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Friday 25 February 2022

Millie O’Connell, Danielle Steers and Debbie Kurup to Play Cher in The Cher Show

“All of us invent ourselves.

Some of us just have more imagination than others.”CHER

The producers of the brand new production of The Cher Show are delighted to announce that the role of Cher will be played by Debbie Kurup, Danielle Steers and Millie O’Connell. The production features the actresses portraying Cher in three different ways throughout her iconic career, with Debbie as ‘Star’, Danielle as ‘Lady’ and Millie as ‘Babe’.  Further casting is to be announced.

 

With book by Tony and Olivier Award-winning Rick Elice (Jersey Boys, The Addams Family, Peter and the Starcatcher), direction by Arlene Phillips (Saturday Night Fever, Starlight Express, Grease), choreography by Oti Mabuse (two-time Strictly Come Dancing champion) and costume design by Gabriella Slade (Six, In The Heights, Spice World 2019 Tour), the UK & Ireland Tour will open at Leicester’s Curve on 15 April 2022 and will continue through to 1 April 2023.

 

Debbie Kurup’s theatre credits include Bonnie & Clyde (Theatre Royal, Drury Lane), Queen Tuya in The Prince of Egypt (Dominion), Blues in the Night (Kiln), Sweet Charity (Donmar Warehouse), Mrs Neilsen in Girl From The North Country (Old Vic/ Noël Coward), The Threepenny Opera (NT), Anything Goes (Sheffield Crucible/UK Tour), Nikki Marron in The Bodyguard (Adelphi - Olivier Award nomination for Best Performance in a Supporting Role in a Musical), Velma Kelly in Chicago (Cambridge/Adelphi), Sister Act (London Palladium), East (Leicester Curve), West Side Story (Prince of Wales), Tonight’s The Night (Victoria Palace), Rent (Prince of Wales/UK Tour), Fame (UK Tour), Guys And Dolls (Sheffield Crucible), Pal Joey (Chichester) and Boogie Nights (Savoy).

 

Danielle Steers’s theatre credits include The Empress in Aladdin (Theatre Royal, Plymouth),  Catherine Parr in Six The Musical (London), Zahara in the original cast of Bat out of Hell: The Musical (Manchester Opera House, London Coliseum, Ed Mirvish Theatre, Toronto, Dominion Theatre, New York City Centre), Carmen in Sweet Charity (Donmar Warehouse), Lead Shirelle in the original London cast of Beautiful - The Carole King Musical (Aldwych Theatre), swing and cover Nikki Marron in The Bodyguard (Adelphi Theatre) and cover Killer Queen in We Will Rock You (International Arena Tour). Her debut album, The Future Ain't What It Used To Be, was released in 2021.

 

Millie O’Connell’s theatre credits include Maureen in Rent (Hope Mill Theatre - WOS Award Nomination), Jeanie in Hair (Turbine Theatre), Chloe Valentine in Be More Chill (Shaftesbury Theatre and The Other Palace), Anne Boleyn in SIX: The Musical (UK Tour and Arts Theatre, London - Olivier Award nominated), Ensemble/cover Millie in Thoroughly Modern Millie (UK Tour), Ensemble/Understudy Annie in 42nd Street (Theatre Royal, Drury Lane), Ensemble/Understudy Peggy Sawyer in 42nd Street (Theatre Du Chatelet).

 

From a young child with big dreams, the shy daughter of an Armenian American truck driver, to the dizzying heights of global stardom, The Cher Show tells the incredible story of Cher’s meteoric rise to fame.  Cher takes the audience by the hand and introduces them to the influential people in her life, from her mother and Sonny Bono, to fashion designer and costumier Bob Mackie.  It shows how she battled the men who underestimated her, fought the conventions and, above all, was a trailblazer for independence.  

 

The musical is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘Strong Enough’, ‘The Shoop Shoop Song’ and ‘Believe’.  

 

With over 100 million record sales, an Academy Award®, an Emmy®, a Grammy®, three Golden Globes® and an award from The Council of Fashion Designers of America, Cher has influenced popular culture more than most.  Her on-screen career started in 1971 with her weekly television show that attracted 30 million viewers a week, and went on to include starring roles in iconic films from Moonstruck, for which she won the Oscar for Best Actress, to Mamma Mia: Here We Go Again!, which prompted the New York Magazine to realise “every single movie—no matter how flawless—would be infinitely better if it included Cher.”  Her ‘Farewell Tour’ became the highest grossing music tour in history – in true Cher fashion, she followed up her ‘Farewell Tour’ with two further sell-out, worldwide arena tours.  She is the only artist in history to have a number one hit in the Billboard chart for six consecutive decades; an achievement that caused Vogue to deem her “eternally relevant and the ruler of outré reinvention”.  She became known as the Queen of Reinvention. 

 

In the 1990s, she established The Cher Charitable Foundation to support causes around the world.  She has been a long-time donor and supporter of Habitat for Humanity, The Intrepid Fallen Heroes Fund and Keep A Child Alive, an organisation that helps to combat the AIDs epidemic.  Most recently, she co-founded Free the Wild to help rescue Kaavan the Asian elephant from Islamabad zoo.

 

Written by Tony Award-winning Rick Elice, The Cher Show made its debut on Broadway in 2018 in a production that earned two Tony Awards and delighted fans from around the world.  This new production will be the European premiere.

 

The Cher Show UK & Ireland Tour will have set design by Tom Rogers, musical supervision by Rich Morris, lighting design by Ben Cracknell, sound design by Dan Samson, music production by Gary Hickeson, wigs, hair and make-up design by Sam Cox, associate direction by James Cousins, associate choreography by James Bennett and casting by Will Burton CDG.

 

The Cher Show UK & Ireland Tour is produced by ROYO with Fiery Angel, Cuffe & Taylor/LIVE NATION and Playing Field in association with Tilted, Aria Entertainment and JONES Theatrical Group.

 

Website: www.cheronstage.com

Twitter, Facebook, Instagram: @TheCherShowUK


photo credit: Matt Crockett


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Wednesday 23 February 2022

Francis Mayli McCann and Jordan Luke Gage to Star in Bonnie and Clyde the Musical


DLAP Group are thrilled to announce that Frances Mayli McCann and Jordan Luke Gage will star as the titular Bonnie and Clyde in the West End premiere of the cult-sensation Bonnie and Clyde The Musical, opening at the Arts Theatre from Saturday 9 April 2022. 


Following the extraordinary reaction to her performance as ‘Bonnie’ in Bonnie and Clyde In Concert in January 2022, Olivier-Award nominated Frances Mayli McCann reprises the role in this full production at The Arts Theatre, performing alongside West End star Jordan Luke Gage as ‘Clyde’. 

 

They join the previously announced Natalie McQueen as ‘Blanche Barrow’ and George Maguire as ‘Buck Barrow’. The full company includes Cleve September as ‘Ted’ and Ako Mitchell as ‘Preacher’, Pippa Winslow as ‘Cumie Barrow/Governor Miriam Ferguson/Eleanore’, Gracie Lai as ‘Emma Parker/Stella’, Alistair So as ‘Sheriff Schmid’, Alexander Evans as ‘Henry Barrow/Deputy Johnson’, Ross Dawes as ‘Captain Frank Hamer’, Barney Wilkinson as ‘Bud/Archie’ and swings Charlie McCullagh and Annie Guy. Casting for the roles of ‘Trish’ and Young ‘Bonnie’ and ‘Clyde’ to be announced. 

 

Frances Mayli McCann is an Olivier Award nominated actress, who originated the role of ‘Kylah’ in “Our Ladies of Perpetual Succour”. Her other West End credits include ‘Heather McNamara’ in “Heathers” at the Theatre Royal Haymarket, ‘The Mistress’ in “Evita” at Regent’s Park Open Air Theatre and ‘Eponine’ in the UK and International Tour of “Les Misérables”.

 

Jordan Luke Gage is best known for his portrayal of ‘Romeo’ in the Olivier Award winning “&Juliet” at The Shaftesbury Theatre. His other West End credits include ‘Strat’ in “Bat Out Of Hell” at The Dominion Theatre and ‘JD’ in “Heathers” at Theatre Royal Haymarket. His television credits include playing ‘Adrian Barber’ in ITV’s Cilla, and ‘Luc’ in Cucumber on Channel 4.

 

Natalie McQueen’s West End credits include playing ‘Doralee Rhodes’ in “9 to 5 The Musical” at the Savoy Theatre, “Wicked” at the Apollo Victoria Theatre and “Kinky Boots” at the Adelphi Theatre. Her other theatre credits include the UK tour of “Wonderland”, “Murder Ballad” at the Arts Theatre and “Starlight Express” at The Other Palace. 

 

George Maguire is the winner for the Olivier Award for Best Supporting Actor in a Musical for his performance as ‘Dave Davies’ in “Sunny Afternoon”. His other theatre credits include “35mm: A Musical Exhibition” at The Other Palace Studio, “Oliver!” at the London Palladium and the European tour of “Rent”. 


Cleve September is perhaps best known for his Olivier Nominated performance as ‘Philip Hamilton/John Laurens’ in the original West End cast of “Hamilton” at the Victoria Palace Theatre. His other theatre credits include “Jesus Chris Superstar” at Regent’s Park Open Air Theatre, “Annie Get Your Gun” at the Crucible Theatre, “In The Heights” at Kings Cross Theatre and “The Last Days of Troy” at The Globe Theatre. 

 

Ako Mitchell is an actor and filmmaker whose recent theatre credits include playing ‘Larry’ in “Indecent Proposal” at the Southwark Playhouse, ‘Bob Baker’ in “Wonderful Town” at Opera Holland Park, ‘Mister’ in “The Color Purple” at Curve and the Birmingham Rep and ‘The Moon/The Bus’ in “Caroline, Or Change” at the Chichester Festival Theatre and The Playhouse Theatre in London’s West End. 

 

At the height of the Great Depression, Bonnie Parker and Clyde Barrow went from two small-town nobodies in West Texas to America's most renowned folk heroes and the Texas law enforcement's worst nightmares. Fearless, shameless, and alluring, Bonnie & Clyde is the electrifying story of love, adventure and crime that captured the attention of an entire country. The show features the songs “Raise A Little Hell”, “This World Will Remember Me” and “Made In America”.

When Bonnie and Clyde meet, their mutual cravings for excitement and fame, combined with a desperate need to lift themselves out of the endless banality and poverty of West Dallas, set them on a mission to chase their dreams. Their bold and reckless behaviour turns the young lovers' thrilling adventure into a downward spiral, putting themselves and their loved ones in trouble with the law. Forced to stay on the run, the lovers resort to robbery and murder to survive. As the infamous duo's fame grows bigger, their inevitable end draws nearer.

 

Bonnie and Clyde The Musical has a book by Ivan Menchell(Blended [movie], The Cemetery Club, Death Note The Musical), a Tony Award nominated score by Frank Wildhorn (Jekyll and Hyde, The Scarlett Pimpernel), lyrics by Don Black (Tell Me On a Sunday, Sunset Boulevard, Mrs Henderson Presents). The production will be directed by Nick Winston (Director of the feature film Tomorrow Morning, MAME, The Royal Variety Performance) with Set and Costume Design by Philip Witcomb (Atlantis, Stones In His Pockets, MAME), Musical Supervision from Katy Richardson (SIX, Rent, Jersey Boys), Lighting Design by Zoe Spurr (Fantastically Great Women Who Changed The World, Hamlet at Theatre Royal Windsor), Sound Design by Tom Marshall (The Drifter’s Girl, Nativity The Musical, Curtains), Video Design by Nina Dunn (The Shark Is Broken, Lazuli Sky), Casting Director Jim Arnold CDG (Wicked, The Prince of Egypt), Musical Director Nick Barstow (The Last 5 Years, Zorro), Keys 2/ Assistant Musical Director Debbi Clarke Associate Director/Choreographer Megan Louch (The Bodyguard, Annie), Wigs Designer Darren Ware (The Rocky Horror Show, Matthew Bourne’s The Midnight Bell), Fight Director Kate Waters (The Curious Incident of the Dog in the Night-Time, Constellations), Production Manager Phil McCandlish (Curtains, Rock of Ages), Orchestra Fixer Rich Morris (American Idiot, Jesus Christ Superstar), Costumer Supervisor Jemima Penny (Machinal, Richard III), Props Supervisor Lizzie Frankl for Propworks (2:22 A Ghost Story, Pretty Woman), Company Stage Manager Paul Deavin (Rock of Ages), Drums Zach Okonkwo, Violin Clodagh Kennedy, Bass Guitar Annie Blake. 


Further crew and band to be announced.  


photo credit: Darren Bell


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Monday 4 December 2017

Velma Celli's West End Christmas, Leicester Square | Review


Velma Celli's West End Christmas (Concert) 
Christmas in Leicester Square
Reviewed on Sunday 3rd December 2017 by Olivia Mitchell 
★★★★★

Yesterday evening I hot-footed it from the Charing Cross theatre seeing Marisha Wallace's Soul Holiday concert, to the Spiegeltent in Leicester Square to see Velma Celli in concert and it was so worth the dash. 

Velma Celli is the alter ego of West End performer, Ian Stroughair who's credits include Rent, Chicago and Cats; she is a fiery, shocking diva with the voice that dreams are made of! The first song set the tone for the concert with Velma entering from the back of the venue with a swooping, full of key changes version of 'Walking in the Air'. From then on it was joke after joke and belter after belter and was honestly one of the best and most entertaining concerts I've been to.

This alternative festive takeover was full of Christmas hit after Christmas hit and would have made even the coldest person feel festive. A personal highlight (although there were many) was Velma's rendition of 'Have Yourself a Merry Little Christmas' which was heartfelt and a lovely moment.

The cabaret also featured two of the West End's finest: Liam Tamne and Rachel Tucker (who I'd already seen at Marisha's concert!) who gave some fantastic performances. Rachel and Velma's duet of 'Fairtytale of New York' was absolutely hilarious and reminded me of many drunken Christmas nights! Liam showed off his smooth voice and crystal clear riffs in 'Last Christmas' whilst Rachel gave a moving performance of Joni Mitchell's, 'River'.

Overall this was just a fantastic night; Velma Celli is a born performer with a voice and personality that instantly draws the audience in and keeps them until the very last moment. If you want a hilarious night full of incredible talent then get yourself along to any of Velma Celli's future shows and be sure to download her recently released, self titled album. 

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Monday 16 May 2016

In Conversation With... Lily Frazer | In The Heights | Interview


Back in October, I took a little trip to the Kings Cross theatre after my lecture to watch In The Heights. I didn't really know what to expect because I'd only heard a few of the songs but I was utterly blown away and have been in love with the show ever since! Check out my review here. 

I recently reached out to Lily Frazer who plays Nina in the show and she has been kind enough to do an interview with me about all things In The Heights...


For those that don't know, can you explain a little about the storyline of In The Heights and how your character Nina fits into it.

Lily Frazer as Nina and Cleve September as Sonny

In The Heights shows a few days in the life of the people who live in Washington Heights. There's a lot of poverty and financial struggle. Rent is rising due to gentrification and everyone seems to be trying to 'make it out' and make their mark on the world. The Rosarios for example own a taxi company which is failing financially. Nina Rosario the daughter has become the hope of the neighbourhood after leaving the barrio to go to Stanford university on a scholarship. However because she's been trying so hard to juggle her school work and working to pay for the rest of her tuition she has been failing her exams and after losing her  scholarship has decided to take leave of absence. She obviously feels a huge amount of guilt and anxiety on the way home and feels as if she has let the whole community and most importantly her parents down. She's come home to tell her parents the news and to also to try and get back to her roots and that's where her story begins really. 


I know you saw the show on Broadway, in what ways is the West End production similar and different to it?

I didn't actually see the show on Broadway. (AN. I was having a moment writing that question, I thought I'd heard Lily say she'd seen the show on Broadway!) I was studying at Arts Ed in London when it was on Broadway but I remember everyone in college was still just as excited about it. The soundtrack and libretto in the library were always checked out by someone. So naturally years later when it came to London I was thrilled. 

As for the West End production the staging is in traverse rather than a traditional proscenium arch so the setting is more intimate I think and with the cast dancing in the aisles as well it allows the audience to feel submerged in the setting. Our theatre is unique! The Kings Cross theatre makes the whole experience quite magical. The audience enter along actual railway tracks and through the 'subway' onto our stage. 


You played Eponine in Les Mis who is quite a contrast to Nina to say the least! Do you prefer portraying the family orientated, upbeat dance atmosphere of In The Heights or the highly dramatic, deep emotional atmosphere of Les Mis?

I wouldn't say I prefer either. I like a challenge and both roles are equally as challenging for different reasons. I feel that both roles are equally as vocally and emotionally demanding. 

Throughout In The Heights there is the overarching theme of home and the importance of it. What three things remind you of home?

I get home sick after a holiday abroad. I'll be sat on my plane and we'll be landing and I'll get a first glimpse of the green fields through the clouds and I'll suddenly get really excited to feel the cold weather on my face. Hilarious because I hate being cold so this feeling doesn't last long! 

I grew up in the West Midlands so I get really excited when I hear someone with a Midlands accent! Especially if they're a fellow actor! Feel like I've found a team mate! 

The Eagles greatest hits was played on almost every car journey my family ever went on when I was a kid. So I can't hear The Eagles without thinking of my family! 


Congratulations on the Oliviers, 3 awards is incredible for the show and you looked stunning! How has it been for you seeing the positivity of critics and audiences alike? Did you know you were doing something special when rehearsals started?
Lily at the 2016 Olivier Awards
I’m so unbelievably proud. That sentence actually doesn't do justice to how I feel about In The Heights. Cast, Crew, Production, Creative team have been through a lot since we opened in October. And not always good times like the Oliviers. There's been a lot of hard work that's been done on and off stage to make this production possible which is why I have so much pride in it. 

Last year when we opened the theatre wasn't very well known so at the start of our contract a lot of us were worried people wouldn't come. Also with the show being described as a rap musical we were worried about our target audience because of course that's not all In The Heights is. Also if it wasn't for the sell out production at the Southwark Playhouse we might not be here. It's been great to watch the audiences get bigger and to hear more and more people talk about how much they love the show. Turning up to a little gig at the Theatre Café a few weeks ago and not being able to get in the door because it was so packed with fans wanting to show support was so touching! I am extremely proud to be apart of that. 

If you switched roles with anyone in the cast, who would you choose and why? (I think we'd all love to see Nina rap!)
Lily Frazer as Nina and Joe Aaron Reid as Benny

Daniela looks like so much fun! 

Also I think I'd love to play Benny. I think he gets the best of both worlds. He gets to rap and dance but also gets to sing some beautiful love songs with Nina. Jammy! 


As someone who studied and went straight into a West End show, what advice would you give for anyone currently at university hoping to get into the performing arts industry?

I did a degree course at Arts Educational Schools in Chiswick. So I'm not sure if you would call it a university. 

Before I got accepted into ArtsEd when I was studying for my A levels a lot of teachers told me to go to university and study drama or Theatre Studies which after doing my own research wasn't the right for the kind of actor I wanted to be. I'm very proud of my degree but I'd say that my training at ArtsEd and the connections the school gave me were key to my success in the industry. Not only is the training impeccable but I would never have had an audition for Les Miserables if I wasn't given the opportunity to audition in front of casting directors when they were invited to audition us in my final year. You need to really do your research on exactly what you're going to get out of your training and more importantly what YOU want to achieve at the end. Eg. Do they provide a showcase or a show at the end of your third year? Do they invite agents and casting directors? Do they specialise in one area of musical theatre or all three? I was lucky in that Arts Ed pride themselves on preparing you so well for everything! If theres something I wish I'd done more of though whilst I was training would be to take class out of school hours to broaden my training. Take class outside of school hours. Get a head start. Always be one step ahead of your classmates and take everything that your teachers tell you with a pinch of salt. Criticism is good for you but don't let it destroy you! Make up your own mind. Take inspiration from other performers but directly comparing yourself to others is poisonous! Don't do it! I had to learn that the hard way. I could talk about this all day but I'll stop now! 


Finally, for someone deciding whether to see In The Heights, what 5 words do you think best sum it up?

Olivier 

Award

Winning

Breakthrough

Musical 
;) 


I want to say a huge thank you to Lily for taking the time to answer these questions. The show is unbelievably brilliant and Lily is wonderful as Nina. Please, if you can get to the Kings Cross theatre, go and see In The Heights! 

Also, keep and eye out on RewriteThisStory for some more In The Heights themed posts which are coming up! My original review of the show is here!

 Interview by Olivia Mitchell, Editor
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Friday 27 July 2018

In Conversation With... Ian Stroughair aka Velma Celli | Interview

Ian Stroughair aka Velma Celli has the voice of an angel, is as hilarious as they come and truly knows how to put on a show. After seeing Velma Celli's West End Christmas I was completely overwhelmed and have since been following Ian's career (and life) on twitter. His latest venture is Iconic- A History of Drag which will be playing at the Edinburgh fringe...


How did Velma Celli come about?
Well, I have always been a singer much to my siblings annoyance. At age 14 I auditioned for a new musical called ‘Kes’ at The York, Theatre Royal. It was a professional show which needed an ensemble of kids. Much to my surprise I was cast. It was my first time on stage. I joined a Ballet school in York just before my sixteenth birthday. 3 months later my Ballet teacher sent me for an audition for a Theatre School. I got in and started that summer. 

After 2.5 years I was out into the world and working as a singer/dancer/actor. I have appeared in West End and musical productions of Cats, Fame, Chicago, Rent and also appeared on Eastenders as myself…. I know, CAMP!!!!

When I was in Chicago I was asked out for an evening of drinks by the “girls" In La Cage and Priscilla. I bought a dress and some makeup and dragged myself up and out of stage door and met them in Madame Jojo’s. Apparently I ended up on stage belting out some queen and dropping into the splits. I can’t remember this, #gin! When I was leaving the manager asked me back the following week and I have never looked back!


You've had a very varied career, what's your favourite part of performing as Velma and creating your own show?
The freedom. When you are in a West End musical it's very strict. You are directed to give the same show every night and there is little room for your own creativity and interpretation. Velma is mine and she can do whatever she wants. Sing whatever songs she like. It’s very freeing!


You're taking your show, Iconic- A Brief History of Drag to Edinburgh. What can people expect from the show? 
Iconic - A Brief History of Drag is a journey through my most favourite moments in drag history, whether it be music, pop culture, film or theatre it's those Iconic unforgettable drag events that inspired me to do drag and cultivate me into the queen I am now. They can expect to laugh (a lot) cry (a bit) and learn a bit about drag, things that people may not know. The past hero’s. A blooming good night if anything else!


Can you sum up A Brief History of Drag in 5 words?
Heartfelt, funny, camp, belt and emotional 


You have a stunning voice. How do you keep it strong and healthy whilst facing the strains of touring?
Thank you. Lost of water and vocal rest. Healthy food!


If you could go back to any era, when would you go to and why?
I would have to say the 1960’s. I believe I am quite the hippy! 


What's your number one piece of advice for aspiring performers who would like to carve their own, unique career?
WORK HARD. Work harder then repeat. This business is not for the faint hearted. It’s tough at times and the competition is high so armour yourselves with as much knowledge and learn as many skills as possible. Bring something to the party too. The odds of getting cast are extremely slim so I encourage all my students to write their own material and / or shows.

Thank you to the incomparable Ian Stroughair/Velma Celli for your amazing advice and story. Iconic- A Brief History of Drag will be at the Edinburgh Fringe from the 1st-26th August, at Assembly Checkpoint.  

Interview by Editor, Olivia Mitchell
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Saturday 30 December 2017

Olivia's Top 10 Shows of 2017



This year I saw 105 shows so picking my top 10 was pretty tricky! I know everyone does these posts but it's always interesting to see what peaked everyones interests so without further ado, here are the shows I loved in 2017. Grab a mince pie and settle in!


PS. They're in reverse order as always to bring that extra bit of drama!


10. Yank | Charing Cross Theatre

I saw the West End premiere of this show and completely fell in love. The storyline was gripping, the acting was outstanding and it was a highlight of my summer. Scott Hunter was a particular stand out and I can't wait to see what 2018 brings for him.




9. Follies | National Theatre

This was one of my most anticipated shows of the year and it certainly wasn't a let down. The glorious staging was spectacular and I adored hearing Sondheim's music live as well as seeing queen Imelda Staunton on stage again.



8. Mack and Mabel (LMTO) | Hackney Empire

This was such a surprising show for me. Of course I expected good things from the LMTO but I was so blown away by every performance in Mack and Mabel. Natasha J Barnes singing 'Time Heals Everything' was definitely my stand out vocal moment of the year.




7. Funny Girl | New Victoria Theatre


Natasha also gave an amazing performance as Fanny Brice in the UK Tour of Funny Girl. To date this is the best touring production I have ever seen!


6. Hamlet | Alemida Theatre

Andrew Scott was just spectacular. That's all.



5. Fiddler on the Roof | Chichester Festival Theatre

I must admit, I don't travel outside of London for theatre very often but I am so glad I made the trip to Chichester to see this production which completely blew me away. This show needs a West End transfer and I'm praying its life isn't over.



4. Angels in the America | National Theatre

How could I not mention this?! A marathon show but packed with drama, talent and grit at every moment. Truly a theatrical masterpiece- Broadway get ready!



3. Lady Day at Emerson's Bar and Grill | National Theatre

Audra is just a queen. I was mesmerised by every single moment of this show. I first saw it on press night and then went back with my parents, both times were breathtaking and it was such an honour to see a Broadway superstar on stage.



2. Romantics Anonymous | Sam Wanamaker Playhouse

My lovely friend Hayley took me to see this for my birthday and for some reason I never got round to reviewing it (hopefully I'll do it soon!) But it was honestly just brilliant. Both literally and metaphorically sweet it was the perfect way to spend an afternoon. If you want a heartwarming tale, this is the one for you!



1. Hamilton | Victoria Palace Theatre

I know this is the most typical answer and so not a surprise but Hamilton just blew me away. I still can't believe that it exceeded my expectations and if you can get a ticket, you HAVE to see it!!


I also want to give a special mention to  a couple of other outstanding shows which I mentioned in last years wrap up: Rent and Dreamgirls, both of which amazed me again this year! I have a couple of concert shout outs too- Rachel Tucker, Kristin Chenoweth and Lea Michele. I saw Rachel perform 5 times and was completely astounded by her voice and stage presence every time. Kristin had me bawling from start to finish. Her concert was definitely the most memorable I've ever been too. Finally, Lea was a bucket list concert for me and I'm so honoured to have seen (and met) her this year!

 So there we have my top shows of 2017! I can't wait to see what 2018 brings- let me know what your top shows of the year were.

Au revoir 2017! Stay Stagey, 2018!

Top 10 by editor, Olivia Mitchell
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