Showing posts sorted by relevance for query Andrew Lloyd Webber. Sort by date Show all posts
Showing posts sorted by relevance for query Andrew Lloyd Webber. Sort by date Show all posts

Monday 21 February 2022

Carrie Hope Fletcher Announces Debut UK Tour


Actress, author, vlogger and award-winning West End sensation Carrie Hope Fletcher is heading out on her first ever UK tour.

Carrie Hope Fletcher - An Open Book will see the musical theatre star play a series of unmissable theatre shows in May and June 2023.

Performing songs from her incredible career expect fan favourites including hits from Heathers, Les Miserables, The Addams Family and many more interspersed with chat about Carrie’s fascinating life and career.

Tickets go on sale at 10am Friday and are available from www.cuffeandtaylor.com

Carrie Hope Fletcher - An Open Book 2023
18-May Bradford, St George's Hall
21-May Southampton, Mayflower Theatre
22-May Norwich, Theatre Royal
25-May London, The London Palladium
27-May Llandudno, Venue Cymru
28-May Salford, The Lowry
29-May Birmingham, Symphony Hall
31-May Sheffield, City Hall
02-Jun Nottingham, Royal Concert Hall
03-Jun Newcastle, O2 City Hall
04-Jun Edinburgh, Festival Theatre

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: “I am absolutely thrilled to be taking on my first ever UK tour.

“This is something I have wanted to do for some time and next year presents the perfect opportunity.

I absolutely adore being on stage and am fortunate to have performed across the West End and overseas, but there’s something very special about theatres around the UK so I can’t wait to get out on the road and visit these absolutely fantastic and beautiful venues.”

Currently wowing West End audiences in the title role of Andrew Lloyd Webber’s Cinderella, Carrie - who has an impressive three WhatsOnStage Awards - has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables. Since then Carrie’s theatre credits include Fantine in Les Miserables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Eponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

And when she’s not treading the boards of the West End’s biggest stages Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

Jamie Lambert, of Lambert Jackson, said: “Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

“Not only will audiences be wowed by the stunning voice of Carrie, they will also get an insight into her incredible career and that is not to be missed.”

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: “We are very excited to be presenting Carrie’s debut UK tour.

“She is the most wonderful musical theatre talent and so much more. Audiences will absolutely love this show.”

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

photo credit: Michael Wharley
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Saturday 9 December 2017

Evita (UK Tour), Palace Theatre Manchester | Review


Evita (UK Tour) 
Palace Theatre, Manchester 
Reviewed on Thursday 7th December 2017 by Jeni Skirrow 
★★★★
Tim Rice and Andrew Lloyd-Webber have written some truly captivating, catchy musicals and Evita is of course iconic and no exception to this. An ever popular rags-to-riches type of story based on the life and demise of Eva Peron, wife of Argentine president, Juan Peron. The plot follows her rise to iconic status heralding her as the ‘spiritual leader of the nation’, heroine of the Argentine people, and of course her untimely premature demise.

Straight from the West End, Manchester was privileged to be the first stop in the new twelve month tour of Bill Kenwright’s production. Eva Peron’s role is a demanding performance and Madalena Alberto is mesmerisingly magnificent, with not just unfalteringly consistent vocals, but how beautifully she captures the fledgling radio star’s glamour, seduction, hope and steely desperation. 'Don’t Cry For Me Argentina' is undoubtedly the most highly anticipated song in the show and Madalena’s performance did not fail to give me goose bumps- exquisite. “As for fortune and for fame, I never invited them in”... until the final curtain there’s something very dubious about this statement.

The narrator Che deserves a mention, heroic Gian Marco Schiaretti’s presence (and biceps) were suitably foreshadowing- he is perfect for the role. His strong and versatile performance was a joy to watch.

Each scene was beautifully realised through expert choreography, cleverly slick staging and continual costume changes for Eva, telling a story within itself. This production was everything I hoped it would be and more. Emotional, beautiful and inspiring it was an ideal theatrical experience.

Evita is a moving story, with a mixture of up-beat, high intensity numbers as well as slower, more emotionally moving pieces. This balance and contrast makes it flow smoothly and provides a wonderful night out at the theatre. With beautiful music, great staging and fabulous performances all round, I implore you to get along to this show if you can.

Photo credit: Keith Pattison
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Friday 5 January 2018

The Wizard of Oz, Capitol Theatre | Review


The Wizard of Oz 
Capitol Theatre, Sydney
Reviewed on Thursday 4th January 2017 by Faiza Rahman
★★★★★

Andrew Lloyd Webber would have been over the rainbow with the Sydney premier of The Wizard of Oz. From the moment the stage curtains opened, the audience were captivated. Personally, just for a moment, I forgot whether I was watching a movie or a show because of the pure essence of the way that the stage was set and the way digital media was used to give the audience a feeling of inclusion in the story and world of Oz.

Samantha Dodemaide does a whimsical job of taking us into the land of fantasy (apart from Dorothy’s red shoe coming off her foot when it was supposed to be stuck!) This slip up was ignored with grace from Samantha as the audience giggled and quickly forgot, whilst she continued to perfectly capture the golden-age naivety. Lucy Durack as Glinda won me over with her witty one-liners and effervescent outfit. Eli Cooper’s Scarecrow act was certainly not spineless – his bendy limbs wrapped us in admiration; alongside John Xintavelonis’ Cowardly Lion’s witty and ‘scary’ roar and Tin Man’s (Alex Rathgeber) heartless love and robotic movements. The Wicked Witch of the West (Jemma Rix) – well, that laugh explains why she was the perfect person to embody her character, for not one moment did I not adore her evilness, as weird as that may sound- she was brilliant! 


The star of the show was the costume and set design by Robert Jones, supported by Jon Driscoll and Daniel Brodie’s engrossing video and projection work. Vorticist projections were used to evoke the Kansas cyclone that took Dorothy into the dreamworld and took us there too. The lighting and effects used on the walls of the theatre enhanced the experience and created an ethereal atmosphere that delved us straight onto the yellow brick road and at times I really felt like I was a part of the show. 

The costumes were visually appeasing – what particularly impressed the audience was when Dorothy’s dress changed colour as she conducted a twirl across the stage from her regular dress to a sparkly green version as she entered Emerald City. The screens used to create the feeling of depth were perfectly controlled and used well to create the feeling of distance to emerald city. My highlight was when Dorothy, Tin Man, Cowardly Lion & Scarecrow were put in the dome by the Wizard – it looked so 3D and realistic, everyone was astounded. 


I was taken back to my childhood through the music. Samantha Dodemaide’s voice projects an innocence yet heart wrenching power, like a force leading her back home to Kansas. Although since 1939, The Wizard of Oz has taken on many variations, this one stays grounded in the characters and echoes that there is no place like home, even with its modern twist.

The Wizard of Oz runs at the Capitol Theatre until 4th February 2018

photo credit: Jeff Busby
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Thursday 29 March 2018

Son of a Preacher Man (UK Tour), Storyhouse | Review


Son of a Preacher Man (UK Tour) 
Storyhouse 
Reviewed on Tuesday 27th March 2018 by Becca Cromwell
★★

Set in modern day Soho, Son of a Preacher Man focuses on the lives of three people dealing with loss and heartbreak who turn to the past to find answers. All three of them end up at a record shop named the Preacher Man, which got its name from the man who ran it. In the 60s, all your troubles would be solved through music and advice from the shop’s owner, making it one of the most popular places of its time.

The story focuses on Kat, who recently lost her grandmother, Alison, who realises she’s in love with someone she can’t have and Paul, who still pines over a man he first fell in love with 40 years ago. The three of them venture to where the shop used to be in a search for advice and closure, only to find it no longer exists. Distraught, they meet the son of the shop’s owner Simon, who is the son of a preacher man. Simon takes it upon himself to help them, and with a little help from his deceased father, does just that.

The storyline is rather cheesy, which is to be expected from a jukebox musical, and features plenty of Dusty Springfield’s hits including The Look of Love, I Only Want To Be With You and of course, Son Of A Preacher Man. There are also plenty of other sixties hits thrown in for good measure, such as Cilla Black’s You’re My World.


Kat, played by Alice Barlow, is a young girl suffering the loss of her grandmother, who turns to her grandmothers’ favourite place, which just so happens to be the Preacher Man, for comfort. Alice is known for playing Rae Wilson on Hollyoaks, and being a previous contestant on The Voice. Alice delivered solid vocals and gave a good performance as Kat, and impressed many of the audience with the sheer quality of her voice.

Alison, played by Michelle Gayle, is a teacher turned tutor who recently lost her Husband, Jim. Alison turns to the Preacher Man for advice on her new love, and learns a lot from it. Michelle Gayle is known for playing Hattie Tavernier in Eastenders, signing a record contract and releasing two albums with BMG and starring on Grange Hill as a child. Michelle gave a good, believable performance, with impressive vocals to match.

Simon is played by Nigel Richards who has had an extensive and impressive career in musical theatre, including Enjrolas and Grantaire in Les Miserables, and the Phantom in Andrew Lloyd Webber’s Phantom of the Opera. Nigel gave a convincing performance as the shy but loveable Simon and I was suitably impressed.


Paul, a man who is still lusting after his first love, is played by Nigel Howe. Nigel has had an affluent career in theatre, TV and Film, with over 40 acting credits to his name on IMDB and almost as many theatre credits. Nigel gave a decent performance as Paul, making the audience really feel for him in the process.

With Craig Revel Horwood choreographing the show, I expected more in terms of choreography, which left me a little disappointed. However, the lack of choreography was made up for by most of the cast members occasionally playing instruments on stage.

Son of a Preacher Man continues its UK tour until July.



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Monday 31 October 2022

New dates added to Carrie Hope Fletcher's debut tour


More dates have been added to award-winning stage sensation Carrie Hope Fletcher’s debut solo tour due to phenomenal demand.

 

Carrie Hope Fletcher - An Open Book will see the musical theatre star, author and vlogger play a series of unmissable theatre shows in May and June 2023, with new shows added in Oxford, Liverpool, Leicester, Milton Keynes, Southend, Bath and Glasgow.

 

Performing songs from her incredible West End and touring career, fans can look forward to hits from Heathers, Les Misérables, The Addams Family and many more, interspersed with chat about Carrie’s fascinating life and career.

 

Tickets for the new dates are on general sale from 10am, on Friday, November 4 from www.cuffeandtaylor.com

 

Carrie Hope Fletcher - An Open Book 2023


18-May Bradford, St George’s Hall

19-May Oxford, New Theatre

21-May Southampton, Mayflower Theatre

22-May Norwich, Theatre Royal

25-May London, The London Palladium

27-May Llandudno, Venue Cymru

28-May Salford, The Lowry

29-May Birmingham, Symphony Hall

21-May Sheffield, City Hall

01-June  Liverpool, Empire Theatre

02-June Nottingham, Royal Concert Hall

03-June Newcastle, O2 City Hall

04-June Edinburgh, Festival Theatre

06-June  Leicester, De Montfort Hall

07-June  Milton Keynes, Milton Keynes Theatre

09-June  Southend, Cliffs Pavilion

10-June  Bath, The Forum

11-June  Glasgow, Theatre Royal


 

Speaking about Carrie Hope Fletcher - An Open Book, Carrie said: 


“I am so excited to be preparing for my first ever solo tour – and to be adding new dates is absolutely fantastic.


“A solo concert tour is something I have wanted to do for some time, and it’s great to be able to visit even more places and meet even more fans.

 

“I adore being on stage and am fortunate to have performed in so many theatres, but there’s something very special about being able to get out on the road and visit some beautiful theatres around the UK.”

 

Earlier this year, Carrie was named best performer in a female identifying role in a musical as the title role in Andrew Lloyd Webber’s Cinderella. Most recently, she has wowed critics in a new revival of Brecht’s The Caucasian Chalk Circle and is now preparing for her pantomime debut as the villain Carabosse in Sleeping Beauty at The Marlowe Theatre, Canterbury.

 

Carrie, who has an impressive three WhatsOnStage Awards to her name, has enjoyed a breath-taking career since her West End debut at the age of nine playing Young Éponine in Les Misérables.

 

Since then, Carrie’s theatre credits include Fantine in Les Misérables: The Concert, Veronica in Heathers, Wednesday in The Addams Family, Éponine in Les Misérables, both Truly Scrumptious and Jemima in Chitty Chitty Bang Bang, Beth in Jeff Wayne’s War of the Worlds and Jane Banks in Mary Poppins.

 

When she’s not treading the boards of the West End’s biggest stages, Carrie is also a best-selling novelist, Top 20 recording artist and respected vlogger with her popular self-titled music and vlog channel attracting more than a million views a month.

 

Carrie Hope Fletcher - An Open Book is presented by Lambert Jackson, Live Nation and Cuffe and Taylor.

 

Jamie Lambert, of Lambert Jackson, said: 

“Carrie Hope Fletcher - An Open Book presents an opportunity to take one of the West End’s most celebrated and successful leading stars to theatres across the UK.

 

“There has been a phenomenal demand for the tour so we are delighted to be adding extra dates so even more people will be wowed by the stunning voice of Carrie, while also getting an insight into her incredible career.”

 

Cuffe and Taylor Director of Theatre Touring Ben Hatton added: 

“We are very excited to be presenting Carrie’s debut UK tour, and it is testament to her great popularity that we’re adding these dates. Carrie is the most wonderful musical theatre talent and audiences will absolutely love this show.”

 

For more information about Carrie Hope Fletcher - An Open Book and to secure tickets head to www.cuffeandtaylor.com

 

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Tuesday 17 July 2018

Evita (UK Tour), New Victoria Theatre | Review


Evita (UK Tour)
New Victoria Theatre 
Reviewed on Tuesday 17th July 2018 by Olivia Mitchell 
★★★★

Classic musical, Evita has been thrilling audiences in the UK and around the world since it opened in 1978, winning the Olivier Award for Best Musical. Multiple re-incarnations have allowed various portrayals of the iconic characters and different takes on the tale of Eva Perón. Despite not having a huge amount to compare to, having only seen the 1996 movie and 2006 West End production, I don't hesitate saying that this current tour helmed by Lucy O'Byrne, Glenn Carter and Mike Sterling has created an almost perfect production and showcases the music and story of Evita wonderfully.

Not only was tonight Evita's opening night at the New Victoria Theatre but was also the opening night for the three leads who each do an outstanding job. Mike Sterling commands the role of Juan Perón with power and fight whilst also showing off a softer side with his wife. He is vocally wonderful and complements Lucy's voice well. As Che (in some productions based on Che Guevara, and others as working class Everyman base of Peronism) Glenn Carter is versatile. A strong voice and all-knowing-rock-god-vibe means he brings a unique but perfectly suitable strength to the role.

As the leading lady, Lucy O'Byrne grows and blazes as Eva Perón. Starting out as a 16 year old who knows what she wants to a dying politicians wife, O'Byrne's transition is breathtaking to watch. Stand out moments include Rainbow High and You Must Love Me which show the drastic differences between Eva's character. Lucy performs the role with passion and drive whilst maintaining brief innocent moments. Her vocals grow as the character does and her stellar diction means we don't miss a word of the fast-paced passages.


Bill Dreamer's choreography brings to life the world of Argentina and cleverly moves us from one moment of action to another, whilst, Matthew Wright's sets and costumes create a vibrant world which draws you in from the opening. The fairly simplistic sets echo the world of the Perón's and at times provide a stark contrast to the glamour of Eva. 

It's hard to pick fault with such a strong production but one thing in particular strikes me as odd: the decision to give the entire cast English accents. This doesn't take away from the performances at all but feels like a bit of a cop out, and makes us forget the show is set in Argentina at times. 

However, overall this production is well thought out and does a brilliant job of bringing Tim Rice and Andrew Lloyd Webber's music and lyrics to life once more. This show is not glitz and glam happiness, but it is a raw and moving story which should certainly be seen. Stellar music is brought to life by a magnificent cast who make Evita a must see!

Evita runs at the New Victoria Theatre until July 21st before continuing it's tour.

photo credit: Keith pattison
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Tuesday 31 December 2019

Olivia's Top Shows of 2019



This year I saw 150 shows, from glitzy West End productions to smaller fringe pieces and many UK tours. Before we step into the new decade, I want to feature some of my favourite pieces of the year and those which have stuck with me in some way.



Dolly Parton has been a family favourite growing up so this musical ticks all the boxes for me. 9 to 5 is a catchy, colourful celebration of girl power. With another tour planned for next year, this show is sure to delight audiences in 2020 and beyond.



Six featured in last year's Top 10 list, but having seen it a few times this year, I thought it warranted a place once again. The fantastically, feminist musical is pure joy on stage and a complete treat. Enthralling audiences around the world with its pop/musical theatre crossover sound and the heart which is retained in all its incarnations, Six's world domination is only just beginning. 



I mentioned the Broadway production of Come From Away last year, but 2019 saw the triumphant West End transfer of this show which is completely spectacular and special beyond compare. Telling the heartfelt story of the unity formed in a small village in Canada during the traumas of 9/11, the Celtic sounds and complete ensemble feel of the piece make it effective and oh so powerful.



Performed by members of the British Theatre Academy (BTA), the young cast transported audiences on a mystical journey of love and magic. Lee Proud and Harrison Clark created a production worthy of much acclaim and showcased some of the future stars of UK theatre.



Having missed the Open Air production of Jesus Christ Superstar, I was thrilled to get the chance to see it at the Barbican and it did not disappoint. Andrew Lloyd Webber and Tim Rice's score soared thanks to the ingenious staging which made the space feel as though it was outside, and Lee Curran's lighting which made the atmosphere both electric and intimate. Amazing performances all round made this a production not to be forgotten.



Not only was it a treat to see this enchanting song cycle by Dave Malloy brought to life by such talented actor-musos, but getting to experience the new space of the Boulevard Theatre was a delight in itself. The whole space feels fresh, welcoming, modern and all in all a wonderful addition to the London theatre scene. Ghost Quartet was a wacky mish-mash, but there's something about it that was truly enchanting.


The Cher Show | Neil Simon Theatre

If you'd told me at the beginning of the year that The Cher Show would be in my top shows, not just of 2019 but ever, I doubt I would've believed you. The cast were amazing but as someone unfamiliar with Cher's music and kind of bewildered by the whole idea, I didn't expect to come out beaming after one of the best night's ever at the theatre. The biopic musical tells the story of the superstar's rise to fame via three Cher's representing different times in her life. The performances are other worldly and the humour hits all the right spots. This is the embodiment of a grand musical and I can only hope it comes to the West End sometime soon!


The Jungle | St Ann's Warehouse

This is another show I missed in London but was lucky enough to catch in New York at the incredible setting of St Ann's Warehouse in Brooklyn. This is the most striking piece of theatre I have ever witnessed, and I can't even explain how spectacular the entire production was. The community feel that was created within moments of entering the theatre is like nothing I've ever experienced and every element of theatricality was so perfectly used to highlight the stories of those on stage.



The Adam Guettal musical was on my 'To See' bucket list, so it was a complete joy to experience the sumptuous score performed by such a stellar cast this year. The story about young Clara falling in love with Fabrizio on a trip to Italy is beautiful and made me want to go to and have my own romantic holiday accompanied by a beautiful classical soundtrack.



Fiver played a brief run at the Southwark Playhouse and earned itself much praise and many fans. With a fantastic score by Alex James Ellison, the musical follows the story of a £5 note and how it's value changes in the hands of various people. This was a completely unexpected treat of a show which completely enraptured me and left me feeling joyous, thanks to the wonderful mix of musical styles and fantastic array of stories involved. The superb cast of five gave everything and made it a real gem of a piece. A delightful musical, lets hope we see more of Fiver in the future.

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Monday 21 March 2022

School of Rock (Tour), New Wimbledon Theatre | Review


School of Rock (Tour)
New Wimbledon Theatre
Reviewed on Monday 21st March 2022
★★★★

Many people know and love the hit 2003 film School of Rock. With Jack Black’s iconic comedy, incredibly catchy tunes and a true rock soul it became an instant classic. Fortunately, all of this translates brilliantly to the stage and to the current UK tour which is getting audiences up on their feet and releasing their inner rock god’s.


With music by Andrew Lloyd Webber, School of Rock provides a throughly entertaining night out.  The show follows Dewey Finn, a man who’s only goal is to live a life of music. One thing leads to another and he ends up taking the place of his best friend and pretending to be a supply teacher for the elite Horace Green school. There he discovers that he’s not the only one with music in his soul; he finds a classroom full of wonderful musicians who just want to be heard. Thus begins his mission to form a band and win the Battle of the Bands. The entire story is a comedic dream, with a cast of amazing talents and so many great songs.


There’s also astute observations on growing up and the pressures young people are under, as well as many witty and topical comments on the world as a whole.


Of course this show would not be half of what it is without the young performers who make up the class. There’s not a weak link, with utterly superb musicianship being displayed throughout. They all have enough energy to raise the roof off of the New Wimbledon Theatre and also do particularly well in the more moving moments of the show. Special mention must go to Souparnika Nair who shone supremely bright with her spectacularly controlled vocals as Tamika and Emerson Sutton who is a marvel on the drums. All the children are a joy to watch and there's also some exceptional hairography going on throughout!



As Dewey Finn, Jake Sharp carries the musical outstandingly. Not wavering a single moment he’s on stage (and that’s pretty much throughout). He’s hilarious, vocally virtuosic and brings enough of the iconic Jack Black attitude and swagger that we know and love but also adds his own flair and makes the role his own. 


Rebecca Lock as Rosalie Mullins the uptight headmistress who also longs to break free is utterly charming. Her vocals are spectacular with her operatic range shining in the Queen of the Night aria and her astounding belt providing a real highlight in Where Did The Rock Go.


You can’t have School of Rock without the music and aside from the formidable onstage musicians, the pit band are stellar. Natasha Katz's lighting is also especially effective and Anna Louizos’ set design works faultlessly to transport us from scene to scene.

This is an incredibly cohesive production that never falters in sleekness but still retains its spontaneous, high octane feel. Become part of the band and go see School of Rock on tour.


photo credit: Paul Coltas

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