Friday 9 December 2016

She Loves Me, Menier Chocolate Factory | Review

She Loves Me is a perfect mix of over the top sweetness and sincerity- pure joy to watch


She Loves Me
Menier Chocolate Factory
Reviewed on Thursday 8th December 2016 by Olivia Mitchell
★★★★★

Let's start this review by saying that She Loves Me at the Menier Chocolate Factory is definitely in my top 5 shows of 2016. I loved pretty much everything and really couldn't have asked for more from this idealistic but delightful show.

The basic idea of She Loves Me is that Amalia (Scarlett Strallen) and Georg (Mark Umbers) work together and detest each other but don't realise they are sending anonymous lonely hearts correspondences to one another whilst falling in love with the person on the page. There are also two sub-plots where we follow a heartbreaking time for the store owner Maraczek (Les Dennis) and the love trials of the giddy, Ilona (Katherine Kingsley).

Admittedly the story is cliched and somewhat predictable but that doesn't matter because for two and a half hours I escaped every day life to visit a sickly sweet and nostalgic world full of wonderful moments, sweet smells and fabulous music. Matthew White's revival of the 1963 show has the humour, wit, charm and above all sincerity to make it a truly great production.

The set by is fairly simple but super effective. The four small revolves which transition each scene to the next perfectly, fit so well in the intimate Menier Chocolate Factory but I can definitely see the beautiful set being easily transferred to a much bigger West End stage (which hopefully it will!) The shop design is especially beautiful with lots of intricate details which create a spectacle to look at. 

Scarlett Strallen is outstanding as Amalia Balash, her beautiful soprano voice rings out effortlessly and her comedic timing is impeccable. She makes  over the top and crazily idealistic Amalia, lovable and relatable- a positively dazzling performance. Mark Umbers as Georg Nowack is equally brilliant. Showing a number of different sides and gradually transitioning from a stiff, cold man to a romantic, caring gentleman. Each ensemble member gives an individual and memorable performance. Katherine Kingsley is hilarious as Ilona and had the audience laughing out loud throughout the show; every movement and facial expression is perfectly timed to create a fantastic character.

There's not a weak link in the cast and this whole production is a sweet as a music box's tune. I'm definitely hoping for a West End transfer as She Loves Me is sure to delight any audience member and make them fall in love with this sweet, festive, heart-warming musical.

She Loves Me runs at the Menier Chocolate Factory until 4th March
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Saturday 3 December 2016

Peter Pan, National Theatre | Review




Peter Pan
The Olivier Theatre, National Theatre
Reviewed on Friday 2nd December 2016 by Olivia Mitchell
★★★★

The story of 'The Boy Who Never Grows Up' is one which we all know. Since J.M Barrie's original story and production there have been countless re-imaginations of Peter and Wendy's adventures in Wonderland, each trying to add their own spin to the story. With a such a Classic it can be hard to make the distinction between a play and a panto but the National Theatre's production has done that perfectly and created a fresh and exciting version of Peter Pan which is sure to be enjoyed by children and adults alike!

Madeline Worrall captures Wendy Darling's character wonderfully, with moments of childishness as well as of maturity and practicality. Wendy, is this production is much more free spirited than I've seen previously; she doesn't just follow Peter's every whim but seems to weigh up every decision she makes. She's independent whilst still having childlike qualities; a lovely contrast to Peter himself, played by Paul Hilton.


Peter is not the charming, sweet boy we usually think of. He is much darker and more frantic; a mix between Drop Dead Fred and The Mask (maybe that's because of all the green though!) At first I was unsure of this portrayal but Hilton's Peter really grew on me and I understood why he had such a cocky and arrogant side and was able to sympathise with him much more in his moments of despair than if he had been sweet throughout.

Of course motherhood is a key theme in the story of Peter Pan but in this production it is really magnified, especially through the choice of having Captain Hook played by a woman (Anna Francolini who replaced an injured Sophie Thompson.) Francolini is dark and menacing as Hook. Her gold teeth glistening like knives, her gothic get-up and of course her hook, all create a truly threatening character. The character of Hook is deconstructed slowly throughout the play, with snippets of her humanity showing all through, making her somewhat melancholy. I got the feeling that Hook would have liked to be a mother but as she is stuck in Neverland and evil has been drilled into her, she knows she never could be. This was a revelation to me as I had never seen Hook as anything other than the evil antagonist.

The stand out scene of the whole show for me was when she was roused up and dressed by Smee in a revealing scene where she transformed from a frail, balding lady to the strong, menacing Hook she shows the world. Although Hook was suitably scary, I found myself drawn to her and wanting to know more and more about her.

Another stand-out character was Tiger Lily played by Lois Chimimba. Tiger Lily is a feisty girl who's been raised by wolves and knows her way around. The wolves themselves would have terrified a 10 year old me- they're very reminiscent of The Wheelers in Return To Oz coming onto the stage erratically with masks and crutches.

The only character I didn't feel attached to was Tinkerbell, played by Saikat Ahmed. He was too aggressive and not at all likeable. Although it was heartbreaking when he drank the poison, there was just something about him which made me feel uneasy. I loved the made up language used for Tink and the whole premise felt very solid but I personally was not a fan.

I loved the theatricality of the production. It was wonderful to see how all the 'magic' was being done. Seeing the counter-weights and 'fairy strings' on stage didn't distract from the magic at all but made the whole thing even more enjoyable to watch. The use of music is another highlight of the production. Whilst it is clearly not a musical, it is also not just a play. The songs added are not randomly thrown in for decoration but to add to the characters and emotions, the duet/vocal duel between Hook and Wendy was raw and rich and exciting to hear.

Overall this production is lively, colourful, exciting and rich. It takes the classic story and elevates it to a new level of wonder and fantasy without taking it anywhere near the pantomime realm. This is a creative and refreshing production which is magical for children and touching for adults. The whole production is a visceral spectacle which is not to be missed!

Peter Pan is playing at the National Theatre until the 4th February. Tickets can be booked at: https://www.nationaltheatre.org.uk/shows/peter-pan

A huge thank you to #LDNTheatreBloggers for having me at the show; make sure you check them out on twitter @TheatreBlogs and their website: http://theatrebloggers.co.uk/!
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Monday 28 November 2016

In Conversation With... Shoshana Bean | Concert | Interview

Firstly I want to apologise for how late this interview is. I interviewed Shoshana back in September but unfortunately my phone glitched and I couldn't retrieve the interview so it had to be put off. Thankfully I got it back so you lovely, stagey people can finally read it! So I hope you enjoy this late, but still very interesting and relevant interview from the wonderful Shoshana Bean!



Shoshana is a Broadway veteran who's starred in Wicked, Funny Girl, Hairspray and Beaches to name a few. She's released 3 solo albums, done countless solo concerts as well as those with the Postmodern Jukebox AND she sung back-up vocals for Michael Jackson! There's really nothing this lady can't do!...  
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Wednesday 23 November 2016

In Conversation With... Sarah Naudi | In The Heights | Interview

Sarah Naudi is currently starring in Lin Manuel Miranda's glorious brainchild In The Heights as the feisty, loved up Vanessa. Her other credits include the short film In The Name of Bjorn and By The Sea in which she acts alongside Angelina Jolie, to name a few.



After a wonderful performance of In The Heights, Emilie and I interviewed the lovely Sarah. We found out about her journey to becoming a performer, her love for Lara Croft, her future aspirations and so much more. So without further ado, here is our interview:

Was being a performer something you always yearned for or did you have a different career path in mind when you were younger?
I always wanted to be a performer. Oh my god, I have to get into my sob story now! Anyway, I was born with a deformity in my foot and it's a disability and they were like “oh she’ll never dance, she’ll never do anything” so my mother was like “oh I’m gonna send her to ballet lessons then”. And I was always the shittest and the worst but I was facially always the happiest and having the most fun so I just carried on dancing for years. 

Then when I was 15 I told my parents that I really wanted to go to England cause I had seen The Lion King here and I was like “oh my god in England they do musicals” so that’s kind of why I came here and again, struggled very much in dance and then was dancing amongst these [the cast of In The Heights] amazing people! I’m very lucky and it's just a dream come true really so yeah, to answer your question, this is what I’ve always wanted to do… but I really want to do film! So I think after this, because this is the part I really wanted to play in musical theatre, and I’ve done Carla and Daniela, Nina and Vanessa which is amazing, I really want to act seriously.


What has been the highlight of your career so far?
Probably meeting Angelina Jolie, that was amazing. I don’t know if you’ve seen By The Sea it's her film with Brad Pitt? So basically she filmed it in Malta so I had to do a scene me and her and she's like my idol, I’ve always wanted to be like the next Lara Croft or something so when I met her I was like “this is it” and she’s an amazing, amazing woman. She’s motherly, very nice and was like “thanks for being in my film Sarah” and I was like “thank me?? Thank you!”. It was amazing yeah, definitely a highlight!


With all the success of Hamilton do you feel extra pressure being in one of Lin’s shows?
Well I can’t wait to watch it [Hamilton] here, its going to be honestly amazing, just gonna blow everyones minds! Oh god its gonna be so good! 

With the success of course there’s more pressure because its brought more attention to the show because everyone knows who he is now but everyday -no matter what happens backstage or in your own personal life- when you hear the music we just realise how lucky we are.

And Gaby (Gabriela Garcia) and I, these were our dream roles at college. We lived together, went to school together, everything and we just cant believe that it's happened, not just for one of us but for both of us. When we’re on those stairs together at the end we look at each other and we go “wow, how did this happen, we are so lucky”. So everyday listening to Lin’s music its just, yeah! And I can’t wait to watch Moana, it looks amazing and the music sounds incredible!


You’ve been with In The Heights since it was at the Southwark, how has it changed since then?
I feel like at the Southwark we loved the show and not the story yet. So there was a lot of heart for the show and it was a ball of energy and that’s why it was such a success but now I feel the focus is on the story, whereas before it wasn’t because we didn’t have time to invest in it whereas now, most of us know it so well and we’ve been doing it for so long that we’re like “this is why he wrote the song!” 

And even getting to meet him and hear him speak, when he said he is Nina and Sam is Usnavi like wow, what a compliment for Sam! That’s what I feel the biggest difference is, now I really understand the story, whereas before I loved the music and how I  felt, now I really really love, you know the whole Paciencia y Fe and all of that!


The idea of heritage is prevalent in the show, did you face some of the same struggles as Nina and Usnavi when you moved to the UK from Malta?
100% I mean I’m from a tiny island in the Mediterranean and people haven’t even heard of it and I always had these big dreams, kind of like Vanessa, really just wanting to go and get out and do something and when I came here I found a massive culture shock. I found, at first, my classmates were very cold. It's a colder culture here, it's more polite, whereas in the Mediterranean we’re used to hugs so I used to talk to people on the tube all the time like “oh I really like your nail polish” and they thought I was a psycho because you don’t do that here! So I really had to learn that but I think when the Brits really get to know you as a foreigner they fall in love with you. I have so many close British friends now but I did struggle. All of them making fun of my accent oh god…. they still do it backstage now!


Have there been any challenges playing Vanessa in general or with your transition for Carla to Vanessa?
More nerves. First of all, more pressure because I have been begging to play this part for I don’t know how long so its like "uh oh the producers are looking at me now", so you really have to deliver. 
And vocally there's more pressure. As Carla, if I was having a bad singing day I could do okay. And also when I was playing Carla I could hide behind the humour and really get along with the audience whereas with Vanessa, it's really hard to make her likeable because she's always moaning on stage! So I really wanted to make sure that I kind of play her more sweetly and just like she's trying to get out of here but has a good heart, so that was kind of a lot of pressure to try and get that across. And it was difficult doing 'The Club' with a completely different track and all that... yeah just more pressure!


The idea of home is therefore very important, what three things remind you of home?
The smell of the sea reminds me of home. Damian [Buhagiar], his Maltese accent backstage! He speaks to me all the time in Maltese which is really sweet! And probably my family.


Whats your favourite moment in the whole show?
To play, definitely Champagne. In my life and so many of my friends lives theres that moment where you really want to tell someone to stay and I feel like every night I get to do that and tell the person to stay and I know he doesn’t do that, he stays for the great but I can get over that! But yeah, every night I have the opportunity to do it, in life I sometimes don’t do that so I love playing it.

To listen to as a song definitely Benny’s Dispatch. Every night backstage I’m vibing along and also probably in ‘Carnaval’ Sam’s bit where he sings “a corner full of foreigners” and all that section.


If you had a magic wand, which show would you do next?….. although you want to do film!
Lara Croft the Musical?! haha, no I don’t know. I actually have no idea because this was my dream show! I love Spring Awakening, I think I’d be too old for it now but probably Spring Awakening. 

Moulin Rouge… that’s what I wanna be in! That’s the one… something gritty!


If you could be any fictional character for a day, who would you be and why?
A superhero definitely! [Lara Croft?]  Yeah! I didn’t want to say it again but lets be honest. Yeah I just like the idea of being a really strong woman who can save lives.


What does your perfect Sunday look like?
Ohh definitely involves a party of some sort! I go to these things called Morning Raves. They’re for people who don’t drink or don’t do anything they just love music and you just party from like six in the morning until 10 to start your day and you start your day really fresh and happy. Also seeing friends, Winter Wonderland- going on the  the rides, just something adventurous. Once on our day off Courtney (Mae-Briggs) and I went skydiving in Peterborough! We’re just adrenaline junkies! We booked it two days before and it said ‘North London Skydiving’ but Peterborough is not North London, just saying! It took us ages! 


 Whats your best piece of advice for an aspiring performer?
I would say always be prepared because success is when preparation meets the opportunity. So if you’re always ready and the opportunity comes, then boom. If the opportunity comes and you’re not ready then you're not going to get the part or get into the school you know, so always, always, always be prepared. Keep improving yourself. Gaby (Garcia) is a master at that, I mean, she inspires me everyday because she is always learning and always asking us what she can do better. She goes to lessons all the time so just keeping that. No matter how successful you become just keep working at it. Be kind, be really kind to people. People will wanna work with you again. And be on time… don’t be late!


A huge, huge thank you to Sarah for being so lovely, kind and inspirational. A truly talented lady who I hope to see become a movie megastar in the future! Thank you to Emilie for joining me on the interview and as usual thank you to Lin Manuel Miranda for creating the best musical ever!

 Interview by Olivia Mitchell, Editor

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Friday 18 November 2016

Half a Sixpence, Noel Coward Theatre | Review

Half A Sixpence is just what the West End needs


Half a Sixpence is an oh so British musical which really packs a punch. 

 Half a Sixpence
Noel Coward Theatre
Reviewed on Thursday 17th November 2016 by Olivia Mitchell
★★★★

Whilst this production, opening for the first time in 50 years, is technically described as a revival, I would say its more of a reinvention. With 80% new material including a new score by Stiles and Drewe and a new book by Julian Fellowes, the show is brought into the 21st century in a refreshing and exciting way.


We follow the story of Arthur Kipps who mysteriously inherits a large sum of money and suddenly finds himself flung into a world of garden parties and riches, a far cry from his childhood days in the countryside with his best girl Ann. Caught in between two worlds and two women, Arthur must decide whether he wants half a sixpence or a fortune.

The plot is somewhat simplistic and predictable which is beautiful but annoying at the same time. Of course simplicity is lovely because it makes it easy to follow and really puts the emphasis on the music and choreography but there were some moments which I would have liked to delve deeper into; such as the mysterious uncle, but overall its a sweet story full of joy and humour.

The set is very simple, with a revolving stage supplemented with decorative additions and projections throughout which work wonderfully to move seamlessly between the changing scenes of the show, from bar, to beach, to garden party and more! This simple staging allows Andrew Wright's choreography to be a focal point of the show. The energetic dances create absolute elation throughout and every fresh faced member of the 24 strong  cast put their all into every step, creating a truly mesmorising sight. Of course the show favourite "Flash, Bang, Wallop" was a standout, with a standing ovation and smattering of applause beginning as soon as the last note was sung.

The entire cast are sublime and completely faultless. Ian Bartholomew is hilarious as the larger than life Mr Chitterlow, bringing out some of the biggest laughs of the night, especially through "The Joy of the Theatre" which felt like a big wink to all us press members sat in the audience! Bethany Huckle is fabulous as the sweet but strong-minded Flo who has fabulous chemistry with each character she interacts with. Helen Walshingham is vulnerable, graceful and tiny bit malicious but Emma Williams manages to make us understand why she makes every decision through her clear and well thought out portrayal.


Obviously the ultimate stand out of the show is the exceptional Charlie Stemp who must have a Best Actor in a Musical award waiting for him in the near future. From the moment we witness his charming, boyish grin, we fall in love with Arthur Kipps. Charlie is a true triple threat star, and its a joy to see him shine on stage in moments of humour and love as well as more serious times. Charlie's voice is beautiful, his dancing is effortless and he is just charming. He makes each move quirky and charismatic and absolutely fantastic. Keep your eye on this man because he is going to be a star for a long time!

Half a Sixpence is exciting, infectious, joyful, glistening and a billion other things. Its most definitely a show you should go and see and a production worth far more than half a sixpence! Experience the joy of the theatre and book tickets for this show which is running at the Noel Coward theatre.
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Wednesday 16 November 2016

Curl Up and Die, Questors Theatre | Review

Curl Up and Die is a fabulous farce which will grip and thrill you.


Curl Up and Die
Questors Theatre
Reviewed on Tuesday 15th November 2016 by Olivia Mitchell
★★★½

Until fairly recently I was quite unaware of all the fringe theatre on offer in and around London but since I've discovered this thriving community I've witnessed some top-notch productions. Curl Up and Die was one of them. Admittedly I don't see that many plays but the ones I have seen have ranged from absolutely fantastic to downright dismal and although I'm not the most seasoned play reviewer I think I know how to spot a good one when I see it! Curl Up and Die is witty, well thought out and clever, all things which in my books, create an admirable play.

Curl Up and Die is set in the antiquated salon Ruth inherited from her aunt along with the ageing clientele who pay a mere £5 per appointment. Struggling to keep the salon open, Ruth's only hope is to win a £50k hair dressing competition run by Fab Hair Magazine.

The plot-line although somewhat simplistic, is intriguing and has a steady pace throughout keeping us invested and giggling throughout. There are a number of humourous moments throughout expressed by each lively cast member, especially the ditzy Bryony (Rose Edwards) who delivers some hilarious one liners! My personal favourite character was Gonky Blatent-Severs played hilariously by the beautiful Abigail Ribbans, she embodied the over the top, rich daddies-girl perfectly and had me laughing throughout.

It was interesting to see such a female led cast and it really epitomises girl power. Each character was very clearly thought out and it was obvious a lot of work has been done during the creative rehearsal process. It was also interesting that nearly all characters were on stage at all times, this created the frantic atmosphere required whilst also keeping the audience on their toes flittering their eyes to see what each character was up to.

 Anna Longaretti has done a wonderful job writing and producing this unique play and I really look forward to seeing how it develops and if it will continue to have a long life after its limited run at the Questors Theatre. I certainly enjoyed it and at approximately an hour and a half its a perfect distraction for a short amount of time. If you're around the Ealing area definitely snap up a ticket and enjoy this fabulous production.

Curl Up and Die runs at the Questors Theatre until November 19th, tickets can be purchased at: http://www.questors.org.uk/event.aspx?id=614


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Thursday 10 November 2016

Chitty Chitty Bang Bang (UK Tour), New Victoria Theatre | Review

Chitty Chitty Bang Bang is a heartwarming, beautiful and triumphant tour full of joy.



Chitty Chitty Bang Bang (UK Tour)
New Victoria Theatre
Reviewed on Wednesday 9th November 2016 by Olivia Mitchell
★★★★★

Chitty Chitty Bang Bang is one of those musicals you feel like you've always known about. You could ask anyone and they'll be able to rattle off the title song without a moments thought. There's just something magical about it that can transport to back to your childhood in a moment. James Brining's production adapted for the stage by Jeremy Sams is delightful, enjoyable and exciting to watch. Based on the film of the same name Chitty Chitty Bang Bang tells the story of the struggling inventor Caractacus Potts who is carried away on a magical adventure with his children Jemima and Jeremy.

The production is a very beautiful one indeed, with very clever use of video designed by Simon Wainwright which alongside Simon Higlett's well constructed set design creates a melancholy sort of atmosphere whilst easily transition from scene to scene.
Jason Manford is charming and sweet as Caractacus Potts, bringing his own twist to Dick Van Dyke's iconic character. His voice shines throughout, especially in his heartfelt performance of 'Hushabye Mountain'. Charlotte Wakefield works alongside Mansfield as the beautiful Truly Scrumptious. Their chemistry is extremely natural and Charlotte's performance is sincere and heartfelt all the way through.



Jos Vantyler's childcatcher is suitably chilling, adding moments of darkness to the otherwise upbeat musical. Boris and Goran played by Sam Harrison and Scott Paige are absolutely fabulous, adding humour and lots of fun throughout- especially through their rendition of 'Act English'. They really hold the show together, interjecting with just the right amount of exaggeration and innuendo for the duration of the show.



This is a charming production which evokes childhood memories and joy whilst having you tapping your feet and singing the songs all the way home. It's Truly Scrumptious indeed and a must see for a sugary sweet night out!




Chitty Chitty Bang Bang is on at the New Victoria Theatre until November 19th, after which it will continue on its tour round the county. To book tickets visit ATG tickets.

Photographs by Alastair Muir
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Thursday 3 November 2016

The Last Five Years, St James Theatre | Review

The Last Five Years is a heartbreakingly beautiful story of a failed marriage set to song


 The Last Five Years
St James Theatre
Reviewed on Wednesday 2nd November 2016 by Olivia Mitchell
★★★★★
Jason Robert Brown's musical tells the story of Cathy and Jamie with her story running backwards from heartbreak to giddiness and his running forwards from the first moments of meeting to the disillusion at the end. Somehow this concept which could have been very confusing manages to work exquisitely and is carried out with professional style and ease by Samantha Barks and Jonathan Bailey.

The show runs for 90 minutes straight through and includes a number of musical styles which help to maintain the pace and make the whole relationship feel very realistic. Personal highlights were "See I'm Smiling", "The Schmuel Song" and "Moving Too Fast" all of which were total lessons in storytelling from Samantha and Jonathan. The simple staging works well to show scene changes without distracting from the intimacy of the show.


 Jason Robert Brown's songs seem to get more beautiful every time I hear them and believe me I've heard them a lot! From watching the film version of The Last Five Years to listening to various youtube versions I have pretty high standards for it and this production smashed them all out of the park. This seems to be the musical exactly how it should be. Each moment seems so well thought out with each acting choice complementing the beautiful music and vice versa.

Jonathan Bailey brings humour and wit to the character of the up and coming writer Jamie who in his heart is really just a jerk; despite his love for Cathy at the start, his wandering eye and his self-absorbed personality become his downfall and the relationship fails. Jonathan's acting choices are dramatic whilst still being understated at points and he truly relates to the audience, especially when he picks out audience members to be his Cathy in certain songs.

Samantha Barks shows off her acting and singing chops once again in the role of Cathy. From the opening number of the iconic "I'm Still Hurting" Samantha embodies the character and gracefully rewinds from the bitter end of the relationship to the extreme joy she felt at the start. Samantha's star power glistens like a diamond as she commands the stage in this role and shows her versatility in moments of happiness, sadness and humour.

This is a positively admirable production which ticks every box on what makes a great musical. Its truly a lesson in acting through song and the two stars are faultless in their performances. The Last Five Years is a beautiful, bold and poignant depiction of a relationship, impeccably brought to life on stage by two wonderfully esteemed performers.

The Last Five Years is on at the St James theatre until December 3rd. You can book tickets on the website here.

photos by Scott Rylander
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Wednesday 2 November 2016

Sunny Afternoon (UK Tour), New Victoria Theatre | Review


Sunny Afternoon
New Victoria Theatre
Reviewed on Tuesday 1st November 2016 by Olivia Mitchell
★★★★★

I wouldn't say I'm the biggest fan of The Kinks but I know pretty much all their music thanks to my dad playing it everyday of my childhood and I'd heard incredible things about Sunny Afternoon from so many people but for some reason I never got round to seeing it in the West End so when I got the chance to review the tour I was very excited!
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