

At certain performances, the role of Sally Bowles will be played by Emily Benjamin.

 

As a member of the original cast of this production, Emily has been a swing and understudy to the role of Sally Bowles since the show opened. Her other West End theatre credits include Bat Out of Hell The Musical at the London Coliseum and The Lion, the Witch and the Wardrobe at the Bridge Theatre.

 

The final performance for Callum Scott Howells as ‘The Emcee’ and Madeline Brewer as ‘Sally Bowles’ will be Saturday 28 January 2023. Sid Sagar’s final performance as ‘Cliff Bradshaw’ will be Saturday 11 February 2023.

Between 30 January 2023 – 11 February 2023 the role of ‘The Emcee’ will be played by Matthew Gent and the role of ‘Sally Bowles’ will be played by Emily Benjamin. At certain performances the role of ‘Sally Bowles’ will be played by Sally Frith.

 

Matthew Gent’s West End theatre credits include Sweeney Todd at the Adelphi Theatre, The Phantom of the Opera at Her Majesty’s Theatre and Les Misérables at the Queen’s Theatre. His other theatre credits include Rags at the Park Theatre, The Queen of the Mist at Charing Cross Theatre, The Water Babies at Leicester Curve, The Carnival of the Animals at Riverside Studios and Taboo at Brixton Club House.

 

The cast also includes Vivien Parry as ‘Fraulein Schneider’, Richard Katz as ‘Herr Schultz’, Danny Mahoney as ‘Ernst Ludwig’ and Michelle Bishop as ‘Fraulein Kost’. The cast is completed by Gabriela Benedetti, Charles Croysdill, Laura Delany, Sally Frith, Matthew Gent, Ying Ue Li, Ela Lisondra, Chris O’Mara, Grant Neal, Hicaro Nicolai, Adam Taylor, Toby Turpin, Patrick Wilden and Sophie Maria Wojna.

 

The Prologue Company currently includes Rachel Benson, Ami Benton, Laura Braid, Reuben Greeph, James Hastings, Samantha Ho, Emma Holt, Liz Kamille, Andrew Linnie, Aine McLoughlin and Callum Sterling.

 

This unique production of Cabaret opened in December 2021 to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April 2022 the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history. The production has also won three prestigious Critics Circle Awards and most recently the Evening Standard Theatre Award for Best Design for designer Tom Scutt.

 

Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer. When booking, guests receive a 'club entry time' to allow enough time to take in the world of the Kit Kat Club before the show starts. But of course, the show really starts when you first join us in the club…

 

One of the most successful musicals of all time Cabaret features the songs Wilkommen, Don’t Tell Mama, Mein Herr, Maybe This Time, Money and the title number. It has music by John Kander, lyrics by Fred Ebb, book by Joe Masteroff. Based on the play by John Van Druten and stories by Christopher Isherwood.

 

Cabaret is directed by Rebecca Frecknall, set and costume design is by Tom Scutt with choreography by Julia Cheng. Musical supervision is by Jennifer Whyte and musical direction is by Ben Ferguson with lighting design by Isabella Byrd and sound design by Nick Lidster. The casting director is Stuart Burt and the associate director is Jordan Fein.

Cabaret at the Kit Kat Club is produced by Ambassador Theatre Group Productions and Underbelly.

Aimee Lou Wood and John McCrea to Join Cast of Cabaret

Tuesday 10 January 2023

Monday 12 December 2022

New ITV Entertainment Show to find a Sophie & Sky for Mamma Mia! in London


A one-of-a-kind theatrical competition will launch a nationwide search to find the future musical theatre stars of global smash hit and feel-good musical MAMMA MIA!. Seen by 65 million people around the world, MAMMA MIA! has wowed audiences across the globe and continues to break box office records.

MAMMA MIA! I Have a Dream is a brand-new eight-part series from producers Thames, a Fremantle label, and Littlestar, with the stage set for its arrival on ITV1.

MAMMA MIA! I Have a Dream will search for two ingénues to play the roles of Sophie and Sky in MAMMA MIA! in London’s West End, as characterised by Amanda Seyfried and Dominic Cooper in the two films. Throughout the series, musical theatre hopefuls will be put through their paces as they navigate their way through challenges, masterclasses, and performances.


Filmed against the beautiful backdrop of the idyllic Greek islands, where the original MAMMA MIA! story is set, it will look and feel like no other talent show on television. Audiences will see the contestants mentored by guest industry stars through unique workshops and judged by a panel of well-known industry experts in both music and theatre. Contestants will have the full MAMMA MIA! experience and will get to see first-hand what it’s like to be part of a West End musical.

The competition will culminate in a live, dazzling grand-finale, broadcast from a theatre in London’s West End, where two winners will take it all and win the roles of Sophie and Sky in the musical.

MAMMA MIA! is the sunny, funny tale of a mother, a daughter and three possible dads on a Greek island idyll, all unfolding to the magic of ABBA’s timeless pop masterpieces.

The success of MAMMA MIA! has spawned two record-breaking blockbuster films, MAMMA MIA! The Movie and MAMMA MIA! Here We Go Again, starring a host of stars including Meryl Streep, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan SkarsgÃ¥rd, Amanda Seyfried, Dominic Cooper, Lily James and Cher.

Creator and global producer of MAMMA MIA!, Judy Craymer will co-executive produce the show and will be on hand to help the contestants reach their full performing potential, every step of the way.

Judy Craymer says:  "MAMMA MIA! has always been a show that has encouraged young actors and given opportunities to those making their stage debuts - just as our current Sophie and Sky in London (Meg Hateley and Miles Henderson) are making their West End debuts - so it feels the perfect fit for a TV show that will seek out new talent for musical theatre.


“In the lead-up to the celebrations for the stage musical’s 25th birthday in 2024, we're really looking forward to working with Thames and ITV on this show and involving our well-loved musical as much as possible in the programme."


Amelia Brown, Managing Director of Thames, says: “The excitement we have for making this show is like no other - it’s a dream come true for so many of us at Thames. Merging the global brand of MAMMA MIA! and all the talent at Littlestar with the power behind the talent show juggernauts such as Britain’s Got Talent will mean it’s a show that can’t be missed.” 


Katie Rawcliffe, Head of Entertainment Comissioning at ITV adds: “MAMMA MIA! I Have A Dream is everything we could want in an entertainment show - legendary music, an iconic West End theatre show, high energy performances, and a brand new search for talent, set against the backdrop of a gorgeous island.”


MAMMA MIA! I Have a Dream is executive produced by Amelia Brown, Charlie Irwin and Ashley Whitehouse for Thames (a Fremantle label) and Judy Craymer for Littlestar. The show is commissioned by Katie Rawcliffe, Head of Entertainment Commissioning at ITV, Lily Wilson, Commissioning Editor for ITV and Louise Major, Commissioning Editor for ITV.

 

To apply: https://www.thames.tv/takepart

New ITV Entertainment Show to find a Sophie & Sky for Mamma Mia! in London

Monday 12 December 2022

Friday 9 December 2022

Newsies, Troubadour Theatre | Review


Newsies 
Troubadour Theatre
Reviewed on Thursday 8th December 2022 by Olivia Mitchell 
★★★★

As temperatures soar below zero, the heat is definitely up at the Troubadour theatre in Wembley as their long awaited production of Newsies sizzles and soars.


The musical with a book by Harvey Fierstein has become somewhat of a cult classic in the musical theatre world, with many fans around the globe despite the show only previously being performed in America and Canada. The 2017 Broadway pro-shot brought the show within touching distance but now London finally get to see it in the flesh, and the good news is, it was completely worth the wait. 


Telling the story of the New York Newboys and Girls who went on strike over unfair work conditions, it’s an unlikely plot for a musical but it mostly works so well. More than anything this is a show with dance at its core and it’s quite astounding to see so many talented dancers on stage, even more so when you hear their divine vocals which accompany the moves. Matt Cole’s choreography is fierce, sharp and so so strong. The energy and precision is truly mesmerising to see and is so appreciated by the audience who give several standing ovations throughout.


It's the plot of this show which lets it down somewhat. The pretty formulaic story doesn't exactly thrill and whilst it does touch on important issues, there's a lack of depth so you don't fully connect with the characters and their plight. Due to this there are moments where the pacing feels a bit slow, however this is quickly fixed every time a big dance number is performed. 


What is great is that despite some stilted moments in the story, the show as a whole is continuously moving. Morgan Large's semi-immersive set allows for action to be taking place at all times, whether through actors walking along sides or quite literally soaring into the audience. The grey-toned backdrop somehow feels gloriously colourful as various shades leap across the stage. The multi-level design allows for varying sight lines and there's something to discover in every nook and cranny. Mark Henderson's lighting design works in complete harmony with all of this and really brings some wow moments to life; it's a very well oiled machine.


The incredibly strong cast who make up this show (and must have a physio bill to rival any other) are the beating heart of it all. The varying characters of the Newsies all get small moments to shine and their interactions are very touching to watch. Leading the pack Michael Ahomka-Lindsay is charming as Jack Kelly, at moments too cool for school, and others afraid of his circumstance, his performance is really moving. Alongside him Bronté Barbé is sparky and witty as Katherine Plumber; her performance of Watch What Happens is a real stand out (although it could be a touch faster) and her portrayal of the role allows you to really engage and connect with her. Ryan Kopel as new newsboy Davey is delightful too. 


This has got to be one of the strongest casts in theatre right now and the astounding performances really need to be seen to be believed. Newsies is a hugely welcome addition to the London theatre scene and it's sure to delight anyone who sees it!


photo credit: Johan Persson

Newsies, Troubadour Theatre | Review

Friday 9 December 2022

Wednesday 7 December 2022

Full Cast Announced for 'No Limits' at the Turbine Theatre


Sam Caldwell He/Him for Paper House Productions is pleased to announce the full cast of No Limits – A Song Cycle by Sam Thomas He/Him.
 
Directed by Dean JohnsonHe/Him, (BKLYN, LIFT), this exciting new production will open in London at the Turbine Theatre on 15th February 2023. 
 
Joining Natalie May Paris (SIX The Musical)She/Her, in the role of #DREAMER will be, Owen Clayton (Julie: The Musical and It’s In The Air), They/He, as #ROMANTIC, Hannah Lowther (Heathers The Musical, Millennials, Emojiland), She/Her, as #CATFISH, Michael Mather (Soho Cinders and But I’m a Cheerleader), He/Him as #FIGHTER, Mary Moore (Grease and Little Women) She/They, #FUNEMPLOYEDSaffi Needham (Recently graduated and making her professional debut),  She/Her as  SWING.
 
West End and Tik Tok star Hannah Lower She/Her, said “I’m so excited to be joining the original London cast of No Limits, the team have been working so hard and we’re all so excited to finally share the show with an audience!"
 
Producer, Sam Caldwell He/Him said, “I am delighted to reveal the cast for our upcoming production of No Limits - A Song Cycle at the Turbine Theatre. I can’t wait to see this talent take to the stage and bring a fresh take to this wonderful material in this brand new, exciting production. This show has been a long time coming and I am looking forward to seeing how audiences connect with it in February.”
 
Joining Director Dean Johnson, He/Him, is Musical Director Ella Ingram She/Her, Associate Director Liv Byrom She/Her, Choreographer Rhys Wilkinson He/Him. No Limits - A Song Cycle also has set design by Justin Williams He/Him, lighting design by Alex Musgrave and stage management by Jack Evans He/Him.
 
No Limits - A Song Cycle deconstructs the concept of falling behind in life. It follows a diverse cast of characters from all walks of life as they dare to believe in themselves and strive for a brighter future.
 
This powerful collection of songs sees characters let go of their anxieties, take leaps of faith, and fight for who they truly are, from confessing their dreams of becoming a rockstar to catfishing their attractive neighbour.
 
No Limits - A Song Cycle features heartfelt and queer stories. This brand-new production emphasises that we are all in the same boat, and that with enough self-belief, we can always overcome our setbacks. There truly are No Limits to your journey.
 
Tickets for No Limits at the Turbine Theatre are on sale now

Full Cast Announced for 'No Limits' at the Turbine Theatre

Wednesday 7 December 2022

Friday 25 November 2022

Elf The Musical, Dominion Theatre | Review


Elf The Musical
Dominion Theatre
Reviewed on Thursday 24th November 2022 by Olivia Mitchell 
★★★★

If you're looking for some festive magic this year, look no further than the Dominion Theatre for their gloriously Christmassy, sparkly production of Elf The Musical. Based on the cult classic film, it tells the story of Buddy the Elf who finds out he's really a human, so makes the journey from the North Pole to New York City to meet his biological father and experience the world. This musical adaptation has all the most iconic parts of the film plus a heap of theatrical magic that makes it the perfect festive treat.

This version of the show does a superb job of being laugh out loud funny and completely joyous without overstepping into pantomime territory; it's entertaining for all the family but not in a way that has you cringing at the jokes. Of course it's saccharine and over the top but isn't that what Christmas is all about?! At the heart of the story and its success is Simon Lipkin as Buddy, who takes on the role with complete joy and authenticity. Having previously given a starring performance in Nativity The Musical,  Lipkin clearly has the Christmas magic which makes him such a dream to watch.  From shredding paper to create snow to joyfully rollerskating, Buddy is an exuberant and endearing character who you can't help but love. 

Alongside the humour, Lipkin also plays Buddy with a lovely vulnerability which comes across at various points, especially during his encounters with Jovie (played brilliantly by Georgina Castle) when he is completely overwhelmed by her "miraculous" self. His naivety comes across in an authentic and touching way, that doesn't stray into slapstick and gives a real depth to the plot. 

The rest of the cast are incredibly strong throughout. Rebecca Lock is treat as Buddy's step-mum who's heart is slowly opened to Christmas; her duet in Act Two with Buddy's brother (Logan Clark) is absolutely outstanding. Tom Chambers is good as the businessman, absent father whilst Kim Ismay has some really witty moments as his secretary and the pair are great together. Another stand out performance comes from Dermot Canavan who is hilariously entertaining as the Macy's Manager. The ensemble give a really punchy performance, especially when performing Liam Steel's choreography. There's great variety in the show from jaded Santa's giving an impassioned, Newsies-esque display to a full company tap number which is marvellous.

Philip WM. McKinley's direction brings abundant joy to the stage as well as a healthy dose of magic. Tim Goodchild's set is suitably whimsical and there are some certified wow moments through a recreation of the Rockefeller Centre ice rink and some real life snow.

As a whole Elf The Musical is a perfectly packaged Christmas show, which has commercial elements to appeal to the masses as well as some theatrical gems for regular theatre goers. It's a wonderfully enjoyable show that's well worth a visit. Take a trip to the Dominion Theatre, have your elf a very Merry Christmas and feel the festive spirit from your head to your mistletoes!

photo credit: Mark Senior

Elf The Musical, Dominion Theatre | Review

Friday 25 November 2022

Wednesday 23 November 2022

Girl From The North Country (UK Tour), New Victoria Theatre | Review


Girl From The North Country (UK Tour)
New Victoria Theatre 
Reviewed on Tuesday 22nd November 2022 by Olivia Mitchell 
★★★★

The UK theatre scene is no stranger to jukebox musicals, but Girl From The North Country which features Bob Dylan's backlog, is a completely different and outstanding take on the genre. Dylan's work is the definition of storytelling, with each song creating a mood and narrative to follow so it really lends itself well to being interspersed into a show. 

Writer and Director Connor McPherson has taken the songs and set them in Minnesota (Bob Dylan's birthplace) against the backdrop of the depression; this leads to a dark show but it's surprisingly filled with a lot of light and humour and ultimately manages to be uplifting. McPherson's writing is truly wonderful, his rich, multi layered plot sweeps you up and takes you on a hugely moving but also intimate journey. Although at times things can be a little confusing you can't help but be drawn into the world of the characters and the story manages, much like life, to be both simplistic and chaotic at once.

The setting is an old boarding house run by Nick Laine, who is struggling to look after his wife Elizabeth who has dementia. Also struggling to make ends meet we see him try to stay afloat alongside the various others who come through his doors. Frances McNamee is breathtaking as Elizabeth, giving vocals that are so superbly soulful and smooth you're completely enamoured. Her performance is also amazingly witty and mischievous, often proving hilarious one liners and always keeping you on the edge of your seat; it's a real masterclass performance. Alongside her Colin Connor gives a really strong performance as the husband who is trying to hold everything together without falling apart himself.

Marianne (Justina Kehinde) was taken in by the Laines as a baby and now helps out in the guesthouse but is facing her own hardships as she is pregnant. Her father therefore is desperate to marry her off to alleviate some of the financial and social burden. Whilst his biological son (Gregor Milne) is an alcoholic wannabe writer who is completely stuck in a rut. It's really a portrait of a family who are struggling, which feels very relevant given the huge struggles today with the cost of living crisis and recession. Despite this, the musical (although its more a play with songs) isn't particularly maudlin, instead it's almost a celebration of resilience and relationships. 

Without giving too much away, there are also a number of other romantic and friendship relationships showcased, all of which are well rounded and beautifully nuanced. One of which is that of Gene Laine and Katherine Draper (Eve Norris) which is a small part of the show but one of the standout moments with their performance of I Want You being a vocal delight.

As a whole the performances are incredibly strong. Justina Kehinde conveys Marianne's youth and vulnerability in a brilliantly natural way. Joshua C Jackson is mysterious and imposing but also tender as Joe Scott and Owen Lloyd is wonderful as bible seller Elias Burke. The ensemble performances make this show as moving as it is, with every song being performed in perfect conversation with the script. Like A Rolling Stone is a definite stand out, as are the moments of silence. The cast are so in sync that rests feel like a communal breath and it's magical to experience.

Girl From The North Country is raw and poetic show which quietly sneaks up on you and leaves you pondering the important things in life. It's intimate, energetic, entirely engaging and a really great theatrical experience.


Girl From The North Country (UK Tour), New Victoria Theatre | Review

Wednesday 23 November 2022