Posts with the label musical theatre
Showing posts with label musical theatre. Show all posts
Showing posts with label musical theatre. Show all posts

Friday 26 April 2019

Club Tropicana (UK Tour), New Wimbledon Theatre | Review


Club Tropicana (UK Tour)
New Wimbledon Theatre 
Reviewed on Thursday 25th April 2019 by Olivia Mitchell 
★★★★

A whirlwind of big hair, 80s hits, innuendos and humour, Nick Winston's Club Tropicana isn't a musical masterpiece but it is a whole lot of fun and a harmless piece of entertainment. 

The storyline is minimal but follows Lorraine who jilts her fiancé at the alter and goes on a friend holiday to drink and dance away her blues. Her fiancé also goes on a friend holiday... to the same Spanish hotel....

Said hotel is in the running to be awarded a prestigious award so they're doing their best to impress the hotel inspector. Featuring a host of humourous characters and larger than life performances, the gaps in the book are made up for with verve and energy.


Diego Pitarch's set doesn't have much depth to it, but does its job exactly and brings the colour of the show to life well. Making clever use of the space, as well as using the more basic elements for comedic effect, Pitarch has done a great job. Equally, his costumes are very 80s and effective. 

The cast are the life of this show, performing the 20 well-known 80s bops wonderfully. As entertainment manager Joe McElderry shines. A great voice, fab comic timing and well done audience interaction, McElderry makes a stellar addition to the cast. Neil McDermott is entertaining, if a little underused as Robert, but his performances alongside the hilarious Emily Tierney as double-crossing hotelier Christine, and lovestruck Amelle Barrabah as Serena are great. The extremely well characterised Consuela, is a sure stand out thanks to Kate Robbins' completely hilarious portrayal, which provides laugh out loud moments every time she's on stage.

As leading man and lady Cellen Chugg Jones and Karina Hind are marvellous. Their strong vocals are well showcased and the pair work well together. 


Mention must also go to Rebecca Mendoza, Tara Verloop and Kane Verrall who give fabulous performances. The entire cast are superbly invested throughout and with Nick Winston's choreography and Charles Ingles' musical direction, do a stellar job of keeping the energy alive throughout.

Club Tropicana has the feel-good factor and is sure to bring a bounce to your step. For a self-aware, super cheesy but well done production, take a trip to Hotel Tropicana and laugh the night away.

Club Tropicana runs at the New Wimbledon Theatre until 27th April before continuing its tour.

photo credit: Darren Bell

Club Tropicana (UK Tour), New Wimbledon Theatre | Review

Friday 26 April 2019

Thursday 25 April 2019

Ain't Misbehavin', Southwark Playhouse | Review


Ain't Misbehavin'
Southwark Playhouse
Reviewed on Wednesday 24th April 2019 by Olivia Mitchell 
★★★★

Tyrone Huntley makes his directorial debut with this vivacious production that hasn't been seen in London for almost 25 years. With Oti Mabuse's choreography, the show is a whirlwind of energy which excites and entertains throughout.

Originally conceived by Richard Maltby Jr the show is billed as The Fats Waller Musical. It's more of a cabaret revue than a musical but, thanks to Huntley's direction, the performers have their own characteristics which thread throughout the show and create a fantastic cohesion. Songwriter and pianist, Fats Waller had a hugely successful career which combined jazz, slapstick comedy and gin. However, this show isn't about the man himself, but the music he created.

The powerhouse cast bring spades of energy and vocal prowess with every number. RenĂ©e Lamb is sassy and animated, Carly Mercedes Dyer is sweetly comedic, Landi Oshinowo brings spades of soul, Wayne Robinson is smooth and sharp and Adrian Hansel is sleek throughout. Alongside the strong five-piece band, the team give contagious performances.

The set and costume design by takis is glitzy and exuberant, with sparkles and swing embodied on every inch. The Southwark Playhouse is transformed to have an almost speakeasy feel as we are whisked away to a world of jazz and gin.

The 100 minute show is a sexy and sassy celebration of Fats Waller's music, with choreography and vocals to impress everyone. The cast do an outstanding job of selling all of the thirty musical numbers and providing both emotional and hugely comedic moments.

Ain't Misbehavin' runs at the Southwark Playhouse until June 1st 2019

photo credit: Pamela Raith

Ain't Misbehavin', Southwark Playhouse | Review

Thursday 25 April 2019

Wednesday 17 April 2019

Rock of Ages (UK Tour), Bristol Hippodrome | Review


Rock of Ages (UK Tour)
Bristol Hippodrome
Reviewed on Tuesday 16th April 2019 by Isobelle Desbrow
★★★

Rock of Ages is a jukebox music which lacks any storyline but makes up for it through the use of humour and performance. Featuring such songs such as ‘We Built this City’, ‘I Wanna Know What Love Is’ and ‘Don’t Stop Believing’, the music is really stand out. Without these well know songs, and the musicianship of the actors the show wouldn’t have been worth watching.

Jodie Steele leads the cast wonderfully as Sherrie, her voice perfectly in sync with the rock genre. Steele's command of the stage is fantastic, with highlights being when she ran over Lonny’s foot with a toy tractor and her vocals in song like ‘Don’t Stop Believing’ and ‘High Enough’ along side Drew played by Luke Walsh. Both performers provide outstanding vocals which you can't fail to be impressed by. However, they are unfortunately plagued by a one dimensional love story. 

Lucas Rush plays the charismatic Lonny, who also also narrates the show. His shenanigans with the audience often breaking the forth wall, really keep the audience involved. His enthusiasm and characterisation, are well needed in this dry at times show. Overall his acting and singing utterly brings the house down in tears of laughter and he also keeps the pace of the show going. 


Regina played by Rhiannon Chesterman is a hilarious and spectacular singer, who often left me jaw dropped while singing such numbers like ‘We're Not Gonna Take It’ and ‘Hit Me With Your Best Shot’. Dennis is played by the rocking Kevin Kennedy who’s rockstar voice matches the music well. Zoe Birkett plays the sultry Justice who owns the Venus Gentlemen’s club, and is a mother like character for Sherrie during the second half. Her soulful singing is a well cast addition to the show.

While this musical lacks a notable storyline, the interaction with the audience and jokes make it worthwhile and the performances all round are fantastic.

Rock of Ages runs at the Bristol Hippodrome until 20th April before continuing its tour.

photo credit: Richard Davenport

Rock of Ages (UK Tour), Bristol Hippodrome | Review

Wednesday 17 April 2019

Wednesday 3 April 2019

Club Tropicana (UK Tour), New Victoria Theatre | Review


Club Tropicana
New Victoria Theatre 
Reviewed on Monday 1st April 2019 by Glenys Balchin
★★★

Apprehension was in the air when I entered Woking New Victoria theatre, I knew that I would know the songs but I was not sure it would take me back to those fun fuelled Disco electric days of the 80’s... well it did sort of! 

I'm not quite sure why the musical is called Club Tropicana, as apart from the name and a mention of “free cocktails”, there was not a sniff of the fabulous George and Andrew songs of the incredible WHAM. However, I am a lady of a certain age and remember those days whilst a millennium baby would not, so, does that matter? 

The musical has been said to parallel hit TV show Love Island, which it does not! In the 80’s it was all about the music and dancing, not about drinking, talking about relationships and texting, (which would have proved difficult with a mobile brick!) 


The story line is simplistic. Girl jilts her beaux on their wedding day, and they each go on a friend holiday to Spain to get over what has happened. They all stay at “The Club Tropicana Hotel”. Hotel Proprietors are waiting for an hotel inspection in order to a win hotelier prize but are sabotaged by a rival hotel owner. During the course of the story line, Boy and Girl participate in a Blind Date competition  where they choose each other and realise they may have made a mistake...


The cast do an admirable job of taking me almost back to the electric 80s but it is not quite the 80’s as I remember, but again does that really matter? 

I think that the script dictated the songs that were chosen, that’s why there is no Wham, Duran Duran, New Order, Tears for Fear, Human league, Whitney Houston, Madonna etc... because their songs did not tie into the story line. However, the musical depicts so many other things from the 80’s, the costumes for one: Ra Ra skirts, leggings, shorts, dungarees, “statement tee shirts” are a plenty on stage! The hair is big and huge mobile phones make a few appearances.

Club Tropicana is a feel-good night of entertainment, delivered by a vibrant, fun, high-energy cast who sing and dance as if their lives depend on it. I was not keen on some of the jokes which are  not particularly PC nor the insulting references which border on sexist and homophobic, but I suppose that sums up the 80’s in a way.


Once Joe McElderry comes onto the stage the show comes along and takes the cast and audience into a flurry of singalong & dance routines– if only I could have got on stage for 'Oops Upside your Head'. Joe has to be applauded for an energetic exuberant performance and for not waning once. He really leads the show and uplifts the rest of the cast. 

The same can be said, for the formidable and extremely talented Kate Robbins playing Consuela, who magically plays the part. Her comic timing and characterisation are hilarious and her great voice brings a real belly laugh and applause from the audience. Emily Tierney must be complimented for delivering a strong comic performance with a great voice, as the double-crossing hotelier Christine. The voices of Cellen Chugg Jones and Karina Hind the young couple, singing to 'I Could Be So Good For You' are a highlight. There must be mention of Tara Verloop, Rebecca Mendoza and Kane Verrall who all performwonderfully; with Kane working especially well with McElderry as his love interest.

Club Tropicana will bring a big smile to your face, give you the feel-good-factor and make you feel young once again. Its not an award worthy musical but is certainly good fun and like a summer pantomime for adults.

photo credit: Darren Bell

Club Tropicana (UK Tour), New Victoria Theatre | Review

Wednesday 3 April 2019

Friday 29 March 2019

Hair (UK Tour), New Wimbledon Theatre | Review


Hair (UK Tour)
London Palladium 
Reviewed on Thursday 28th March 2019 by Olivia Mitchell 
★★★½

Having first premiered in 1967, Hair doesn't have much of a story but focusses on hippies, LGBTQ+ rights, Black Live Matter, women's equality, the anti-war movement, freedom and so much more. Despite being a piece of it's era, these are issues and themes which resonate with a contemporary audience. The book loosely follows a group of hippies in New York City as they navigate life and their political views during the Vietnam War. More of a think piece and political statement, than a story, Hair successfully shows insights into real life struggles and celebrates living.

This revival which began at the Hope Mill and continued to become a semi-immersive experience at The Vaults, is now a vast production. This transfer in venue size means the show has lost some of it's authenticity and spark but retains its exciting, enthusiastic performances and energy. Natalie Green is the absolute stand out of the cast as she provides killer vocals; both belting her face off and providing glorious soprano moments. Natalie also showcases her supremely versatile acting with a number of accents and personas which are all faultless and she gives an entirely wonderful and memorable performance.


Kelly Sweeney also gives a fantastic performance in her solo moments as Crissy. After Unexpected Joy its great to see Kelly continuing on what's sure to be an outstanding career. Superb vocal moments are delivered by Alison Arnopp and Marcus Collins. As Woof Bradley Judge is well developed and entertaining to watch. 

This is an intrinsically ensemble piece, with the whole cast banding together to really create the tribe, and bring the "haggle of hippies" together. Within the ensemble, Jake Quickenden and Paul Wilkins take the lead with agility and energy. Wilkins especially, gives a performance which the audience can really invest in, as his character Claude struggles with being himself and fitting societies expectations. Quickenden gives a commanding performance but lacks the oomph to really own the stage at times, however his vocals are strong and he'll surely only get better as he relaxes into the role.

The hippie commune and various hallucinations are brought to life marvellously by Ben M Rogers' lighting which is vibrant, contrasting and superbly done. William Whelton's choreography is loose and well done, with the tribe effectively becoming one at times. The theatre is bright and hallucinatory thanks to Maeve Black's set and costumes. Streamers adorn the stage in an in-your-face manner that is dynamic and impressive.


Whilst it does drag a little, Hair is an easy watch that thrills the eyes and ears and remains relevant to this day. Outstanding performers make the most of a limited book and play to the theatre almost as if they're in an intimate space. Despite not being as revolutionary as it was fifty years ago, Hair is still an exciting piece of theatre and the rousing chorus of 'Let The Sunshine In' is enough to leave you feeling free and uplifted.

Hair runs at the New Wimbledon Theatre until March 30th before continuing its tour.

photo credit: Johan Persson

Hair (UK Tour), New Wimbledon Theatre | Review

Friday 29 March 2019

Wednesday 27 March 2019

Calendar Girls (UK Tour), New Victoria Theatre | Review


Calendar Girls (UK Tour)
New Victoria Theatre 
Reviewed on Tuesday 26th March 2019 by Melanie Mitchell 
★★★★★

Calendar Girls the Musical is based on the true story of a close-knit Yorkshire village. In 1998, Ladies of the local Women's Institute, rally to help one of their members when her beloved husband suddenly dies. They decide to raise money in his memory for the Leukaemia Research Fund by posing naked in a Pirelli style calendar and selling copies.

The story was subsequently made into a film in 2003 and then a stage play in 2008, both written by Tim Firth. Tim spent 5 years in collaboration with Gary Barlow to produce this brilliant musical. The story has been changed quite a lot from the original, but the basic premise remains the same. The musical looks at the whole gamut of human relationships and emotions with fantastic humour, pathos and poignancy, accompanied by an excellent musical score.

The characters are perfectly cast with amazingly strong performances by all. Anna-Jane Casey who plays Annie and Rebecca Storm as Chris are outstanding, both having superb voices. Fern Britten is fabulous as Marie the leader of the WI, desperate to stick to the old traditional values whilst being a terrible snob and social climber. Denise Welch is perfect as Celia, the brash, brassy and blousy ex air hostess trying to button up to fit in with the community. The show contains some of the funniest laugh out loud one liners I have ever heard, many delivered with perfect comedic timing by Karen Dunbar as Cora. Sara Crowe is hilarious as the ever helpful, slightly tragic Ruth. The younger actors, Isabel Caswell, Tyler Dobbs and Danny Howker add another dimension, which brings freshness and fun to the production.

Robert Jones' set and costume design are both fairly simple but completely in keeping with the themes and characters. In the first scene you are totally transported to the Yorkshire dales and subsequently to the village hall and green.

This is a heart-warming, totally British feel-good show, uplifting (in more ways than one), and something that almost everybody can relate to in some way or another.

For a really positive feel good evening at the theatre, suitable for all ages, I urge everyone to go and see this wonderful production.

Calendar Girls runs at the New Victoria Theatre until 29th march 2019

Calendar Girls (UK Tour), New Victoria Theatre | Review

Wednesday 27 March 2019

Friday 22 March 2019

Vision of You: Live with Rob Fowler and Sharon Sexton, Key Theatre | Review


Vision of You: Live
Key Theatre, Peterborough
Reviewed on Tuesday 19th March 2019 by Olivia Mitchell 
★★★★

Since the closing of Bat Out of Hell, fans of the show have been able to keep their love and involvement alive through Rob Fowler and Sharon Sexton's album Vision of You which charts the backstory of their characters Falco and Sloane. Accompanying the album, the pair have been on a mini tour around the country where they welcomed fans into the Falco Family and provided some absolutely outstanding vocals while they did it.

The final stop on the tour (for now) took Vision of You back to where Rob first performed, Peterborough where a home crowd joined with those from out of town to create a wonderful atmosphere and a real celebration of the music and the performers. A mixture of a concert and a musical, this version of Vision of You used the basic skeleton of the previous ones and added to it to create a complete extravaganza of a show. Once again, Erin Ong (who travelled from America to be part of the final show!) provided her lovely artwork which was projected above the characters to create an almost comic book feeling and embellish the story that was being told. 

Rob and Sharon performed most of the songs from their album, as well as some extras, with the heart, vocals and chemistry that they are so loved for and took the audience on a journey through the eyes of their characters very well. What made this show extra special, was the involvement of Raven and Strat aka the crazy talented Georgia Carling and Simon Gordon, who performed solos, duets and group numbers to perfection. Also joining the gang were the young KYT performers who gave spirited performances and brought The Lost to life. Accompanied by Steve Corley and his distinguished band, each number was a powerhouse moment and a true celebration of the superbly talented performers on stage. 


Opening with 'Falling Slowly' and closing with 'The Show Must Go On' really sums up how versatile all the performers on stage are; from the hugely upbeat numbers to the more intimate and delicate numbers, there was never a moment which fell flat or felt under emoted. Both Rob and Sharon's voices are raw and expressive but manage to maintain complete control throughout. Especially impressive were Sharon's heartfelt renditions of 'Delight' and 'The Man with the Child in his Eyes' which brought a stillness to the room that was hauntingly beautiful. Rob gave a comedic performance of 'A Miracle Would Happen' as well as his signature rock tones in the epic 'What You Own' where he was also joined by Simon Gordon

Simon's voice is beyond beautiful and he showcased it effortlessly with each number he was a part of. His performance of 'Bat Out of Hell' illustrated exactly why he was cast in the role of Strat and gave us a chance to hear and see him shine without the lighting and effects that were prevalent in Bat Out of Hell. If this evening was anything to go by, I'm convinced Simon could probably make a shopping list sound exquisite. Aside from Simon's performance, this semi stripped back rendition of Bat also highlighted just what a brilliant song it is.


Georgia Carling's voice complemented Simon's fantastically in their duets, 'For Crying Out Loud' and 'High Enough', as well as shining in her solo and group moments. 'Taking Chances' is a belter of a song and Georgia tackled it with ease as she gave a vocally faultless and completely first-rate performance. After gaining many fans from her performances as Raven and Valkyrie in Bat Out of Hell, there's no doubt that Georgia will continue wowing with her superb talents. 

Vision of You was a night of extremely well done storytelling and singing. Seeing how much Bat Out of Hell means to Sharon and Rob is really moving and I'm sure this isn't the last we'll hear of Falco and Sloane. The stellar performances, well done lighting, outstanding band, skillful projections and great atmosphere made this a fabulous night and a perfect farewell-for-now to Vision of You

Follow Sharon and Rob for updates on future performances during their #FindingTheFalcos journey

photo credit: Bat Loaf

Vision of You: Live with Rob Fowler and Sharon Sexton, Key Theatre | Review

Friday 22 March 2019

Tuesday 19 March 2019

Dirty Dancing (UK Tour), New Victoria Theatre | Review


Dirty Dancing (UK Tour)
New Victoria Theatre
Reviewed on Monday 18th March 2019 by Kay Adams
★★★★★

Dirty Dancing is not just a show about a love affair against the odds, or an early 60s period piece. Its continued popularity over the past 31 years is just as much due to tackling issues of class, family, loyalty, and right and wrong head on. It’s a coming-of-age story par excellence, acknowledged in Johnny’s introduction of Baby to everyone at Kellerman’s on the last night of the season. 

So, if you are in the minority of people who haven’t actually seen the iconic film all those years ago – It’s the summer of 1963 and 17 year old Frances ‘Baby’ Houseman is about to learn some major lessons in life as well as a thing or two about dancing. On holiday in New York’s Catskill Mountains with her older sister and parents she shows little interest in the resort activities and instead discovers her own entertainment when she stumbles across an all-night dance party at the staff quarters. Mesmerised by the raunchy dance moves (and there are those aplenty in this stage production too), Baby can’t wait to be part of the scene, especially when she catches sight of Johnny Castle the resort dance instructor. Her life is about to change forever as she is thrown in at the deep end as Johnny’s leading lady both on-stage and off; as two fiercely independent young spirits from different worlds come together in what will be the most challenging and triumphant summer of their lives. 


Whether you know the story or not, this wonderful production, written by Eleanor Bergstein and directed by Federico Bellone, will captivate you from start to finish. Many favourite original masters feature within this stage sensation which blends the movie soundtrack seamlessly with this live performance. 

The quality of the dancing is phenomenal, with enigmatic dance numbers and sensual moments throughout. The scenery and special effects, especially the campfire and water scenes, were beautifully crafted. The audience were used at one point as part of ‘Kellerman’s’ entertainment as the scenes were seamlessly changed. 

This production gets a 5 star review from me – a night to remember – and remember “Nobody puts Baby in the corner”

Dirty Dancing runs at the New Victoria Theatre 23rd March 2019

Dirty Dancing (UK Tour), New Victoria Theatre | Review

Tuesday 19 March 2019

Thursday 14 March 2019

Madagascar the Musical (UK Tour), New Victoria Theatre | Review


Madagascar the Musical (UK Tour)
New Victoria Theatre 

Reviewed on Tuesday 12th March 2019 by Glenys Balchin

★★★½ 


Madagascar the Musical was a perfect family night out, full of fun for the young audience as they tapped, cheered and danced their way through the story, against the backdrop of a damp and drizzly night outside the New Victoria Theatre. It has to be said, that many of the adults accompanying their young charges were enjoying the performance of the energetic cast just as much; with the cast bringing alive the animal inhabitants of New York Zoo and the story of their escape into the wilds of Madagascar.

Having seen other Dreamwork productions: The Lion King and Shrek on both film & stage, I was not sure what to expect of Madagascar and unfortunately for me this did not reach the same pinnacle as the others.  This was due to lack lustre look of some the main character costumes as well as having pre-recorded music rather than a live band. 

The puppetry was well executed and the presence of a human controlling them soon disappeared and captured the spirit of your imagination. A stand out for me was Melman the Giraffe, whose  characterisation by Jamie -Lee Morgan was thoroughly enjoyable and he delivered an excellent performance.


Although, the show was packed full of songs, none of them were very memorable. However, the dancing and abundance of energy displayed by all the cast members did not go unnoticed and I enjoyed the choreography, especially the exuberant 'Move It', but on the same note it was a little bit repetitive.

The plot itself is a little thin on the ground but the uncomplicated storyline makes it easy for small children to follow and remain enthralled by plenty of packed action fun and dazzle. Act two was more animated than the first, mainly thanks to the irrepressible, vigorously imaginative artistic style of Jo Parsons playing King Julien.

A little older than many of the children at the theatre, my companion's mane attraction for seeing the show was Matt Terry, so she was a little disappointed he was not playing Alex the Lion at this performance. However, I asked her verdict about the musical and she told me that whilst she had preferred The Lion King, she thought her younger sister (9) would love Madagascar. At the mature age of 14, she enjoyed it but was too cool to get up dance in the aisles with the other children and would certainly not have been happy if I had!



Her conclusion was that it is a song filled production, that features a set  that is inventive and all flows well. She loved how the characters were portrayed, in particular the Lion and the Hippo, and she thought that the voice of Marty was the same as the Zebra in the movie.

Overall the production went down well with the younger members of the audience and many of the adults that were there. For me, it lacked soul or a pinnacle to the production, due to repetitive choreography, unmemorable songs and basic costumes, however, the cast were pretty brilliant overall.

Whilst its a three and a half out of five stars for me, I'm sure many of the small children would disagree and give it a full five stars!

photo credit: Scott Rylander

Madagascar the Musical (UK Tour), New Victoria Theatre | Review

Thursday 14 March 2019

Wednesday 13 March 2019

West End Live Lounge: Woman, The Other Palace | Review


West End Live Lounge (Concert)
The Other Palace
Reviewed on Friday 20th October 2017 by Olivia Mitchell
★★★½

This is the second Woman themed West End Live Lounge, but this time, the team have graduated from The Other Palace Studio, to the main space as they become bigger and better. Featuring songs from some of the most influential women in music and raising money for Samaritans, West End Live Lounge is really about the heart and soul of everyone involved.

Host for the evening was Samuel J Holmes who wittily engaged the audience and provided innuendo after innuendo and a number of anecdotes about his new home in Southend. The atmosphere remained lighthearted throughout but we were all reminded of the crucial reason for the concert. As always, the proceeds from West End Live Lounge go to charity, this time we were raising funds for Samaritans who do crucial work helping those in dark mental places. The Samaritans answer a call for help every six seconds which is truly incredible and its imperative that we help where we can. Especially in an industry where mental health is often battered, it feels very special and close to everyone's hearts that we can support the charity in this way.

Whilst the evening did flow very well, it would have been nice to hear each performer introduce themselves and their songs a little as at times they felt a little removed from the audience. Perhaps this was due to nerves but I felt that some ice breaking could have helped.

To raise funds and of course provide entertainment, founder of West End Live Lounge, Shaun McCourt pulled together some of the best West End performers to sing their hearts (and larynx's) out.  Highlights were aplenty so I'll just name a few... First up, Jennifer Tierney's performance of All By Myself  which was note perfect and superbly performed. With her hauntingly beautiful rendition of With Woman in the Moon, Brady Isaacs Pearce brought calm to the venue, whilst Shekinah McFarlance showed off her extreme vocal prowess with Lose To Win. 


Blowing the roof off at the end of act two, Emma Lindars put her own spin on the Jessie J classic, Mama Knows Best and wowed the entire audience a second time with Stone Cold by Demi Lovato. Live Lounge regulars Divalution provided their signature riffs, belt and sass with All I Ask and Power, and Matthew Harvey put a new spin on Britney Spear's, Circus, complete with multi-coloured lighting.

Other stand outs included Kayleigh McKnight's rendition of Chandelier, Louise Dearman's take on the Celine classic, Taking Chances. And, after an understated start, Simon Gordon's performance of Shallow was utterly breathtaking and completely memorable. The 10 piece band led my MD Sam Coates did an outstanding job of backing up the performers as well as having their own chances to shine. The full band bring a real warmth to these concerts and its fantastic to, not only hear them playing brilliantly, but also see them looking like they're having a great time.

West End Live Lounge continues to provide a highly entertaining Sunday out, full of treats a surprises. There is always guaranteed to be something for everyone and you should definitely pop along, not only to hear fabulous singing, but also to support highly deserving charities.

photo credit: Nick Brittain (Brittain Photography)

West End Live Lounge: Woman, The Other Palace | Review

Wednesday 13 March 2019

9 to 5 The Musical, Savoy Theatre | Review


9 to 5 The Musical
Savoy Theatre
Reviewed on Tuesday 12th March 2019 by Olivia Mitchell 
★★★★

Its almost forty years since Violet, Judy, Doralee and their misogynistic boss made their way to screens in the film 9 to 5. Musical adaptation by film creator, Patricia Resnick shows that whilst times have changed, unfortunately many of the issues are still prevalent and feel very relevant during the Trump Era and #MeToo movement. 

Despite what you may think, this is not a jukebox musical and apart from the world hit 9 to 5, many of the songs are forgettable although being pleasing to listen to at the time. The arrangements by Stephen Oremus, Alex Lacamoire and Mark Crossland are pretty and Lisa Stevens' buoyant choreography keeps the momentum of the show going but the music itself is not the highlight. 

However, Jeff Calhoun's West End production features a fantastic cast who perform Dolly Parton's score with vigour and drive.  Natalie McQueen completely shines as Dolly's character, Doralee Rhodes. Funny, feisty and a vocal powerhouse, Natalie brings life to the role and provides a memorable moment with Backwards Barbie. Amber Davies is charming as the naive Judy Bernly who finds herself throughout the show. Whilst her acting is somewhat lacking at times, Amber retains her charisma and gives a lovely performance of Get Out and Stay Out. 


Caroline Sheen brings a light to the show as the strong and capable, Violet Newstead. Together the three ladies are a  real force as they take drastic measures to stop their sexist boss, Franklin Hart Jnr. (played comedically by Brian Conley) from blackmailing them.  The real show stealer is Bonnie Langford as Hart's devoted assistant who is completely wonderful is her unrequited love for her CEO. Her high-kicking, leg-splitting performance of Heart to Hart is impressive beyond belief and utterly hilarious.

This is a crowd pleasing production that, with a second act of only 45 minutes, flies by with a flash of hair, power-suits and feminism. There's no denying that the principles are dated and it's more of a period piece  than a modern inspirational tale to live by, but it does provide a laugh. Whilst being set in the 80s, the various nods to 2019 allow it to feel more relatable. 9 to 5 is a feel-good show, helmed by powerful performers who allow you to ignore the shortcomings and enjoy it for what it is: a load of female led fun.

photo credit: Craig Sugden

9 to 5 The Musical, Savoy Theatre | Review

Tuesday 12 March 2019

Benidorm Live (UK Tour), New Wimbledon Theatre | Review


Benidorm Live (UK Tour)
New Wimbledon Theatre
Reviewed on Monday 11th March 2019 by Olivia Mitchell 
★★★★

Camp, crude and cheesy, Benidorm Live has brought the popular TV programme to life in a fantastic way. Derren Litten's stage adaptation completely captures the feel-good essence of the programme and has the audience laughing out loud throughout.

Almost taking the form of an episode from the TV, Benidorm Live follows the staff and holidaymakers at the tattered and tacky beyond belief, Solana Resort in Benidorm. Famous faces from the series Liam (Adam Gillen), Mateo (Jake Canuso), Joyce (Sherrie Hewson), Kenneth (Tony Maudsley), Jacqueline (Janine Duvitski) and Sam (Shelley Longworth), fight to reveal and impress the undercover hotel inspectors who could lead to the shut down of the resort. The story is basic but extremely well put across; what the narrative lacks, is made up for with performance and wit.

Mark Walters' cleverly designed set, brings the hotel to life with cheer and brightness, featuring a pool side, Neptune's Bar, the hotel reception and the Blow'N'Go salon. The transitions from scene to scene are well done, especially when mini dance interludes draw the audience away from the set changes completely. By the end of the show, you almost forget you're not watching the TV, or even that you're not sitting on a Benidorm beach yourself. 



Whilst the hugely enjoyable design of the show is great, it's the utterly hilarious cast who really bring it to life. Sherrie Hewson prances about barking orders to no avail. As the sleazy but adored Mateo,  Jake Canuso is outstanding and he tries (and fails) to seduce the hotel's guests. Particularly impressive is the link to Canuso's past, where he shows off some of his sharp, supported dance.  Janine Duvitski gives one of the wittiest, most innuendo rife performances ever. Her play on words and general larger than life persona, makes her a definite audience favourite, gaining laugh after laugh. Adam Gillen's Liam is endearing and wonderful, as is his partner in crime, Kenneth, played as camply as possible by Tony MaudsleyAsa Elliot as himself, provides some great vocals.  As the middle-class holidaymakers who find themselves at the Solana when their dream hotel is overbooked, Tricia Adele-Turner and Bradley Clarkson give buoyant performances as Sophie and Ben.

Derren Litten's stage debut should be applauded as he creates a rowdy night out that is easy to follow but still highly entertaining. A saucy, seaside postcard of a show, Benidorm Live is sure to delight fans of the series and newbies alike as they take a carefree, innuendo-filled trip to sunny Spain. 

Benidorm Live is at the New Wimbledon Theatre until March 16th before continuing its tour.

Benidorm Live (UK Tour), New Wimbledon Theatre | Review

Tuesday 12 March 2019

Saturday 9 March 2019

Mamma Mia, Novello Theatre | Review


Mamma Mia
Novello Theatre
Reviewed on Wednesday 6th March 2019 by Olivia Mitchell
★★★

It's a cult classic, it's summery fun, it's the music of ABBA and altogether it's a great night out. It's never going to be the most theatrically enthralling or deeply emotive piece of theatre but Mamma Mia is a boat load of laughs and a perfect carefree way to spend a couple of hours.

In case you've somehow missed it, Mamma Mia is set on a Greek Island where Donna Sheridan lives with her daughter Sophie, who is getting married to ex-banker Sky. Sophie is on a mission to find her dad so invites her three potential fathers to her wedding. What ensues is a journey where past emotions are brought up, and the importance of family is examined and everyone bops out to a bit of ABBA. When it opened in 1999 in London, very few would have imagined the worldwide success of the Mamma Mia franchise and it seems that this success is in safe hands with the current West End cast who are helping it celebrate it's 20th Anniversary.

Having recently taken over the role, Charlotte O'Rourke is super sweet is Sophie Sheridan. Bringing the sweet vocals we all expect as well as power in act two. Alongside Alec Porter as Sky, the pair make a nice duo and give an especially entertaining performance in Lay All Your Love on Me.


Leading lady Donna is a pretty extensive role which requires some big vocal chops. At this performance, Caroline Deverill took on the role and did so with both honesty emotion and exuberant energy. Songs such as The Winner Takes It All and Money, Money, Money were stand outs of the night. As her Dynamos, Jennifer Hepburn (Rosie) and Kate Graham (Tanya) gave spandex filled performances and delivered their witty lines with a freshness that the audience clearly loved.

Sophie's three dads were played by Mark Isherwood (Harry), Stephen Beckett (Bill) and Richard Trinder (Sam). The three get the audience on their side immediately and give wonderfully comedic and heart warming performances. Their complex relationships with each other, Donna and Sophie are well played out and extremely entertaining. 

The ensemble work hard to bring the Greek island to life in terms of choreography as well as providing backing vocals to most of the show. There did seem to be come vocal imbalance throughout, with the leads often being almost silent but this was rectified by the mega-mix ending. 


Mark Thompson's basic set is cleverly used with the addition of props and lighting to simplistically put the story across and compared to other shows does feel a bit dated and overly basic, but it does the job and that's all you can ask for, and expect, with a show like this. 

With the Mamma Mia sequel recently being released and the ABBA love being felt more than ever, it's no surprise that this show continues to be a success. It's not a categorically 'great' musical but it's super energetic, platform filled and as much fun as you wish it would be. 

Tickets for Mamma Mia can be booked via www.londonboxoffice.co.uk

photo credit: Brinkoff/Mögenburg

Mamma Mia, Novello Theatre | Review

Saturday 9 March 2019

Thursday 7 March 2019

Waitress, Adelphi Theatre | Review


Waitress
Adelphi Theatre 
Reviewed on Thursday 7th March 2019 by Olivia Mitchell 
★★★★

Based on the 2007 film of the same name, Waitress is a quirky, sweet, fun show by late comedic legend, Adrienne Shelly. Having taken Broadway by storm, it has now opened in London and is a pastry wrapped parcel of theatrical sweetness. 

With music and lyrics by Sara Bareilles, it's the score that's really the stand out factor of this show. The music is a magical combination of folk, pop, country and musical theatre, and gives the musical a really cinematic element. The contrast between high energy songs, calmer numbers and highly emotive pieces, cleverly matches the way the show emphasises the highs and lows of life. 

As we are welcomed into the Adelphi Theatre with the smell of pie permeating the air, we instantly feel a sense of relaxation and as if we really are visiting the small diner in rural America where most of the show is set. We're introduced to the characters as if they're friends and get to see the great cast at work. 


In Waitress, the ensemble act as though they are one. Of course they scatter the stage and have individual character moments (a particular stand out is Kelly Agbowu as the wonderfully sarcastic Nurse Norma as well as Charlotte Riby who is fantastic as Jenna's mum and really shines during her featured moments) but they really come into their own when they work as a team. Much of the choreography (Lorin Latarro) is ensemble based and features smooth movements as well as perfectly timed motions. The men and women combine at times to symbolise Jenna's internal thoughts, as well as keeping the show fluid and highlighting the connections between people on stage. Natural feeling movements are in reality, highly choreographed but the show still feels pretty free and spontaneous.

Whilst the show is cute and there are various witty moments, the book itself is not particularly strong as a whole. Leading lady Jenna, is pregnant with her abusive husband's child and falls in love with her gynaecologist Dr Pomatter, whilst her work colleagues also have romances of their own. 

The romantic encounters are charming but the consistent cheating which runs throughout the show, feels somewhat jarring. It's not the cheating itself which feels wrong- Jenna wants someone who loves her outside of her abusive relationship, whilst Becky's husband is unwell so she feels tied to him but wants something more- but the lack of resolution to these stories feels unfulfilling. The story is clearly meant to be about female empowerment, but it doesn't seem right that the men are allowed to act in any way they like (and motivate all decisions the women make). Ogie for example, doesn't think twice about hounding Dawn when she says no to seeing him again, whilst Dr Pomatter has no qualms with seducing a vulnerable patient. Of course these things are meant to make us root for them and see it as 'forbidden love' but unfortunately it leaves a bit of a sour taste.


However, the performances throughout are pretty uniformly wonderful and the cast do all that they can with the book they've been given. Katharine McPhee as Jenna, gives a graceful but vivacious performance, which at times feels a little too understated but truly delivers in her stand out moments such as She Used to be Mine and she leads to show with a delicacy that is enviable. David Hunter is suitably geeky and charming and brings a great vocal performance to Dr Pomatter, whilst Jack McBrayer is hilarious but lacks vocal strength and technique as Ogie. Marisha Wallace is sassy as Becky and Laura Baldwin gives a standout performance  both vocally and in terms of characterisation as timid, love-struck Dawn. 

Waitress is a show that takes you off the beaten track and provides a more intimate, less flashy show compared to those we usually see. This nuanced musical is a sweet treat that will warm your heart, purely thanks to it's quirkiness and affectionate score. 

Tickets for Waitress can be booked via www.londonboxoffice.co.uk

photo credit: Johan Persson

Waitress, Adelphi Theatre | Review

Thursday 7 March 2019