Showing posts sorted by date for query theatre. Sort by relevance Show all posts
Showing posts sorted by date for query theatre. Sort by relevance Show all posts

Wednesday 4 October 2023

Sondheim's Old Friends at the Gielgud Theatre Review: A Magical Piece of Theatre History



Sondheim's Old Friends
Gielgud Theatre
★★★★★

Musical theatre is what it is today, in no small part thanks to the brilliance of Stephen Sondheim, and this musical revue gloriously celebrates that whilst also providing an amazing memorial of Stephen and his melodic legacy. Devised by Cameron Mackintosh, the show like opening a musical time capsule which whisks you back to a bygone era, and a theatrical peak; showcasing a selection of the well known and lesser known Sondheim pieces.

Every aspect of the show is like a trip down memory lane, capturing the essence of a glamorous past. Jill Parker's costumes are simplistic enough for the setting whilst really elevating the story telling necessary to truly do Sondheim's work justice. Particularly impressive are the wolf ensemble and Mrs Lovett's get up which both have a refreshing modern feel. Set wise, Matt Kinley's design cleverly uses the Les Miserables moving pieces to create visual interest and bring some real wow moments to the stage. The entire Sweeney Todd section is impeccable. Thanks to Matthew Bourne's staging and direction, you find yourself lost in the magic, engulfed in the nostalgic beauty of a time that lives on through this production.

The show features the creme de la creme of the musical theatre world, with Broadway royalty Lea Salonga and Bernadette Peters taking the helm, and proving why they are so beloved- it feels like an out of body experience seeing such wonders. The whole cast give standout performances and there are truly too many to name but mention must go to Bradley Jaden's Wolf, Joanna Riding's 'Not Getting Married Today' and Jeremy Secomb's Sweeney Todd. Christine Allado and Bonnie Langford, are also wonderful and the cast really doesn't have a weak link. Universally their voices, movements and energy are enchanting- conjuring a musical spell that leaves you mesmerised. Each song feels like a little piece of history, beautifully presented and cherished. Stephen Mear's choreography adds to this magical experience, bringing a further touch of grace and finesse to proceedings.

Conducted by Alfonso Casado Trigo the orchestra are humungous aspect of the success of this show. Faultlessly performing every note, their music lingers long after the final bow.

Sondheim's Old Friends at the Gielgud Theatre is a magical trip through musical history. It's a celebration of Sondheim's genius and the enchantment of the stage. If you're seeking a dose of wonder and a reminder of the magic that live performances bring, don't miss this truly magical experience.

Reviewed on Thursday 28th September 2023 by Olivia Mitchell
Photo Credit: Danny Kaan

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Wednesday 27 September 2023

The King and I on tour at the New Victoria Theatre Review: An Enchanting Evening


The King and I (Tour)
New Victoria Theatre
★★★★★

Last night the New Victoria theatre came alive with Rodgers and Hammerstein's timeless musical, The King and I. Set in the 1860s, the storyline revolves around the King of Siam, portrayed by Brian Rivera, who hires the intelligent British schoolteacher Anna Leonowens, played by Annalene Beechey, to educate his extensive family. The clash of their personalities and cultural backgrounds sets the stage for a compelling narrative.

The performances showcased a beautiful transformation of understanding and mutual appreciation between the stubborn monarch and the determined British teacher. This transformation is beautifully encapsulated through the touching rendition of 'Getting to Know You' by Anna (Annalene Beechey) and the Royal Children, leaving the audience in awe.

Rodgers and Hammerstein’s memorable score stole the spotlight, standing the test of time. The talented cast breathed life into these classic songs, leaving the audience longing for more. The chemistry between the leads was palpable, and both Beechey and Rivera delivered exceptional performances. Beechey's voice charmed the audience, while Rivera's portrayal of the King of Siam was both strong and hypnotic, reminiscent of Yul Brynner's iconic performance at the London Palladium in 1979.

Special mention must be made of other outstanding cast members, including Cezarah Bonner as Lady Thiang and Marienella Phillips as Tuptim, who delivered exceptional performances that enriched the overall experience.

The stage was adorned with a stunning backdrop featuring vibrant colors that transported the audience to the sumptuous world of the King’s Palace, thanks to the masterful designs by Michael Yeargan. Catherine Zuber's costumes enhanced the performers' presence, making them glitter and shine against the opulent palace setting.

The choreography by Christopher Gattelli was a true standout, with intricate dance numbers blending traditional Thai movement with a modern flair. The 'Small House of Uncle Thomas' dance sequence was particularly mesmerising, captivating the audience with its hypnotic beauty and emotional resonance. Generally the show is well paced, although Act 2 might have felt a bit lengthy to some.

In summary, The King and I musical on tour provides a captivating experience, combining talented performers, unforgettable music, entrancing dance sequences, an immersive set, and beautiful costumes. I wholeheartedly recommend this production, and for me, it was undoubtedly a 5 out of 5.

Reviewed on Tuesday 26th September by Glenys Balchin
Photo Credit: Johann Persson

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Wednesday 20 September 2023

Police Cops: The Musical at the Southwark Playhouse Review: A Hilarious Riot of a Show


Police Cops: The Musical
Southwark Playhouse (Borough) 
★★★★ 

Who'd have thought a comedy musical about the US police force could be so entertaining? Well, Police Cops: The Musical proves it's possible. Fresh from wowing crowds at the Edinburgh Fringe, this lively spoof of 80s American action films has now hit London.

Created by Zachary Hunt, Nathan Parkinson, and Tom Roe, this musical takes you on a wild ride through all the clichés of action movies. It follows Jimmy Johnson, a regular teenager turned aspiring 'best damn police cop ever' after a tragic loss. He sets off on a mission to take down the big bad criminals, teaming up with a retired rogue cop, jetting off to Mexico and reconnecting with his high school crush. And all of this is delivered with a relentless dose of stupendously silly comedy.

In this latest iteration of Police Cops, the original team have penned some brilliantly witty lyrics, set to a catchy score by Ben Adams of Eugenius, drawing on musical theatre tropes and classic 80s hits. Andrew Exeter's set and lighting work is magical once again, contributing to a high-energy, high-budget production.

Police Cops: The Musical is outrageously ridiculous yet impressively slick, excellently performed, and keeps you engaged throughout. The humour is silly and over the top, and the cast and crew showcase their real skill in blending comic satire with musical theatre and improv, hitting every comedic and musical beat perfectly. Through the recurring gags, hilarious stage craft and show-stopping numbers it's clear this team understands their genres and have created something uniquely entertaining by merging them. Plus, the writing is really self-aware, touching on outrageous ideas but never crossing the line.

Melinda Orengo, Natassia Bustamente and at this performance Mychele Lebrun as well, all deliver standout performances. All three seamlessly blend polished musical theatre with offbeat character comedy. Zachary Hunt, Nathan Parkinson, and Tom Roe, the masterminds behind this show, also star in it, showcasing their versatility. Hunt, as the leading man, pours endless energy and enthusiasm into his role, while Roe's sharp comic timing and Parkinson's unhinged characters add to the laughter.

One of the most delightful aspects of Police Cops is how evident it is that the entire team is having a blast. You can often catch cast members trying to stifle their laughter, and the musical director, Gabriel Chernick, exudes such joy, especially during a hilarious improv section involving sweets!

In Ameri-conclusion, Police Cops: The Musical is an unexpected treasure, blending zany satire with polished, professional musical theatre. It's hard not to have a grin plastered on your face throughout the performance—it's an absolute blast!

Reviewed on Tuesday 19th September by Olivia Mitchell
Photo Credit: Pamela Raith

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Friday 15 September 2023

The Little Big Things at Soho Place Review: Shines as a Celebration of Disability


The Little Big Things
Soho Place
★★★★

The Little Big Things at Soho Place presents an emotional journey that triumphs in depicting the resilience of the human spirit. Based on the story of Henry Fraser as told in his 2017 memoir of the same name, the musical tracks his journey from a budding rugby player, to being paralysed from the neck down after a freak diving accident on holiday in Portugal. This production is a testament to the power of adaptation and determination, and instead of being a somewhat patronising portrayal of becoming an inspiration after a life trauma, it showcases the transition from the person Henry was pre-accident to who he became post-accident. It also looks at how Henry's family deal with the changes and features the work of the NHS as well as a small romantic subplot. Each aspect makes this a truly uplifting and charmingly British musical, which feels like it's actively trying to shy away from the typical style of storytelling that often surrounds the stories of disabled people.

Nick Butcher (music) and Tom Ling (music and lyrics) clearly have a talent for writing high energy songs and ballads that tug at your heartstrings. The music is primarily upbeat and big however, while deeply engaging during the performance, the songs don't engrave themselves into memory once the curtains fall. The performances are undoubtedly and unanimously captivating, enriching the scenes and evoking a range of emotions. However, a few standout, memorable tunes would have elevated the overall experience and resonated long after leaving the theatre.

The integration of projections and lighting (Howard Hudson) in The Little Big Things is nothing short of remarkable. The creative use of light and visuals immerses the audience into the heart of the story, enhancing the emotional impact of the narrative. The play of light and shadows amplifies the depth of the characters' struggles and triumphs, leaving a lasting visual impression.

Director Luke Sheppard fearlessly pushes the limits of accessible theatre, infusing innovation, vitality, and charisma into an already poignant narrative. The staging is in constant motion, driven by Mark Smith's lively choreography, which ingeniously integrates moments of BSL (British Sign Language) and embodies the joy and celebration which is infused throughout the show.

Despite the undeniable power of the narrative, there are moments when the production grapples with sudden transitions and dialogues that could benefit from a smoother flow. The pacing occasionally feels a bit clunky, disrupting the overall rhythm. However, this doesn't detract significantly from the musical's poignant message of resilience and adaptation.

The cast's performances are stellar, embodying the characters with authenticity and dedication. Their portrayals breathe life into the story, allowing the audience to connect deeply with the struggles and triumphs of the characters. The musical shines as a celebration of disability, showcasing the strength and adaptability required to navigate a new life.

The Little Big Things is a moving musical that speaks to the resilience of the human spirit. The impeccable use of projections and lighting, along with a talented cast, creates a poignant theatrical experience. Despite minor pacing and memorability concerns, the musical stands as a heartfelt celebration of perseverance and a glowing portrayal of adapting to life's challenges. The little faults don't take away from the big things that make this show as glowing and special as it is and I wholeheartedly recommend it to anyone seeking a meaningful and uplifting night at the theatre, just make sure you take some tissues with you!

Reviewed on Thursday 14th September by Olivia Mitchell
Photo Credit: Pamela Raith
 
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Friday 25 August 2023

Love Never Dies in Concert at the Theatre Royal Drury Lane Review: Musicality Reigns Supreme


Love Never Dies in Concert
Theatre Royal Drury Lane
★★★★

Once again, the LMTO and Fourth Wall Live have joined forces to bring a musical to life in concert form with a stellar cast and stunning music. This time, it’s the much discussed and dissected Love Never Dies, which hasn’t been staged in the West End since 2011. For two days the Theatre Royal Drury Lane played host to the latest iteration of the show which mesmerisingly took audiences back to the world of the Phantom and Christine. With the spotlight on a talented cast, and powerful orchestrations, this concert rendition really let the music shine and provided a memorable theatrical experience for those in attendance.

With such a brilliant cast, it’s no surprise that the performances were broadly nothing short of exceptional, capturing the essence of the characters and their emotions. Celinde Schoenmaker stepped back into the role of the beloved songbird, Christine Daae and did so in an utterly magical way, with her soaring soprano perfectly bringing the score to life and dazzling throughout her time on stage. Alongside her, Broadway veteran Norm Lewis put mask back on (in this case a swanky gold number) and became the musical Phantom of the Opera once again. His gorgeous baritone vocals provided some spectacular moments, especially in the rousing Till I Hear You Sing and it’s always a treat to see him on a West End stage. It did however seem that the rock number The Beauty Underneath was not performed live, which is a bit disappointing in a show of this calibre, and it would be interesting to know what prompted this decision from the creative team. This isn’t a criticism of anyone in particular, but perhaps opens a wider conversation about how these concert versions are rehearsed and put together. Of course it’s a massive task to create such strong shows in a short amount of time and given their minimal runtime it’s understandable that the turnaround has to be fairly quick, but it would be curious to know if it’s possible to create a rehearsal process that works for everyone involved and doesn’t leave the audience feeling shortchanged.

Aside from this, the music was incredibly strong, with a number of stand out moments that brought to life the deeply evocative and emotive feelings which course through this show. As Meg Giry, Courtney Stapleton brought a lovely buoyancy and freshness which showed the character in a new and engaging light, whilst Matthew Season-Young provided some strong vocal moments as Raoul. The supporting cast, including the London Musical Theatre Chorus deserve commendation for their remarkable vocals which truly soared in the Theatre Royal Drury Lane.

Staging wise, this was one of the less full-out concerts compared to others but it still did an excellent job of evoking the world of Phantasma and showcasing some of the whimsy of Coney Island. Rebecca Brower’s costumes were very in keeping with the gothic vibes and cleverly mirrored some of those from the original Phantom production, overall creating a dynamic atmosphere which cleverly set the place and time, without overshadowing the music.

The LMTO orchestra, under the baton of Freddie Tapner, masterfully captured the intricate emotions of the music, underscoring the characters' journeys with every note. The majestic melodies and haunting refrains were a testament to the timeless quality of Lloyd Webber's composition and it was such a treat to hear the score performed by such a large group of highly talented musicians.

While Love Never Dies has faced criticism for its narrative depth, the concert format seemed to address some of these concerns. The live performance allowed the characters to shine and their relationships to be explored with greater nuance. A lot of the plot is quite frankly ludicrous and the characters have taken complete 180s from their initial iterations but this concert format seemed to be a perfect vehicle for highlighting the strengths of the piece while minimising its perceived weaknesses.

Overall Love Never Dies in Concert, was a captivating and emotionally resonant experience. The talented cast and impeccable orchestral accompaniment combined to create a theatrical event that honoured the legacy of its predecessor while standing as a powerful production in its own right. Many of the original book issues still stand but from the audience reaction, it’s clear that this is still a show which many hold close to their hearts.

Reviewed on Tuesday 21st August 2023 by Olivia Mitchell

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Tuesday 22 August 2023

Death Note the Musical in Concert at the London Palladium Review: An Ambitious and Engaging Evening

a testament to the creative team's dedication to translating the essence of Death Note to the stage"

Death Note the Musical (Concert) 
London Palladium
★★★★ 

In its first ever English language performance Death Note the Musical in Concert provides an engaging experience, that beautifully combines a concert style show with the allure of a full-fledged production, including captivating staging, meticulously designed costumes, and expertly executed choreography. Drawing inspiration from the iconic Death Note franchise, which originated as a manga series written by Tsugumi Ohba and illustrated by Takeshi Obata, this musical adaptation pays homage to the rich history and context of the source material.

The exceptional cast, which include remarkable talents such as Frances Mayli McCann as Misa Amane, Dean John Wilson as L, Aimie Atkinson as Rem and Adam Pascal as Ryuk, deliver performances that breathe life into the characters. Their portrayal of the characters showcasing both their impressive vocal prowess and their deep understanding of the emotional complexities within the story which questions morality, justice and power.

While the storyline can be a bit challenging to follow, particularly for those not acquainted with the original Manga, the production's sleek execution manages to pack in a lot without feeling overwhelming. The adaptation skilfully navigates the intricate plot points, a testament to the creative team's dedication to translating the essence of Death Note to the stage.

The translation of various elements from the manga to the stage is nothing short of impressive in this truly ambitious concert debut. The show's director, Nick Winston, and the rest of the creative team, including choreographer Alexzandra Sarmiento and costume designer Will Skeet, deserve commendation for their remarkable work in seamlessly integrating these elements into the live performance. The audience's palpable elation is a testament to the success of this collaborative creative endeavour.

The pre and post-show buzz, along with the audience's enthusiastic reactions, clearly indicate that Death Note the Musical has found its niche. Wonderfully, it manages to attract those who might not typically be drawn to musicals, thanks to its connection to the established Death Note franchise and the efforts of the cast and creatives. This broad appeal speaks volumes about the production's ability to engage and captivate diverse audiences.

Admittedly, the sound balance did exhibit some issues on opening night, which can be expected with such an ambitious score. While it occasionally detracted from the overall experience, it's understandable for a complex production. Once the sound balance is finely tuned, there's no doubt that this show will achieve the impactful resonance it aims for.

Death Note the Musical in Concert at the London Palladium showcases the successful fusion of storytelling, outstanding performances, and production design. By highlighting the talents of the cast, and thanks to the creative vision, the musical celebrates the legacy of the Death Note franchise while crafting a unique and captivating theatrical experience. The show's potential to become an unforgettable sensation is evident, and with further refinements, it's poised to leave a lasting mark on the world of musical theatre and is a must see for fans of the source manga.

Reviewed on Monday 21st August 2023 by Olivia Mitchell
Photo Credit: Mark Senior

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Friday 28 July 2023

The Choir of Man at the Arts Theatre Review: A Musical Celebration of Humanity

a true testament to the power of music and its ability to bring people together"

The Choir of Man
Arts Theatre 
★★★★

I recently had the pleasure of making a return visit to see The Choir of Man at the Arts theatre, a show which celebrates humanity, pubs and music in a truly joyous way. 

Although the onstage beer wasn't working at this particular performance, the setup of the Arts for this show is so well done. The audience are truly made to feel like they've entered a community hub and the pre-show interactions perfectly pave the way for the impressive show that's to follow. 

The show's concept is simple, it portrays a group of men coming together in a pub setting, sharing their stories and bonding through music. The songs are a bit random and there's not much of a through line but the seamless blend of humour, heartfelt moments, and raw emotions make this a truly memorable show, perfect for a lighthearted, fun night out.

This really is a show about friendship and the cast's camaraderie is evident throughout, with little interactions throughout coming across as truly genuine. There's also a really special connection created with the audience. The interactions with spectators, make you feel like you're part of the lively gathering, further enhancing the immersive experience.

The set and lighting design (Richard Dinnen) perfectly complement the show's no frills ambiance, transporting us to the cozy pub atmosphere where the magic unfolds. It's simple yet effective, allowing the spotlight to remain on the performers and their exceptional talents. The whole show is a vocal treat, with handfuls of glorious harmonies as well as some great dance and movement moments.

The Choir of Man is a true testament to the power of music and its ability to bring people together. It not only showcases the incredible vocal abilities of the cast but also celebrates the sense of community and brotherhood, leaving the audience with a heartwarming feeling. It's not the most cohesive or polished show, and it probably won't change your life but the overall joyous experience is exactly what we all need right now. 

This show is the perfect embodiment of live theatre. It's a really unique show that has rightfully carved out a space in the West End and deserves to be seen and celebrated. If you love music and want an hour and a half of feel-good-fun then this is the show for you!

Reviewed on Wednesday 26th July 2023 by Olivia Mitchell
Photo Credit: The Other Richard

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Tuesday 25 July 2023

Ride at the Southwark Playhouse Elephant Review: A Triumph of Story Telling

While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart"

Ride
Southwark Playhouse Elephant
★★★★

Embarking on a wondrous return, the dynamic musical Ride, crafted by Freya Catrin Smith and Jack Williams, is back to captivate audiences with an enchanting odyssey like no other. Having previously seen this show as part of the Vault Festival in 2020, it's amazing to see how it has developed and become even more of a theatrical gem.

This thrilling new production delves into the extraordinary escapades of Annie Londonderry, an indomitable spirit who shattered barriers in 1895 by becoming the first woman to cycle around the globe. Fearlessly challenging societal norms and religious expectations, Annie spins a captivating tale that dances on the edge of truth and fiction, skillfully molding narratives to serve her greater cause. She fearlessly embraces her convictions, even if it means bending the boundaries of morality. Wrapped around Annie's finger from the moment the metaphorical curtain is raised, we are spellbound by her storytelling prowess.

This British masterpiece takes us on an emotional rollercoaster ride, filled with hearty laughter and unflinchingly honest revelations about life and society, leaving a profound impact. With every twist and turn, the characters' raw emotions and vulnerabilities are beautifully portrayed, drawing us into their world and ensnaring our hearts until the closing moments.

The brilliance of Ride shines through the remarkable performances of its two-person cast: Liv Andrusier as Annie and Katy Ellis as Martha. Their chemistry is palpable, and they breathe life into their characters with heartfelt authenticity. Liv's portrayal of Annie is a multi-dimensional masterpiece, blending determination and defiance as she navigates a male-dominated world, striving to be heard. Her captivating Bostonian drawl lures us in, and her vocal prowess keeps us enchanted as she flawlessly delivers the demanding score, showcasing a masterclass in acting through song.

Under the direction of Sarah Meadows, Liv's performance radiates authenticity, leaving no doubt that this role was destined for her. Her portrayal of Annie exudes old Hollywood star quality, and her stage presence is truly remarkable.

Katy Ellis skilfully takes on the role of Martha. With comic flair and charming wit, Ellis brings Martha's thoughts to life, infusing the character with delightful nuance. While Annie weaves the narrative, Martha's hesitance and humorous antics provide the perfect balance, eliciting laughter from the audience. Throughout the show, Katy astounds as she embodies various characters in Annie's story, infusing each with unique purpose and unveiling layers of compassion, empathy, and a hint of romance.

Both Liv and Katy breathe a profound humanity into these characters, capturing the hearts of the audience. Their nuanced performances are a testament to their immense talent and dedication, leaving us in awe of their emotional range.

The minimalist yet ingenious set design by Amy Jane Cook effortlessly transports us to multiple locations, aided by clever use of props and set pieces that set our imaginations free. Matt Powell's projections expand the space, while Andrew Johnson's sound design adds an extra layer of brilliance, spotlighting the subtlest of sounds.

At the heart and soul of Ride lies its soul-stirring music. The mesmerising melodies and emotionally charged lyrics take us on an unforgettable journey, resonating deeply within us. While some musical moments may seem repetitive, they ultimately deliver an emotional and vocal punch, showcasing the brilliance of new British compositions.

Ride is an absolute triumph of storytelling, talent, and artistic vision. This emotionally charged musical takes us on a profound journey of self-reflection and connection. While it may not boast the grandeur of a West End spectacle, its simplicity and sincerity are what set it apart. Ride showcases the very essence of what theatre can offer, leaving us yearning to relive this magical journey again and again.

Reviewed on Monday 24th July by Olivia Mitchell
Photo Credit: Danny Kaan

{AD PR Invite- tickets gifted in exchange for honest review}

Monday 17 July 2023

A Strange Loop at the Barbican review: An Unflinchingly Honest Journey of Self-Discovery

a deeply relevant and relatable experience for audiences of all backgrounds."

A Strange Loop
Barbican Centre
★★★★

A Strange Loop at Barbican is an absolutely remarkable production that pushes the boundaries of theatre and delves deep into the complexities of identity, self-worth, and the human experience. From the moment the curtains opened, I was captivated by the raw and unapologetic exploration of the protagonist, Usher’s psyche.

This is a show which is really reliant on a united and strong cast and thankfully the performances throughout are super strong. The entire cast deliver powerful, emotionally charged portrayals. Due to the nature of the show, it may not directly resonate with the audience but the cast do an astounding job of making you feel for Usher’s story and really connect on a profound level. Each actor skilfully brings their character to life, blending humour, vulnerability, and intense introspection in perfect harmony. The energy on stage is infectious, and you really find yourself absorbed in the story.

The writing by Michael R. Jackson is truly effective. With a script that flawlessly combines witty dialogue, thought-provoking monologues, and catchy musical numbers to create a narrative which effectively mirrors the issues broached throughout. A Strange Loop tackles themes of race, sexuality, self-doubt, and societal expectations with unflinching honesty, making it a deeply relevant and relatable experience for audiences of all backgrounds.

The staging and set design (Arnulfo Maldonado) are brilliantly executed, utilising minimalistic elements to create a visually striking and versatile backdrop for the story. There are times when the stage feels underused but toward the end of the musical, it’s really stretched to its limits and is so impactful. The imaginative use of lighting (Jen Schriever) adds another layer of depth to the production, enhancing the emotional impact of each scene.

Furthermore, the direction by Stephen Brackett brings out the best in the cast and the material. The pacing ensures that every moment lands with the intended impact, at times causing a collective gasp from the audience. Brackett's vision seamlessly integrates the music, choreography, and storytelling, resulting in a cohesive and thought-provoking theatrical experience.

While A Strange Loop may not resonate with everyone, it has the power to profoundly impact those who are open to engaging with challenging themes. This production serves as a powerful testament to the transformative nature of theatre, as it encourages introspection, sparks meaningful conversations, and fosters empathy among its viewers.

If I were to have any reservation in giving it a perfect five-star rating, it would be that the complexity of the narrative and the rapid pace of the production might make it slightly difficult for some audience members to fully grasp the subtleties of the story. However, I firmly believe that this should not dissuade anyone from experiencing this groundbreaking piece of theatre during its limited run.

A Strange Loop at Barbican is an audacious and unforgettable production that dares to push the boundaries of what theatre can achieve. In just an hour and forty minutes, it fearlessly challenges societal norms, delves deep into internal struggles, and ultimately celebrates the triumphant journey of self-discovery. Prepare to be moved, thoroughly entertained, and enlightened as you embark on this hypnotic exploration of the human psyche.

Reviewed on Thursday 13th July 2023 by Olivia Mitchell
Photo Credit: Marc Brenner

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Friday 7 July 2023

New Cast Announced for The Phantom of the Opera at His Majesty's Theatre


Cameron Mackintosh is pleased to announce new cast members for Andrew Lloyd Webber's The Phantom of the Opera at His Majesty's Theatre from July 31, 2023. The show is currently scheduled until March 2, 2024.

Lily Kerhoas joins as Christine Daaé, Joe Griffiths-Brown as Raoul, David Kristopher-Brown as Ubaldo Piangi, and Maiya Hikasa as Meg Giry. Jon Robyns continues in the role of The Phantom, along with Kelly Glyptis as Carlotta Giudicelli, Adam Linstead as Monsieur AndréMatt Harrop as Monsieur Firmin and Francesca Ellis as Madame Giry.  At certain performances the role of Christine Daaé will be played by Paige Blankson.

 

The cast is completed by Hollie Aires, Federica Basile, Corina Clark, Michael Colbourne, Leonard Cook, Colleen Rose Curran, Lily De-La-Haye, Hywel Dowsell, Connor Ewing, Serina Faull, Florence Fowler, James Gant, Melanie Gowie, Eilish Harmon-Beglan, Yukina Hasebe, Samuel Haughton, Thomas Holdsworth, Jacob Hughes, Grace Hume, Tim Morgan, Eve Shanu-Wilson, Tim Southgate, Zoë Soleil Vallée, Jasmine Wallis, Victoria Ward, Ralph Watts, Simon Whitaker, and Andrew York.


Lily Kerhoas previously appeared in Les Misérables and trained at the Royal Academy of Music. Joe Griffiths-Brown was part of the West End company of Hamilton, while David Kristopher-Brown has past experience in The Phantom of the Opera and other productions. Maiya Hikasa's credits include Billy Elliot and the international Tour of Cats.

The Phantom of the Opera is produced by Cameron Mackintosh and The Really Useful Group Ltd. The music is by Andrew Lloyd Webber, with lyrics by Charles Hart and additional lyrics by Richard Stilgoe. The production is based on Gaston Leroux's novel 'Le Fantôme de l'Opera'. The show has been a global sensation, playing to millions of people worldwide.

The London production underwent a creative overhaul after the COVID-related shutdown and has received rave reviews. The legendary musical, celebrating its 37th birthday in October 2023, will continue its successful run at His Majesty's Theatre.

Beyond London, The Phantom of the Opera continues to captivate audiences globally, with productions in Japan, Korea, and on a world tour. Cameron Mackintosh's new production recently concluded a record-breaking run in Australia and will open in Vienna in March 2024. Other exciting productions are also underway in Greece, Italy, and Spain.

Matthew Kelly and Denise Welch to star in world premiere of The Gap at Hope Mill Theatre


Hope Mill Theatre is thrilled to announce the world premiere of a captivating new play, titled The Gap, written by Jim Cartwright and featuring the talented duo of Matthew Kelly and Denise Welch. Directed by Anthony Banks, this highly anticipated production will grace the stage of Hope Mill Theatre from February 9th to March 9th, 2024, for a limited engagement. Mark your calendars as tickets go on sale starting July 8th.

The Gap delves into the audacious adventures of Walter and Corral, two individuals who haven't crossed paths in half a century. Once inseparable during the vibrant '60s in Soho, Walter finds himself up north while Corral remains down south. However, a chance phone call reunites them for one magical night, and before they know it, they're immersed in their old tricks once more.

Matthew Kelly, renowned for his exceptional performances on both stage and screen, graces us with his presence in this production. With an illustrious career that includes memorable roles such as the original Stanley in Funny Peculiar, Waiting For Godot alongside Ian McKellen and Roger Rees, and a captivating portrayal of Lennie in Of Mice and Men, for which he earned an Olivier Award for Best Actor, Matthew Kelly's talent shines brightly. His recent theatre credits include Noises Off, The Habit Of Art, and The Dresser, among others, showcasing his remarkable versatility. Not only a master of the stage, Matthew has also made his mark on the screen, with notable appearances in various TV shows and presenting credits on beloved programs such as You Bet! and Stars in their Eyes.

Joining Kelly is the esteemed actress Denise Welch, whose upcoming engagement in Diana: The Musical at The Eventim Apollo has already garnered significant attention. Denise's theatrical repertoire boasts impressive performances in productions like Calendar Girls the Musical, The Rise and Fall of Little Voice, and Steel Magnolias, to name a few. Her television career includes series regular roles in shows like Coronation Street, Waterloo Road, and Hollyoaks, solidifying her presence in the industry. As a regular panellist on ITV's Loose Women since 2001, Denise continues to captivate audiences with her engaging presence and insightful commentary.

Playwright Jim Cartwright and director Anthony Banks express their excitement about collaborating once again after their successful ventures with Mobile Phone Show in 2013 and Raz in 2016. They eagerly anticipate witnessing the extraordinary lives of Walter and Corral come to life through the exceptional talents of Denise Welch and Matthew Kelly, spanning five decades of change.

Matthew Kelly, filled with anticipation and enthusiasm, exclaims, "Dear Manchester, I'm coming home, and what better reason to return than with actress Denise Welch and playwright Jim Cartwright. We will star in the world premiere of Jim's remarkable new play, THE GAP, at Manchester's prestigious venue, Hope Mill Theatre. This funny, moving, and exquisitely crafted play will showcase the superb talents of Denise Welch, and I will be right by her side, shining throughout. Directed by Anthony Banks, this top-tier team embarks on an exceptional project at an extraordinary venue. I couldn't be more thrilled and excited. I invite you all to join us and be a part of this unforgettable experience. Sincerely, Matthew Kelly off the Telly."

Denise Welch expresses her elation, stating, "I am incredibly excited to return to my first love, theatre, and collaborate with the fantastic team at Hope Mill Theatre next year. Working opposite Matthew Kelly in a new play by Jim Cartwright is truly a dream come true. I hope each and every one of you will come and witness what promises to be an outstanding production."

The Gap is produced by Hope Mill Theatre

photo credit:

Police Cops: The Musical to transfer to The Large at Southwark Playhouse Borough


After their successful performances at the Edinburgh Fringe Festival in August, Police Cops: The Musical, will be moving to The Large theatre at Southwark Playhouse Borough for a limited run. The show will be running from September 8, 2023, to October 14, 2023.

After achieving five years of sold-out shows at the Edinburgh Fringe, the internationally acclaimed comedy troupe Police Cops returns with an updated version of their very first musical. With an exciting new score composed by the Brit Award-winning Ben Adams (known for his work on "Eugenius! The Musical"), the Police Cops are bringing their high-energy, action-packed physical comedy to the stage in their most ambitious production yet.

The creators of the show, Zachary Hunt, Nathan Parkinson, and Tom Roe, are joined by Melinda Orengo and Natassia Bustamante. The cast is completed by Mychele Lebrun and Ben Lancaster.

Follow rookie Police Cop Jimmy Johnson as he enters the force with the intention to protect and serve. However, Jimmy finds himself in deep trouble, paired up with a rebellious Police Cop and under the pressure of a racist Chief. With guns at the ready and safety catches off, Jimmy embarks on a thrilling adventure from the tough streets of America to Mexico, where his destiny awaits in the form of the seasoned ex-Police Cop, Juanita Gonzalez.

The creative team behind the production includes Rich Morris (Musical Supervision, Arrangements, and Orchestrations), Andrew Exeter (Set & Lighting), Charlie Smith (Sound), and Pearson Casting (Casting Director).

Welcome to the U.S.Eighties.

Thursday 6 July 2023

Jersey Boys the Musical Extends Season at the Trafalgar Theatre


The Grammy, Tony, and Olivier award-winning musical Jersey Boys celebrates its 18th birthday after its Broadway debut in 2005. This captivating show takes you behind the music and delves into the story of Frankie Valli and The Four Seasons. The production is currently booking until January 28, 2024, with Christmas performances now available.

To mark the birthday celebrations, the London production is thrilled to announce its new cast starting from July 26 at the Trafalgar Theatre. Luke Suri continues as Frankie Valli, joined by Karl James Wilson as Nick Massi. Peter Nash takes on the role of Tommy De Vito, and Declan Egan plays Bob Gaudio, having previously portrayed the character at the Piccadilly Theatre and on the UK tour. Together, they complete the Four Seasons.

Additionally, a talented ensemble joins the cast, including Joey Cornish as Joe Pesci, Joseph Peters as Bob Crewe, Andy Barke as Gyp De Carlo, Kirsty Whelan as Mary Delgado, Oliver Tester as Norm Waxman/Hank Majewski, Jacob McIntosh as Barry Belson, Gracie Lai as Lorraine, Rosie Needham as Francine, and others.

This musical has received praise for its combination of tough guys, tender harmonies, a captivating story, and an endless repertoire of hit songs, as noted by The Guardian. The journey follows four guys from New Jersey who captivated audiences with their unique sound. From their humble beginnings to their induction into the Rock and Roll Hall of Fame, this musical is a captivating tale. The show features the beloved songs of The Four Seasons, including "Beggin'," "Sherry," "Walk Like A Man," "December, 1963 (Oh What a Night)," and many more.

Howard Panter, producer for Trafalgar Entertainment Productions, expresses excitement about reaching the milestone of 18 years for Jersey Boys. He looks forward to witnessing the incredible new cast deliver the legendary hits that have made the musical a smash hit.

Written by Marshall Brickman and Rick Elice, with music by Bob Gaudio and lyrics by Bob Crewe, Jersey Boys has garnered numerous prestigious awards and has been seen by millions of people worldwide. The show opened to rave reviews at the newly refurbished Trafalgar Theatre in July 2021.

Originally opening on Broadway in November 2005 and running for over 11 years, Jersey Boys became the 12th longest-running show in Broadway history. In London's West End, it ran for nine amazing years from 2008 to 2017, ranking as the sixth longest-running musical at the time. The musical has also completed three record-breaking tours in the UK and Ireland.

As a special offer in July, patrons can use the promo code 4JULY for any performance and enjoy a complimentary drink, such as a Frankie cocktail or Brooklyn Lager, with their Band A seat.

photo credit: Matt Crockett

Cast Announced for Pretty Woman the UK & Ireland Tour


The popular West End production, Pretty Woman: The Musical, is going on a UK and Ireland tour! The tour will kick off at the Birmingham Alexandra Theatre on October 17, 2023.

The cast includes: Amber Davies as Vivian Ward, Ore Oduba as Happy Man/Mr. Thompson, Oliver Savile as Edward Lewis, and Natalie Paris as Kit De Luca. They will be joined by Becky Anderson, Rebekah Bryant, Josh Damer-Jennings, Ben Darcy, Andrew Davison, Lila Falce-Bass, Noah Harrison, Sydnie Hocknell, Elly Jay, Rachael Kendall Brown, Michael Kholwadia, Joshua Lear, Stuart Maciver, Victoria Rachael McCabe, Eleanor Morrison-Halliday, LJ Neilson, Annell Odartey, Curtis Patrick and Chomba Taulo.

Amber Davies, currently seen as Lorraine Baines in Back to the Future: The Musical, has also performed in 9 to 5 the Musical and Bring It On. Ore Oduba, known for his role as Brad Majors in The Rocky Horror Show, has also appeared in Curtains and Grease. Oliver Savile's credits include Fiyero in Wicked, Whizzer in Falsettos, and performances in The Phantom of the Opera, Les Misérables, Cats, and Joseph and the Amazing Technicolor Dreamcoat. Natalie Paris, nominated for an Olivier Award for her role in SIX, has also been part of Sunday in the Park with George, Billy Elliot, and Les Misérables.

Pretty Woman: The Musical is a spectacular romantic comedy set in Hollywood in the late '80s. The story follows Vivian and Edward's unforgettable love story, brought to life on stage in a dazzling and theatrical way. Prepare to be swept away by this sensational show that will warm your heart and lift your spirits.

The musical features original music and lyrics by Bryan Adams and Jim Vallance, a book by Garry Marshall and J.F. Lawton, and is directed and choreographed by Jerry Mitchell, a two-time Tony Award winner.

The production includes the iconic song "Oh, Pretty Woman" by Roy Orbison and Bill Dee, which served as inspiration for the beloved romantic comedy film of the same name released in 1990.

photo credit: Dan Kennedy

Initial Cast Announced for Elf the Musical at the Dominion Theatre this Winter


Celebrating its 20th anniversary since the original release of the motion picture featuring the talented Will Ferrell, the worldwide sensation and holiday classic, Elf, is set to grace London's Dominion Theatre once again. Following its overwhelming success last year, the smash-hit musical adaptation returns for a second consecutive year, delighting audiences from 15 November 2023 until 6 January 2024.

Returning to reprise their memorable roles are the talented Georgina Castle, known for her performances in Dirty Dancing and Mamma Mia, as Jovie, and Rebecca Lock, renowned for her roles in The Phantom of the Opera and Avenue Q, as Emily Hobbs. Nicholas Pound, recognised for his appearances in Cats and The Rocky Horror Show, brings Santa to life once again, while the multi-talented Kim Ismay, known for her roles in Wicked and Saturday Night Fever, takes on the character of Debs. Dermot Canavan, celebrated for his performances in Hairspray and Oklahoma!, embodies the Store Manager. Stay tuned for further casting announcements, including new actors who will portray the roles of Buddy and Walter Hobbs.

Based on the beloved 2003 New Line Cinema hit, Elf features a captivating book by Tony Award-winners Thomas Meehan (Annie, The Producers, Hairspray) and Bob Martin (The Drowsy Chaperone), accompanied by enchanting songs composed by Tony Award nominees Matthew Sklar and Chad Beguelin (The Wedding Singer).

This production will once again be brought to life under the expert direction of Philip Wm. McKinley, with choreography by Liam Steel. The original set and costume designs by Tim Goodchild, along with lighting design by Patrick Woodroffe, immersive sound by Gareth Owen, and video design by Ian William Galloway, will transport the audience into Buddy's world. The casting process will be overseen by Grindrod Burton Casting.

Elf tells the heartwarming and humorous tale of Buddy, a baby who accidentally finds himself in Santa's gift bag and is whisked away to the North Pole. Raised as an elf, Buddy remains unaware of his human origins, but his size and toy-making struggles eventually lead him to discover the truth—he's not an elf and will never truly fit in at the North Pole. With Santa's blessing, Buddy embarks on an extraordinary journey to New York, in search of his birth father, to uncover his true identity, and to remind the city of the genuine spirit of Christmas.

photo credit: Mark Senior

Friday 23 June 2023

Charlie and the Chocolate Factory tour at the New Wimbledon Theatre: A Mixed Bag

often manages to capture the essence of Roald Dahl's beloved tale"


Charlie and the Chocolate Factory (Tour)
New Wimbledon Theatre 
★★★

Stepping into the captivating world of Charlie and the Chocolate Factory the Musical is a mixed bag of sweet and sour. It's a journey that tugs at your heartstrings while also leaving you with a hint of disappointment. The main strength lies in the cast, who work with what they've got and bring the cherished characters to life in fun and engaging ways; pouring their hearts into their roles, infecting the audience with their contagious energy. The talented Amelia Minto perfectly captures the innocence and warmth of Charlie, while Gareth Snook puts a somewhat sinister twist on the iconic. Kazmin Borrer is a real stand out as the spoilt Veruca Salt and Lucy Hutchison is a delight and the chocolate reporter, Cherry. Each member of the ensemble adds their own unique touch, ensuring an engaging and lively performance.

On the flip side, the set design and overall aesthetic of the musical fail to evoke the whimsical enchantment one would expect from a journey through a fantastical chocolate factory. The visuals lack the intricate detail and grandeur that should transport the audience into a world of awe and discovery. This absence becomes painfully evident during crucial moments where the magic should be tangible but falls disappointingly flat.

The music, too, lacks a lasting impact. Instead of weaving a captivating narrative or stirring deep emotions, the songs feel predictable and straightforward, almost like a literal translation of the story. While they serve their purpose in advancing the plot, they lack the memorable melodies and poetic finesse that would elevate the musical into an unforgettable experience. It's a missed opportunity to heighten the emotional connection between the audience and the characters on stage.

Despite these shortcomings, Charlie and the Chocolate Factory often manages to capture the essence of Roald Dahl's beloved tale. The unwavering commitment and strong performances of the cast keep the audience engaged, and the heartwarming story of young Charlie Bucket, guarantees an enjoyable evening for fans of the original story.

For those who hold the world of Charlie and the Chocolate Factory dear and eagerly anticipate seeing talented actors bring the beloved characters to life, this musical on tour will provide a delightful night out. Just be prepared for a slightly diminished sense of magic and musical moments that, while adequate, may not linger in your memory long after the final curtain call.

Reviewed on Thursday 22nd June 2023
photo credit: Johan Persson

{AD PR Invite- tickets gifted in exchange for honest review}

Thursday 22 June 2023

Groundhog Day at the Old Vic review: A Theatrical Gem That Transcends Time

the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.


Groundhog Day
Old Vic
★★★★ 

Groundhog Day at the Old Vic Theatre is a delightful production that offers a hilarious and enchanting journey, filled with a talented ensemble, sleek quick changes and witty songs in the classic Tim Minchin style. This extraordinary production, breathes fresh life into the beloved story, delivering an experience that warms both the heart and the funny bone.

From the moment the curtains rise, we are transported to the enchanting world of Punxsutawney, Pennsylvania. The set design by Rob Howell, a skilful blend of simplicity and innovation, effortlessly captures the essence of small-town charm. Each scene change is flawlessly executed, seamlessly guiding the audience through the repetitive yet captivating cycle of Bill Murray's iconic character, Phil Connors, as he relives the same day over and over again.

The cast is a formidable force, with the incredibly talented Andy Karl at the helm, delivering a remarkable portrayal of Phil Connors. With impeccable comedic timing and a nuanced understanding of the character's emotional journey, Karl brings authenticity to every scene. His charisma and stage presence make it impossible to look away, keeping the audience fully engaged and invested in Phil's transformation, plus he delivers some killer vocals.

Alongside, each cast member delivers outstanding performances that enhance the overall narrative. From the endearing yet determined Rita, played by Tanisha Spring, to the versatile ensemble effortlessly transitioning between various characters, their energy and dedication create an immersive experience, making us feel like part of the Punxsutawney community. Amongst the solid cast, stand out's include 
Eve Norris who shines in her role as Nancy, bringing depth and charm to the stage and Billy Nevers who uses every solo line to his complete advantage to deliver some scene stealing moments.

The direction by Matthew Warchus, skilfully navigates the delicate balance between comedy and introspection. Demonstrating a deep understanding of the source material, whilst infusing it with fresh perspectives and surprising moments that keep the audience on the edge of their seats. Warchus expertly guides the pacing, ensuring that the repetition never becomes tiresome, but rather serves as a tool for self-discovery and personal growth.

The musical numbers, composed by Tim Minchin, are a delightful addition to the production. The songs are catchy, with lyrics that cleverly reflect the themes of self-reflection and seizing the day. The choreography (Lizzi Gee), executed with precision and flair, adds an extra layer of excitement and dynamism to the overall performance.

Groundhog Day at the Old Vic is a testament to the transformative power of live theatre. It serves as a reminder of the beauty found in life's simplest moments and the significance of embracing change. This production effortlessly balances humour and heart, leaving the audience with a renewed sense of joy and hope.

If you're seeking a theatrical experience that transcends time and leaves you with a warm, fuzzy feeling, Groundhog Day is an absolute must-see. This exceptional production will undoubtedly captivate audiences of all ages, reminding us that every day is an opportunity for growth, love, and second chances.

Reviewed on Wednesday 21st June 2023
photo credit: Manuel Harlan

{AD PR Invite- tickets gifted in exchange for honest review}

Wednesday 7 June 2023

Frankie and Beausy at Crazy Coqs review: A Spectacular Musical Showcase


Frankie and Beausy
Crazy Coqs
★★★★

Last night the Crazy Coqs played home to Frankie and Beausy, a high-end, West End musical extravaganza that left me thoroughly impressed. The talented duo, comprised of the fantastic Frances Ruffelle and the dashing Norman Bowman, created and performed a show with some magical moments. Under the skilful direction of Paul Baker, they took us on a captivating journey that began 26 years ago on a train station platform in Scotland.

The stage came alive as Beausy donned a Scottish tartan kilt and sporran, while Frankie exuded charm in her tartan bodice and platform shoes. Their outfits added a touch of punkish cheeky glamour to the already punchy and fun atmosphere of the show. With musical arrangements by David Barber, they delivered a medley of musical favourites, seamlessly transitioning from Brigadoon to Broadway, and from the Highlands to Hollywood. Their harmonies were beautifully blended, and they even treated us to a stunning rendition of Luther Vandross's 'A House is Not a Home'.

The grand finale was nothing short of spectacular, as they belted out The Proclaimers' iconic hit, 'I'm Gonna Be (500) Miles'. The backing trio, led by the talented Ryan McKenzie, also had their moment to shine with individual solos that had the entire audience clapping, tapping, and singing along. It was an electrifying experience that left everyone on a high.

I must say, I was blown away by the quality of this cabaret show. It was a must-see performance that exceeded my expectations. If you're lucky enough to secure a ticket, don't miss out on this gem. Otherwise, mark your calendars for their upcoming shows at 54 Below in New York this November. Frankie and Beausy are a true musical powerhouses, and their concert will provide an absolute delight for any theatre enthusiast.

Reviewed on Tuesday 6th June by Justin Woodgate
photo credit: Debbi Clark

{AD PR Invite- tickets gifted in exchange for honest review}

Tuesday 6 June 2023

Greatest Days at the New Victoria Theatre review: A fun watch for Take That fans


Greatest Days (Tour)
New Victoria Theatre 
★★★

The Official Take That Musical: Greatest Days (formerly The Band) written by Tim Firth with music by Take That, offers a heartwarming story that will resonate with those who have been part of a fandom and experienced the highs and lows of a friendship with so much history. The plot's utilisation of a double timeline is effective, and the show is likely a trip down memory lane for some but overall it falls short of delivering a fully impactful emotional punch.

Made up of Kalifa BurtonJamie CornerArchie DurrantRegan Gascoigne and Alexanda O'Reilly, The Band's presence in the musical, acting as a Greek chorus supporting the girls, is a clever concept. They contribute to the story through well-placed songs, although there are instances where songs do feel a bit forced. While the band's performances are good, they don't exude world domination star quality, and although each band member has their shining second, they lack standout, memorable moments considering their significant role in the show.

Greatest Days has the potential to be a great show, but it falls slightly short of achieving that status. It taps into 90s nostalgia and Take That references, making it a must-see for fans of the era. However, the overall energy of the production could use a boost. The choreography by Aaron Renfree captures the boyband aesthetic and has its impressive moments, but there is a lack of precision and unity among the cast at times which leaves things feeling flat.

The lighting design by Rob Casey stands out as a strong element, effectively evoking the feeling of being at a concert. On the other hand, while Lucy Osborne's set design works well with the show and offers adequate levels for mirroring, it doesn't offer much to visually engage the audience beyond the surface.

The chemistry between the girls, both the younger (Emilie Cunliffee, Kitty Harris, Hannah Brown, Mari McGinlay and Mary Moore) and older versions (Kym Marsh, Rachel Marwood, Holly Ashton and Jamie-Rose Monk), is commendable. Their well-defined personalities contribute to the plot, creating a strong through line which has some heart-wrenching moments. However, there are some of jokes and lines which feel outdated and unnecessary, and detract from the overall experience.

Despite its flaws, Greatest Days manages to provide some humorous moments and an ending that will have you on your feet. It caters to its target audience who will undoubtedly appreciate the 90s nostalgia and Take That references. As a fun night out, it delivers an enjoyable experience, but it doesn't leave a lasting impression worthy of raving about.


Reviewed on Monday 5th June 2023
photo credit: Alastair Muir

{AD PR Invite- tickets gifted in exchange for honest review}