Posts with the label Fabian Aloise
Showing posts with label Fabian Aloise. Show all posts
Showing posts with label Fabian Aloise. Show all posts
Wednesday 1 May 2019
Madagascar the Musical (UK Tour), New Theatre Oxford | Review
Madagascar the Musical
New Theatre Oxford
Reviewed on Tuesday 30th April 2019 by Emma Gradwell
★★★★
Spotlights spiral around the auditorium, a crate flies open and a monkey threatens to throw
poop at us if we use our mobile phones – the tone is immediately set for Madagascar the
Musical.
Set designer, Tom Rogers does a magnificent job. The stage is surrounded by packing crates
that may contain some surprises, and moving pieces that instantly transform the set into a
zoo, Grand Central Station and the jungles of Madagascar. The human ‘animals’ are visually
engaging, with clever costumes from Robert Alsopp that help to give them an uncanny
resemblance to their animated counterparts.
Matt Terry is a nimble and energetic Alex the lion, who along with Antoine Murray Straughan as Marty the zebra, relentlessly bound about the stage with fun-filled
choreography provided by Fabian Aloise. Terry’s vocals are great and he is engaging and
likeable. Timmika Ramsay shines as the sassy Hippo, Gloria and her vocals stand out among
the leads.
Jo Parsons shuffles onto the stage after the interval as the ridiculous King Julien, a lemur
with a crazy, indeterminate accent. This is when the production really comes alive. Aside
from the leads, all of the creatures are represented by puppets and are voiced by a talented
team. The penguins waddle out and are hilarious and endearing. Led by Shane McDaid as
Skipper they deliver some cherished lines from the film: “Smile and wave boys, smile and
wave”. The team switch seamlessly between characters, their voices providing much visual
joy to the proceedings. Jessica Niles as Mort the tiny lemur is unbearably cute.
While the musical numbers are not going to set the world alight, Madagascar the Musical
makes up for it with charm and spectacle. There is enough to entertain the adults (rectal
thermometers and a couple of drug-fuelled dream sequences), but it remains at heart a
children’s show. It’s a ninety minute escape from technology and provides the innocence
needed for an uncomplicated and fun evening. The faces of the young audience as they
flossed and sang along with King Julien were an absolute joy, and that surely has to be a job
well done.
Madagascar runs at the New Theatre Oxford until May 4th before continuing its tour
photo credit: Scott Rylander
Wednesday 30 May 2018
The Rink, Southwark Playhouse | Review
The Rink
Southwark Playhouse
Reviewed on Tuesday 29th May 2018 by Olivia Mitchell
★★★★★
The Rink at the Southwark Playhouse is theatrical brilliance, made even greater by a spectacular cast, including Caroline O'Connor who understudied Diane Langton as Angel in the 1988 London production of the show. With a book by Terrence McNally and music and lyrics by Kander and Ebb, the show focusses on Anna, the owner of a roller skating rink on a fading seaside boardwalk, who has decided to sell it and move on. This goes smoothly until her prodigal daughter, Angel, returns on a mission to reconnect with her past. Through a series of beautiful songs and flashbacks, the pair try to deal with their past resentments and move on with their lives.
Adam Lenson's production is subtlety and sparkle perfectly combined, with the complexity and fragility of the mother-daughter relationship the firm focus. The small Southwark Playhouse is masterly transformed into the cast off roller-rink with Bec Chippendale's minimalistic set providing a back drop which will work equally as well on a bigger stage when this show hopefully takes it's place in the West End.
As well as the story, the cast are the core of this show. The leads are meaty roles so it's great that we have two brilliantly talented women heading the show. The extensive ovation after Caroline O'Connor's first solo, Chief Cook and Bottle Washer, proved that she is the embodiment of star power. Caroline is raw, ugly, homourous and emotive, all combined to create a masterclass in musical theatre and a performance which leaves you wanting more and more. With equal measures of ferocity and warmth, it's Caroline who steals this show and makes it as special as it is.
Despite a few brief moments of vocal/accent faults, Gemma Sutton gives a stellar performance as daughter Angel and matches O'Connor in oomph and vigour. The pair are extremely well cast; pulling off the mother daughter relationship extremely realistically whilst supplying laugh out loud joy, as well as tear in your eye sentimentality.
Fabian Aloise's choreography is again simplistic perfection. Tap dancing on roller skates- what more could you want? The tight cast do an exceptional job of using the space without making it feel cramped. Each member is outstanding but mention must go to Stewart Clarke as Dino who suitably transitions from loved up to angry at the world; Ben Redfern who is sweet as Lenny but shines in What Happened To The Old Days? and Jason Winter who dances with such power and precision that you can't help but be drawn to him.
For a technically brilliant show with performances that will leave you wanting to return to the Coloured Lights again and again, go see The Rink. This is musical theatre at it's best- lets just hope that the rink keeps rolling in London.
The Rink runs at the Southwark Playhouse until 23rd June
photo credit: Darren Bell
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