Tuesday 11 October 2016
This Little Life of Mine, Park Theatre | Review
This Little Life of Mine
The Park Theatre
Reviewed on Friday 7th October 2016 by Olivia Mitchell
Reviewed on Friday 7th October 2016 by Olivia Mitchell
★★★★
A few weeks ago I published a post full of excitement for the new British musical This Little Life of Mine; well I just saw the show and my excitement was well aimed. This is a new, exciting, relevant and realistic musical which is so perfect for growing up and living in London.
Thursday 6 October 2016
Murder Ballad, Arts Theatre | Review
Murder Ballad
The Arts Theatre
Reviewed on Wednesday 5th October 2016 by Olivia Mitchell
Reviewed on Wednesday 5th October 2016 by Olivia Mitchell
★★★★
Press nights are always exciting but the atmosphere on this particular one was more electric than normal. If you're at all in the loop with the theatre community you must have heard about Murder Ballad! It seems to have been everywhere and since little snippets were released and previews began I'd only heard good things so I was super excited to finally see the show myself.
I'm one to encourage going into shows blind and this definitely one production to go into without looking up a synopsis. It's absolutely a show that you'll benefit from seeing with no preconceptions of the plot. All you need to know is that it follows three characters in a love triangle and a narrator who all merge into each others lives. Oh, and someone ends up dead! Intriguing right?!
The story is accompanied by a rock score which works well to give the story a sort of grounded realism. It really helps in the moments of anger and tension to build and crash and bring out every emotion on stage. This is a raw and gripping 90 minute fully-sung-through rock musical with love, darkness and death.
The cast of Murder Ballad are stellar and all give the outstanding performances you'd expect from these veterans of the stage. Kerry Ellis is a regular star of the West End and her portrayal of Sara really shows why. Her voice effortlessly glides into all the notes of this rock score. Her unique growl and rasp add a depth to the character and help to emphasise the emotions Sara feels, especially in the opening argument scene. The audience see the development of Sara's personality throughout and Kerry manages to capture all the little changes perfectly with an ease and innovativeness only seen in true stars. Her chemistry with Ramin Karimloo fills the whole room and they create a dark and believable pairing.
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| photo by Mark Brenner |
I have been a huge fan of Victoria Hamilton-Barritt for a long while now so was super excited to see her take on the deep, dark role of the narrator. Victoria's voice is on another level in this production; her sultry, beautiful tone completely fit the mysterious narrator. Not only is Victoria's voice insane but her facial expressions told a whole story of their own. No spoken or sung words were needed for Victoria to convey exactly what she was feeling, her little knowing glances into the audience conveyed 1000 words; its truly a joy to see how this lady owns the stage at all times!
Now onto the men... Ramin Karimloo is a favourite of the West End and Broadway alike with a number of huge roles under his belt. Most of his famous roles such as the Phantom and Valjean are more operatic, typical musical theatre roles so it was refreshing to see him showcase the rocky, raspy side of his voice as the dark and handsome Tom. As with Sara, we get to see a lot of character development with Tom, he goes from a young-lovesick boy to a possessive man in a short space of time and Ramin carries this transformation out with dexterity and all the nuances of the in-depth character are very clear.
Norman Bowman for me has one of the most underrated voices on the West End. He's starred in a number of shows but I personally don't hear enough about him. His voice blew me away whilst he played the role of the agreeable Michael and left me with chills at points. His character is less in depth that Ellis' and Karimloo's but he still achieves a well performed character arc.
Richard Kent's set design is innovative and adds a dimension to the show, making it exciting to watch and making you feel somewhat part of the action. The revolve cleverly highlights key moments and adds a nice flow to the show. The lighting is also very clever; from the single lightbulb on stage to the green and orange tinted lights later on; David Plater's design backs up the transitions of all the characters and heightens the tensions at the crucial points.
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| photo by Mark Brenner |
Sam Yates' direction has created a truly wonderful piece of contemporary theatre. Although I found the show to drag a little at the beginning, it soon picked up pace and I could physically feel my heart beating at points. The fantastic cast give faultless, lifelike performances which are so refreshing to see in these days of more fantastical productions. I truly enjoyed this show and wouldn't hesitate to recommend it. Its a unique, lively and deadly production which ticks all the boxes for an enjoyable night out! The realistic storyline and killer soundtrack are a deadly combination, leaving you on the edge of your seat, anticipating whats to come until the very last moment in this arresting production.
Murder Ballad is running at the Arts Theatre until December 3rd
Monday 3 October 2016
Pride and Prejudice (UK Tour), Churchill Theatre | Review
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| Benjamin Dilloway and Tafline Steen as Darcy and Elizabeth. Photo: Simon Turtle, Artwork Feast Creative |
The Churchill Theatre
Reviewed on Thursday 22nd September 2016 by Olivia Mitchell
Reviewed on Thursday 22nd September 2016 by Olivia Mitchell
★★★★★
"It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife." Perhaps one of the most well known openings ever, Pride and Prejudice has a lot of steadfast fans and a lot to live up to on stage. Although this production naturally loses some of the semantics of the original text it is a solid and elegant production.
Simon Reade has skilfully created a production which although condensed, manages to keep the heart and sincerity of Miss Austen's original novel. We follow the Daughters of a country gentleman and a mother all-too-eager to sort their lives out; the five Bennett sisters find themselves in need of securing their position in society in the only way they can, through marriage. We see Jane- played heartwarmingly by Hollie Edwin- as she falls dopily in love with Mr Bingley, played wonderfully by Jordan Mifsud. The other sisters Kitty, Lydia and Mary played by Anna Crichlow, Mari Izzard and Leigh Quinn respectively are all characterised extremely well to really show the dynamic of the Bennet family. Felicity Montagu shines as the over attentive mother, adding moments of hilarity and truly commanding the stage.
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| Pride and Prejudice. Photo Johan Persson © 2016 |
Of course the heart of the story and romance are the headstrong Elizabeth and brooding Mr Darcy. Tafline Steen fabulously captures Lizzy's humour and vivaciousness as well as her deeper self-assuredness. Working alongside Benjamin Dilloway as the stiff gentleman Mr Darcy they make an engaging couple. Their emotions fill the auditorium and their fast paced verbal exchanges permeate the stage with electricity.
Siân Williams' uncomplicated choreography works beautifully to frame each scene and enhance moments of intimacy, such as Lizzy and Darcy's first moment alone, to moments of humour when Mr Collin's hilariously tries to interrupt a foursome dance. The simple staging works wonderfully to frame the piece, with Max Jones' innovative wrought-iron design on a revolving stage allowing a wonderful flow through each scene and to each part of the various settings in the story.
This is a wonderful production with a true and good heart. Its an all round satisfying production which had the audience feeling an array of emotions and truly enjoying Jane Austen's work in a new setting. Darcy and Elizabeth's love are a triumph as great as this production!
To book tickets for the tour and to find out more information about the production look here: http://www.prideandprejudiceplay.com/
Sunday 25 September 2016
27, Cockpit Theatre | Review
A New Musical: 27
Cockpit Theatre
Reviewed on Saturday 24th September 2016 by Olivia Mitchell
Reviewed on Saturday 24th September 2016 by Olivia Mitchell
★★★★★
Those that know me know that I love to talk, and I am not one for being speechless. The new musical 27 changed that completely. Despite all the hype on social media, I actually had no idea what the show was about so when act one started I was a little apprehensive. By the time the interval rolled around I was in a state of complete shock and at a loss for words. This show is new, fast paced, sexy, beautiful, dramatic and absolutely like nothing I've ever seen before.
I really don't want to give a lot away about the storyline as I think its certainly best to go in blind and be completely shocked, but as the poster says: this story is "the rise of a falling star". We follow Orpheus as he is plucked from obscurity and thrown into the crazy world of sex, drugs and rock and roll. The lines between reality and fantasy are blurred as we are delivered a twisted fable about the price of fame. The story draws strong inspiration from Greek mythology but is modernised to really captivate the audience.
The score is contemporary, with complex melodies and a wide variety of styles. Every vocal performance was outstanding. We were fortunate enough to see the writer and co-director Sam Cassidy perform his own creation and he was truly mesmerising as the falling Orpheus. The three Fates who narrate the story were exceptional with smooth harmonies and crazy moments of belting and riffing. Ryan Molloy was fabulous as the eccentric music mogul, Hades and really brought an old school rock vibe to the performance. Jack Donnelly and Ryan Gibb as fellow bandmates Max and Jason respectively gave touching performances and it was great to see their character development. Cassie Compton was a standout as the loyal girlfriend, performing a particularly striking ballad at the end of the first act. Lucy Martin was also wonderful as the alluring viper Miss M with not only fabulous singing but wonderful acting too, really embodying the instability of the character.
The choreography is sharp and slicing, with each performer executing every move feverishly and seductively. Every cast member commits fully to the distorted roles they're playing making it a true feast for the eyes. I found myself not knowing where to look as every part of the performance space was filled with something enticing and exciting. Nick Eve's concert-esque lighting is striking, creating a sharp but dark and shadowy world. Moments of complete darkness create an uneasy feeling and really pull you to the edge of your seat.
I found no faults with this show which is certainly rare for me. Everything is thought out and executed wonderfully with a number of home truths and morals dotted in to leave you thinking long after the final bows are taken. Particularly poignant was the idea that we, as humans, find a weird and sick pleasure in watching others destroy themselves. We see headlines of stars being checked into rehabs and instead of stopping and thinking about their health and their families and friends, we have an urge to delve deeper in and create a sort of romaticised mystery about them. Its these chilling realisations that had me watching with rapt attention throughout, only looking away to glance at fellow audience members reactions.
This is truly a fantastic and innovative production and is certainly the best piece of theatre I have seen in a long time, if not ever! Cassidy has created a fresh, fearless and fantastical production and is rewiring typical theatre. I'm completely on board with this poignant production and am rooting from this moment forth for it to have a West End transfer and the success it deserves!
27 is running at the Cockpit Theatre until October 22nd 2016
Saturday 24 September 2016
Out There, Union Theatre | Review
Out There
Union Theatre
Reviewed on Friday 23rd September 2016 by Olivia Mitchell
Reviewed on Friday 23rd September 2016 by Olivia Mitchell
★★★
When I was younger I was a self-confessed Busted fangirl. I remember hearing the news of their breakup on the radio absolutely, heartbroken that I wouldn't have a new song and video to obsess over anymore so when I heard about ex Busted frontman James Bourne's new production of Out There I was intrigued to say the least! James has partnered with Elliot Davis to create this wholesome story about space, family and love.
Friday 23 September 2016
In Conversation with... Victoria Hamilton-Barritt | Murder Ballad | Interview
Rewrite This Story recently caught up with the wonderfully talented Victoria Hamilton-Barritt whos had a fabulous career from Gypsy and Saturday Night Fever to In The Heights most recently. Victoria told us all about her upcoming musical Murder Ballad, her career so far and her advice for aspiring performers...
You've had a fantastic career that many performers would dream of. What have your highlights been?
Paul Kerryson cast me in Gypsy at Curve Theatre playing Louise/Gypsy and I had an absolute ball in that role. Finally I was playing a role that had so many layers with an epic journey. Paul gave me the greatest opportunity with that show and I absorbed every drop of that incredible production. Another highlight close to my heart is creating the role of Daniela for the London run of In The Heights, Southwark Playhouse and Kings Cross Theatre. I had the best time in that role and changing it up a for a London audience.
Was being a performer what you always dreamt of or did you have a different career path in mind when you were younger?
I worked in London Zoo when I was younger and was told if I stayed on I would one day be made a zoo keeper. I absolutely love wildlife so I know that's where I would have ended up otherwise.
You went from A Chorus Line to In The Heights, both of which received amazing audience reactions. How was it to be a part of that? Both shows must have felt like a true family!
I've never felt family in a show to the degree of what In The Heights delivered. What a special place. We all shared an obsession for the show which was heartbreaking when I left.
A Chorus Line was tricky because there were no interval and we were on stage for a solid 3 hours. The cast were so lovely but because of this obstacle we never fully got to know each other in that 8 month period. Talented writing in the sense where it's an audition and keeping distance. Clever.
Both Diana and Daniela are kickass characters; how do you bring so much sass on stage? Do you have any diva inspirations?
I was always Inspired by Joanna Lumley, Jennifer Saunders and Dawn French. Ruby Wax and all women who make you laugh whether it be with an aggressive undertone or just damn right silly.
So last time you were performing you were heavily pregnant (how did you manage to still dance in heels!?) Since then you’ve had a beautiful baby (congratulations!) Has this changed the way you approach material?
Thank you! She is gorgeous and has made my life. I would have had a harder pregnancy had I not been in a show. It's better to just get on with things and do what makes you happy. Pregnancy was tough for me as I got so big where I looked full term at 4 months so come 8 months I looked like I was going to pop which caused discomfort for audience members who new I was pregnant for real. People really didn't believe I was pregnant though, where there were a lot of gasping at stage door. Some critics thought it a character choice... honestly.
You’ve gone from the Palladium to the Southwark Playhouse to the Kings Cross Theatre and now you’re going to perform at the Arts Theatre. These venues couldn’t be more different. Do you prefer the bigger theatres or the more intimate settings?
I love intimate spaces where you can see every expression and subtle choice. Small venues grant that, which always makes the connection with the audience more connected.
Can you explain a little about Murder Ballad and how your character fits into it?
I'm the narrator of the show which shares a story of a love triangle which gets complicated and things go wrong. Very wrong. That's all I will say for now. 😉
Can you describe it in 5 words?
love, lust, betrayal, sexy, oops.
Your talent and career make you an inspiration for many people hoping to get into musical theatre, whats your best piece of advice for an aspiring performer?
Work hard but don't take yourself too seriously. If it doesn't make you happy find the right time to stop. If you'd like to pick it up again do so when it feels right for you. You're enough and they're lucky to have you in their room.
Interview by Olivia Mitchell, Editor
Read an interview with Victoria's Murder Ballad co-star Kerry Ellis
Monday 19 September 2016
This Little Life of Mine, Park Theatre | Press Launch
Last Thursday on September 15th members of the press were invited to the launch for what promises to be an exciting, new contemporary musical drama following the story of a modern couple in London as they face all the ups and downs of life.
We got to hear a selection of songs from the show and although the cast have only been rehearsing for a short time they were incredibly polished. The songs are catchy and contemporary and I can definitely see them becoming staples on musical theatre fans playlists. Hey Prince Charming was a personal favourite- its been in my head since Thursday so its definitely catchy!
Set against an instantly recognisable backdrop
of eye-watering house prices, unreliable dating apps and over-friendly coffee
baristas, This Little Life of Mine looks at what happens when we can’t
have everything that we want.
This Little Life of
Mine is
produced by Stage Traffic Productions a newly formed
theatre company set up by Michael Yale (Book and Director) and Eilene Davidson
(Producer) focussed on what live
performance does well- engaging and enthralling audiences.
The cast is comprised of only four extremely talented people: Greg Barnett, Kate Batter, Caroline Deverill and James Robinson who between them have incredible credits and are sure to be sublime in this show.
The show is choreographed by Tracy Allsop, with set and costume design by Zahra Mansouri and video artisty by Jack Henry. The music is written by Charlie Round-Turner and musical direction is by Thomas Dunchan.
This is certainly one of my most anticipated shows and I can't wait to see how the storyline plays out. This promises to be an honest, quirky, current musical, relatable for anyone who is trying to navigate the crazy world we're living in!
This Little Life of Mine will run at the Park Theatre from October 4th to October 29th.
Read my review of the show: http://www.rewritethisstory.com/2016/10/review-this-little-life-of-mine-at-park.html
Saturday 17 September 2016
Something Wonderful, Royal Festival Hall | Review
Something Wonderful
Royal Festival Hall, Southbank Centre
Reviewed on Thursday 15th September 2016 by Olivia Mitchell
★★★★
Last night the Royal Festival Hall played host to a wonderful exploration and celebration of the music of Rodgers and Hammerstein in a fabulous one of concert featuring some of the West Ends best performers. Emma Kingston, Louise Dearman, Michael Xavier and Ryan O'Gorman fabulously performed songs from one of the best musical theatre partnerships of all time, treating us to some of their well known songs as well as some hidden gems.
Tuesday 13 September 2016
An American in Paris, Dominion Theatre | Press Launch
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| photograph by Angela Sterling |
Yesterday I was lucky enough to go to the press launch for An American in Paris with some wonderful people from the Theatre Bloggers community. Aside from sipping champagne and indulging in delicious nibbles we were also treated to an exclusive presentation hosted by Darcey Bussell and her close friend and choreographer/director of the show Christopher Wheeldon.
Darcey and Christopher explained a little about what is going to be a wonderful show with some clips of the Broadway production just to wet our appetites. Some of the cast members were at the event and their talent is undeniable. We got a little sneak peek performance of the show with a fabulous rendition of 'S wonderful performed by Haydn Oakley, David Seadon-Young, Ashley Day and Zoe Rainey. If that was anything to go by, the show is going to be out of this world.
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Christopher and Darcey spoke extensively about the skill of the cast they have found for what promises to be a fabulous West End production of a classic musical. These performers are not only extremely talented singers, actors and dancers but they also have to be incredibly skilled ballerina's. Especially in the case of the leading lady Milo Davenport played by Zoe Rainey who has to have all the usual triple threat talents plus be able to dance en pointe! It's tiring just thinking about it! |
Although this launch was just a small taster for what the show will be, if the clips we saw and the Broadway production are anything to go by then this is sure to be a huge hit!
Performances of An American in Paris begin March 4th.
A huge thank you to Theatre Bloggers for taking me along to this event If you want to become a part of the theatre bloggers community check out the website: www.theatrebloggers.co.uk
Thursday 8 September 2016
Vanities, Trafalgar Studios | Review
Vanities: The Musical
Trafalgar Studios
Reviewed on Wednesday 7th August 2016 by Olivia Mitchell
★★★★
Vanities is a musical adaptation of Jack Heifner's play with a script by Heifner himself and lyrics/music by David Kirshenbaum. Its London premiere at Trafalgar Studios is certainly a triumphant one, with radiant performances from all three ladies and extremely catchy and refreshing music. Set in the 70s one would assume the themes of the musical could be dated but in fact the plight for happiness, friendship and success are just as prevalent now.
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